Actors – “Acts Of Worship”

There is a shift that has happened in modern music, of how music is released. A focus on speed and constant content of singles in the streaming world. The art of tension and anticipation between releases has become an artform which has fallen by the wayside. In 2018 Actors released “It Will Come To You”. It captured the imagination of the scene which propelled them as a modern voice for a genre based in nostalgia. Three years later that title that won over new wave of Post Punk/Synth fans has come to ring all the more true. The slow gleaming trickle of singles leading to the promise of a sophomore album have fallen like individual raindrops on the thirsty tongues of their growing fanbase. The addition of a new bass player Kendall Wooding adds another element to the chemical reaction. The patient crafting of new songs which hold that emotional connection, while growing in complexity and range. The story of Actors has always been one of communication and relationships within the human experience. “Acts of Worship” elevates that connection to explore the spiritual macro concepts which bind us together.

Acts of Worship | ACTORS (bandcamp.com)

Kendall Wooding

Going to do something a little different for this review because I am so invested. A song by song breakdown of my impressions:

Love U More – A delicate symphonic intro that opens the curtain. Jason’s voice is sorrowful and and ripe with longing. The chorus is a perfect way to display this fresh sound of collaboration. A true harmony of individual styles. Shannon’s vocal’s fire forth with a confidence and balance that leaves you looking up to the sky. I love the clear heavy footed walk of the bass. The flickering electric street lights of the guitar lead. This track is here to set the scene. To re-introduce beloved characters and place them in a new adventure. The most striking aspect is how much the concept of the song feels uncharted. The genre is familiar. The style distinctly Actors. The texture and melody feels like the future. Something we have yet to hear.

Like Suicide – It can be hard to separate an artist from art. When people hear “The Joshua Tree” by U2 these days the first thing that pops to mind is a Bono joke. The impact that album had with it’s ballads in particular. A voice so dripping with mystery and unfettered passion. A romantic beauty in a time of consumerism. That lost concept is what stirs within me in this soul barring heart dancer. It’s a catchy croon that glows with soul. That place where what is pleasing to the ear and painful to the heart go to share the struggle and triumph of life.

Cold Eyes – A forceful driver of city lights blurring as a they pass by the passenger window. Love this overlapping guitar part between muted crunch and crackling lead. The singing has a voices in your head surrealism. A hallucination effect that leaves you questioning what is real. I think this song has a classic Actors feel which helps connect “Acts of Worship” to “It Will Come To you”. This is the preservation of continuity song.

Obsession – This song felt personal for me. We all have felt this isolated time to dwell on people or things we are missing. Swirling shadows in the water, violet hues and reflected neon light. Jason’s voice takes on that airy Ian McCulloch beauty. Letting you sink within your own destructive thoughts and lose yourself between the water and the mist. One of the deepest most revealing moments of honesty. This song in particular felt like a real look behind the bands eyes.

Photo by Pedro Santos

Death From Above – What a glorious tone shift. I found myself transported like a World War 2 fighter pilot blazing towards a synthwave animated landscape. The hook and harmony of this track is captivating. The strong down strike percussion that personifies the aerial assault. The record player effect of the vocals enhanced the vintage feel to create a sharp contrast against the digital soul of the music.

Killing Time – Strong opening of magnetic fuzz on the guitars. The shifting polarities kept me bouncing around the room. The last two years has seen time slipping past us. Days bleed together and we need to force ourselves into these moments. I love the tension breaking shouts of “Hey” to stir a unity and freeze frame. An anthem to stop the push and pull of life and hold us in this moment until the pull sends us back into a volley. I am impressed by the ambition of this track. It pulls off the difficult task of complexity without sounding complex.

Photo by Pedro Santos

Only Lonely – The bouncing funky bass line of this track has huge John Taylor emotions. Jason swings into a husky whisper on vocals. A secret that pulls you in and sets you up for the call and answer chorus. A much brighter and meringue peaked dessert tone. The lyrics still deliver a pang of longing to add shape and depth to one of the most tender fashion walk singles on the album.

Strangers – Another engulfing single on an album full of singles. Strangers hits on all cylinders. The lyrics paint a picture in beautifully blended water colors. The music is that razors edge of expansive synthetic beauty and sizzling rock energy. I feel like this is Jason’s strongest vocal performance. Utilizing everything he does well at it’s highest peak. It is decisive, emotional, and resonates with a concept which relates and challenges. This is the type of powerful track lost in the modern age full of poetry and delivery. A true modern classic. My top track on a top album.

End of the World – A nice tension building intro for a cosmic journey watching the world grow small. The radio announcer crackle effect on the vocals creates weight and acceptance of a world slipping away. That progressive keyboard line pushes to center stage and sets the tone of emotional longing for La petite mort. As life hurtles towards uncertainty we take a journey of acceptance. This was one of the most musically powerful tracks. A haunting tone of post apocalyptic hope in a desolate moment.

Photo by Pedro Santos

Once More With Feeling – The ending of a journey of one of the most complete records of the modern era. To say it leaned into the epic and expansive is an understatement. This song has a true OK Computer emotional range and scope. We have witnessed the end of the world, but are left with a resurrection and resilience. To push on, to survive while towers of magma shoot into the sky of a new world. I love that instead of going out on a single, instead we are played out into a promise of future adventure. A glimpse on the horizon of a world to come.

Acts of Worship” Is going to change the standard. Rather than think of it as an album out of time. Hear it as the type of puncturing emotional thought pieces we talk about as nostalgia from a previous era. I choose to see the hope it promises. To be a place where those that remember the past, and those that are blazing new ground in the future meet. Where they say this was the moment where the music we talk about twenty years from now with a new generation is remembered. It’s a powerful feeling that you can be apart of now.

A review of VR SEX’s new album: Cyber Crimes

VR SEX is Andrew Clinco’s California-based synthwave/post-punk project. You might know Clinco better as “Deb Demure,” his androgynous and alien alter-ego he puts on for his band Drab Majesty (alongside Alex Nicolaou aka Mona D). I’ll preface this review by saying that I’ve been a long-time intense fan of Drab Majesty and Deb/Clinco, but for some reason never really got into VR SEX. I wish I could give you an excusable reason why, but nothing comes to mind. I simply never got around to it. And boy, what a mistake that was!

I got word of this new VR SEX album, released April 30th 2021, in the midst of moving, and thus was not able to get to my computer and write this review immediately. But now? Now it’s time!

I listened to Cyber Crimes on loop while driving across Florida, letting it simmer and dwell in my mind. As with anything of Clinco’s that I’ve listened to, this album managed to both encompass and subvert genre. In a desperate attempt to pin it down, I looked at the tabs on bandcamp for the album. It states: “punk, acid-punk, ambient, post punk, synth punk.” Now where does that leave us? Well, there’s synths involved. Jot down “synths,” and we’re halfway there. Post punk works, but, dear S&S reader, at this point I’m sure you’re familiar with exactly how broad the “post punk” label can be. I do like this label of synth punk. Acid punk, post punk, synth punk. Punk is repeated here. And punk is very, surely present in this album. It’s intense. It’s driving. It has hints of rock n roll.

Something else notable and delightful about this album is how it managed to sound both fresh and vintage. I can’t quite pin down what 80s band it reminded me of. Clan of Xymox, perhaps? Some of the less popular Jesus and Mary Chain tracks? Uh…The Damned? Even Sisters of Mercy popped into my head. None of these are apt descriptors. I encourage you to give it a listen and let me know what you think this sounds like. Or, perhaps, it’s inappropriate to try to compare VR SEX to the legends of old. As I said, it’s not just vintage, it’s fresh. Very fresh.

My favorite track on Cyber Crimes has got to be “Rock N Roll Death.” This is a song that I fantasize about dancing to at a club (once the pandemic subsides). It’s hard. It’s fast. It’s danceable. It’s rocks. It rolls.

I also thoroughly enjoyed “Dog Complex.” I know I said comparisons to past bands is perhaps not appropriate, but I can’t help but mention Bauhaus for this one. It’s dark. I’d even dare to say this track is on the gother side of the post punk spectrum. His vocals go a bit harsh here. The song itself is harsh. And I love that.

To finish off my review, let’s talk about this album art for a second! (Note: if you follow me as an S&S writer at all, you’ll know that I’ve got a passion for album art and have a few posts about it to my name up prior). Is vaporwave still a thing? Because I want to call this art “acidic vaporwave.” If that makes any sense. Anyways. The vibe of this art matches the album very well. It’s grainy, divided between a harsh green and a dark black-and-white. There’s meat. Why is there meat? Hell if I know, but it’s visceral, just like the tracks. The pixel-y “VR SEX” around the border comes in clutch with that vintage 80s feel. Honestly, just stare at that album art for 5 minutes before listening to the album and see if you can capture a feeling, a prediction of sorts of how the album will sound. I bet it’ll be pretty accurate!

In conclusion, I’m in love with this album and would absolutely recommend it. Clinco delivers.

It’s Friday and I’m In Love With Bandcamp Day

In a shocking twist of fate I finished my May Bandcamp Day reviews a week early. Which means I have time to do a part II of amazing new releases before Friday 5/7/21. As always I have gotten into my tiny goth boat to sail the seas of amazing music from around the world that stirred my heart like a bracing wind on stormy seas. So look with me to the stars as we navigate these choppy waters. Leave some of your great finds in the comments below, and as always keep it dark yo.

Big Time KillRecovery – Let’s jump in with a bang to the new EP by Boston based BTK. This EP absolutely floored me. It’s a ear worm blasting blend of catchy intense lyrics flicking through a rollercoaster dynamic ride with glam, electroclash, synthwave, and grunge. The way Adam Schneider and Ben Caccia bounce through effortless transitions is engaging and artistic. To cover so much ground in 4 tracks is a masterwork. I know I am using big shoes here but this journey holds the toothy refinement of Pretty Hate Machine. An early contender for surprise hit of the year.

https://bigtimekill.bandcamp.com/album/recovery

Favorite track: Cliche’ – Whipping chains of ghost riding fire. Drops away with a crooning desire. The chorus is an expansive hit that taps deep into a feeling any artist in 2021 has looked down the barrel of. Bubbling guitar leads counteract with Adam’s piecing sky splitter voice. “What are you gonna do, when the world keeps coming for you”. Banging guitar solo 10/10 on the pump my fist in the air scale.

Sweat BoysAdrenaline (feat. Valerie Abbey) – Blistering blaze single from Benny Sweat who has teamed up with Valerie of Abbey Death to tackle goth classic Rosetta Stone’s synth anthem. It’s fresh in it’s violet electric pacing and the wispy beauty of Valerie’s delivery. I love Ben’s gift for taking something untouchable and making it his own. It has reinvented the song as well as his own style. Everything about this cover feels fresh. The flowing keyboards step forward to take the place of the guitar line and turn the dark sky neon. This single is an instant club hit.

https://sweatboys.bandcamp.com/album/adrenaline-feat-valerie-abbey

Era NocturnaHell – Another Boston artist Era has has returned from a 13 year hiatus to release a new single featuring three remixes. Her voice has the stalking power of a giant black wolf, blood dripping from it’s jaws. A sinister ferocity and stalking cadence. The whole sound feels cornered and dangerous while exposing a vulnerability. The lyrics are a poetic journey like Dante emerging from the inferno. It’s hard, it’s mean, and it happens in 4.5 minutes. I hope this spells the return of a powerful darkpop voice. Special shout out to the Lilith My Mother remix which softens the edges and adds blending of the grey hues to the music. This brings a clarity and resilience to Daeva’s voice. I can’t wait to see what style will be her next prey.

https://eranocturna.bandcamp.com/album/hell

Coor Brow-OblesMacGuffin Baby – Bopping new gothglam single from Gillingham UK. I always love the high range old school croon of Coor’s voice. The tongue and cheek of beauty against S & M concept. Put your hands on me and choke me softly. I think Coor has a true star quality and I want to see the production level find the same heights of cleverness as the songs. A fun ride between Bowie and Syd Barrett that leaves me hungry for more.

https://coorblimey.bandcamp.com/track/macguffin-baby

Death Loves VeronicaChemical – The first album from the glorious union of the Texas siren and Cold Transmission Music. I love the crashing tide synth drive and the contrast of warm whiskey sliding down the back of your throat. A ritual incantation and self realization. Every time Veronica announces a new release I am left wondering what new territory her voice will take me. Pre Order is currently available with the first two singles “Burn” and “Spindein“. The power of this album is how instead of you studying the painting while listening. The stalking control and awareness in the eyes of the music is staring back at you. You are the one on display and the tendrils of the music creep towards you and wrap you up.

Favorite Track: Spindein – Such a deliberate, calculated crawl of leather and feathers. When they say a song can get under your skin, this is what they mean. “Nothing dies, the way you do” I love the buzzing guitars at the halfway point. It really adds a second act to the story of the song. Light the candles, pour a glass of wine, get seduced by the power of music.

https://deathlovesveronica.bandcamp.com/album/chemical

WeirdWolvesOverdrive – First single from the Austin TX band which combines Raphael Colantonio and Ava Gore (Daughter of Depeche Modes Martin Gore). It’s a nice early 2010’s electrosmasher club killer. Nice duet blend vocals. I had to really force myself to hear it on it’s own merit and not the power of it’s royal blood. Top notch production and some lovely giant mechanical snake sidewind slither. It was a brief but tantalizing introduction. You have my attention, but the bar will be high. I want to see open veins and dynamic power from a full length release.

https://weirdwolvesmusic.bandcamp.com/track/overdrive

Dead Animal Assembly PlantBring Out The Dead – Another bone jarring hit from our friends at Armalyte Industries. This album is venturing a little closer to the metal aspects of industrial/metal than I tend to go. Sometimes in life you just need music to smash shit to, and that’s what the Portland band is bringing with rapid fire whole sale destruction. What leaves me impressed isn’t the moments it hits hard, it’s in the subtitle intelligence where pulls back and lulls you into a false sense of security just to swing the bat at you again with reckless abandon. Another great highlight is the cover of the folk song “Gods Gonna Cut you Down“. They say when Johnny Cash covers a song he makes it his own. Sometimes though you need to rip it out of his hands and shake the shit out of it with blistering guitars and fiercely whispered vocals by Time Bitch.

Favorite Track: Sacred Disgrace – It’s all the power and fury of the other tracks, with Lulu Black adding an eerie and off putting violin line which makes the vocals spew forth with added vigor. A crushing dirge of power and beauty.

https://deadanimalassemblyplant.bandcamp.com/album/bring-out-the-dead-2

blackcellBurn the Ashes – Ok this came to me as a hot tip from Michael Smith. Just to discover it is a collaboration of Eric Isbell and Matt Jones. Mastered by Chase Dobson. Dark, dripping, delicious death disco that I didn’t know how much I needed in my life. Take one part Ultravox, one part Cabaret Voltaire, a dash of modern production to sooth the lofi edges and you have the recipe for your next low key sexy dance party. A twisted carnival of Andy Warhol’s most fiendish nightmares made of shadows and spun in technicolor. I was not ready for this and fell deep. Prepare to hear a lot more about this band from me in the future. This gets the where have you been all my life award.

Favorite Track: Creep Like Fire – This is the song playing when John Travolta stumbles into the Black Lodge of David Lynch and wanders aimlessly while a thin man in a suit speaks in reverse.

https://blackcell.bandcamp.com/

“I took out my credit card to see you giving head” Male Tears review by Eddie LaFlash

Now that a have your attention (all credit to my favorite lyric in this album), welcome! Today I’ll be reviewing an album that I instantly wanted to sink my wiener into as soon as it was sent to me.

Male Tears is a synth pop duo consisting of James Edward on vocals and synthesizer and Spencer Jackson on keyboards. The duo makes synthpop that reminds me of Culture Club and OMD mixed with the soundtrack from this SNES game I used to play as a kid called Plok. You see, Plok is this small yellow man throws his fucking limbs at enemies and travels to different islands looking for his flag. Some heartless asshole took Plok’s flag and boy is he pissed off. Well, I’m getting sidetracked here. So let me jump back into this review.

https://maletears.bandcamp.com/

My Dude Plok

Overall, this is a solid fucking album. Each song has an early impact even though each track is compact. Songs are well structured and don’t overstay their welcome. They pummel you with catchy synth hooks, just the right amount of marimba leads and tickle you with these 80s pop vocals. Also I want to note that the drum programming here is phenomenal. A little goes a long way with drum programming. For example in the song “Let’s Pretend“, the drums are mostly a rock beat with some analog drum flair, but in the pre chorus, the back beat switches from 2 and 4 to the snare hitting on 3 which I geeked out about because it really broke up the flow of the song and kept it interesting.

Human Errorz” is another example of a synth pop classic that breaks from the albums electro thudding and gives you this off-kittler rhythmically stunning example of what Male Tears is giving you. Some of the drum patterns here remind me of Steve Gadd’s intro to “50 Ways To Leave Your Lover“.

Did I mention hooks? Each song is layered with the classic 80’s production tropes you’d expect and does it so well in a way that none of the tracks feel too busy. You’ll come across thicc Italio-disco bass lines with gated stabby sawtooth chord progressions and glassy pads, but on top of all of that are these absolutely baller melodies that act like those old filters at the bottom of swimming pools. Instead of overwhelming you, they keep you glued to each track. Future X has a hook that only shows up only in the fade out, which I thought was dope.

If I had to pick a favorite from this album I couldn’t, so here’s two. “Creep Distance” is a winner for me. The vocals really stand out in this track and the all around groove made me keep coming back to it. Also it reminds me of that Cars song that plays in the scene in Billy Madison where the principal gives Adam Sandler the card where he says he’s horny. “Adult Film” is also a winner for me and also where the title of this review comes from. This track is so fucking catchy and it has some straight forward erotic lyrics that I’m always a fan of.

Every song on this album is worth checking out if you want retro synth jams loaded with hits and erotic themes. My only critique is that sometimes the vocals get lost in the mix with all the reverb, bit fuck it. Its still a fantastic album. I’d love to see Male Tears put a more modern twist on their next release to keep things fresh as well. This album was released on Valentines Day the cassettes are already sold out, so get some more of those available because I want one.

https://pacificplaza.bandcamp.com/album/male-tears

Sounds and Shadows Top Postpunk/Synthwave/Darkpop albums of 2020

Part 3 of this series might have been the toughest to write. There was such a wealth of great new albums in this genre I found myself at a loss to pick and choose my favorites. However tough choices need to get made. These are all records released in 2020 and not singles. I feel like everyone on this list did something very profound.

Black Rose Burning – Open the Gates – George Grant is doing amazing things using stripped down elements of dark post punk concepts. His voice has this scintillating David Bryne expressive lilt. It harnesses such energy with an acoustic guitar and a percussive gate. It’s romantic, not like a relationship, but the way Star Trek is romantic about the love of stars and exploration. I find myself constantly lost in the beauty of it.

https://blackroseburning.bandcamp.com/album/open-the-gate

SceniusEnough Fears – I found this album at the very end of the year but I have a feeling this will be on my heavy rotation the next few months. The Leeds band is a bending maze of emotion and turns that I found myself deeply immersed in. The vocals from Fab Nau were so original and cutting. Perfect dark trance resonance and endless builds. This is a band I will be paying close attention to in 2021. I feel the beginning of something beautiful starting.

https://scenius.bandcamp.com/album/enough-fears

Vlimmer – XIIIIIIII – This series of albums reaches it’s conclusion in glorious and staggering fashion. Alexander Donat has an amazing gift to take emotion and transfer it into sound seamlessly. Taking a tiny burning ember of idea and gentle blowing on that fire until it swells into a blaze. Truly a criminally underrated talent in modern artistic expression through sound.

https://blackjackilluministrecords.bandcamp.com/album/xiiiiiiii-18

White Mansion – Human – Arkansas brings us this strong front to back traditional post punk. I love the bold transitions here and open air vocals. I think the name Human was perfect for this record because it is all about relationships. You can really follow the story. It’s organic, full of heart, and makes a connection.

https://whitemansion.bandcamp.com/album/human

The Secret French Post Cards – Colors – More glorious post punk darkness this time mixed and mastered by Pedro Code (Iamtheshadow). This record is so understated and comes at you in subtle ways. Olli Ohlander has a ringing and smoky delivery that chews up scenery like a master actor. Blended reverb and echo makes the guitar build tension that pulls you into the moment. Paint a picture in your mind with this record. Another Cold Transmission band.

https://thesecretfrenchpostcards.bandcamp.com/album/colours-2

Danny Blu – The Pale Horse – Crackling energy and neck grabbing hooks from NYC. Personal soul threaded into club kid sleek trance. This record is everything cool I want to give off. The smoky saxophone trills add a beautiful contrast note. The cadence they lyrics are delivered with are an extra percussion and rhythm. It leaves me longing for more.

https://dannyblu.bandcamp.com/album/the-pale-horse

Elz and the Cult – Bloodlines – Elz is one of those beautiful and unique humans that takes their internal light and bleeds it into every track they make. It has such a genuine and soulful flavor which modern darkpop is so hungry for. It is a record of personal intensity that stands out in the landscape. A true gamechanger record that everyone should experience. On Cold Transmission Music.

https://elzandthecult.bandcamp.com/album/bloodline

Korine – The Night We Raise – Philly based band that is taking the scene by storm for good reason. They have such a glamourous beauty. While the lyrics are full of edge and venom. They truly have mastered the idea of taking two things you wouldn’t think would make sense together and then synthesizing it perfectly. It’s elegant, profound, and makes you feel like you are on the inside of secret. Also it has that glorious shake that ass factor. You will dance to this record all night long. On Born Loser Records now.

https://korine.bandcamp.com/album/the-night-we-raise

Panic Priest – Second Seduction – Chicago based Jack Armondo finds himself once again on my albums of the year. This sophomore album uses his rich and powerful baritone to great effect but softens the edges of the guitars in the first album. Putting the synths forward really captures the neon industrial aspects of his city. I love the way he captured the concept of isolation in the middle of a populated concrete jungle that became so relevant to us all in 2020. An impressive offering both in connection and execution on Negative Gain Records.

https://panicpriestngp.bandcamp.com/album/second-seduction

Soft Kill – Dead Kids R.I.P. City – Portland postwave glory with gorgeous and rich vocals and rainy flowing waves of synth sound. This record is so efficient and full of intention. This is one of those records it’s never a bad time for. It has that voice of a generation The Smiths sound but with a speed and energy of the modern era.

https://anopendoor.bandcamp.com/album/dead-kids-r-i-p-city

Idles – Ultra Mono – I love this album for the punk side of post punk. It’s intelligent, political, smash your fucking teeth in complex blasting rock. It has the true core of Fugazi. I wasn’t quite sure where to put this under but it belongs on some list.

https://idlesband.bandcamp.com/album/ultra-mono

Kiss of the Whip – We’re Not Here – Baltimore is doing some amazing things in the current scene and KOTW are near the top of that list. There is an amazing feeling when someone has such a wizardry of an instrument that it transcends and lefts everything in the song around it. That’s how I feel when Tristan Victor plays keyboards. The wide open textures and landscapes that flow through your mind at razor speed. His melodic whisper growl vocals really draw you in and let those complex synth changes do their work. I continue to be impressed with every new growth.

https://kissofthewhip.bandcamp.com/album/were-not-here

Spectres – Nostalgia – Sometimes I want a record that really pushes the edges of a genre. Sometimes I take comfort in bands that do a familiar sound with perfect execution. This album is so full of feelings that transport me back. Each song is original and new but the pallet of colors is brilliant with New Order, The Smiths, Echo and the Bunnymen. The heartfelt homage to the music I grew up on cleaned and washed and sent straight to my heartstrings.

https://spectresvancouver.bandcamp.com/album/nostalgia

Loveblind – Sleeping Visions – What happens when a traditionally shoegaze label like Saint Marie Records puts together a superband of Shoegaze talent to make a darkpop album. In this case what happens is one of the most textural beautiful records of the year. Dorian Electique has a stunning and haunting vocal quality that floats on the waves of slushy wave crash guitars and striking drum beats. Every time I play this record I picture silk scarves flowing in my wake. it just makes life a little more beautiful.

https://saintmarierecords.bandcamp.com/album/sleeping-visions

Black Nail Caberet – God’s Verging On Sanity – This band from Hungary has been on my constant playlist. They had an album in my top list of 2019 as well. I love that they don’t sit idle and instead explore a new aspect of darkpop. Emese has a remarkable strength and depth to her voice that reminds me of Annie Lennox. The dance beats are a force to be reckoned with and are like a shot of energy in the arm. When I need to find a little something extra within myself this is the record I reach for.

https://blacknailcabaret.bandcamp.com/album/gods-verging-on-sanity

Algiers – There is No Year – If you have never witnessed Algiers live, once the world reopens that should be the top of your to do list. They are the best live show I have seen in the past 20 years. It’s breathtaking to behold. They are another band hard to put in a box in the most amazing away. Notes of Motown/Gospel/Post Punk/Electronica. It’s all thrown in the blender and spun to a smooth creamy glory. The lyrics are poignant, fresh, and delivered with a voice sorely lacking in this scene. This record is such an up and down journey through culture, injustice, and personal revelation. I really can’t stress the importance of this band enough.

https://algierstheband.bandcamp.com/album/there-is-no-year

Then Comes Silence – Machine – Swedish based dark rockers put out this album in March and I listened to it many times in it’s entirety. The single We Lose the Night is such a perfect jam it has to be my most earworm song of the year. Just walking through the world I found it constantly popping into my head. This record has what I think of as true Post Punk vibes. The bass is thunderous and driving. Vocals are enchanting and full of warm and captivating feeling. Also the track Ritual feat: Karolina Engdahl is a perfect duet to blend beauty and razor cuts. I was an instant fan for life.

https://thencomessilence.bandcamp.com/album/machine

Bootblacks – Thin Skies – NYC post punk stars took a giant leap forward in their evolution for this album. It truly takes it’s own life and direction. Adding on Jason Corbett (Actors) to chisel and magnify a sound that already had such a unique and dangerous flavor. It is sleek, mysterious, and is my number one soundtrack if I ever pull an elaborate jewel heist and car chase in the heart of New York City. I think the most magnificent part of this album is that it really took “Post Punk” someplace new. It’s easy to get hung up on nostalgia, and there is some of that here. There is also a sound so sensual and fresh. I can just smell the musk of this album. You need to feel it on your skin.

https://bootblacks.bandcamp.com/album/thin-skies

Our interview with Bootblacks

Empathy Test – Monsters – This album was my most played on bandcamp this year. I just couldn’t stop coming back to it. It holds a beauty and quality that touches on so many genres. It’s personal and full of imagery that transports you into a movie. Isaac has one of those once in a generation voices that speaks right to your heart. This record just struck a chord inside me like the first time I heard Radiohead The Bends. That feeling of dramatic intensity that makes me think of youth while the refined craftsmanship spoke to my changed perspective. This is a young band, and their potential to grow and make art on another level seems limitless.

https://empathy-test.bandcamp.com/album/monsters

Our Interview with Empathy Test