6/18/21 Bandcamp is donating 100% of our share of sales to the NAACP Legal Defense Fund

I have been thrilled to watch as the Goth/Industrial community grows more diverse. Hats off again to Bandcamp for really putting their money where their mouth is to support both bands and the rights people of color. I will go through some of the things I am currently listening to so you can add to your list and support a great cause.

LEATHERSReckless – The long anticipated EP from Shannon of Actors. A unique departure from her other projects and really highlights her essence which is more collaborative in Actors. It’s sleek, it’s beautiful, it’s as light as an angel dancing on a pin. I love the silky billowing synths and how they flow off the shoulders of her voice. The sound is such an immersive dream which slides along the borders of reality. I spend moments dwelling on how something so beautiful manages to remain so relatable.

https://leathers.bandcamp.com/album/reckless

Favorite track: Take your pick, but I will go with Missing Scene. Something about this swooping shoegaze LUSH 4AD vibe. Her voice is reverberating like a tuning fork yet ringing so clearly. I hear this song and even on earbuds I feel like I’m in an old opera house with a towering sound system feeling wave after wave wash over.

October NoirCover Type O Negative: Love You To Death – Loving the sound of this band. Does it emulate the band they are covering in a lot of their sound. Yes. Type O is an amazing sound though. It’s ultra bass Steele vocals. It’s crunching power chords. It’s chest pounding bass guitar. This cover is rich with extra layers and complexity. It feels like a love letter to a band now beyond the veil. You can really feel the time and dedication placed on taking apart and reanimating every aspect.

https://octobernoir.bandcamp.com/track/love-you-to-death

Dea DecayMagic Lantern – This is a beautiful fun romp from Florida artist Dea Decay that came out in December 2020. A spicy club crashing electronic explosion. No vocals but instead a steady stream of adorable wicked anime samples. It’s non stop energetic explosion of adorable imagery and and surreal colors.

https://deadecay.bandcamp.com/album/magic-lantern

Favorite Track: Catronica – A little secret here, when the new netflix She-Ra came out I was blown away. It’s so wonderful and pure. This song really captures that energy and highlights my favorite character Catra. It’s sharp claws bounding around with reckless abandon.

SHIV-RKill God Ascend – Brand new album from the Australian electronic apocalypse know as SHIV-R. I love the expansive fantasy metal destruction fed into a machine brain and turned loose on an unsuspecting populous. Pete Crane is a force of nature in the industrial scene and has a glorious gift for poetic imagery in his lyrics. If you are a fan of the violent industrial power of Front 242 and shaking your body in dangerous convulsions, this is your jam. I’m also impressed by the range shown on tracks like Spark, a truly lovely brain infecting track of pop industrial glory. Or Black Turns Blue a downtempo marching chant of a ballad. This record is a journey. Crane’s voice is one of those charismatic characters that feels at home in every setting the music places it. This is the wonder of modern industrial.

https://blindmiceproductions.bandcamp.com/album/kill-god-ascend

Black AngelPrince of Darkness – I am LOVING this modern trend of returning to guitar driven true gothic rock. Matt Vowels has done it again. This is sizzling and sensual dark driving glory. I just don’t get to make this comparison enough but this album holds that emotive blistering power of Love and Rockets. Deep brooding rich vocals, whip snap percussion, but it always comes back to the V8 power of these guitars. Everything is foot to the floor speed and slides. It’s a non stop action flick of adrenochrome and dark intent.

Favorite Track: Serene – What a gorgeous highway 51 desert hard hitting ballad. The vocals croon and tantalize as the dust rolls by on an empty stretch. I love song for outlaws.

PALAIS IDEALThe Art of Crashing – I’ve been waiting for the follow up to the 2019 release Pressure Points with baited breath. I was disappointed only by the fact it was three tracks and not twenty. This release is a perfectly blended sound of quality crafting, unique flavor, and infectious hooks. It’s one of those releases I can’t imagine who I could play this for and have them not enjoy it. It really has a universal appeal. It feels kinetic, like Depeche Mode “Construction Time Again”. I always enjoy John’s voice, but this EP really highlights how many different things he can do while sounding distinctly himself. It’s the true mark of a singer who has found his themselves and are owning it. The other greatest power of PI is, like all great prog genre, the two components know each other and their instruments so intimately. It really feels like two blended minds working without barrier. It makes the guitar and bass lines dart, bend, and twine together in perfect syncopation. I will be playing this…. A LOT.

https://palaisideal.bandcamp.com/album/the-art-of-crashing

Favorite Track: You can’t go wrong but Results is damn near perfection. From the opening guitar riff, the workout routine bassline, and John’s drive and grit. This song feels like an instant classic from out of time I somehow didn’t hear. It also holds the higher concept lyrics and hope PI always wins me over with. 10/10

Because the World is Cruel, and Promises Get Broken

It was a long hard week for me. Time to lose myself in someone else’s head. Who are the songs transporting me to another place?

FIRESChangeling – New single from Aedrea. The title here really tells the story. Such a bold metamorphic shift in sound. In particular the vocals have this wispy Chelsea Wolfe quality full of fairy fire flickering promise. The music is a shifting fantasia, almost an entire film score journey in five minutes. Tender raindrop keys, crushing storm front guitars, and bisecting buzzsaw percussion. A cacophony of sound and beauty. As an added bonus it contains a Bside called “exit/Void” with a spoken word poem surrounded by sinister overtones. Another glorious example of the captivating burning mind.

https://firesae.bandcamp.com/album/changeling

hallowed heartsRuins – NYC’s Hallowed Heart have a new 5 track EP. I love the opening concept of ruins. The things we left behind. The memory of who we were for future strangers to find and wonder at. These are not songs for the dance club. An energetic medium tempo darkwave for walking the dark streets. Pulling the collar of your coat up to stave off a bracing wind. A grey and bleak musical tone offset by the courage of Alex Virlios vocals that cover a wide range and spew forth challenge to cast light on the sullen path.

https://hallowedhearts.bandcamp.com/album/ruins

Stand Out Tracks:

Supernova – A lovely beckoning open with locomotive punching guitar sounds. Virkios vocals start by painting a rich baritone at home in the post punk style, but then crackle with energy for the chorus. I loved the punch and diversity of sound here. Real feelings of introspection and self discovery.

Circle – Beautiful firefly rising ballad to break the pace of the EP. I love the way the guitar lines push forward and guide the voice here. It’s a beautiful and maudlin song of spiritual longing. Two minutes in the ballad takes on real power and teeth.

Overall: This is an album that takes you to very specific moments and paints a picture in the mind. It’s a journey worth taking and a moment worth looking for.

IAMTHESHADOWEverything in this Nothingness [Still] – I have waiting long for this release on Cold Transmission Music. A re-release of the Portuguese darkwave darlings debut 2016 album. Pedro and company have been tantalizing fans with rich passionate heart bursting serenades. Getting to return to the opening stanza of their journey and combining it with the years of experience and musical wisdom is an experience to waken the ears and minds of their fans. The music is a crystal pool of water on an autumn night. Beautiful, bracing, and teeming with life. I’m going to now repeat a sentence I have uttered in every Iamtheshadow review I have written. “Pedro Code has the best baritone voice in modern goth/darkwave.” It is a force of nature that moves the heart like a poem by one of the great masters.

https://iamtheshadow.bandcamp.com/album/everything-in-this-nothingness-still

Stand Out Tracks: Every Freaking Song

Wait, thats not all. In addition to the album, they released a companion remix album and it is such a brilliant homage by some of the top artists in the scene….and me 🙂 It Includes Kill Shelter, Thewalkingicon, Antipole, Crying Vessel, The Frozen Autumn, and yes Amaranth.

https://iamtheshadow.bandcamp.com/album/everything-in-this-nothingness-remixed

I think what was so impressive with this was the extreme level of talent, as well as a deep personal admiration everyone involved had for Iamtheshadow. There is nothing more engaging for a remix album than when you can really hear a reimagining full of love for the source material. I’ll be selfish for a moment and say getting to sing a duet with Pedro was a dream come true and a terrifying challenge. Collin did a masterful job remixing the song as well. Again hard to choose a standout track, because every song was a passionate love letter to an artist we deeply respect.

White CauldronNine Hells – Wicked release from last year that somehow fell through the cracks on me. The nearby Colombus Ohio band is really hard to place in a box. Sharp spinning blades of Industrial, clashing with jittering witchouse, textural keyboards, and a coven choir of misty swirling vocals. Throwing so many elements together could cause you to be lost in the miasma, but the mix is precise and razor blended to let every element find a voice. I’m not sure how many members the band has beyond Bess but the ultimate power of the release is that feeling of 20 clashing minds swirling around and finding focus like a spectral eruption in a cemetery.

https://whitecauldron.bandcamp.com/album/nine-hells

Stand Out tracks:

Empty Tomb: This song is the cacophony at it’s best. The overlapping harmonies ranging from Nu Metal spitting to banshee haunt wails are a powerful and unnerving effect I found myself captivated by.

Die This Death: This opening bassline has such a filthy stank on it. It rises and grooves like a buzzing swamp consuming a corpse. The rapped out vocals almost put me in mind of Cypress Hill. Just such a unique and conjured ritual of darkness and decay.

Overall: This is a complex listen for all it’s parts. It often rides the line between background chill and chaos dance mix. With everything going on I found myself constantly surprised how easy it was to get lost in the flow of it. I want to take this ride again.

Astari NitePocket Full of Posies – Look if Astari Nite has a new single, I am here for it. That said, holy crap this is a jam. An enchanting garden of mythic colors and romantic poetry. It bounces between complex layers and stripped down emotional delivery. The vocals are that beautiful teardrop smooth Robert Smith croon which makes my heart well. This band continues to impress with every release.

https://astarinitengp.bandcamp.com/album/pocket-full-of-posies

Does anyone have any money left after Bandcamp Day? Because there are more amazing releases that need your attention.

After the tidal wave of new releases from the last few weeks I get to settle down and deep dive some of the amazing things that I didn’t get to. Powerhouse albums from around the globe that are making my heart pitter patter for the exciting future of modern Darkscene. As always comment on the page who you think I need to review next and share these reviews so others can find them.

Sounds Like WinterFight The Stairs – I have been a fan of the Australia based traditional goth band for a while now. With their third album they have struck an amazing new chord that is the most impressive to date. One of the flavors I have always loved in SLW was the rough edges and old school feel. I never needed crystal clear production work to feel the passion driven low fi power of the songs. In an unexpected turn they have somehow unearthed the unorthodox blending genius of Martin Hannett to create the lost progression of Joy Division and A Certain Ratio. The drums are a crisp sizzle, the guitars a stabbing fencer in constant assault. Sian Williams walks up the down staircase with synergists motion and lead guitar bass. Finally Ant Banister has captured the soulful baritone resonance of Ian Curtis that so many in the current scene have tried to grasp. The entire effect is lightning in a bottle which is holding place between two times. I’m on my third playthrough and still find myself searching for details in a seamless delivery.

https://sounds-like-winter.bandcamp.com/album/fight-the-stairs

I would be remiss to not address the lyrics. This album has a crystal clear delivery with poetic flare for dark themes that keep bringing me back to Unknown Pleasures and Still. The wonderful lighting/Thunder offset of Andi Lennon‘s vocals add just the right amount of spice to this complex stew. My arms sway with reckless abandon and my mind swirls with the bleak and heady themes. People often talk about how much this scene leans on the past, but not enough on the ground left to go. This feels new.

Favorite Track: Fight The Stairs – The title track is the perfect blend of both tempo and Andi/Ant’s vocal style. A guitar riff is everywhere at once like a live wire catch the dragon by the tail. It’s a story you can follow and a sound to get lost in.

Overall: This is the new standard for a band hitting on all cylinders

DogtabletPearldrop Blue – A lot to unpack here. So many amazing elements in one place that connect all the tiny synapses in my mind and unleash a flood of dopamine right in the brainstem. Scene legends Martin King, Roberto Soave, and Jared Louche, have teamed up once again to bring out all the best in each other and we are reaping the sonic benefits. I’ve had a hole in my heart as Jared has been quiet lately. Hearing his mad prophet poet spinning spiderweb dreams again takes me on a fantastical journey. The album features a plethora of amazing guest vocals from S & S favorites Cat Hall, Coral Scene, Sapphiria Vee/MelodyWhore, and Groovie Mann. Another amazing addition was mastering by sonic wizard Pete Burn. How they take all these elements and make the chaotic fever dream sound so clean and cohesive is beyond me, but I suppose that is why they are legends. The entire album builds like a cinematic human drama touching gentle notes like taste buds on the tongue.

https://dogtablet.bandcamp.com/album/pearldrop-blue

Favorite Track: Impossible to choose from this ensemble cast of talent. Every Little Lie – Featuring frequent collaborators Sapphiria and Melodywhore is crystal cocktail party of balance and trip hop fantasy. Star – Is a deep and introspective prayer to the connection of spirit. Silver strands winding through the universe while light bounces off at a million sparkling moments. Heavy Gravity has a more traditional Dogtablet feel, with Louche in full moonbeam madness and William Borough’s cosmic streams of conciseness.

Overall: Another smash hit with the complexity of craft you would expect from veteran masters, and the dangerous psychedelia artistic courage of people beyond the game. You will be changed by this.

Aesthetic PerfectionGravity – Houston we have lift off. The newest single from Daniel Graves featuring Swedish death metal axe master Sebastian Svalland holds the speed and power to break the atmosphere. I almost had a dance related injury the first time I spun it. Graves touches on an emo punk lilt to the vocals that gives an original modern bite to the Pop-Industrial equation. Get strapped in, and peer out the window as the pinpricks of light race by at blazing speed. I know I was late to the game for Aesthetic Perfection, the more I hear, the more I love.

https://aestheticperfection.bandcamp.com/album/gravity-single

Sega LugosiUn​-​Undead EP – Wow, the ultimate goth diss album from the hidden part of The Gothsicles. If you ever wanted in on the inside joke of modern EDM, now is your chance. Epic in scope chocked full of nerd culture reference. Everything you love about Klack/Caustic/The Gothsicles put in a blender on frape and poured on a Genesis consul until it sparks and burns. Jumping Jesus on a pogo stick Taco Tuesday is a jam. It really isn’t the humor, because the songs are funny. It’s how good the songs are in spite of the humor. “Sunday ain’t my day to pray, It’s Tuesday that makes me sashay.”

https://segalugosi.bandcamp.com/album/un-undead-ep

Curse MackeySubmerge Remix – How do you find new space in my favorite track of 2019 breakout album Instant Exorcism? Have sound engineer extraordinaire and close friend Chase Dobson do a remix, and give him a new guitar line from Ronny Moorings of Clan of Xymox. Where the original track was a slow and crushing descent. Here you are in open water, looking at the expanse of nothing but dark blue for miles. Gorgeous lapping waves of delayed guitar the only sensation tying you to life and you sing down in ice waters. I love feeling something I am already in love with deeper. Discover it again.

https://cursemackeyngp.bandcamp.com/album/submerge

It’s Friday and I’m In Love With Bandcamp Day

In a shocking twist of fate I finished my May Bandcamp Day reviews a week early. Which means I have time to do a part II of amazing new releases before Friday 5/7/21. As always I have gotten into my tiny goth boat to sail the seas of amazing music from around the world that stirred my heart like a bracing wind on stormy seas. So look with me to the stars as we navigate these choppy waters. Leave some of your great finds in the comments below, and as always keep it dark yo.

Big Time KillRecovery – Let’s jump in with a bang to the new EP by Boston based BTK. This EP absolutely floored me. It’s a ear worm blasting blend of catchy intense lyrics flicking through a rollercoaster dynamic ride with glam, electroclash, synthwave, and grunge. The way Adam Schneider and Ben Caccia bounce through effortless transitions is engaging and artistic. To cover so much ground in 4 tracks is a masterwork. I know I am using big shoes here but this journey holds the toothy refinement of Pretty Hate Machine. An early contender for surprise hit of the year.

https://bigtimekill.bandcamp.com/album/recovery

Favorite track: Cliche’ – Whipping chains of ghost riding fire. Drops away with a crooning desire. The chorus is an expansive hit that taps deep into a feeling any artist in 2021 has looked down the barrel of. Bubbling guitar leads counteract with Adam’s piecing sky splitter voice. “What are you gonna do, when the world keeps coming for you”. Banging guitar solo 10/10 on the pump my fist in the air scale.

Sweat BoysAdrenaline (feat. Valerie Abbey) – Blistering blaze single from Benny Sweat who has teamed up with Valerie of Abbey Death to tackle goth classic Rosetta Stone’s synth anthem. It’s fresh in it’s violet electric pacing and the wispy beauty of Valerie’s delivery. I love Ben’s gift for taking something untouchable and making it his own. It has reinvented the song as well as his own style. Everything about this cover feels fresh. The flowing keyboards step forward to take the place of the guitar line and turn the dark sky neon. This single is an instant club hit.

https://sweatboys.bandcamp.com/album/adrenaline-feat-valerie-abbey

Era NocturnaHell – Another Boston artist Era has has returned from a 13 year hiatus to release a new single featuring three remixes. Her voice has the stalking power of a giant black wolf, blood dripping from it’s jaws. A sinister ferocity and stalking cadence. The whole sound feels cornered and dangerous while exposing a vulnerability. The lyrics are a poetic journey like Dante emerging from the inferno. It’s hard, it’s mean, and it happens in 4.5 minutes. I hope this spells the return of a powerful darkpop voice. Special shout out to the Lilith My Mother remix which softens the edges and adds blending of the grey hues to the music. This brings a clarity and resilience to Daeva’s voice. I can’t wait to see what style will be her next prey.

https://eranocturna.bandcamp.com/album/hell

Coor Brow-OblesMacGuffin Baby – Bopping new gothglam single from Gillingham UK. I always love the high range old school croon of Coor’s voice. The tongue and cheek of beauty against S & M concept. Put your hands on me and choke me softly. I think Coor has a true star quality and I want to see the production level find the same heights of cleverness as the songs. A fun ride between Bowie and Syd Barrett that leaves me hungry for more.

https://coorblimey.bandcamp.com/track/macguffin-baby

Death Loves VeronicaChemical – The first album from the glorious union of the Texas siren and Cold Transmission Music. I love the crashing tide synth drive and the contrast of warm whiskey sliding down the back of your throat. A ritual incantation and self realization. Every time Veronica announces a new release I am left wondering what new territory her voice will take me. Pre Order is currently available with the first two singles “Burn” and “Spindein“. The power of this album is how instead of you studying the painting while listening. The stalking control and awareness in the eyes of the music is staring back at you. You are the one on display and the tendrils of the music creep towards you and wrap you up.

Favorite Track: Spindein – Such a deliberate, calculated crawl of leather and feathers. When they say a song can get under your skin, this is what they mean. “Nothing dies, the way you do” I love the buzzing guitars at the halfway point. It really adds a second act to the story of the song. Light the candles, pour a glass of wine, get seduced by the power of music.

https://deathlovesveronica.bandcamp.com/album/chemical

WeirdWolvesOverdrive – First single from the Austin TX band which combines Raphael Colantonio and Ava Gore (Daughter of Depeche Modes Martin Gore). It’s a nice early 2010’s electrosmasher club killer. Nice duet blend vocals. I had to really force myself to hear it on it’s own merit and not the power of it’s royal blood. Top notch production and some lovely giant mechanical snake sidewind slither. It was a brief but tantalizing introduction. You have my attention, but the bar will be high. I want to see open veins and dynamic power from a full length release.

https://weirdwolvesmusic.bandcamp.com/track/overdrive

Dead Animal Assembly PlantBring Out The Dead – Another bone jarring hit from our friends at Armalyte Industries. This album is venturing a little closer to the metal aspects of industrial/metal than I tend to go. Sometimes in life you just need music to smash shit to, and that’s what the Portland band is bringing with rapid fire whole sale destruction. What leaves me impressed isn’t the moments it hits hard, it’s in the subtitle intelligence where pulls back and lulls you into a false sense of security just to swing the bat at you again with reckless abandon. Another great highlight is the cover of the folk song “Gods Gonna Cut you Down“. They say when Johnny Cash covers a song he makes it his own. Sometimes though you need to rip it out of his hands and shake the shit out of it with blistering guitars and fiercely whispered vocals by Time Bitch.

Favorite Track: Sacred Disgrace – It’s all the power and fury of the other tracks, with Lulu Black adding an eerie and off putting violin line which makes the vocals spew forth with added vigor. A crushing dirge of power and beauty.

https://deadanimalassemblyplant.bandcamp.com/album/bring-out-the-dead-2

blackcellBurn the Ashes – Ok this came to me as a hot tip from Michael Smith. Just to discover it is a collaboration of Eric Isbell and Matt Jones. Mastered by Chase Dobson. Dark, dripping, delicious death disco that I didn’t know how much I needed in my life. Take one part Ultravox, one part Cabaret Voltaire, a dash of modern production to sooth the lofi edges and you have the recipe for your next low key sexy dance party. A twisted carnival of Andy Warhol’s most fiendish nightmares made of shadows and spun in technicolor. I was not ready for this and fell deep. Prepare to hear a lot more about this band from me in the future. This gets the where have you been all my life award.

Favorite Track: Creep Like Fire – This is the song playing when John Travolta stumbles into the Black Lodge of David Lynch and wanders aimlessly while a thin man in a suit speaks in reverse.

https://blackcell.bandcamp.com/

It’s Wed My Dudes, On 5/7 It Will Be Bandcamp Friday May Edition

I have not been great about writing reviews this month. However that has not stopped my compulsive purchase of badass new music. So I am going to delve into my cups as well as the latest in hot new tunes. I invite you to follow my meandering thoughts and broken sentence structure. It is my genuine hope you find something here that will inspire hope for you as the tension of the last year and a half seems to have a light in the distance. As always leave a comment below if you have an artist you would like to see me review in the future.

kenzifiresSlumber Party” by Ashnikko – The amazing shooting star Æðra Justice Burke of FIRES has started a new WitchHouse project and blew my doors off out of the gate. These slinky flowing hip hop beats crisscross with waves of color and heat. I think the most amazing impact is the ability to stop everything, hang in silence a moment, then pirouette and walk away. I don’t know the original song well, but you can bet your sweet bippy I am looking it up now. Everything she touches is a laser beam right to my heart.

https://kenzifires.bandcamp.com/track/s-l-u-m-b-e-l-i-g-u-s

DoppelgängeRMercy and Eternity – Currently the hot topic in Post Punk/Darkwave is the amazing icy wind blowing out of Russia. Doppelganger has been leading that charge for a while now. Building an impressive catalog for 25 years and honing an impressive smooth icicle sound with a razor point. Rolling live drums with crisp transitions. Light shard guitar cadence. A bass line the drives the tempo with intuition and an unseen presence. The vocals are subtitle and hold a wisdom. When someone says you have an old soul, that is the effect these vocals create with me. I am kicking myself for waiting so long to find this band and if you haven’t heard them please don’t waste another day.

Favorite track:

Dancing With Shadows – A flowing wisp of smoke with quick moving guitars and deceptive transitions. Another power of this band is that it sounds like itself. The vocals in particular could easily get lost in the “Baritone Post Punk” singer trope. It has instead a fresh confident take that is not another Ian Curtis/Andrew Eldrich.

https://doppelganger-ru.bandcamp.com/album/mercy-and-eternity

HALLOWSAll That Is True Dies – New single from recently relocated Seattle band Hallows on Cold Transmission Music. In addition to the single you get two remixes by Dead Astronauts and Profit Prison. As well as exquisite mastering by Pete Burn and Slade Templeton. That is an all star team and gets me excited. The first time I heard this band I was struck by the glorious blend of vocal styles. It really creates a story between these voices. Like an other world echo of memory that haunts a home. I love the simple idea layered with tragedy and humanity. This is a song of reflection and immersion. After the banger club hit, that quiet moment when our characters lock eyes and get lost.

https://hallows.bandcamp.com/album/all-that-is-true-dies

Into GreyWaiting Here – So this is a band from Columbus Indiana that found it’s way to the Sounds and Shadows group and holy shit it is good. I’m working my way through the previous catalog. It is rainy days and water colors. Deep resonant vocals that put me in mind of Golden Apes. Cutting poetic lyrics of longing and doubt. A lot of overlapping busy guitar leads which create motion from an otherwise crushing weight. It’s a nice effect that draws a beautiful contrast. Quickly rising on my list of modern bands making goth romantic again.

https://intogrey.bandcamp.com/track/waiting-here

StoneburnerSell Out – Steven is newly signed to label COP International and broke out the first single. To no ones surprise it is a total banger. It was produced by living legend John Fryer and features remixes by Klack, Stabbing Westward, and Sick Jokes. I love the crushing 100 MPH pop stinger tempo and tongue and cheek clever delivery. “I want to look good in the DJ booth” “You have to sit through my noisy ass shit”. This is a cleaner burning view into the wit and humor that Steven uses to connect with his audience outside of his music. I love the left turn in direction to show the range and endless creativity Stoneburner continues to bring.

https://stoneburnerofficial.bandcamp.com/album/sell-out

Shadow FashionOne Black Rose – San Antonio darkpop darlings have dropped a new single and this is my favorite of their releases to date. I fell deeply in love with this track. It hits on so many genres and decades in one dark clean insta classic. Huge John Hughes romantic swirling film feels. Patrick’s vocals are crisp and dreamy. It has a modern production with a nostalgic tone. This single really paves the way for a bright exciting future. I’m jaw dropped blown away by how much this track is stuck in my mind when I least expect it. Must have.

https://shadowfashion.bandcamp.com/track/one-black-rose

Dove TribeAll In The Waiting – No one is a bigger fan of the artistic exploration of sound by Hide Tepes of Carrion than me. He is on a constant journey to create some of the most cutting edge sound crafting in the modern scene. So when I heard he was doing a new project with a more rock focused old school bat cave sound I knew to expect something exceptional. The song “New Cold War” is a powerful political statement with an emotional delivery that harkens me back to 1959 by the Sisters of Mercy. A track that transports you and paints a picture of strife and rebellion. It shows Hide’s voice in a completely new light that left me spellbound. Currently available for pre order for a 5/15/21 release. I feel like this EP has the raw power to be a game changer in a genre hungry for new sound.

https://dovetribe.bandcamp.com/album/all-in-the-waiting

Lyres Of UrI Look Good On You – I know, I know, you are thinking Ken are you just reviewing all of your contributors at Sounds and Shadows? No, this new single from Lou Blacksail is pure blazing fire and marks more young talent that is hitting a stride which strikes me deeply. The vocals are a sinister reflection of 80’s pop. I love how accessible the hooks and cascading synths feel while the vocals hint at something secret. A dangerous curl of the lip and arrogance of the eyes. As Lou continues to find his voice, I continue to be more invested and impressed by a future talent in this scene. Show support now for this “It” factor artist.

https://lyres-of-ur.bandcamp.com/track/i-look-good-on-you

MORIS BLAKIrregular Revisions Vol. II – Brand new remix album from Boston EDM wizard Brian Blacknoise. Powerful reimagining from 2019 The Irregularity of Being. This album is a epic dance journey where sounds are sculpted from chaos into form. A masterful job of enlisting vocal performances from the likes of Alicia May, Luna, and Pete Crane to add layers that elevate the intent and narrative. Finding a fresh image in songs you have previously done is no easy task, but this remix album cracks the standard code. It’s a collaboration that takes something wonderful and fires it through a prism.

Favorite Track: I have a tossup here. Between Alicia May‘s vocal delivery of empowerment and grace on Burying Place, and the and the HAEX remix of of Erase Displace. Both brought such a fresh vision to Brian’s vibrating walls of earthquake destruction. Honestly I am hard pressed to find anything here I didn’t enjoy.

https://morisblakngp.bandcamp.com/album/irregular-revisions-vol-ii

ΣΕΘ(SET)Disorders Of The Heart feat. Morgue VVitch – So this was a powerful and abstract find from Arizona featuring Morgue VVitch. An unnerving and beautiful forest of terrifying Will o Wisp lights. Goblins horror texture blended with dungeon synth adventure. I loved the spoken word intro and the fingers on your spine chime movement. What left me enthralled by this was how unfamiliar and dangerous it felt. A chilling feeling of desperation leaving me hungry for life. I want to explore deeper in this haunting mystery.

https://subgoth.bandcamp.com/album/disorders-of-the-heart-feat-morgue-vvitch

Searching For My Center, The Music That Is Making Me Write Again

So this has been a tough two weeks. It lead to a lot of introspection and will hopefully turn into growth. Just like all the toughest times for me, music has been that companion that is always there when I need it. This last few weeks saw many amazing releases and I will talk about some of them now. Please check out the bands, leave comments of what you liked. Send me things you are listening to you think I might not know.

Helevete IncThe Inevitability Ov Nothing – This is a new rerelease from Helevete Inc. We recently had the opportunity to interview them, so keep an eye out. I feel in love with the hard old school style of this band. This album was such a drastic departure and really shows the range they have. A rich and meaning drenched darkwave goth sound. TION shows a gripping and introspective melodic aspect of their voice. These songs have such a powerful authenticity of someone stepping outside of their wheelhouse, uncertain where the music would take them. Confronting the fear and darkness of that reality. I feel so deeply in entranced by this record. It showed me something, it had glorious imperfections which revealed the artists and left you gripped by the connection. The album also has fierce and snarling beauty in the form of guest vocals from Jenny Rae Mettee. This is one of the most underrated finds of the year.

Favorite Tracks: Fades to White and On The Other Side

Overall Appeal: Enormous, I really enjoy Helevete but it hasn’t set out to be accessible. Most of the albums are very aggressive and challenging. This album really laid out connectable songs with the same level of emotion. The music was smooth, dark, and expertly crafted. This is an important modern artist making music for the sake of art. I really can’t recommend the impact of this album enough.

https://hymnsovgolgotha.bandcamp.com/album/the-inevitability-ov-nothing

Cliff and Ivy: Alaska’s goth duoBring us the Night – Brand new single from my favorite goth couple in Alaska. They often straddle the line between Goth and Punk and this time they are leaning very punk. This is a furious tempo cursing the daylight and celebrating the night. Bang you head and paint up your eyes. Ivy’s machinegun fire poetry assaults you in waves and has an anthem cadence. I think the extra layer of cheese and fun really puts me over the top for this scorched earth hot single.

https://cliffandivy.bandcamp.com/track/bring-us-the-night

Gloom WizardThe Beast Of Victor – Unnerving and ferocious single from Anibal our Sounds and Shadows moderator. This throwback sizzler has the tension and emotional recklessness of NIN Broken. Yet maintains a lo fi analog dissonance. It’s brings you to the brink of aggressive explosion then drops the floor out with horror movie effects and video game synth feel. The chaos and tempest are tempered by Anibal’s powerful vocal performance which carries you through this terrifying journey of reflection. This song fills me with anticipation for future releases.

https://gloomwizard.bandcamp.com/track/the-beast-of-victor

DIAFWeida – So this review comes with a great story. The recommendation was from Elitist Joe. If you doth travel in thine goth circles you know we have now always seen eye to eye. One of the best parts of the last two weeks has been finding our common ground. So DIAF was a spot on recommendation. It is unique and intense. The vocals have that I have not heard this a million times entrancing flavor. It definitely holds a distinctly 90’s goth flavor, but with dance beat electronic boot stomping power. The melodies are captivating even where the language escaped me. In a world of remakes this album truly took me somewhere new.

Favorite Tracks: Erbsundt and Splitter – Two tracks that could not be more stylistically different bit both resonated with a truth and impact.

Overall Appeal : Strong, this is extremely varied, but the unique flavor of each track only increased the appeal. Everything is expertly played and mixed. An outstanding recommendation which also holds the meaning of a new friendship.

https://diaf.bandcamp.com/album/weida

Blood DanceChild of Fear – So this was a band I found on the compilation Escena Oscura Mexicana Vol. 1. I have been really digging into Mexican Goth/Industrial lately and this band grabbed me hard. Ultra deep Peter Steele vocals that creep like an onyx tank rolling over stone. Sultry post punk guitar lines and expressive synths. The vocals bounce up and down in range but never waiver in effect. This was another find that I fell hard for and will be looking for all future releases.

https://blooddance.bandcamp.com/album/child-of-fear

Black Rose BurningShout – Sometimes you just get a banger. This is one of those times. George of Black Rose Burning has assembled an all star cast of Brian Vigilone (Dresden Dolls) Anka McGowen (The Long Losts) Alex and Andrew (Hallowed Hearts) James Perry (Ashes Fallen) and Adrian Auchrome (Machinery of Desire) to reimagine the Tears for Fears classic Shout. The song remains just as poignant as at it’s release. George has a encompassing voice which both soothes the soul and splits the sky. The abrupt transitions keep a constant motion and the layered guest vocals pay homage to the wonderful harmonies of the original. I really loved the organic and driven feel of the drums. The guitar solo was a inspired addition and added a current and red toothed power. An amazing rendition that hit on all cylinders.

https://blackroseburning.bandcamp.com/track/shout

Herr NoxWhere Shadows Fade – I am in love with this new trend in talented song writers pulling in a variety of guest vocalist to splash paint upon the canvas and expand the range of their own art. This album is a haunted house of textured rooms. With patterned guitars and sultry saxophones. The album pushes the darkwave concept with progressive rock inlays. An avenue I have seldom seen explored. This album featured a complexity of 80’s Killing Joke and an expansive feel of 90’s industrial. It’s a varied catalog of rooms to explore. An album that can’t be appreciated in one sitting.

Favorite Tracks: Black Butterfly – A power ballad rock anthem with electronic sensibility. Gotta Light – Rare I would pick an instrumental track but the saxophone swaying sultry feel left me captured and transported.

https://herrnox.bandcamp.com/album/where-shadows-fade

ACTORSLike Suicide – This album keeps flowing in one single at a time. Each one leaves me more impressed than the last. The gorgeous synth line and delayed guitar blending hits a razor edge I haven’t heard since U2 Boy. Jason and company are writing songs at a level that shows there is still places to explore in 2021. The heavy concept here of facing a hopeless cloud and trying to find strength. This song conjures that same lost beauty of Joy Division but with an elegant construction. I am truly at a loss for how they continue to push their own goal post and expectations with every release.

https://actors.bandcamp.com/track/like-suicide

 Kill Shelter & AntipoleA Haunted Place – Here it is, Pete Burns is operating on a level in modern postpunk/darkwave that is rewriting the script. Here instead of recruiting a variety of singers like his groundbreaking album Damage he takes the vocals upon himself. His voice is rich and rings with the power of a well aged bell. To build on that previous level of variety in the soulful lyrics, he has added possibly the top Post Punk guitarist in Antipole‘s Karl Morton Dahl. It’s an effortless compliment which locks perfectly as a puzzle falling into place. Every track is done with such expert precision and runs the spectrum of emotion. This is an early contender for album of the year. Like an expertly honed novel I could hear this record 1000 times and find a new detail to zero in on each play through.

Best Tracks: Raise the Skies – This single is a masterwork. It is the song equivalent of a perfectly crafted watch. Every gear an intricate motion happening in exactly the right time. Of Roses and Thorns – I loved how stripped down this felt. It allowed the chorus to open so much space and Pete’s voice went to a higher more delicate range.

https://killshelter.bandcamp.com/album/a-haunted-place

Once Again Into the Breach My Friends. Time To Review Some Music.

Another Friday night finds me tipsy and alone behind this keyboard. However I am never truly alone when I have great music and all of you to share it with. I have all my latest Bandcamp purchases, a few of which are absolutely smash hits. Please leave a comment below of who you would like to see me review in the future.

Twin TribesAltars – The beautiful lads of TX have released a remix album. Now I will always buy anything Twin Tribes put out sight unseen. I have to say this collection of remixes by some of the hottest names in darkwave was a special treat. The songs were big departures from the standard Twin Tribes style, but Luis voice still kept each song familiar. It included tracks from both previous albums placed lovingly up for sacrifice on the Altar to be transmuted and given back to the world.

https://twintribes.bandcamp.com/album/altars

Remixers Include: Skeleton Hands, Geometric Vision, Luz Futoro, Ash Code, NITE, Wingtips, Matte Blvck, Dave Parley, She Passed Away, Bootblacks, and Creux Lies. Yes you read that right. I think the power house of performers here really speaks to the immense effect Joel and Luis have had on this scene in such a short time.

Favorite Tracks:

Upir (remixed by NITE) – Damn this is gorgeous. This slow drifting synths remind me of a quiet corner in a buzzing high energy club. The beat then kicks in with a lovely synth line. Just such a bold shift from an already amazing song. This is the most I can ask for in a remix. I true homage while breaking a new vision.

ShadowsMatte Blvck remix – Shadows was the song that started my deep love of Twin Tribes. It holds a very personal place in my heart. To have it transformed in this way and still hold such an intense emotional impact is something glorious. This is that secret cult but no longer around a ancient tree but now in a lush modern club. Full of velvet and burning incense. A beautiful and dangerous collision of past and future.

Overall Impact: Generally speaking I am not a huge fan of “just remix” albums. I really love remixes included with an EP or something fresh. However as is often the case Twin Tribes have become the expectation that proves the rule. They took songs I love and collected most of the top names in modern darkwave. If you don’t know some of the bands here, you need to let this album lead you back to them. It’s very accessible and has a nice variance of sound. General fans will enjoy, fans of Post Punk/Darkwave will love.

the DramedyAnd The Light Goes White – New album from Dave Dramedy, who I recently saw playing bass for Caroline Blind in Detroit. This was a strange and experimental album that never left me bored. Dave surely has a power and range to his voice that rides the line of Mark Burgess and Iggy Pop punk edge. I really like the blend of rhythmic acoustic and harder driving bass guitar sounds. This is an album that grows on you. It seemed to get better with every listen. Like a favorite film where you notice a new detail every time you watch and always feels fresh.

https://thedramedy2014.bandcamp.com/album/and-the-light-goes-white

Favorite Tracks:

Parasite: It’s hard to put my finger on it. The inflection in the vocals. The ring of the drums. The chopping downward acoustic guitar. This song although having a very dark edge, carries a vibe of 60’s Height Ashbury psychedelia. Of the Mamas and the Papas. It covers a lot of ground stylistically. The vocals are full of piss and vinegar for how beautiful and resonant they are. This song is a jam that is hard to place in the box. Other than the box of I love this fuking song.

What’s left To Say – Just stabbing sun shard energy right out of the gate. Total bop feel with flaming guitar lines, biting vocals, and late 90s Brit Pop hooks. I just couldn’t stop my leg shaking on this one.

Overall Impact: This album is so full of twists and turns. A definite nostalgia feel, as well as a region one. I really felt the California connection in every song. I think this record is very accessible despite the complexity. It is a hard sound to describe but if The Church were being yelled at by Iggy pop to stop changing time signature and just play bops. That’s what I feel.

Christian DeathSpectre (Love Is Dead) Kill Shelter Remix – This song is a classic. Probably my favorite CD track. So how do you re-imagine something iconic? Give it to Pete Burns. Pete is such a master of the sonic scalpel cutting away tiny bits until you are left with such a precise and streamlined modern wave beam. If I had it in my heart to toss a grenade over my shoulder and purposefully stroll from a collapsing building, this is the track I want playing. It’s pure energy and dangerous intent. 10/10.

https://christiandeathrozz.bandcamp.com/album/spectre-love-is-dead-kill-shelter-remix

Overall Impact: Everyone will love this track. It’s very fresh, it’s very way back. It’s just a slamming banger from start to finish.

Deadlight HolidayBlood // Body – Our dear friends from West Michigan uncorked this badass single with some slamming sounds of Nu Metal and sizzling tempo Stabbing Westward vibes. Great production in the breakdown swirl. Loving these scratchy tear your head off vocals blistering past the crunching guitar. Also a gasoline covered dead man’s dance remix by Angelspit. I sense big things on the horizon from these young folk and I look forward to sharing a stage with them again soon.

https://deadlightholiday.bandcamp.com/album/blood-body

Raichyl SinversaYou Tell Me (Re​-​Mastered) – Remastered single from Raichyl of Philly. This is a nice crooning darkpop head bopper with an empowerment edge of 90s grunge. The guitar work is napalm scorched earth to contrast the lovely lifting vocals. A little bit of southern sass in the tone puts a nice edge to this “I’m not falling for your shit again” boot stomping driver.

https://raichyl.bandcamp.com/track/you-tell-me-re-mastered

Aesthetic PerfectionAutomaton (feat. Sebastian Svalland) – Ok I have a confession that will not win me any goth points. Aesthetic Perfection sort of happened right in the moment between when I gave up on discovering new music and the time I listened to nothing but. Daniel Graves has become a leader of the modern dark scene for a reason. So getting to hear this new single without much context is a really interesting way to stumble into the band. This track is a bop. With firecracker exploding chain guitar work by Sebastian Svalland. It is also produced by Front Line Assembly legend Rhys Fulber. So I went in blind expecting cold razor precision on the production. Which is exactly what I got. What I was pleasantly surprised by was the range and voice charisma of Graves. It oozes with thick viscus grime and light footed cadence that keeps the energy constant and focused. The song also gives a tight compressed poetry of lyrics that convey a relatable idea in the modern era without an abundance of words. There is a special anticipation when you discover a band with a rich history later in their career and get to work your way back. I may have to do some of my reaction videos to some Aesthetic Perfection classics. Put your favorites below in the comments. Also buy this track immediately because it is a slam.

https://aestheticperfection.bandcamp.com/track/automaton-feat-sebastian-svalland

Sing Me Songs That Make Me Feel Something

Red wine and a shining moon. Here I sit once again after a long and chaotic week. I reach out for the solace of other peoples dreams and thoughts in music. The world is waking up from a long nightmare. The scene is wonderfully awash with exciting new talent and ideas. Here are some of the glorious sounds I am hauling into my boat.

ChiasmMissed The Noise – Always excited to see amazing art created by a fellow Michigander like Emileigh Rohn. This album is arranged by legendary producer John Fryer. There is nothing better than two top talents forming a bond and producing something better than the sum of the parts. Emileigh has a voice that gives you a gut punch of energy with every phrase. This feels like the montage scene in a film where our heroine levels up her power. It feels like actualization with every electric build and feint. The music is so finely honed, each song a story that digs it’s hooks in and allows the charisma of the vocals to shine like a beacon.

Top Tracks:

Noise – The glorious workout of crackling electric light. This song just blasts in wave right out of the gate. The vocals are power animal bright light. If I had to pick one word to describe, inspiring.

Missed – A total shift to darkpop drifting glory. The opening chimes and quacky sounds. I think you strangled my sweet mind. This is such a dynamic and visual sound. Windblown flowing silk in a posh apartment watching the worlds spin past. This song really puts on display the powerful teamwork of these musicians. Again with the powerful mantra of self actualization. Those deep vocal contrasts really add a noticeable line between the experience and viewpoint.

https://chiasm.bandcamp.com/album/missed-the-noise

Overall appeal: This is a album for everyone. It has lots of delicious pop and feminine power with an expert craft and emotional energy. Highly recommend.

Hide Tepes/ BlakmothFilther – The back and forth rocking sonic duel of our own Hide Tepes and Maryland’s Blakmoth. A wonderful collaboration of oily sonic darkness. There is a wisdom achieved at a certain point in life where you realize you can no longer walk the journey of those making music at the absolute cutting edge of modern music. If you listen though, you still know when you hear it. That difference when someone is truly taking the adventure for you and exploring new and terrifying ground. That’s the feeling inspired by this subtitle and and creeping Synth driven psychological terror. It’s music that grabs your hair and smashes your face in a mirror. Leaving you exposed to gasp at the bloody mess and the terror in your own eyes. This is not a casual listening album. It’s a test of your empathy and fortitude.

https://blakmoth.bandcamp.com/album/filther

Overall Appeal: This is not a pop album for easy listening. It’s a blending introspection of abstract thought and feeling. Enter at your own risk. If you do find yourself of a courageous heart and an open mind. This is the cutting edge music of tomorrow.

Nuclear*SunCouldn’t Have Said It Better Myself – So cover albums are a tricky thing, often you are getting someone at a lower experience level trying to find new space in an established song that meant something to them. Tal Kliger has brought a talent and hungry energy to covers of friends as well as inspiration. The overall sound razor skates that place between EBM and Industrial with a highspeed light footed agility. Bouncing vocals skipping between a growl and a ringing clarity. You can really hear the love and devotion to the musical process in these tracks. it’s blazing heat and energy that captured me and left me hungry.

https://nuclearsun.net/album/couldnt-have-said-it-better-vol-1

Top Tracks:

February War – A cover of Rabbit Junk. This was driving punk rock stinging beats and glitchy vocals. Stabbing and edge of control flavor. I love the guitar bends and smashing drums. A poignant assault on the senses and emotions.

Insurgence – A cover of Sean Payne but with smashing and razor sharp execution. Grab a bat and start smashing. Hard leaning Front Line Assembly vibes full of high concept and obliteration. I loved the parking lot fist fall energy and dark streetlight tone.

Overall Appeal: If you like it hard and nasty with a familiar feel this is your jam. Fans of Industrial/EBM/ Metal edge will find red burning glory here.

Bow Ever Down Lost In The Woods Kimberly Kornmeier sizzling darkpop from 2020 which left me swaying and captivated. The synthy star sparkle spins are a wonderful atmospheric journey. Their voice is an icy and bracing powerful clarity. They have a honesty and power that rings forth with every delivered line. It’s vulnerable and indomitable at the same fine. The music has a soulful and serious tone. A shattering crystal castle of faced disillusionment growth and regret. I also love the use of samples to set stories that allow the vocals to show the emotional range of the story portrayed.

https://boweverdown.bandcamp.com/album/lost-in-the-woods

Top Tracks:

Bury my Body – This song is full of that glorious smashing glass effect. It’s as beautiful as it is cruel. A challenge with sharpened blade to anyone that would dare step inside this protected circle. Kimberly’s voice is emotive and clear as ice.

Grey – More raw wound self introspection. Intense and powerful vocals delivered with beauty and subtilty. The concepts are timeless and modern. “I’m a monster and I’ll kill you from the inside out”

Overall Appeal: Definitely pop hook appeal. Definitely has soul. A nice organic quality added by the vocals. If you like darkpop with a strong female protagonist these are stories you can relate to and drive down a dark road summoning your strength.

A Cloud of Ravens Another Kind of Midnight – New album from Brookland band ACOR, which has left me immediately captured and ready to dive into this deep pool. This record is a perfect blend of the homage to the past and the modern construction of the future. Well deep power and resonant vocals carry these stalking shadow woven songs. It’s concrete wilderness and Peter Murphy poetry. Ringing guitars and driving basslines carry a heroic journey through a desolate land. The power of this story is to make the situation always seem so bleak but leaves a glimmer of hope in every song. We have an interview coming out soon that provides a glimpse behind the curtain to this emotional hand quivering delivery.

https://acloudofravens.bandcamp.com/album/another-kind-of-midnight

Favorite Tracks: All of them

Overall Appeal: Fans of old and new school goth will find a beautiful blend in this release. I feel into it’s grasp deeply and had a huge replay factor.

Mark E MoonOld Blood – Old and sinister music and vocals from Cold Transmission and the Isle of Man. I have been a fan or Mark E Moon for a while but this new record is a huge step forward in shadowy transmission and feeling that rips open your skull and pours raw unhinged emotion directly to your mind. It’s stomping, unforgiving and full of truth. I picked this record up and couldn’t find a way to put it down. Released on April 2nd you can get two tracks now with preorder. It has a sense of poetry and theater that has been lacking in the modern goth scene. It rides the line between beauty and grit. I can’t remember the last time I heard a band take such a monumental step forward from a previous album I enjoyed.

https://markemoon1.bandcamp.com/album/old-blood

Overall Appeal: Huge, if you love goth and darkwave this is exceptional execution with poetic and romantic lyrics. It’s fresh and furious with driving guitar lines that set a standard for future genre releases.

Ash CodeFear – Dark and dangerous new EP from the always impressive Italian act Ash Code. More racecar raw energy and city slick metro tone. I also feel a lot more edge in these tracks that the warmer synthesized last release. This just dropped yesterday and already is calling to me for constant playtime. Wonderful blending of vocals and sound. I hate to use another car metaphor but when you have a perfectly tuned engine and everything is humming just right. That is the sense of craftsmanship and streamlined beauty of Ash Code. The movement and transitions are effortless and graceful. It’s an effect that feels perfect in a club or at home over a bottle of wine. On top of that they pulled out all the stops having the songs remixed by top name artists like Clan of Xymox, Molchat Doma, and Forever Grey.

https://ashcode.bandcamp.com/album/fear

Favorite Track:

Indifference – Beautiful whispered vocals behind rapid fire heavy bass line. The rising synths are walls of color on a grey ground. I find myself getting lost in the beauty of construction. Listening to Ash Code makes me feel cooler than I am. That’s the true power of this band. To transfer some of their effortless appeal just by listening.

Overall Appeal: Immense, this is for fans of Post Punk/Darkwave/Synth but really has a relatability to fans of any dark music. It’s just well done. This is a band at the top of the game in their genre.

It’s March Bandcamp Day! Let The People Rejoice!

That old familiar feeling, sitting late at night on Stella number 6. A quiet falls over my house. Other than my earbuds blasting the latest in wonderful new dark music which I will now share with you. Our new Sounds and Shadows Facebook group has exposed me to several new bands and DJs so I will dig into that now. May the muses strike you and help you find something inspiring on this list like I did.

The GothsiclesAnimal Songs – Anyone who reads this page knows I am a goth who does not take himself to seriously. I think goth music should be stretched to the utmost limit of the definition. So when I hear a band that takes that way further than I could even imagine, believe me I am all in. When I first heard bands like Violent Femms in my youth it was extremely inspiring. I have a voice that does not fit the music I play. Brian Graupner has achieved the same concept and turned it to eleven. The music is Star Destroyer laser beams of energy burning through the universe with reckless abandon. His singing is an infectious wail spewing forth educational and spicy cadence you can taste burning down your throat. This album takes on a really interesting concept. All of the songs are about animals, written from that perspective. It also has some great guest vocals including MC Lars and FIRES doing a rap. This record isn’t a lot of ups and downs musically. Just keeps blasting you like a fire hose. I think it is a true testament to what Graupner accomplished by having the lyrics and clever delivery be the dynamics that hold your attention.

https://thegothsicles.bandcamp.com/album/animal-songs

Favorite Tracks: All of them

Rock the Quokka – This track has the same bouncing intensity but with a funky bounding adorable energy. The lyrics are brilliant and transport you into the tall grass and brilliant sun.

Naked Mole Rat – I want to hear Aedra (FIRES) on everything. Here she is dropping amazing bars and her sharp edge sultry voice is an amazing addition. It blends well with Brian screaming Pink and Furtive. All these songs really do make you feel and empathize with these animals. It’s a memorizing effect.

Stag Beatle Professional Wrestling – Here the idea of making the beetles do another thing close to my heart, pro wrestling just slayed me. The music has wonderful 90s electronica industrial beats. Just pure fun right up your gullet.

This record just captured me entirely. If you buy one thing this band camp Friday my recommendation is it is this. It inspires me to make goth music even more fun. Obviously the world is ready.

The Hanging Freud – Nowhere – Delicious Glasgow slow droning darkwave. Lots of swirl and down tempo with singer Paula Borges giving rich melting chocolate to pour slowly on that buzzing synth. Definitely hearing big audio heaven sound stretching. Sometimes in a mix you can feel one aspect or another too far away. Here everything feels underwater in equal measure and it gives the music a surreal quality. The tension is great and gives this feeling of being on a submarine sinking closer to the crush point. Watching out the small glass circles and seeing the world grow darker.

https://hangingfreud.bandcamp.com/album/nowhere

Favorite Track: Power over you – Definitely the sharp point of that sinking feeling. A stalking Bioshock copper glow sound. This isn’t a song you are hearing, it is a record playing from the spirit world creeping through the veil into your human ears.

Blind ColourInk Project – Rhythm Spirit – Ok this is a little outside my usual wheelhouse. This is slow sexy textural electronic beats. Renunciant of triphop like Portishead. It’s hard to box it in just one place though because the songs cover such varied group and have a real visceral imagery. This is an album to close your eyes to, lay back, and picture yourself floating. I found a calm meditation washing over me as each track flowed like liquid into the next. The craft and patience of these songs are fully on display. This whole project streams like a movie where your imagination are the pictures.

https://blindcolour.bandcamp.com/album/ink-project-rhythm-spirit

Favorite Tracks:

Blink Feat: Yazmyn Hendrix – Slow grinding space flight. Quasars and stars pass you by. Hendrix voice has a southern soul and smooths the staccato beats of the music with a dreamlike flow.

Slow Suicide Feat: Fifi Rong – A stronger and funkier gravitational pull. Fifi has a whispered spoken word style with a little Suzanne Vega flow. Gently dipping her hand in a calm pool to create expanding ripples. Then she reaches up with a beautiful chorus melody. “I’m a mess, I confess” the balanced rhymes never let your head leave this perfectly constructed vision.

Ashbury HeightsWild Eyes – Now I understand I am a little late to the game on Ashbury Heights, I can tell you I have rectified that mistake now. Just magnificent construction and expansive rising dance club banger energy. Madil Hardis has a sunrise voice that sets light upon the shadows. Anders Hagstrom has a perfect piercing counterpart. I played this single 4 times and just couldn’t stop shaking and swaying. The lyrics were relatable and left you deep in the pop hooks. Precision layering of the vocal harmonies with modern crystal clean movement. I need to listen to A LOT more Ashbury Heights.

https://ashburyheights.bandcamp.com/track/wild-eyes-feat-madil-hardis

Long After MidnightPainkiller – Close to home is Grand Rapid Michigan’s Long after Midnight. Really liking how much rock is mixed into this Industrial Rock. The mastering was done by  Jules Seifert so everything is smooth as an Aston Martin’s fender. Ross Martin’s vocals are crisp and powerful to cut through the progressive hard edge of the music. Mike Nolan is juggling a lot of moving parts here to give the music a sense of complexity and movement. Really exciting taste of more great things to come. I need to play with these cats once shows start again.

https://longaftermidnight.bandcamp.com/album/painkiller-ep

Heavy Water Factoryit’s not what you think – Let’s keep things in the Michigan. Jesse James McClear has been a pioneer of the Detroit Industrial/Techno scene for a few decades now. This new EP highlights what he does best. The hard stomping echo of Detroit Industrial with the tight corners and revving engine of electronic dance. This EP is all instrumental but speaks volumes with the razor changes and subtitle details. It’s an endless motion and sinisterly honed vision. The bleep bloop bop is not glitchy or crushing. Instead it endeavors for something sleek and calculated. This is night time driving soundtrack through a collapsing city. Could I have appreciated some vocals? Sure. However not having them didn’t stop me from plunging in and riding this wave of emotion.

https://heavywaterfactory.bandcamp.com/album/its-not-what-you-think

Glass Apple BonzaiThe Blush – For my final review lets pick a great story from a wonderful human. Daniel Belasco had two friends effected by the winter storms in Texas and released this smoking hot synth danger to help them. This track has their beautiful signature layered new wave spun candy. The vocals are vaulting hurdle after hurdle and popping effortlessly between ranges. Spinning in a spiral of technicolor bright energy. The B side track Fire in the Sky is a deep crooning highway driver. I love this come hither version of Daniels voice. The chorus is a gorgeous open hook of cool mint candy cane. Feel good about snagging great music and helping folk in need.

https://glassapplebonzai.bandcamp.com/

Sounds and Shadows Podcast

Our podcasts have been really improving. Having interviews that are a real conversation with some of the artists I love and give all their fans a feeling of knowing them on a personal level. I wanted to compile them all in one place that give you the opportunity to find and enjoy them.

2/25/21 Grabyourface – Talented French artists Marie Dragontown on Negative Gain. Talking about their breakthrough album Sea, France, and their favorite pizza.

https://grabyourfacengp.bandcamp.com/

2/19/21 Tear Down The Wall discussion with Russ Robinson (Infectious Groves Podcast) and Dan Milligan (The Joy Thieves). Here we discuss the charity compilation of Industrial artists put out by Riveting Records in Colorado that has a cover version of every song on Pink Floyd‘s iconic album “The Wall

https://rivetingmusic4u.bandcamp.com/album/tear-down-the-walls

2/5/21 Programable Animal – Here we talk with Dropsea of the Chicago based industrial band. We talk about their vision and experience creating One Step to Hell on Negative Gain.

https://programmableanimalngp.bandcamp.com/album/one-step-to-hell

1/29/21 The Blue Hour – Video Premier of their song “Cold Bare” Also how they met and found love in the most amazing meet cute story of Sounds and Shadows history.

https://thebluehour.bandcamp.com/album/cold-bare

1/27/21 Matt Fanale of Caustic/ Klack – Talking about his projects, history, and balancing home life, Industrial Gossip, and rock stardom.

https://klack.bandcamp.com/album/deklacked-vol-1

12/22/2020 Rodney Orpheus from The Cassandra Complex – Amazing interview with one of the godfathers of goth. Telling stories of meeting Andrew Eldrich, their new album, predicting the attack on our Capital, and the past and present of Goth.

https://thecassandracomplex.bandcamp.com/track/the-crown-lies-heavy-on-the-king

12/14/20 Interview with Der Prosector – Talking about punk rock, Armilyte Records, British Premier League, and the power of curry.

https://derprosector.bandcamp.com/

12/7/20 Reaction to “Love U More” video by Actors

https://actors.bandcamp.com/track/love-u-more

12/2/20 Reaction Video to My Chemical Romance – We tried catching up on the emo classic and give thoughts as elder goths hearing MCR for the first time.

11/18/20 Raymond Watts <PIG> – Talks about his newest album Pain is God, his history, addition, and production techniques.

https://pigindustries.bandcamp.com/

10/17/20 Interview with Vazum – Talk about the Detroit scene, their Halloween album, influences, and collecting dead things.

https://vazum.bandcamp.com/

9/28/20 Interview with Caroline Blind of Sunshine Blind – Amazing interview discussing goth history, family, her new album, and breaking ground in the goth scene.

https://carolineblind.bandcamp.com/album/the-spell-between

8/14/20 Interview with Bootblacks – Talking about their new album, where Panthers name came from, touring, and working with Jason Corbet.

https://bootblacks.bandcamp.com/album/thin-skies

7/23/20 Interview with Crying Vessel – Talk about the new album, video production, horror movies, and working with Dean Garcia of Curve.

https://cryingvessel.bandcamp.com/album/pleasures-for-the-wicked

6/25/20 Interview with Dogtablet Martin King (Test Dept) and Jared Louche (Chemlab) – Where they discuss history on the road, their song writing, snowball fights with Trent Reznor, Jared’s Shoes, and rescuing dogs.

https://dogtablet.bandcamp.com/album/feathers-skin

5/25/20 Interview with Empathy Test feat. Isaac Howlett, Chrisy Lopez, and Oliver Marson – We discuss films, their groundbreaking album Monsters, futbal, how Ollie is a stalker and potential murderer.

https://empathy-test.bandcamp.com/album/monsters-expanded

5/20/20 Interview with Suzy and Andy of Cold Transmission records – About building the label and being a family in the modern music scene.

5/17/20 Interview with Pedro Code of IAMTHESHADOW – Our first video interview to discuss Pitchblack, song writing, Love, passion, and life in Portugal.

https://iamtheshadow.bandcamp.com/album/pitchblack-2

Enter Camlann – review by Victoria Spungen

The most invaluable attribute of an increasingly global community is the discovery of our shared – and often, surprisingly unified – experience of the world.  Even as we languish through the isolation imposed on us via a global crisis, we can reach across vast expanses, foreign borders, and cultural divisions to find that, ultimately, we have more to connect us than we have to separate us.

Hence, the uniquely relatable Indonesian three-piece, Camlann, and their 2020 studio album, the aptly titled The Forgotten Lost Fragments. Listeners will find themselves immediately transported to the soundscapes of their misspent youths, with authentic, vintage-feeling grooves that harken back to the New Romantic golden age of the genre.  The songs feel familiar and oddly comforting, yet spiked with a dose of the unexpected, an added ingredient that lifts the recipe.  

https://camlannmusic.bandcamp.com/album/the-forgotten-lost-fragments

Namely, the most novel feature of Camlann’s sound is vocalist Ony Godfrey’s haunting tone.  Often acting as a rhythm instrument, the vocals will then suddenly take flight and soar above the surrounding backdrop, calling to mind the heady, bright tone of crooners like Jeff Buckley and Rufus Wainwright – but stripped of pretense and glamour, and flooded with simple, refreshing sincerity and a distinctly feminine nobility.  One feels less that they are merely listening to an artificially-cultivated performance, and more that they are sneaking a peek into a carefully-guarded diary.

Hummable tunes are augmented with classic, almost Santo and Johnny ‘Sleepwalk’-style guitar melodies – also Godfrey’s contributions, creating a dreamy lightness over the solid fabric of the drum-and-bass combo.  The arrangements are straightforward, but layered and colorful, employing unique effects and pleasantly disorienting quirks, provided by bassist Bayu Triyudanto and synth/keyboardist Fauzan Pratama.  

The 10-track album is a much-needed lesson in brevity; Camlann has a knack for knowing what they want to say, and being cleverly succinct in their approach.  There is no wallowing or luxuriating in the mire here; the songs are considerably brief, most of them having gotten their point across in less than four minutes, with no need for further embroidery or gilding the lily.    The charming, palate-cleansing sorbet of ‘Il Prologo’ clocks in at just 45 seconds, but its impact is effectively made, and the album wouldn’t be the same without it.  

Standout tracks include the title track, which artfully drops the listener into Camlann’s world and sets the stage for an introspective, intimate drama.  ‘What’s The Worth Of Living’ employs a lilting, rolling guitar theme that brings Camlann’s genuinely skilled musicianship into sharp focus.   ‘Father Johannes’ sails in on the wings of a sweeping, cinematic theme to introduce the album’s eponymous central character, a mysterious figure whose headstone graces the memorable cover art.  ‘The Ballad of Us’ provides a subversive twist on the notion of a conventional love song, with Godfrey’s vocal prowess on full display, grounded by the staccato heartbeat of a string quartet.  ‘New City, New Hope’ positively shimmers with its many layers and sophisticated arrangements, peppered with an exuberant horn section that feels right at home among the album’s vintage-seeming accessories. 

Formed in early 2019 by a trio of Jakarta middle-school students, this often surprising outfit also includes their own producer, Chariszan, and a co-songwriter, Arachne – both of whom share the distinction of their bandmates of being under the age of 17.  Rare as it seems to encounter a young band with such a direct focus and clear intention, Camlann are proving that the upcoming generation has their own perspective, and plenty to say.  I had the fortune of speaking via email to vocalist/lyricist Ony Godfrey about the band’s history, inspiration, and point of view.

Sounds and Shadows: Your enigmatic name is both mysterious and memorable.  How did you arrive on ‘Camlann’?

Ony Godfrey:  Camlann’s name comes from the well-known Arthurian legend, specifically from King Arthur’s final battle, “The Battle of Camlann”. I and Chariszan thought that we wanted to find a name that is easy to remember by people, and has a connection with legend or myth, so we chose the name Camlann.

S&S:  How did you find one another?

Godfrey:  In early 2019, I started posting covers of my favorite songs from my favorite artists (mostly The Smiths and  Joy Division) on my old Instagram account.  Somehow, this attracts Chariszan’s attention, and she asked me if I wanted to make a Post-Punk/New Wave band with her.  So I said yes, and that’s how Camlann was born.  It was never really taken seriously by Chariszan and I, before I graduated from middle school and moved to a public school in Jakarta, and met these two boys who later will be my closest best friends.

Around September 2019, my classmate, which is Fauzan, asked me if he could join the band as the synth player and composer.  He told me that he’s a massive 80s New Wave/synthpop enthusiast and wanted to play in an 80s synth-dominated band.  So I said yes, because we have the same interest in music and because he’s a very gifted synth player and composer.  After that, Fauzan asked his friend, which is Bayu, if he wanted to join the band to play bass.  So there you go, that’s how it all started.

S&S:  What inspires you, and your sound?

Godfrey: I got inspired by a lot of things, but mostly by some real events that [are] happening in my life and some important events that happened in this world in general.  I got influenced a lot by Morrissey’s songwriting since the very beginning of Camlann until this day.  It’s funny to see that some people thought that these dark, depressing, and melancholic lyrics are based on my life, when in fact it’s all fictional and based on my imaginations.  Well, most of them are inspired by some real events in my life, but I twisted those actual, real events into something fictional and mostly dramatic.  I took these realities as a ‘host’ for these lyrics, and [I] twist these events into something fictional, dramatic, and definitely not personal.  I love using real events in my life as a ‘host’ for these melancholic and gloomy lyrics, haha!

S&S:  What turns you on, and puts you in your creative mindset?

Godfrey:  I really love to add some religious and historical elements in my music.  I was born from a non-religious family; my parents are Protestant, but not religious at all.  But then one day, a life-changing experience happened in my life.  I felt the presence of God, and I started to buy a bible from a local bookstore near my house and learn Catholicism all by myself.  A year later, I got baptized as a Catholic and I’ve never been happier in my life.  Since then, I’ve decided to include some Catholic references in my lyrics.

All of us are massive lovers of the 80s, especially Fauzan.  So then we decided to create our own universe for our music, where in that universe, we’re living in the early 1980s.  That’s also the main reason we take a lot of influences from 80s popular culture and sounds for our music.  Fauzan’s presence and contribution in this band is very, very influential and basically, without him, Camlann would never have this current sound.  So we owe him A LOT, and I feel like he’s very, very underappreciated when in fact, he’s the main composer of this band.

S&S:  What turns you off, and how do you reinspire yourselves?

Godfrey:  The struggle of mixing our influences into our music would be the main reason.  I got influenced mostly by The Velvet Underground, The Smiths, Stevie Nicks, Fleetwood Mac, Emma Ruth Rundle, Russya, and Xmal Deutschland.  Fauzan was influenced mainly by Alphaphile, Depeche Mode, Soft Cell, Suicide, Donna Summer, and Molchat Doma.  Meanwhile, Bayu was influenced mostly by The Cranberries, Hole, The Doors, and Joy Division.  Sometimes, we struggle on mixing these various influences to Camlann’s typical sound, and it took us almost a year to find our own sound.

We usually reinspire ourselves by brainstorming our different influences together and sharing new music that we have just discovered lately, and then starting on gathering these new ideas into one unity.  You will definitely hear this new sound of Camlann in our upcoming album, ‘Circa 1983’; this album is a fresh start of Camlann’s sound and image as a band.  We will definitely go in this direction from now on – a ‘Dark Disco’ band, a mixture between classic disco and 80s synthpop/New Wave sounds with modern Darkwave sounds.

S&S:  What would your listeners be surprised to learn about you?

Godfrey:  We’re definitely just some random high school students with their own life interests and their own dreams.  We are definitely not ‘dark’ or ‘gloomy’ when we’re not being these images we play in Camlann.  We just happened to play in a dark disco band – that’s why we look gloomy and dark in our band pictures, haha!

Also, I’ve heard many people think that I have a deep voice.  But actually, my talking voice is quite high-pitched.  That’s why my father got really shocked when he heard me singing for the first time!

* * *

It may seem counterintuitive to imagine steel-gray, 1983 Sheffield skies scattered over wet cobblestones when one is listening to an Indonesian synthpop trio, but it is exactly Camlann’s relatability and reverence for their influences that makes the music feel mature and expertly crafted.    There is common ground to be found here, freshly updated and uniquely flavored with subtlety and precision.  Encapsulating a wide spectrum of genres and techniques, Camlann are proving themselves to be one to watch as they continue to develop their sound.  The Forgotten Lost Fragments feels like poring through the memory box of an intriguing stranger, where one finds  treasures that reach across time and borders to become cherished once again.

It’s a small world, after all.

– Victoria Spungen

Old Scotch and New Sounds That Leave A Smokey Taste In My Throat

Sitting down to write and absorb for the first time in a few weeks. I love the way my boundaries keep getting stretched further by the sounds I am hearing. I feel like the Goth/Industrial genres are a buffet of ever widening flavors to test that adventurous streak in my heart.

SYZYGYX and ELZ AND THE CULTANXXX – Two of the sexiest bands on Cold Transmission team up for this razor hot single. Trying to put this in a box of genre or previous sound is a herculean task beyond me. This is found metal sculpture sounds, wet leather, and heavy breath. Static glitch dance beats are a 3D computer image of horror pop fingers on the back of your spine. Elz’s voice is captivating and sensual. Luna steps outside her breathy whisper to scream out with terrifying demonic exultation. The result is a horror film spectacle that leaves you frozen to the floor. Elz spoken word poetry shows a William Burroughs raw creativity and free form emotional overcharge. Everything these bands do is glorious art. Working together it is a powerful and un nerving statement.

https://syzygy-x.bandcamp.com/album/anxxx

ActorsStrangers – Another single, another amazing slow tease from Actors. This song has a synth heavy influence with wonderful understated staircase guitar. The energy is star crossed and introspective. That kind of infatuation that rattles your DNA and leaves you be lost in the journey of knowing someone that first time. The change in bass players really adds a bright bursting color to the tone. Jason takes the reins on the vocals here and every phrase is a come hither lilting rise. The way he sits in the mix like it is the scenery of this story. This album can’t come soon enough.

https://actors.bandcamp.com/track/strangers

Echo HausDeth Werk – New single from Echo Haus, one half of Chicago based Lorelei Dreaming. AJ does a focus on electronic imagery and scenery in their music. This one instills a picture of a hospital intensive care unit. The thrumming heart beat blips and tension. The journey seems to dive into the patient around 1:27 and becomes a part of the blood stream. Twisting and turning past organ and system. I love their ability to transport you with frequency and modular shift. Sometimes I want to focus on the words and energy of music. Sometimes I want to to hide behind my eyes and drift through the world. Echo Haus is the latter.

https://echohaus.bandcamp.com/track/dethwerk

aliasynesthesiamusicStop Go – Beautiful twisting tension track. I feel that sense of Bjork surrealism pop with shadowy edges. As though she is a character in a Mario Brothers adventure. City hopping on angel wings from one cloud to another and never able to escape this digital prison. One of those solo ritual dance songs made for your alone time in your room. A true imagination fuel mind gripper. This really gets me excited for the future releases. Beautifully produced and expertly crafted.

https://aliasynesthesiamusic.bandcamp.com/track/stop-go

Burnt SoulsDesolation – An Australian recommendation from Ant Banister (Sounds Like Winter) who is always a spot on source of great music. I love the complexity of emotion and overlapping sound. They have some flavor of The Church and even The Smiths but Colin Gallagher has a unique and delicate voice that really slips through the cracks of it’s own ground. It definitely rides that lo-fi throwback tone which sits perfectly within itself. The drum transitions flow like water through a rocky path. Every emotion seems to find it’s focus without screaming out. I love the steady control and thoughtful precision. This is one of those albums you can throw on and feel something different each time. Be drawn to a new aspect every time. This isn’t a record of bangers, it’s one that needs to be absorbed.

Favorite Tracks: Sacrifice, Hate, I Used To Love

https://burntsouls.bandcamp.com/releases

The Ghost Of Bela Lugosi No Way Home – I can’t take a trip to Australia without visiting my good friend Vin Price. Every single he puts out is a master class in song writing and creativity. I know I say this every time I review him but he is staggeringly underrated. This track is a beautiful synthesis of the past and future with barbed hook guitar riffs, cascading tempo shifts, and ensemble cast vocals (even though it is all him). It’s a wobbling stumble through streets with broken lights. Following the voice of the one you love to certain danger. A power your can’t ignore. Every time I hear a new TGOBL track it instantly becomes my favorite.

https://ghostoflugosi.bandcamp.com/album/no-way-home-remix-remaster

Klack Deklacked V1 – Matt and Eric are back at it once again. This time they have brought all their friends to share in the power of the Klack. To understand the power of Klack you need to grasp the friendship of the members. This in turn becomes a contagious connection which draws in the artists in this scene like moths to a flame. You can feel the affection of all these artists to these songs as they lovingly craft new lights and blips to make them their own. Assemblage 23 , Sweat Boys , Null Device, Caustic, and many more put the tender heart in a blender and spew forth visceral blood and guts to fling at the walls of your dance hall. If you love EDM/EBM no one is doing it at a level higher than Klack.

https://klack.bandcamp.com/album/deklacked-vol-1

First Friday of February. That Means Bandcamp Day is upon us Again!!

As 2021 begins and the world continues it’s isolation we find comfort where we can. For me that has been finishing an album, enjoying our ShadowBook Facebook group, and finding amazing new music to drop my hard earned duckets down for on Bandcamp day. The first Friday of every month Bandcamp gives all of it’s proceeds from album sales directly to the artist. So let me fire through what will be taking up residence in my ever expanding collection.

StoneburnerNo Light No SparkIt is fairly well known Steven is a friend of the page. That is why I appreciate it so much he never makes me forfeit my integrity by consistently putting out increasingly amazing albums. In this one he calls upon an army of Industrial compatriots to remix some of his recent work. (Bellhead/Assemblage 23 / Machines With Human Skin / Dogtablet/ Sister Sarin / Stabbing Westward / Joy Thieves / Bativia / Hollowboy / Pill Brigade). It’s always a joy to here material you love, reimagined by other people you love. Often they do something I always want to hear from Steven, which is giving even more clarity to his concepts and poetry.

Standout Tracks: All of them.

Amnesialand (Dogtablet – Soldier Ant Mix) Static strikes like brushes, a machine powers up, Steven’s rapping flow is clarified and direct. I love how the drums slide off the beat behind him.

Are You There The Way I’m Here (Assemblage 23 Remix) A slow and deliberate grind that isolates the lyrics. Striking hard on the front beats. Just wave after wave of giant stone wheels crushing the land before it.

No Light No Spark (Terror Management Theory version) Giant and terrifying in it’s scope. This track stomps around on iron legs with drunken fury. A stalking beast of a song.

https://stoneburnerofficial.bandcamp.com/album/no-light-no-spark-deluxe-remix-ep

You can never have too much Stoneburner in your collection.

SINEDesolate District Feat. Chris Connelly – This is an absolute burner single that came out last year. It’s starburst drums and satin vocals, weaving through a shattered landscape. Then it adds in Chris Fuking Connelly. I love this call and answer flow of the vocals. The power of the drum beats shakes your spine. This song is a dance club hit every place in America needs to be thumping through a system. When Connelly is the icing on your cake, that is one hell of a cake. Hot poetry like this “The name’s contagious, written in smoke
You force fed energy, starved and soaked
You misread crime when you look at decline
Desolate district dissolute signs”

https://sineofficial.bandcamp.com/track/desolate-district-feat-chris-connelly

Die RobotFrantic – Portland’s cybernetic punk energon cubes released this single in May last year. It’s that perfect synthesis of funky electropunk and smash your face flying robot fist. Great mixture of voices and sensual inflection. I got done stomping my feet to this single and picked up the whole discography. My advice is get this and then when your legs can’t dance anymore build better ones out of broken robot parts.

https://dierobot.bandcamp.com/track/fanatic

I Ya Toyah Out Of Order – Chicago/Poland’s favorite one women sound extravaganza has this eagerly awaited sophomore EP out 3/26/21 which is now available for preorder. So far one single is available and just like every time Ania puts out something new, my jaw hit the floor. Instead of napalm energy, this new sound is a cutting laser or focus and complexity. Like a fine wine every moment it lingers in your throat offers a new flavor and tone. This is a must order and early contender to be on albums of the year. It’s so seldom you see someone with the talents of Ania work as hard as she does at her craft to grow exponentially with each release.

Also a bundle package available Unisex T-shirt designed by Chicago artist Danesh Kothari, printed on soft and natural Bella Canvas, plus limited edition holographic sticker, and CD in 6 panel art wallet with 6 page lyric and art insert.
Photos and art by award winning European artist Krzysztof Babiracki.
15% of each physical album sale goes to American Foundation for Suicide Prevention to aid mental health cause. Ania is an amazing human changing the world with everything she does.

https://iyatoyah.bandcamp.com/album/out-of-order

The Churchill GardenFade Away – Gorgeous new dreampop single with a team up of Andy Jossi and (Whimsical) singer Krissy Vanderwoude. This track is a tear rolling slowly down the cheek just as the sun strikes it to make it sparkle. I kept feeling my heart rise up towards my throat as layer after layer emerged and joined a cacophony of tender sweeping wind. Music to make your feel.

https://thechurchhillgarden.bandcamp.com/track/fade-away

Luis Vasquez A Body Of Errors – I hate to be that guy, that says I was at that one show. I’m just kidding, I love to be that guy. I got to see The Soft Moon at Berghain and it altered the course of my sonic life. This new solo album is a percussion driven instrumental masterpiece. Rising cities, cities destroyed, the screams of a dying age. Textural emotive hums infusing the body and blasting a prism of colors into the mind. I’m not usually one for instrumental works but just like anything when it is done at this level it is something that moves you. Future Sounds of London with the edgy tension of Coil. I want to be back in that bunker in Berlin riding the wave of this journey of sound.

https://thesoftmoon.bandcamp.com/album/a-body-of-errors

Doors In The LabyrinthThe Shadow Of The Monolith – I love when a band has so many present influences that their is no effective way to categorize it. New album from the Pittsburgh native Josh Loughrey has a textured coldwave isolation crashing up against sizzling guitars and wilderness crooning vocals. Full album release is 3/15 but this first single is full of promise and explosive energy. I had the opportunity to see Josh open for Adoration Destroyed/Lorelei Dreaming and this is an artist with a bubbling volcano of passion ready to explode.

https://doorsinthelabyrinth.bandcamp.com/album/in-the-shadow-of-the-monolith

Collapse of Dawnof dreams and nightmares – This is a sound that really leans into it’s album name. A sinister stalking wispy electronic sound. Both Saphirra Vee and Melodywhore contribute vocals and it is a powerful combination to give the shadow images both sensuality and dark intention. My personal favorite was “Silent Howl“, it managed to elevate the surrealism to further the dream metaphor. Just like a dream or nightmare I think the true star of the show were the tiny brushstrokes of sound you don’t remember you heard until later reflection. Everyone who listens will get their own story. I’m glad I heard mine.

https://collapseofdawn.bandcamp.com/album/of-dreams-nightmares-2

Kandinsky NoirDOM​-​J (Feat. Grabyourface) – This track immeadiately puts you back on your heels with explosive force and smashing guitars. Very old school industrial tone with a sharp high speed modern sound. The effect is made even stronger with a wonderful guest vocal by Marie of Grabyourface providing French lyrics. This one is even more special for me because the collaboration came out of our Sounds and Shadows group. A beautiful textured jam with teeth and blood.

https://kandinskynoir.bandcamp.com/track/dom-j-feat-grabyourface

DissonanceDamage 1st Assault (Feat Melodywhore) Ok I am a long time fan of Cat Hall, she has one of the most underrated voices in modern electronic. So when I say this is my favorite track I want you to appreciate the weight of that. James lays down a filthy grinding beat that really let her voice off the chain. Puts me in mind of that aggressive feminine power of Lords of Acid and My Life With The Thrill Kill Cult. All broken glass and velvet sass. I can’t wait to hear more from this powerful collaboration. The single also features some powerful remix work from Joe Haze , Machines With Human Skin, Steven Olaf, and more.

https://dissonanceband.bandcamp.com/

Music I Found While Drowning In A Sea Of Bernie Sanders Memes.

It was a tough week for me. I think for a lot of people. It was also a time of hope and possibility. As so often I found myself taking refuge in the sounds of others, trying to feel something outside my own head. I have some releases here, some old, some new. May they offer you some comfort as they did to me at times I needed it most. I also wanted to say what a beautiful refuge our new Sounds and Shadows Facebook community has been to me. Many of these reviews were suggestions or submissions from new friends there. Keep sharing music and lifting each other up my friends.

https://deadastronauts.bandcamp.com/album/silhouettes

Dead Astronauts : Silhouettes– A new release from our friends at Cold Transmission from Seattle WA. This record was a articulate and purposeful release that had a craftsmanship that placed it in the upper echelons. That made a lot of sense once I heard Slade Templeton (Crying Vessel) had a guiding hand involved. Florence, and Jared seem to have an instinct for where a song needs to go. Melody to melody, song to song, everything seems to flow in it’s perfect natural direction. It makes it so easy to fade away and become lost in the futuristic textures. They each have such a distinct and soothing voice. Made stronger by their combination and ability to hold the depth of a conversation instead of a monologue. The music has a lot of subtle dissonance and complex themes. What really makes it effective though is how these details are woven around straight forward pop hooks that remind me of Peter Hook’s Revenge , or Pet Shop Boys. This is a record that doesn’t need to scream to get your attention or convey emotion. It tells you everything without ever having to raise it’s voice.

Favorite Tracks:

Strangers In A Room – I feel in love with this very funky dance beat. Jared’s voice is a sensual croon with muted horn synths behind. It sets a scene of adventure and tension. Florence is the low lights which create his shadows. Just expert construction and a hook that grabs you by the waist.

She Haunts Me – Holy fuk this is gorgeous. Dark synth driven ghostly introspection. This beautiful sense of ownership of action and the feeling of someone who is gone but still shapes you. The things you have acknowledged and learned to late. This idea hits so hard. The chorus highlights the depth of Jared’s voice which swells without ever losing it’s smooth contours.

Pain, I Know – The cadence of this song make amazing movement. Florence is a haunting presence that lifts this song on her airy ever shifting melodies. This one really tugs the heartstrings.

Overall this album is a total concept and a much needed blast of poetry and expression in the darkwave genre. It’s a great example of what you can create when you understand harmony and synthesis. I just keep coming back again and again.

Chant HYDRA – New album from Bradley Bills who’s pedigree is well known in the industrial scene as a drummer. This release is a venture deeply of his own device. It still starts with the power of of percussion. Just amazing and varied rhythms and mathematical constructs. The sound is massive. I picture a powerful sorcerer standing on a cliff face raising and lowering his hands while crystal shafts shoot forth tot he sky or crash back beneath the sea. The vocals are a raspy and passionate chant. I kept finding myself drawn and isolated on individual sounds and lines. Bills is a real magician when it comes to directing your focus while he is moving the next phrase behind your view. Some nice hard smashing guitars that hit and decay quickly. I think one of the most interesting aspects here is how the drums feel like melody and the guitars feel like percussion. The lyrics are very clever and poignant to the political and human issues of the moment from demagogues to media saturation.

https://chantproject.bandcamp.com/album/hydra

Favorite Tracks

President God – Powerful and lockstep. Again I can’t stress enough how much the drums take a front seat here in the best way possible. This paints a picture we are all familiar with in the last 4 years. A politician trying to move from elected official to dictator. Very cool old KMFDM feel with a stripped down clarity I found refreshing.

Primetime Annihilation – I’m loving this concept album story of this corrupt politician in the modern era. “The more you watch and the more you hate, the more that I get paid”. This song is such a bag of broken glass swung at your head like a mace. The edges hit hard but the melody is a beautiful hook that leaves you stomping your feet while it lives in your head.

Overall it is a politically charged chaos party of blasting beats and witty scathing one liners. I am here for it.

https://swissdarknights.bandcamp.com/album/overcome

Broken NailsOvercome – New full album release from Swiss Dark Nights, a label I should really be talking about more. Great minimal old school synth sound here. Singer Kim Bell has this smoky throwback Missing Person vibe happening. I’m loving the collision of the very dungeon crawl obscure sound of the music splashed against her focused soulful pop voice. The result is a sound you can weave your arms to in the club. A club you need to travel down a flight of stairs and give a password to get into. I feel like this entire album is shrouded in mist. It’s dark, swirling, and always on the move.

Mirror – Opening track starting strong with a nice build and snapping snare. This song really puts Kim’s voice front and center which is when this band shines best. I really like the transitions and the strange millionth of a beat behind delivery on the phrases. It feels like a bizarre carnival house of mirrors you become lost in.

Control The Delusion – Wonderful 80’s throwback. Here Kim does her dreamy Terri Nunn sound. Then the music does a well executed phase shift and she goes into a chanted affirmation.

I feel like this band is yet to hit their ceiling, that leaves me excited for the future.

https://nu-n.bandcamp.com/album/remember-me-ep

NU:NRemember Me – I knew there was some beautiful goth music coming out of Portugal that was not IAMTHESHADOW. Right off the bat what I love is that this is powerful unapologetic old school gothic rock. Precision striking bass and teardrop razor guitar lines. Oliver Heuer has a voice that is captivating and romantic. The whole sound has a beautiful throwback of early 90s Rosetta Stone An Eye for the Main Chance era. This EP only contains 2 songs and remixes but it left me hungry for more. I could have devoured 8 more tracks of these lush sorrow dripping cemetery jams. The great power is in the authenticity. They are on the serious side of the emotional gothic line. Hungry and longing with a sinister edge.

https://cherimondisj.bandcamp.com/album/cherimondis-unleashed

CherimondisUnleashed – Ok is this a little outside our usual wheelhouse? Yes. Is it absolutely brilliant and I can’t stop listening to it? Also yes. Gorgeous soulful beyond their young years cabaret trip hop sounds with poetic lyrics and an angels voice. I dare you to listen to this and not feel immediately moved and connected to it’s power. Derek Christopher (The Joy Thieves) does the mastering and leaves the edges sharp and jazz chaotic letting the immense power of Cherimondis voice shine like a glorious beacon in the tempest. I hear enough music to know a future star when i hear one and this is a star.

Wolf – A skipping quirky Dresden Dolls husky jerky glory. The pixie light vocals grow into a stalking beast. I love the dancing piano and flowing bassline. I could play this 1 million times and never regret it.

Mind Over Matter – Strutting backbeat and a affirming optimism. The lyrics are delivered in a rhythmic hurricane in a bottle of control behind a thin layer of glass. This song is a perfect portrait of the artists and makes a spiritual connection with all who listen.

I except we will also be hearing big things from this 21 year old future star.

Exclusive Video Premier of Black Angel “Animal”

When I ranked Black Angel “Kiss of Death” in the top 5 goth albums of 2020 it was largely due to their ability to bring back something to gothic music I feared lost forever. Adrenalin fueled hard rock. These are deep rich tones and sexy shadowy gothic concepts. With early Mission semi truck baselines and buzz saw guitar work cutting through your conciseness. The video is a beautiful high production old school MTV cinematic affair. True LA glamor style done with a London posh darkness.

https://blackangelmusic.bandcamp.com/album/kiss-of-death

Currently the album is available here for digital release, CD, or in a slick gloss black vinyl.

Video Premier of Vaselyne

We are extremely excited to be premiering the release of a brand new video from our friend Yvette Winkler and the band Vaselyne from their album. It goes live at midnight tonight. I love the flowing darkwave vibes with tension building strings. A sullen and introspective walk through an enchanted forest. I love these soulful resonant vocals and how they intersect with this gorgeous piano melody. Wonderful vibes of Dead Can Dance/Miranda Sex Garden coldwave shrouded in mystery. Hailing from the Netherlands I have high hopes for the future of this delicate and passionate sound.

https://vaselyne.bandcamp.com/

Sounds and Shadows Top Postpunk/Synthwave/Darkpop albums of 2020

Part 3 of this series might have been the toughest to write. There was such a wealth of great new albums in this genre I found myself at a loss to pick and choose my favorites. However tough choices need to get made. These are all records released in 2020 and not singles. I feel like everyone on this list did something very profound.

Black Rose Burning – Open the Gates – George Grant is doing amazing things using stripped down elements of dark post punk concepts. His voice has this scintillating David Bryne expressive lilt. It harnesses such energy with an acoustic guitar and a percussive gate. It’s romantic, not like a relationship, but the way Star Trek is romantic about the love of stars and exploration. I find myself constantly lost in the beauty of it.

https://blackroseburning.bandcamp.com/album/open-the-gate

SceniusEnough Fears – I found this album at the very end of the year but I have a feeling this will be on my heavy rotation the next few months. The Leeds band is a bending maze of emotion and turns that I found myself deeply immersed in. The vocals from Fab Nau were so original and cutting. Perfect dark trance resonance and endless builds. This is a band I will be paying close attention to in 2021. I feel the beginning of something beautiful starting.

https://scenius.bandcamp.com/album/enough-fears

Vlimmer – XIIIIIIII – This series of albums reaches it’s conclusion in glorious and staggering fashion. Alexander Donat has an amazing gift to take emotion and transfer it into sound seamlessly. Taking a tiny burning ember of idea and gentle blowing on that fire until it swells into a blaze. Truly a criminally underrated talent in modern artistic expression through sound.

https://blackjackilluministrecords.bandcamp.com/album/xiiiiiiii-18

White Mansion – Human – Arkansas brings us this strong front to back traditional post punk. I love the bold transitions here and open air vocals. I think the name Human was perfect for this record because it is all about relationships. You can really follow the story. It’s organic, full of heart, and makes a connection.

https://whitemansion.bandcamp.com/album/human

The Secret French Post Cards – Colors – More glorious post punk darkness this time mixed and mastered by Pedro Code (Iamtheshadow). This record is so understated and comes at you in subtle ways. Olli Ohlander has a ringing and smoky delivery that chews up scenery like a master actor. Blended reverb and echo makes the guitar build tension that pulls you into the moment. Paint a picture in your mind with this record. Another Cold Transmission band.

https://thesecretfrenchpostcards.bandcamp.com/album/colours-2

Danny Blu – The Pale Horse – Crackling energy and neck grabbing hooks from NYC. Personal soul threaded into club kid sleek trance. This record is everything cool I want to give off. The smoky saxophone trills add a beautiful contrast note. The cadence they lyrics are delivered with are an extra percussion and rhythm. It leaves me longing for more.

https://dannyblu.bandcamp.com/album/the-pale-horse

Elz and the Cult – Bloodlines – Elz is one of those beautiful and unique humans that takes their internal light and bleeds it into every track they make. It has such a genuine and soulful flavor which modern darkpop is so hungry for. It is a record of personal intensity that stands out in the landscape. A true gamechanger record that everyone should experience. On Cold Transmission Music.

https://elzandthecult.bandcamp.com/album/bloodline

Korine – The Night We Raise – Philly based band that is taking the scene by storm for good reason. They have such a glamourous beauty. While the lyrics are full of edge and venom. They truly have mastered the idea of taking two things you wouldn’t think would make sense together and then synthesizing it perfectly. It’s elegant, profound, and makes you feel like you are on the inside of secret. Also it has that glorious shake that ass factor. You will dance to this record all night long. On Born Loser Records now.

https://korine.bandcamp.com/album/the-night-we-raise

Panic Priest – Second Seduction – Chicago based Jack Armondo finds himself once again on my albums of the year. This sophomore album uses his rich and powerful baritone to great effect but softens the edges of the guitars in the first album. Putting the synths forward really captures the neon industrial aspects of his city. I love the way he captured the concept of isolation in the middle of a populated concrete jungle that became so relevant to us all in 2020. An impressive offering both in connection and execution on Negative Gain Records.

https://panicpriestngp.bandcamp.com/album/second-seduction

Soft Kill – Dead Kids R.I.P. City – Portland postwave glory with gorgeous and rich vocals and rainy flowing waves of synth sound. This record is so efficient and full of intention. This is one of those records it’s never a bad time for. It has that voice of a generation The Smiths sound but with a speed and energy of the modern era.

https://anopendoor.bandcamp.com/album/dead-kids-r-i-p-city

Idles – Ultra Mono – I love this album for the punk side of post punk. It’s intelligent, political, smash your fucking teeth in complex blasting rock. It has the true core of Fugazi. I wasn’t quite sure where to put this under but it belongs on some list.

https://idlesband.bandcamp.com/album/ultra-mono

Kiss of the Whip – We’re Not Here – Baltimore is doing some amazing things in the current scene and KOTW are near the top of that list. There is an amazing feeling when someone has such a wizardry of an instrument that it transcends and lefts everything in the song around it. That’s how I feel when Tristan Victor plays keyboards. The wide open textures and landscapes that flow through your mind at razor speed. His melodic whisper growl vocals really draw you in and let those complex synth changes do their work. I continue to be impressed with every new growth.

https://kissofthewhip.bandcamp.com/album/were-not-here

Spectres – Nostalgia – Sometimes I want a record that really pushes the edges of a genre. Sometimes I take comfort in bands that do a familiar sound with perfect execution. This album is so full of feelings that transport me back. Each song is original and new but the pallet of colors is brilliant with New Order, The Smiths, Echo and the Bunnymen. The heartfelt homage to the music I grew up on cleaned and washed and sent straight to my heartstrings.

https://spectresvancouver.bandcamp.com/album/nostalgia

Loveblind – Sleeping Visions – What happens when a traditionally shoegaze label like Saint Marie Records puts together a superband of Shoegaze talent to make a darkpop album. In this case what happens is one of the most textural beautiful records of the year. Dorian Electique has a stunning and haunting vocal quality that floats on the waves of slushy wave crash guitars and striking drum beats. Every time I play this record I picture silk scarves flowing in my wake. it just makes life a little more beautiful.

https://saintmarierecords.bandcamp.com/album/sleeping-visions

Black Nail Caberet – God’s Verging On Sanity – This band from Hungary has been on my constant playlist. They had an album in my top list of 2019 as well. I love that they don’t sit idle and instead explore a new aspect of darkpop. Emese has a remarkable strength and depth to her voice that reminds me of Annie Lennox. The dance beats are a force to be reckoned with and are like a shot of energy in the arm. When I need to find a little something extra within myself this is the record I reach for.

https://blacknailcabaret.bandcamp.com/album/gods-verging-on-sanity

Algiers – There is No Year – If you have never witnessed Algiers live, once the world reopens that should be the top of your to do list. They are the best live show I have seen in the past 20 years. It’s breathtaking to behold. They are another band hard to put in a box in the most amazing away. Notes of Motown/Gospel/Post Punk/Electronica. It’s all thrown in the blender and spun to a smooth creamy glory. The lyrics are poignant, fresh, and delivered with a voice sorely lacking in this scene. This record is such an up and down journey through culture, injustice, and personal revelation. I really can’t stress the importance of this band enough.

https://algierstheband.bandcamp.com/album/there-is-no-year

Then Comes Silence – Machine – Swedish based dark rockers put out this album in March and I listened to it many times in it’s entirety. The single We Lose the Night is such a perfect jam it has to be my most earworm song of the year. Just walking through the world I found it constantly popping into my head. This record has what I think of as true Post Punk vibes. The bass is thunderous and driving. Vocals are enchanting and full of warm and captivating feeling. Also the track Ritual feat: Karolina Engdahl is a perfect duet to blend beauty and razor cuts. I was an instant fan for life.

https://thencomessilence.bandcamp.com/album/machine

Bootblacks – Thin Skies – NYC post punk stars took a giant leap forward in their evolution for this album. It truly takes it’s own life and direction. Adding on Jason Corbett (Actors) to chisel and magnify a sound that already had such a unique and dangerous flavor. It is sleek, mysterious, and is my number one soundtrack if I ever pull an elaborate jewel heist and car chase in the heart of New York City. I think the most magnificent part of this album is that it really took “Post Punk” someplace new. It’s easy to get hung up on nostalgia, and there is some of that here. There is also a sound so sensual and fresh. I can just smell the musk of this album. You need to feel it on your skin.

https://bootblacks.bandcamp.com/album/thin-skies

Our interview with Bootblacks

Empathy Test – Monsters – This album was my most played on bandcamp this year. I just couldn’t stop coming back to it. It holds a beauty and quality that touches on so many genres. It’s personal and full of imagery that transports you into a movie. Isaac has one of those once in a generation voices that speaks right to your heart. This record just struck a chord inside me like the first time I heard Radiohead The Bends. That feeling of dramatic intensity that makes me think of youth while the refined craftsmanship spoke to my changed perspective. This is a young band, and their potential to grow and make art on another level seems limitless.

https://empathy-test.bandcamp.com/album/monsters

Our Interview with Empathy Test

Sounds and Shadows Top Industrial/EBM/EDM of 2020

So many great Industrial/EDM/EBM albums this year. This is a genre that has been expanding and drawing fresh listeners all year. Again I can’t possibly include everything I loved, however these albums were the ones that fired a jolt of electricity into my spine and made my gears churn. These are all artists who had a full release in 2020.

20) Rabbit Junk – Xenospheres – Seattle based EBM/Metal dance explosion has been churning out explosive action movie soundtracks with razor sharp production. This album is swinging a sledge hammer around their heads on a leather cord. The cover of Iggy Pop’s “Kick It” with Peaches singing is worth the price of admission on it’s own.

https://rabbitjunk.com/album/xenospheres

19) eHpH – InfraredColorado band eHpH did this timely politically charged record that really captured the fear and division in the current climate. I think what I loved best were how wide the influences present were. Some melodic and post punk, some bright buzzing EBM. The whole record was full of intelligence and challenges the listener to face their own ideas about where the world is headed.

https://ehph.bandcamp.com/album/infrared

18) Seven FederationsHoly Orders – A wonderous sonic explosion from South Dakota. The vocals just crackle with electric ferocity from exploding transformers. Filthy basslines and wolf growl guitars. this album is the naughty demon on your shoulder whispering to you of sinful roads not taken. They might be the most underrated album on this list. People need to know about this record.

https://sevenfederations.bandcamp.com/album/holy-orders

17) Carrion – Testament Ov The Exiled – This is always such a hard review to write. Carrion is so powerful, so fresh, but just doesn’t fit into any box that makes sense within the mind. This textural terror noise has a level of intensity that demands recognition. How to quantify it I have no idea. Other than to say it is music that leaves you changed, afraid, praying for the dawn. Hide [Adrian] is creating on a level that artists and critics in the next decade may have artful words for. This whole record just leaves me moved and unsure how to describe. Best to bare witness for yourself.

PS: Carrion is already reissuing the album via Brutal Resonance Records, the `Revised Edition ` includes 5 bonus tracks!

https://brutalresonance.bandcamp.com/album/testament-ov-the-exiled-revised-edition

https://officialcarrion.bandcamp.com/album/testament-ov-the-exiled

16) Corlyx – Together Apart World traveling EDM darkpop couple Caitlin and Brandon with their sophomore offering have captured the glory of pageantry in dark music. Caitlin has a beautiful voice that captivates and builds dreams in your mind. I love the dark LA gutter glamor this band always commands. They have added a level of clarity and refinement for this album and continue to evolve. Get in on the ground floor of these future stars.

https://corlyxngp.bandcamp.com/

15) Rottersand – How Do You Feel Today – The way this German band turns and twists on different axis within the same tracks is reality defying. The echoing chorus’s that have an intelligence and feel of Roger Waters bursting with electronic futurecore explosion. This album is a special journey with peaks and valleys that run the breadth of human experience. It is a modern album that has something for every kind of listener to enjoy.

https://rotersand.bandcamp.com/album/how-do-you-feel-today

14) Trevor Something Deep Wave Data Dark Web Deamons – Florida dance demon Trevor Something might be the sexiest thing I heard all year. The way they capture raw, grinding, sexual energy in sonic form is something of glory. It shakes your bone marrow awake and says you are an animal that hungers for flesh. Buy this record, shake a martini, and have a private dance party with your favorite partner.

https://trevorsomething.bandcamp.com/album/deep-wave-data-dark-web-daemons

13) 11 Grams – Humancide – The super combo of Rob and Simeon put out this long awaited album of everything you ever loved about old school industrial/electronica. It always has a toe over the line while sounding so familiar. Perfect execution and narrative intensity. This record is a rocket jocks sci-fi soundtrack to explore the speed of the stars.

https://11grams.bandcamp.com/album/humanicide

12) SpankTheNun – The Bunker Tapes Volume I – Hard and metal to the floor industrial from Texas. How do you find that line between crystal clear beats and filthy growling vocals? It’s right here. We aren’t reinventing the wheel here, we are greasing the axle to make it spin harder and faster. A bunch of amazing remixes from Blue Ant, Assemblage 23 , Melodywhore, Sapphirra Vee, show the faith and influence that this band commands in the scene.

https://spankthenun.bandcamp.com/album/the-bunker-tapes-vol-i

11) Caustic – A Succession Of Repetitive Beats – Our only double album winner in this genre is Matt Fanale. The return of Caustic and their DIY punk rock mentality with witty and humorous electronic slither is a breath of fresh air in the modern genre. The song Stale Semen, Shame, and Video Games is a poignant slam of the Incel culture. Make me dance and make me think. This is what Joe Strummer trained us for.

https://caustic.bandcamp.com/album/a-succession-of-repetitive-beats

10) Sapphira Vee – The Mask – The smoky and subtitle voice of Sapphira Vee from Rochester NY has been tearing up the airwaves the last two months. A slow drink of whiskey in sonic form. It’s slow and grinding full of personal reflection and self realization. I had a small part guest vocal on this album and it’s a point of personal pride that I was involved with such a powerful release this year. I’ve bought multiple copies of this record to send to friends. This is a great example of why trip hop is the highest evolution of music.

https://sapphiravee.bandcamp.com/

9) Kanga – Eternal DaughterLA based artist wields this sonic saber like a charging cavalry officer charging by on a horse slashing on both sides. It’s that effortlessly cool beauty blended with icy dance beats. I’m not sure what category to put this in beyond excellent.

https://kanga.bandcamp.com/album/eternal-daughter

8) Grabyourface – Sea – Every once in a while some album comes along that is so fresh and honest you sit up in your chair and just feel something new. One of those artist that grabs hold of their own ribcage and rips themselves open to let you in on the guts and grime of everything inside them. This album forces you to feel things, to confront and absorb the empathetic tone within yourself.

https://grabyourfacengp.bandcamp.com/

7) Klack – Probably – The Wisconsin EDM sensation that brings together Matt Fanale (Caustic) and Eric Oehler (Null Device). I’ve watched this project grow and blossom and this album really hit the perfect stride and balance of their styles. It’s clever, it’s electric, and the single Faith In Me is a glorious jam that could have been on a Depeche Mode album in the late 80s. I love when you hear a collaboration and can hear how much the artists respect and care about each other. It can’t be faked and this album brims over with it.

https://klack.bandcamp.com/album/probably

6) The Joy Thieves – A Blue Girl – Chicago superband led by drummer extraordinaire Dan Milligan has been garnering much deserved respect in Industrial circles. The way he blends old school Industrial with organic hard rock is an energy which is contagious. The contributor list is impressive and so long I won’t add everyone but names like Chris Connelly, Jullian Beeston, and Ania Tarnoska are just a few highlights. The title track is a slamming cut for the ages. If you don’t know about the next Pigface you need to get on board this train.

https://thejoythieves.bandcamp.com/album/the-joy-thieves-a-blue-girl

5) Klute – Queer For SatanClaus Larson of Leatherstrip unleashed this gorgeous record of furious destruction and sensual magnetism. This year must have been one of the toughest things a person can go through for him and that unbridled emotion pours forth in a firehose of pain and fear. If you love Leatherstrip (and how could you not) this album is top of the game.

https://leaetherstrip.bandcamp.com/album/queer-for-satan

4) Stoneburner – Beauty Is Terror – Steven Archer has had multiple releases this year, all great. His ability as an artist and multimedia creator really is the top of the game for DIY synthesis of audio and visual. To me this record was the highest evolution of his style thus far. It’s hard, world view, narrative, intelligent music that conjures images like you are reading a novel. The single “Are you here the way I’m here” is a steampunk electrocore time travel head flip. This album truly pushes the boundary of what is possible in thought and feeling. You need it.

https://stoneburnerofficial.bandcamp.com/album/beauty-is-terror

3) ESA: Electronic Substance Abuse – “Burial 10 – EBM music is not my cup of tea. However, anything done at the top of the game is easy to know when you hear it. This album is hard, filthy, and so full of nuclear radiation it is impossible to not stomp your feet and dance to. The concept, power, and delivery are peerless in their execution. Add to that guest performances by Jo Hysteria, Cainlin Corlyx, and Lecture and you have one of the breakout album experiences of the year. This is one of those records I could listen to 100 times and hone in on a different detail each one.

https://esangp.bandcamp.com/album/burial-10

2) The Jean Marc Lederman Experience – Letters to Gods and Fallen Angels – For all those wondering where are the albums touching on a higher artistic ideal in the modern age. This is it. The Belgian artists who’s resume has touched some of the most prolific music to occur in the electronic era has compiled a group of guest singers both legendary and future stars and ask them to write a letter to God or a fallen angel. The responses follow the course of human mysticism and discovery. This album is a true journey of thought and expression that touches on a myriad of styles and ideas. It’s been a long time since a record made me think and feel so much. Do yourself a favor and take this adventure.

https://wool-e-discs.be/album/wed077-letters-to-gods-and-fallen-angels

  1. Pig – Pain Is God – Some people had a punk rock phase in their angry youth. I had an industrial one. A big part of that was Raymond Watts. KMFDM and <PIG> was a remind that Industrial music could mean something else. That it was a music of synthesis between electronic dance beats and any other style you could imagine. Here he is reborn the swine lord persona with a heady blend of of gospel, hard rock, and neon gutter grime. This record was the open gate between my 2020 self and my 1993 self. A DeLorean that connected me to my ego and my wisdom. A glorious return for the master of swine.
See our interview with Raymond Watts here

https://pigindustries.bandcamp.com/

I didn’t include singles in this list. However important mentions: Silverwalks, Melodywhore, and Der Prosector.

https://silverwalk.bandcamp.com/

https://melodywhore.bandcamp.com/

https://derprosector.bandcamp.com/

Sounds and Shadows Top 20 Goth/Darkwave Albums of 2020

What an amazing year for the Goth/Darkwave genre. A lot of fresh talent has come forth to leave their mark. In equal measure are long term veterans that have risen from the darkness to give new offerings. Our team took on the unenviable task of choosing the releases that moved us most. We are not including singles or compilations. These are not by any means every band I bought and loved in 2020 for goth. These are all bands that released an original album in the year 2020 that built a haunted house in the ruined graveyard of my head and I want to share with you now.

20) Raven SaidBeyond the Darkest Hour – My favorite of the amazing wealth of goth sounds coming out of Russia. This is a high energy shadow punk driving acid spit flavor of Misfits and Batcave. Andrey Agapitov vocals are sinister, fluid, and have a unique meter I am in love with. The guitar riffs are scorching. It keeps hitting different layers and hitting them hard. This album really shows how wide and beautiful this genre stretches.

https://ravensaid.bandcamp.com/album/beyond-the-darkest-hour

19) The Wake – PERFUMES AND FRIPPERIES – This is another band that has a lot of accomplishment under their belts. They really optimize what I think of as the Midwest goth sound. The guitars have this awesome fire feel, like molten splatters flying towards you. The vocals are mature and a have a rich quality. Lots of organic sounding drums that give a urgency. This is a noteworthy return for a band that has stood the test.

https://thewakeus.bandcamp.com/album/perfumes-and-fripperies

18) Rosetta Stone – Cryptology – So Rosetta Stone have been around for the long haul. They continue to put out exciting music and have been a staple in the genre. This album has a wonderful stripped down flavor. It makes it feel very intimate. “Valiant Try” is a straight up jam. I think what really captured me was that this was a familiar voice but they really peeled the mask off and gave you a look at a deeper layer.