The First Reviews of 2021

We are really excited by the success of our new Sounds and Shadows Facebook group. It has sent a ton of amazing new January releases for me to go through. This last year has given us a lot of great music but also a lot of anxiety. Lets hope 2021 is more focused on the first.

Push Button Press – Black Swan – This is a long awaited album from our friend Jim Walker and Cold Transmission record. The title really sets the tone for an amazing artist which has been a bit misunderstood and on the fringe. Writing music that was visionary and a bit progressive for some audiences. Right from track one The End of Time we are pressing our foot steady on the gas and gaining speed with clarity and purpose. I am feeling a lot of smooth spreading bassline and Jim has a stabbing staccato.That blend calls to mind early Psychedelic Furs. I think the thing that strikes me most in track 2 Trace are the crisp and driving drum beats. It really adds a powerful element of rock to the post punk concept. Title track 6 Black Swan lays open the the heart of the band. For every truth there is a black swan. The transitions here are so abrupt but maintain a silky smoothness that create constant motion. The guitar work here has a lot of early punk elements with heavy rhythm guitars. It feels like jumping across fast moving water from stone to stone. Always a sense of danger and concentration.

Jim’s voice is always just barely above the water of the mix and it lends a clarity to his words and allow the well written lyrics shine. Darkwave/Postpunk music is desperately in need of meaningful lyrics and Black Swan delivers. Although it is early in the year I expect this album will remain in my thoughts when it comes time to write best albums of 2021.

https://pushbuttonpress1.bandcamp.com/

Jay Draper & The SubterraneansBehind The Night – This album was sent to me courtesy of my friend Ryan Clark in Toronto. It features a slew of talented collaborators like Ian Revell (Double Eyelid), Paul Mercer (The Changelings) and Faith and the Muse. With all that talent what really makes this record jump out is the piercing glam rich voice of Jay Draper. The level of razzmatazz pizzazz is glorious to behold. Jay truly understands the emotional bandwidth of Dave Vanian and Brian Eno with laser lightshow blazing colors issuing forth in a rainbow. Belly of the Beast opens the album with a powerful build of a crooning pied piper leading you through the streets of a broken city. Such an immersive tapestry of expression with both voice and verse. Track 4 Land of Anxiety has this wonderful bouncing bassline and swelling keys while Drapers cadence is breathy and and happens in great leaps until the chorus explodes in a choir of ecstatic beauty. The album closes with You Must Be Mad, the operettic conclusion with a lovely synthwave power of Yaz Upstairs at Eric’s. I fell in love with the expansive growing journey of this album as I felt it sink through my skin into my bones. I think it would be easy for this record to go over the top, but for me, I found myself wanting to leap over that line and trust in Jay to take me to a fantastical place. I highly recommend you do the same. Releases on February 5th but one track is available on bandcamp now for preview.

https://jaydraperandthesubterraneans.bandcamp.com/album/behind-the-night

Antipole – MarbleNew EP just dropped from the post punk King of Norway Karl Morton Dahl. Antipole still holds the distinction of being our most reviewed band and it just keeps finding a new space. This album opens with the title track and frequent collaborator Paris Alexander of (Blue Door Productions) Marble and it is an absolute journey of a song. I really feel like I am in a giant glass bubble rolling down a mountain, across a snowy field, along a craggy beach. Karl is a wizard with overlaid texture guitars and does so much imagery with them alone. Paris has a deep resonant voice that leads you through your travels. The song also includes a remix by Molchat Doma that turns this post punk standard into a dance club jam. Song 3 Narcissus is a darker reflection with warm bass tones and Paris singing from deeper in the mix in a wispy haunting plea. I think Rachel told me that it all just sounds pleasant. In a good way, I just feel like these songs would improve almost any experience. Karl is a true master of putting everything in it’s proper place. I do think this is the furthest he has strayed from the older post punk sound and I love the bracing new direction. Another Antipole, another hit.

I’m going to start adding in my thoughts about album covers. I think this one really matches the sound. It’s a variance of dark color with sharp technique and open space.

https://antipole.bandcamp.com/album/marble

Wandering StarsSomnambule – This is a band close to home in Ohio. It includes Joy Thieves member Derek Christopher. I immediately fell in love with with the jazzy trip hop flowing style. This isn’t a club thumping album, it’s a subtler more exclusive bar where you had to go down the back stairs and through a steel door to reach rich wood and velvet curtains. The duet vocals calling back and forth between Christopher and Lydia Brownfield are a perfect blend. He is smooth and resonant. She is sultry and glamourous. It has an amazing range of styles and elements. The album title means sleepwalker and that’s the journey it takes you on. Skipping from dream to dream. Opening with Anamnesis a flow down the 99 steps of deeper dreaming with the duet on full display and a lovely organic piano line. Track 4 Nina Bobok is this beautifully delivered ballad where Derek opens on this exposed and gently delivered plea. The subtle touch of violin really adds texture. Lydia comes in warm and shining. So many twists and turns they create with the always changing cadence. It’s one of those rare examples that you hear the genuine caring between the members. I’m definitely going to continue enjoying this and dig through the back catalog.

Love the cool steampunk metal work burned into parchment. A message just barely visible underneath. I think that speaks well to the layers present here.

https://wanderingstars.bandcamp.com/album/somnambule

Programmable AnimalOne Step to Hell – Unmistakable quality and execution from Chicago glam industrial Anthony Wonaitis now on Negative Gain. Sean Beavan (Nine Inch Nails, Marilyn Manson, Slayer, 3TEETH, & No Doubt) has done an expert job mixing these large crashing emotions into a pristine balance. One Step To Hell explodes out of the gate with crashing drums and buzzing electrical texture. Wonaitis has a sensual vocal charisma which croons you towards him and then blasts you with a growling scream. This is the part in the movie where the hero stares out at a dark city from a vacant rooftop. Track 4 Sunset has a furious guitar lead that impacts your chest. Grungy Stabbing Westward/ Machines of Loving Grace vibe. I was really drawn in by the fresh glamourgrunge take on Industrial rock and the piercing clarity of message. The next time I need to drive through a city on my way to make an entrance this is my soundtrack.

Wow this is wicked AF. The sharp edges and dragon chasing it’s tale. A striking and terrifying future view.

https://programmableanimalngp.bandcamp.com/album/one-step-to-hell

Please follow our page and leave comments of who you would like to see us review in the future.

I Missed Posting For Bandcamp Day :( Yet here is some reviews.

It’s October my darklings, the month of spook, where goths can be goths. So I need to start thinking about my Halloween soundtrack. I’ll fire through the latest batwings and eye lashes of newt falling into my cauldron.

Swansect: Kill Pop Goth – Adrian is always thrashing like a madman in a new direction. Always producing something he hasn’t done and something I hadn’t heard a million times before. Track #1 Horse of Grass has this cool percussion driven guitar strike. Almost a folk goth tempo with vibrating underwater vocals. Track #2 Kain is my favorite and has this sinister Tones on Tail Daniel Ash sex appeal. The words are in Norwegian telling the story of Cain. I love the old school batcave rockabilly riff. Swansect always takes you to a place in your mind with the music, and usually that place is a nightmare.

https://swansect.bandcamp.com/album/kill-pop-goth

SpankTheNun: The Bunker Tapes II – This album is mixed by the legendary Claus Larson (LeatherStrip). Out of Texas Eric Hanes does a hard and nasty industrial, full of chant and eye beam precision. Track 2 Fight and Breed is a building whisper that holds aggression on a greasy chain to make a tension build you can feel on the back your neck. I think what really sets this above the bar are how clearly the vocals ring for industrial music. It has a bit of effect, but you can savor every growled line. Some amazing remixes here from Melodywhore, Sapphirra Vee, and Assemblage 23. My favorite track was Lies and Hate which unleashes a real Nitzer Ebb feel. I think what impressed me most of this album is how it never has to turn the volume up to 11 to hit you in the fucking teeth with it’s power. It’s a real skill to project that much rage without screaming.

https://spankthenun.bandcamp.com/album/the-bunker-tapes-vol-i

Vazum: Rated V – Ok I know I recently reviewed the Detroit band Vazum, but they did this new release specifically for Halloween with a monster/ghoul theme. It’s stalking creature abomination horror full of heavy guitars and sinister keys. Zach unleashes and inner demon from behind his usually lovely lilting vocals to send a shiver up the spine. I said the same about the previous album Vampyre Villa but I love the use of 90’s alternative mixed into the horror. Emily has a soulful Concrete Blonde vocal style that is the perfect offset in every song. Each monster has it’s own tone and flavor, my favorite was Werewolf . This one really let Emily shine on vocals and truly laid out the primal transformation. Cool lyrical poetry, “Copper turns to gold, sell our gold for silver”. There is so much going on here stylistically. We had an interview with them last week (which will post soon) I am really bummed I hadn’t heard this to discuss before hand.

https://vazum.bandcamp.com/

Vanity Kills : Chapter 2 Enemy – Hard rocking cyberpunk from Cardiff UK. The real beauty captured here is the driving rock 90’s aggression of Helmet phase shifting into pixilated time dilation of club smashing electro-core. The intensity almost rides the line of metal. Yet the distinctive dance stomp is catchy and clean. For personal preference I wish I could hear more of the lyrics and feel the melody lines. The music really placed me in an empty room of drywall I found myself smashing out of, I wanted to know more about why. Favorite track was “This is Gonna Hurt”, it had such a punch it made me picture Clutch smashing synthesizers on a flaming stage. This one shows great promise for the future.

https://officialvanitykills.bandcamp.com/album/chapter-2-enemy

UnderTheSkin: End This Summer – New single complete with some outstanding remixes from Poland. This one is a Cure heavy darkwave bird of prey soaring on a night sky. Mariusz has a beautiful and captivating voice. The bassline of the song is everywhere beneath the soaring wings. A powerful track in crafting and execution. So who could successfully remix such a track? Ash Code, Shad Shadows, Kill Shelter, and Antipole with Paris. Now that is a heavy weight endorsement of some of the great production tunesmiths of our scene. A lot of individual flavor here for each remix on an absolute scorcher of a track.

https://underskin.bandcamp.com/album/end-this-summer-ep

Razor Hawt video with this one too.

Twin Tribes: Shadows(Matte Black remix) – Holy shit how did I not know this was coming out? Also why does Matte Black get to remix Twin Tribes and I don’t? Ok now that petty jealousy is out of the way, this is my favorite Twin Tribes song. The song I discovered them from. I didn’t even recognize it at first in the best possible way. This is everything I want from a remix. It has taken their glorious violet energy and fired it through a prism to create something new and beautiful. I am jaw dropped on the floor right now. Buy this immediately.

https://twintribes.bandcamp.com/

Panic Priest: When Daylight Disappears – Brand new single from Jack, and it’s another burner. Such a master of blending sizzling guitar licks and neon streaming synths. His bellowing baritone voice is an trap I can’t stop falling into. This song is a prayer to the darkness that surrounds us. I want to sit on a Chicago roof staring at the moon as the city sleeps below.

https://panicpriestngp.bandcamp.com/track/when-daylight-disappears-demo

Klack: Two Minute Warning (Depeche Mode Cover) – This is a beautiful cover with a beautiful and tragic story behind it. Claus Larsen (Leatherstrip) recently lost his husband Kurt after a long battle with sickness. It left a lot of medical bills and the community really rallied around him in this tough time. All proceeds go to assist their family. I’ve always loved this song and Klack of course didn’t disappoint to capture it’s energy and majesty.

https://klack.bandcamp.com/album/two-minute-warning

Tomorrow is Bandcamp Day! Instead of Ken’s Hot Releases. I’m going to write about OUR hot releases Comrades.

So the other day I posed a challenge on Facebook to send me a band you are loving that you are not in. You did not disappoint! So I will fire through a bunch of quick shot reviews sent to me by our readers! Music for the people!!! Remember tomorrow Bandcamp waves their fees and gives all revenue to artists.

BootblacksTraveling Light – Ok this is my personal pick, new single drops tomorrow. I have been eagerly anticipating this album for so long. Produced by Jason Corbett of ACTORS this whole album is a game changer. I will be pre-ordering on vinyl immediately. This is the sound you have always heard in your minds soundtrack. Panther’s voice is let off the chain and the effect is engulfing. This first single feels like The Happy Mondays on Adrenochrome.

https://bootblacks.bandcamp.com/

L’AvenirRequiem – Not a new release but a great one. Suggested by my friend Michelle Shaw. Lovely buzzing synth textures from Barcelona. This album had a really cool Ultravox vibe. Not a comparison I use loosely. Beautiful, murky, full of secrets.

https://coldbeatsrecords.bandcamp.com/album/requiem

Flesh FiendsBleed For Love – Scorching single from Kansas City from my friend Mason Monigold. I was an instant fan from the gate. The name is a great alliteration. Plus they are a band that seems to put the character in their sound. It is spooky chained to the wall sexy raunchy ghoul synth. Love the concept, love the execution, this will get bought.

https://fleshfiends.bandcamp.com/track/bleed-for-love?fbclid=IwAR1YW8hnt3UFMI5HAMpIO5P11UI2I9f7V2d7ZNbM-k1Ds1lBXyyBxIU6pWo

We Are ParasolsOrphaned – This recommendation from Chase Dobson who knows electronic music as well as anyone I can name. This is a beautiful dripping slush of dark pastels. An instrumental movie sound track for that moment of introspection before a protagonist stands up and dusts themselves off. We could definitely use some of that in these times.

https://weareparasols.bandcamp.com/?fbclid=IwAR1kn0RiGcx2TEyQIjsg0SIjS5_-47Hs-ZCtNhJoAEXX1dn2ioRT31JseAc

KorineThe Night We Raise – So this was a recommendation from Karl of Antipole. If i had to choose one band that other great bands I love recommend the most it is Korine. The album pre-order is up but one single is out now called Fate. Such gorgeous streaming ribbons that wrap around your arms and legs and make you dance with reckless abandon. Seriously if you are not in the know about this band buy the whole catalog. Will not disappoint.

https://korine.bandcamp.com/

Black AngelANIMAL – Uk goth stars dropped this single in June. It’s everything you loved about old dance club goth of The Mission/Sisters of Mercy. Pulverizing bass lines and resonant vocals. Hooks and builds to spin you around while opium incense burns.

https://blackangelmusic.bandcamp.com/track/animal-single-edition

RotersandHow Do You Feel Today? – Recommendation from Dana Leigh Cooper. Another great Philly band that cuts the edge between traditional goth rock and darkwave. I love the barb wire beauty of the vocals. A lot of range in styles and infectious energy. Every song I hear makes me fall further in love.

https://metropolisrecords.bandcamp.com/album/how-do-you-feel-today

MalefixioCulto a lo Invisible – Recommendation from Fernando Altonaga of EhPh. Another band from Barcelona Spain, what is happening in the music scene there? This has a stomping cadence and freaky vibro guitars. The vocals have this delicate lifting version of Lords of Acid. It’s strange, it’s sinister, it’s going in my collection.

https://malefixio.bandcamp.com/album/culto-a-lo-invisible?fbclid=IwAR1kn0RiGcx2TEyQIjsg0SIjS5_-47Hs-ZCtNhJoAEXX1dn2ioRT31JseAc

CAVALCADESonic Euthanasia – This one comes from Ben Boggs, who is about the only human I take metal recommendations from. It’s big, loud and nasty. I really like the balance though. It’s not just a napalm wall of sound with throw up vocals. The twisted goblin screaming away can be understood and those chunky guitar riffs are axe trigonometry.

https://cavalcade.bandcamp.com/album/sonic-euthanasia?fbclid=IwAR0MfgYCiW4tq1-DWfGtDTC0eTd5Hy1bjHKFKcivoO1P_Meon0UZdgXxKNE

Arya ZappaDark Windows – From Damien Moyal (Damien Done) this German shadowpop is like a slow drink of whiskey. It’s smokey and smooth and warms my insides. Full length album just released in June. I really like the poetry of the lyrics too. This one needs a lot more reflection.

https://aryazappa.bandcamp.com/album/dark-windows

Wires & LightsA Chasm Here And Now – More Berlin goodness recommend by Adrian Auchrome. This is a speed ball spiraling towards you with great post punk tone and crisp drum sound that makes me want to drive fast. I can’t believe I hadn’t heard this, know that I will own it tomorrow.

https://wireslights.bandcamp.com/releases

Well this was a blast. I’m not even half way through the list so I will post it now for bandcamp day and pick back up tonight. Support new music Comrades!

IAMTHESHADOW: Pitchblack

This one is special. The first album with a new label Cold Transmission. Pedro, Victor, Herr, these aren’t just a band, they are friends. IAMTHESHADOW is one of the first bands I discovered in my goth renaissance and I have a deep knowledge of their catalog. This album has a story with it. A triumph over adversity, a celebration of reaching a scarred hand up to pull yourself over the ledge. I wanted to start this review by being honest of what this album was to me before I hit play. Now that you know the magnifying power of this lens I am listening through I am going to set it aside and tell you a story about the pure passion and beauty in these 12 songs.

https://iamtheshadow.bandcamp.com/album/pitchblack-2

IAMTHESHADOW:
Pedro Code – Voices, Guitar, Synthesizers and Programming
Vitor J. Moreira – Synthesizers
Herr G – Bass

All songs produced, mixed and mastered by Pedro Code
Design & Artwork by Yvonne Kiel

Our Video Interview with IAMTHESHADOW

Music is a magical thing. Like a relationship. It has a lot of parts and means a lot of things in different moments. I want to give a little background to help you understand this moment. Portuguese band IAMTHESHADOW are a synth driven darkwave sound which builds around Pedro Code’s voice. It is one of the most expressive and passionate instruments in the current dark music scene. The type of old school crooning black silk that would be just as much at home 30’s jazz as it is today. Since 2016’s Everything Is Nothingness this band has stayed true to an immersive core of feeling driven poetry stretching skyward from rich soil of driving rhythm. Embracing the Fall from 2018 took that raw concept to a new height of exposed Nick Cave style narrative with tender dark ballads and the addition of Antipole’s Karl Morton Dahl adding guitar accents. Pedro and team then turned to other projects like The Dream Collision until signing with longtime friends Cold Transmission Music. It was in Cologne Germany for the Cold Transmission festival I witnessed IAMTHESHADOW live and fell in love. When you love an album you expect to hear a band bring it to life on stage. Those special bands find a way to play those songs with new intensity and passion. To open your eyes wide like the first time. So it was in a distant land on a small stage in Cologne.

For two years I waited to see the next place Pedro, Victor, and Herr would take me. Just as the album was nearly completed a tragedy befell with Pedro being robbed of his laptop, and more importantly the masters of the entire album. Huge sections would have to be completely re-recorded. We would all be waiting a little longer for Pitchblack. It was well worth the wait.

The change in tone from the previous offerings is apparent right away. This record does not build itself around the best baritone voice in modern goth. It uses it as an arrowhead propelled towards your heart on silky flowing movement. Part of the glory of the previous three records was using a recipe of stripped down driven passion in a world of ultra produced post punk. Here that passion is just as present but layered inside an intricate and dynamic musical backdrop that gives each concept a voice of it’s own. Additional vocalist Diego Merletto (The Frozen Autumn), Kadri Sammel (Bedless Bones) Yvette Winkler (Vaselyne) were brought on to do vocals. I can say from experience of being offered a duet with Pedro it is an intimidating feeling. Putting my voice next to his sounded panic inducing. Here it is taking something already beautiful and captivating then placing it in a rich sensual frame.

This album cooks. IAMTHESHADOW has always had the ability to move you. With swelling slow turns and blood given form. Pitchblack is striking percussion. Walking slide foot bass lines. Cascading synth sounds rippling in endless alternating progressions. Here the passion is not tender, or heart wrenching. It has teeth, gravitas, and attitude. More of a Depeche Mode Music For the Masses .These songs are for dancing. For fine red wine. For staring into the eyes of the one you love.

Lets talk about some of those tracks:

Always – Track two leans in with that slashing motion and crisp snare snap. The keys here take center stage and Pedro’s vocals lift and support them. “When you realize, don’t wait”. It’s this urgency of both lyrics and the music. Crackling energy that ignites passion and stirs longing.

Shivers – I’m not sure if this song will end up being a single but i fell in love with it from the start. It has a lot of that classic IATS feel. The train getting further from the station delayed guitar riffs. Pedro’s voice strides to the forefront and is larger than any room I could image. “I played my hand, hoping faith would last” I would dance through the rain on a street full of watery explosions while this song played forever.

Ouroboros (Feat: Kadri Sammel from Bedless Bones) – So Bedless Bones from Estonia is a criminally underrated band. As I said I can’t imagine the giant brass stones it takes to sing next to Pedro. Ouroboros is a perfect name for this track because the voices blend so perfectly it is hard to tell where one starts and the other stops. “Face down on the floor, you are my shadow” Powerful EDM flavor meets traditional darkwave. This song is a dance floor giant.

Awake & Asleep (Feat. Diego Merletto from The Frozen Autumn) – Another weaving smoke tendril that you can’t quite grab a hold of. To have a weapon like Pedro’s voice and to leave it in the background to craft a song this strong is such a bold choice. It really breaks up up flow of the album in the best way. This chorus is such a bold change and hard hook.

When you love something and it still finds a way to surprise you, that is true power. That’s what Pitchblack was for me. The anticipation of knowing something you were going to love was coming. Building the expectation beyond what could be met. Then being amazed when it passed that expectation. This is already the #1 selling darkwave album on bandcamp on day #1 and there is a really good reason for that. Take this journey. Fall in love with music that has soul. This is a record that makes you feel something. That stirs that ancient instinct inside our hearts.

Tiny Gods Who Walk Beside Us

These tiny beings that we let into our lives change us in ways we cannot imagine. The relationships we build are the supporting blocks of our existence. That which gives it perspective and texture. When my three year old cat Freyja was diagnosed with a very aggressive cancer in her leg the full power of how much we invest in our tiny companions really struck me. My fear of a future without her and the big questions of how to proceed. What that would mean weighed heavy on my soul. Cats were once worshiped by the Egyptians and many cultures as deities. There is no other creature save humans that truly embodies the idea of pride and love. When I created the review page Sounds and Shadows I found in my love for new music the power in hearing and understanding the lives of the artists who make it and shared that with people around the world. In these dark moments with Freja’s life hanging on a knife edge these artists who I had woven a connection with reached out to me and ask “How can I help?” This was an affirmation which touched me to my core at a time I needed most to believe in the importance of those around me. From around the world they came together in collaboration and kindness to offer their time, their art, and their charity. Freyja required an amputation of her leg which was successful and I am happy to announce saved her and left her the same glorious, loving ball of warm energy as she was before, albeit on three legs. The cost of her operation was quite substantial but it was a sacrifice worth making for my tiny goddess. Buying this compilation of songs contributed by dear friends is directly funding Freja’s care and operation. Any additional funds beyond direct medical costs will be donated to a non kill shelter charity to help other animals in need. A special thank you to Pete Burns for the immense task of mastering the compilation. Cate McFarland for the wonderful cover art which I feel really captures the concept. Slade Templeton for releasing it. Collin Schipper for being my rock and helping me put it together. As well as William Zimmerman for helping me promote. To anyone who has ever written a song, recorded it, and released it, you know how much effort goes into each one. How much love I have for all the artists below is hard to put into words. I never could have imagined something so beautiful and powerful could arise from this dark event. I hope it’s power touches you and reminds you to pay a special homage to your tiny God today.

Much love,

Ken Magerman

https://theamaranth.bandcamp.com/album/tiny-gods-who-walk-beside-us

Order Here 🙂

Also Here is the podcast Part 1 where we discuss the first 8 tracks

I wanted to do a quick breakdown of all the artists who contributed a song to save my baby. When I look at the list of the amount of talent here it is a bit staggering. We had submissions from all over the world and quite a few collaborations of people who never knew each other before this project.

  1. Lorelei Dreaming – (Edge of the World Dj Senseless mix) Chicago based dystopian electro dance. Comprised of Laura and AJ remixed by Madison WI’s Dj Senseless. This song is such a different sound for Lorelei Dreaming, it was the perfect opener with it’s emotional swell.

https://loreleidreaming.bandcamp.com/

2. Amaranth – (For Freyja) Goth/Industrial/Synth Rock from Kalamazoo MI. That’s us 🙂 I had some really deep emotions that needed uncorking with this song. Collin wrote a great song way out of our normal wheelhouse including Derick on a mandolin and Kam with some very delicate brushwork. It’s the loudest I ever screamed in anguish on a song. Hope you enjoy it.

https://theamaranth.bandcamp.com/

3. A Covenant of Thorns the lovely sweeping romantic goth synth from near Chicago. What an amazing voice with this song remixed by Chicago Rock/Industrial super group The Joy Thieves. This is my favorite ACOT song and I don’t know how I could have liked it more. Enter Dan Milligan, this remix found another level of what I already loved in beauty and clarity.

https://acot.bandcamp.com/

https://armalyte.bandcamp.com/album/the-joy-thieves-a-blue-girl

4. Corlyx – England by way of LA and Berlin glitter grunge electronic duo remixed by EDM Industrial noise mechanics Electronic Substance Abuse (ESA). This song Deform is such a wonderful combination of both styles. Caitlin’s voice is ethereal and airy, floating through the void when the creeping digital build starts burrowing into your mind.

https://corlyx.bandcamp.com/

https://esangp.bandcamp.com/

5. Antipole – Norwegian post punk revivalist of Karl Morten Dahl. Ft Paris Alexander and Eirene are experts of taking what is glorious of the past and making it rise again into the present. They are the most reviewed band in Sounds and Shadows history and true masters of the music craft. This song is such a different flavor for them and one I immediately fell in love with. That same signature Karl guitar but with this crisp sizzling dance beat. Together with Eirene’s smokey sultry voice it’s a real burner.

https://antipole.bandcamp.com/

6. Ego Likeness – Maryland dark rock industrial duo of Steven and Donna have been such an important part of this scene for decades. This Dräcos Deep remix by Sombre‘ of the song Darkness really places a cool highlight on Donna’s voice and a crisp dance beat.

https://egolikeness.bandcamp.com/

7. Machinery of Desire – Traditional goth rock of Adrian Auchrome. I trade music back and forth with Adrian often. I say as no light sentence I think this is the best song I ever heard from them. I was touched beyond belief that they shared it with me for the compilation. The vocals really cut loose and highlighted their unique and romantic darkness. Gentle crawling guitar lines of piercing intensity.

https://machineryofdesire.bandcamp.com/

8. Adoration Destroyed – The glamour gloom stars of Austin TX remixed by Philly’s Authentic Impulse. I really liked the way Erik’s voice sits on the bouncing glitchy effects and pounding drum beats. AD does such a great job on remixes themselves it was really cool to see what William was able to do with their song.

https://adorationdestroyed.bandcamp.com/

https://authenticimpulse.bandcamp.com/releases

9. Crying Vessel – Swiss dark glam star Slade Templeton gets a double credit here. Both for this amazing song remixed by Dead Agent, but also for helping me release the compilation. Ed Finkler (Dead Agent) did a sizzling breakneck dance song and let Slade’s voice ride on top like the crest of a wave. Such wonderful movement and balance. This was a beautiful team up that happened for the first time on this compilation.

https://cryingvessel.bandcamp.com/

https://deadagent.bandcamp.com/

10. I Ya Toyah – Chicago’s one woman sonic explosion Ania has been remixed here by Arcontas Blank for her single Code Blue. This sizzles with her intense soul and some intricate and beautiful synth pad work. I really love how varied and dynamic the different sounds used here are.

https://iyatoyah.bandcamp.com/

11. Twin Tribes – (Dark Crystal) The lovely princes of Texas darkwave. Twin Tribes was the first band we reviewed for Sounds and Shadows and they remain one of the bands that inspires me in the modern scene. This track is a beautiful, swirling ritual of emotion and pageant. The future is so bright for this band.

https://twintribes.bandcamp.com/

12. Radiograph – (Catnipped) This is the solo project of John Edwards Palais Ideal in the Netherlands. I love this sizzling disco prog synth with a early New Order guitar line. Palais Ideal is always finding ways to step outside the box of what post punk could be.

https://palaisideal.bandcamp.com/

13. Caustic – (Fuck that Fascist Beat) Silverwalks Remix – Madison WI old school Industrial/EDM brings an intense shoulder tackle political hailstorm. Remixed in a smoother synth slither dance style by Pennsylvania based Silver Walks. This track slams so hard both in your mind, and in dat ass.

https://caustic.bandcamp.com/

https://silverwalk.bandcamp.com/

14. Seven Federations – (Syzygy) – North Dakota based goth Industrial full of rolling bluesy soul and electronic glitch. I love how hard it is to classify what I am hearing. This song has a really cool sample/spoken word effect that reminds me of 90’s VAST.

https://sevenfederations.bandcamp.com/

15. Vlimmer – (Schnittstelle) – Alexander’s Berlin based ambiant darkwave project is a masterclass in structure and sound creation. The rate and quality of the music he puts out never ceases to amaze me. This song is a intense and terrifying well of emotion and abstract prism to twist the mind.

https://repartiseraren.bandcamp.com/album/angststand

16. Dogtablet – (Showtime Melodywhore Slave Remix) – The project of industrial titans Jared Louche (Chemlab) and Martin King (Test Dept) created this wondrous album based on the concept of totemism. Every track feels like a different creature embodied. This track is a sultry triphop prancing creature of grace and agility. It has a very feline quick quality.

https://dogtablet.bandcamp.com/album/feathers-skin

17. Kiss of the Whip – ( The Pain is Ours) – I have been a fan of the Baltimore based retro synth weavers on Cold Transmission for a while now. Beautiful familiar feels with modern edge and a layered beauty. This track is a roller coaster of peaks and valleys gliding though a rainbow landscape of color.

https://kissofthewhip.bandcamp.com/

18. Steven Archer – (The Showroom) – The amazing artist of (Ego Likeness and Stoneburner) appear once again showing his range in this synth prog builder. I really love how different his vocals come across in this song. Theatrical and with a Nick Cave flare. What is it he can’t do?

https://stoneburnerofficial.bandcamp.com/

19. Cliff and Ivy – (Will to the Power) – Alaska’s darkest couple have been creating batcave punk fueled witchcraft for over a decade. It is raw, fierce, and intelligent. I love the drive and bloody claws of this track. Ivy and Cliff really show the power of two people in perfect lockstep making eachothers art stronger.

https://cliffandivy.bandcamp.com/album/the-best-of-cliff-and-ivy

20. Orcus Nullify – (March of the Lost) – South Carolina’s Bruce Nullify creates a brand of unapologetic terrifying rumble of old school death rock. I love the over the top imagery and slashing guitars. I feel like this track perfectly captured that style but with a focused clarity which added extra weight and power.

https://orcusnullify.bandcamp.com/

21. Ritchual – (You Lied) – Austin TX based Ritch Napierkowski of Adoration Destroyed and Nimbus has done this synthwave solo project and it is absolutely lights out. This song could have been a missing track on Depeche Mode “Sounds of Faith and Devotion” Just a delicious dark ear candy jam.

https://ritchual.bandcamp.com/

22. Sister Sarin(Split) – Baltimore Percussion specialist Hemlock has done this solo project where she weaves intricate texture and pulsing drum beats to create lovely isolated sonic paintings. This song has a driving dance beat and saber slash keyboard melodies to create an instrumental full of movement and dynamics.

https://www.facebook.com/SisterSarin/

23. Swansect – (Clovermouth) – Norwegian noise artists Adrian Kjosnes of Missfit Toys and writer for Sounds and Shadows unleashes this terrifying and avant garde solo project. It has this brimming intense Goblins feel of sinister noise and stealthy builds. This track is a haunting horror movie soundtrack to grab your nightmares with it’s claws and leave you screaming for more.

https://swansect.bandcamp.com/

11 Grams – (DNA) Half Washington DC half Australia the industrial electronica dance floor lords have been a part of this scene for a long time and always bring the highest level of precision and technique. This track is a slow dark builder that crackles with life and a whisper that draws you in.

https://11grams.bandcamp.com/

Sombre’ – French post punk with a very cool organic world beat feel. They always remind me a bit of the Happy Mondays. Cedric has a resonant and soothing voice and the baselines always really drive. Here he does a wonderful remix of Ego Likeness. I really love how Donna’s vocals are highlighted here.

http://www.sombre-official.com/?fbclid=IwAR1a_8Enr6qCrdl7VbWjx5hnHqKXgNJVtY7ETw5-HtOqJUa0rWtZIaafzsk

This entire compilation was mastered artfully by Pete Burns of (Kill Shelter) with cover art by Cate Mcfarland. Released by Slade Templeton.

https://killshelter.bandcamp.com/