Karl Kave’s latest album is the perfect blend of lo-fi, garage, electronic beats, and post-punk. It’s vibes range from outlaw country to pogo punk, but it rocks the entire time. When I listened through, I was reminded of bands like The Exploited, The Cramps, Gap Dream, and Orville Peck.I was also reminded of the original soundtrack of the show “Twin Peaks”. These albums are of my favorites.
The instrumentation ranges throughout from clean and almost sappily romantic-sounding to dark and bruiting. Vocally, all the songs have hints of darkness. It’s the way the vocals and instruments are mixed together and the effects added that drive the impact of the album to the next level. There are twists and turns throughout that make the album more fun the more you listen to it.
Some favorite tracks
Dreaming– This song starts out and sounds like it will be a super sappy love song.Once the lyrics come in, the story and it’s setting suddenly change. I’m a huge fan of relatable lyrics and this song has some that really resonate with me.
We Are Sun- I really enjoyed this song because it was so different and bluntly sad sounding in comparison to many of the others. The beat is really cool, like its made mostly from patting lets and clapping hands. This song is really minimalistic in comparison to the others with only vocals, a drum machine, light effects, and an acoustic guitar.
You Left My Heart in New York City- This song is a really great mash-up of indie and country. The lyrics are sad, they tell a story about heartbreak and the big let downs. The lyrics tell a vivid story, but the instrumentation pushes it along. The slow pace adds to the longing feeling the lyrics spell out and adds a heaviness to your heart that words can’t achieve.
Listening through this album made me really miss going to shows.All I could think about while I listened through was how fun this show would be to see live. I could imagine it. Everyone dancing to songs like “Dreaming” and “Yesterday We’ll Be Dead” and then the crowd falls silent during the slower songs as to not miss a single word. I would love to be at that show.
I really enjoyed listening to this album. The ups and downs were paced perfectly. It was lo-fi, moody, romantic-sounding, and generally amazing. If you’re looking for something new and different that pays heavy homage to the post-punk, indie, goth, and outlaw country genres, then this is the album for you.
Here’s my latest update on life. Like many people, this has been a rough patch. A lot of personal inventory has been had along with tough life evaluations, revelations, and epiphanies. It sucks. Luckily, I have had one thing in my life since I was a little kid that always helped me through the hard times. That thing is music. During this time, a lot of things have shut down. However, music keeps going and keeps getting better by the day.
When I was scrolling through Bandcamp today, I needed some new tunes to carry me through this week and the many moods it would surface. Some of this is brand new, some of it came out this month, some of it is just a preview of what’s to come. All of it’s great.
This indie-rock, electro-pop, synth album is the definition of glee. The songs are fun with lots of quirky samples that seem to be centralized around generally peppy things. Griffith’s voice has a soothing sound to it. Not to say it’s angelic, but something about it feels familiar and refreshing. The music is incredible. It’s fast and in-your-face synth-pop with synthesized drums that incorporates romantic feels at points with unexpected instrumentation. Every track on this album had its own thing that made it stand out.
‘Le livre des Merveilles’ is absolutely insane. It’s every ounce of what you’d imagine a post-jazz, post-rock, avant-garde, power-pop album would be. You never know what to expect. Each track creates an entirely new landscape and mental image. Some tracks, like “Le livre des Merveilles” are shorter and have a poppier feel, almost like Stereolab.While other tracks like “Le fleuve Brison” start a little more cosmic feeling and take their time building into hugeness. The album maintains is unpredictability throughout splashing in longer experimental interludes featuring instrumentation from synths to strings within the tracks. Also, there are a ton incredible vocal harmonies.
If you’re in dire need of walls of sound with pop-rock vibes underneath, this is the album for you. Blankenberge has fused together shoegaze, dream-pop, and post-rock together in a way that is astonishing. The instrumentation is saturated in a way that hits you in big emotional waves. One of the guitars sounds super wet and surfy, while the other creates ambiance and space. The songs are still driving and sometimes really upbeat, borderline optimistic-sounding, without being overtly happy. The vocals are super saturated and act as more of an instrument than lyrics to sing along with. There are huge post-rock builds and unexpected rhythmic changes throughout that make each song increasingly interesting. Altogether, it’s really beautiful music that makes ya feel good.
“ODDLY is a 3 piece rock band with no bassist. Why we don’t need bass? Cuz we’re louder than that.” I took that from their Bandcamp about section because I thought it was perfect. It perfectly describes who they are and kind of how they sound,. Don’t let their promise of loudness dissuade you. I mean, it’s pretty loud, but it’s intricate and fun with little happy vibes overall. There’s a classic, early 90’s alternative punk vibe to it with apathetic vocals riddled with angst. I love the call-and-response in songs like their featured track, “Loaded”. From beginning to end, this EP is everything it promised to be with its title.
SPC ECO consists of former Curve member Dean Garcia and his daughter Rose Berlin. They’ve been doing this project actively since 2007 and have been putting out shorter EP’s the last few months. This EP is very fun and poppy with some really chill electronic songs and some really energetic songs. The dreaminess of this album is almost immeasurable. When you close your eyes and listen to tracks like, “Don’t Mind Me,” the mental scenery is so bright and positive. Other tracks, like my personal favorite, “Who We Are” have a more melancholy vibe to them with experimental textures and synth. This is an alum that you can get hypnotized by and utilize when you’re doing extended outside tasks like walking around, gardening, or driving.
Okay, so this isn’t an album or an EP, it’s just a single. However, I’ve been obsessed, now listening to this track a dozen times. I can’t tell you what exactly I love about it so much. Is it the excessive use of spring reverb or that classic tone on the organ. I love the fact that it sounds like you’re listening to the track on a warped piece of vinyl. Something about it is so positive at the same time as being so haunting. It has every ounce of a happy day song when you’re driving down the street, wind in your hair, styling some huge fashionable sunglasses while still being ever so slightly unnerving. There’s nothing minor or negative about this jangle-pop track, which is something really great to be able to listen to and really enjoy right now. I can’t wait to hear more from this band.
Only Track: It’s A Felling She Don’t Believe In
Release Date: March 30, 2020
Once again, I hope you all enjoyed this installment of “Katy’s ‘End of Days’ Playlist”. I enjoyed making it. There’s a ton of amazing music coming out regardless of the world situation that can give us all a little comfort right now. Whether you’re into dark, heavy stuff or prefer things to be a little lighter right now, there’s something out there for you to enjoy. You just have to dig a little. Hopefully, these lists help steer you in the right direction.
Things are tough, but you better believe we’re tougher than this. Stay safe and healthy if you’re able to. Don’t be afraid to ask for help if you need it. Reach out to your friends and family and find something to occupy your mind so things don’t feel as dark. I’ve chosen to deep dive into Bandcamp and have found it to be a sanity-saving time consumer.
You are cared about even if it’s by someone or a group of people you’ve never met. We care about you. All of you. We want to help make this time bearable for people who aren’t used to being home all the time and severely want everyone to get through this with as little damage as possible, but we’re also here if you just need to talk to someone. Reach out. We love you all.
Band: Karl Kave
