Review of Sonsombre: The Veils Of Ending

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Band: Sonsombre

Album: The Veils Of Ending

All music written and recorded by Brandon Pybus at Sound Sorcery 


https://sonsombre.bandcamp.com/album/the-veils-of-ending

It seems like the original goth music concept is becoming a bit of a forgotten relic from times of yore. It’s easy to forget sometimes as goth music is experiencing a resurgence that brought a shattering and synthesis of various styles to create new sub genres that the original fans of Sisters of Mercy (totally not goth just ask Andrew Eldrich), Fields of the Nephilim, Rosetta Stone , in the 80s are all elders at home on a Friday night. Even the generation after (which i am a part of ) are in our 40’s now. That is why when I heard this record from North Virginia doom rockers Sonsombre my heart soared with the idea that the new generation of “goth” is ready to come back to square one. To the place it all begin with some true dark unapologetic goth rock. Risen from the crypt and given shadowy wings to soar once again into our hearts. I am 100% ready for this and I think the world is as well.

Sonsombre means dark and somber and this record surely is. It is cold and menacing. Guitar lines twisting like serpents of smoke flowing with the sound of a fender jazz tube amp with poison fangs aimed for your head. Brandon Pybus voice echos and canters through poetic verses about a sinister world closing in. Up tempo rock beats with crisp sword dance snare beats snap you like a frothing horse running towards a cliff. This album feels more and more like an unearthed and forgotten magic which was always there sleeping but we had forgotten. I want to remember. I want this new generation to hear what goth meant to me, and Brandon has captured that sound in a bottle and spread it back into the world. How can a concept so old feel so fresh?

Ok top tracks, a lot of scorchers here but lets make hard choices 🙂

Night Child – Just listen to that opening guitar line dripping with sensual energy and dark foreboding. The driving baseline straight out of the Floodland playbook. Brandon’s voice is a pleading chant of deep and tortured challenge. “Night Child am I reaching you?” It comes in waves and erodes you as it washes over.

The Future is Black– The opening of the sinister music box tinkling. Building a tension until those slashing guitar sounds come racing towards you in a fury of cuts. The drums for this have a tight fierce pacing making a dance driving attacking feel. Try not to move your body while this washes over you. The future is black and I am hearing this kingdom collapse with fists raised and boots stomping. This song is so familiar , like a club anthem I had forgotten.

Matte Black – Taking the tempo down to a cursed dirge drive. The vocals charge to the front. This song is haunted and full of pageantry. Facing our own demons and acknowledging the romanticism found in a doomed and nihilistic world. Prybus is a true bard and this song is his heart song.

Overall this album was a remembrance I needed. If you were not old enough to feel the first two waves of goth than this record is a masterclass in how those songs inspired a movement. It isn’t a simple retread though, it is a sum of all the best parts of the music that inspired it. Using modern technique and technology to bring and energy and crackling life that I think was sometimes lacking in our ancient sacred fore bearers. The lyrics are poetic and poignant and I am filled with the possibilities that traditional goth rock has in the modern era. Fire this into your veins and sway your arms in burning ruins of future sounds.

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