Brand new video and single from the smokey voiced Oakland California dark alt songwriter. The music has a classic darkpop feel but the lyrics brash and sassy dominatrix energy. The video imagery is full of gaudy John Waters flash and glitter wrapped around a soulful menace. I love the message and agency. Everyone wants a baddie until she starts doing baddie things. This starlet demon won’t be small or quiet. A big theatric personality that comes through in the cadence and stage presence ala Amanda Palmer.
Kat Robichaud writes songs about famous fictional characters, serial killers, and emotional hangups. She resides in Oakland, California where she writes, co-produces, and stars in Kat Robichaud’s Misfit Cabaret, a musical variety show featuring live music, drag, burlesque, and puppets.
Three is a really important number. In society, in religions, the number three has always held special significance. I’ve always felt the same was true for great bands. Making a noteworthy album is hard. A lot of bands have gotten that far though. Writing two albums that truly resonate with people has always meant you aren’t a fluke, you aren’t forgotten. Once you have three albums the grow, evolve, and speak to people. Those are bands that are no longer defined by era or genre. They are simply great. During the course of my life I have found several bands that already had 3+ amazing records that helped shape who I was. Far fewer where I could say I was there for album one and followed that band on their journey, matured with them. What I couldn’t say until Actors “Our Love Will Live Forever” was that I had such a deep connection to a band I saw at the beginning and was screaming from the rooftops about to anyone who would listen until they hit that moment. Having the creativity, talent, and cohesion to consistently to 10 songs that matter together while touring the world is truly lightning in a bottle in 2026. I’ll pause a moment to tip my hat to Jason, Shannon, Adam, Kendell, and Jahmeel.
Jason once again produced the album at his studio Jacknife Sound, and released it with Artoffact Records. Before the 9/4/26 release the album was preceded by 6 singles CTRL, Left On Read, Youth, Object Of Desire, DeadInside, and In Real Life. So we have already reviewed and felt a good portion of the record. I think it really speaks to the goal Actors had, to release an album of just bangers. Jason had a serious cardiac event during the writing and recording of “Our Love Will Live Forever”. The kind of thing that makes you reflect on what matters most while wondering if your chance to travel and play for people was done. To answer those questions by putting out and 10 out of 10 no skips record says everything about the love and passion Actors hold for their art.
Previous Singles i reviewed from the album already 🙂 CTRL
For a band I have loved since the beginning when I hear a new release the first thing I think of is what is new? For me the Actors sound has always built around the core of Jason’s vocals. Thirteen seconds into CTRL you are blasted with a wall of sound driven by a run-away chariot of blasting bass. Jason is emotive and understated with Kendall and Shannon shining echo’s glowing around the edges. The guitar swirls and cracks in precise moments. The entire ride is a 3.25-minute banger with tight structure and vibrant energy. I can’t wait to hear this live with Adam booming away in 4/4. I’ve never heard Actors push the needle like this and I am here for it. The “Our Love Starts Forever tour is coming in 2026 and if you have never witnessed the Actors live, don’t wait.
Youth – This track makes the little hairs on my arm stand up. A beautifully retro Echo and the Bunnymen vibe with a little extra foot on the gas. Your youth can feel constantly further away, but one thing you never forget is how hard everything hit. Love, anger, friendship, everything was loud and earth shaking. I love how the synths bounce on this. Jason does a really clean whisper of his voice. Like telling you a secret you lean in to hear.
Stimulation – This one wasn’t one of the early release singles and the first thing that hits is the phrasing on the lyrics. The timing is just slightly off of where you expect it to be. It really gives a feeling of mystery. We are all so hungry to feel something in these days. Scrolling content, consuming, I love this reminder that the true experience is out there beyond the screen. Waiting to be tasted, touched, and smelt.
Left On Read – Oh how I love a good breakdown. At 1:29 this song has a masterclass in the power of space to let a song breathe. I feel like this theme, of left on read is so relevant in 2026. It seems like we are all holding our breath for an answer, and communication just beyond our reach. This track is so real. To share the real fear that comes along with love is so difficult. This song makes it feel effortless.
Dead Inside – Again this is a no tracks skipped album. This one is special for the drums. Jason’s voice is a smokeshow, the bassline is walking me through the neighborhood as I am a dog on a leash. The true masterclass here are Adam’s subtle shifts and accents. It’s a mystery novel that always has me guessing. It has a bit of 90’s Pixies flavor mixed with, well Actors. I love when a band hits that level where part of the fusion you describe is, them.
I’m Not Here – This one cooks. The baseline is humming like an electron in a collider, right until the overlapping guitar starts growling. I love every flavor of this tortured love kaleidoscope.
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Please forgive me for my sin I can’t live through this again You could be that someone
This record is a rollercoaster through the spectrum of love and loss. In a world spinning further from the truth of the human heart it feels so good to have ten songs guaranteed to make you feel something. To make you remember why the world is a beautiful place and worth fighting for.
I haven’t done a Bandcamp Friday review in a minute. I still really appreciate that Bandcamp as a company still cares enough about supporting musicians to waive their fee one Friday a month. Already it is the best way for new up and coming artists to get their albums into the hands of fans in the modern era. So today I did a post in the Sounds and Shadows group asking for some new releases and I will fire through several and give my impressions. If you see value in learning about my favorite new Darkscene music releases, Interviews, and Updates. Please follow us on Facebook/Instragram
Metamorph (Margot Day) – Sweet Nothings GRENDEL RMX – New York artist Margot Day with this new remix single from hard Industrial legends GRENDEL. It’s a cool surprising sound outside the normal vibe I expect from Grendel. A driving electroclash vibe with some interesting instrumentation and retro video game synth panels. Erik Gustafson (Adoration Destroyed/Eva X) did the production work and it’s very sleek, lots of tight sharp curves to the sound. Margot has a lovely whisp like delivery. Beautiful strobe light club hit.
Sweet Nothings (Grendel Remix)” — available May 1 on all platforms. Artist: Metamorph x Grendel Release: Sweet Nothings (Remix) Date: May 1 , 2026
credits
released May 1, 2026 Sweet Nothings by Margot Day Voice + Flute – Margot Day Remix by Grendel Photo: Margot Day by Brian Wimer Cover Art: Damian Z.
Circuit Preacher – Bloodthirsty – Spicy new single from the Richmond VA Industrial Pop trio on DarkTunes. I’ve had the pleasure of seeing them live before and they are an EXPERIENCE on stage. The track builds like an angry thought from the back of your mind. The chant is a powerful call to action, we the people outnumber the power that keeps evil in the world. I love the big block synth panels and sizzling riff at 2:52. A cleaner meaner Front 242 for the modern era.
Are these the rocks you said would cry out in praise? Buildings on children yelling their parents names God watches through a slit in the gate A special kind of hate
Transient Spirits – Eye For An Eye – Really cool London band I had never heard before. A trio with syncopated prog goth precision that reminded me a bit of one of my modern favorites Palais Ideal. Really dialed in with some unique and engaging vocals that had an almost angry spitting Bryan Ferry glampunk flavor. I’d never checked them before but will definitely be following them going forward.
released June 15, 2026 Wil Ferraz – Vocals and Guitars Selçuk Özcan – Drums Matthew Sheppard – Bass Curtis Elvidge – Production, Mix, and Master
Tears for the Dying – World’s End – The modern Mistress of Deathrock Adria Stembridge from Athens GA never disappoints. That signature dialed in guitar tone lashes around her head like a cracking whip. Accented by a sharp stabbing staccato chant forcing a truth into the light. All under the current of a thunderous driving bass. This is the future of Deathrock music.
The empire’s finally dying Blood stains on our hands Swallowing needles On indigenous lands Eyeing teenage girls Fingers turn to knives They get away with murder A nation paralyzed
Owari no sekai Owari no sekai Owari no sekai World at an end!
released July 24, 2026 Written and performed by Adria Stembridge.
Vocals, guitars, bass, programming, and recording by Adria Stembridge at her home studio.
Additional production, mixing, and sound design by Jason Nesmith.
Mastered by Jason Nesmith at Chase Park Transduction
DAM3ON – I believe in your Ghosts – Another North Carolina electronic act from Chuck Giezentanner with a haunting warm spooky themed dance banger. Great vocals and spicy synth lines that have your spirits sliding up the walls. Like a Halloween themed VNV Nation. Chuck is definitely making a sound folks need to be aware of.
I haven’t done a Bandcamp Friday review in a minute. I still really appreciate that Bandcamp as a company still cares enough about supporting musicians to waive their fee one Friday a month. Already it is the best way for new up and coming artists to get their albums into the hands of fans in the modern era. So today I did a post in the Sounds and Shadows group asking for some new releases and I will fire through several and give my impressions. If you see value in learning about my favorite new Darkscene music releases, Interviews, and Updates. Please follow us on Facebook/Instragram/ SoundsandShadows.com and consider following our Patreon to support. $1 a month helps me out and I deeply appreciate the support.
Lilac Lament – Margot – Haunting old-school 90’s flavored goth from Chicago. A real throwback to Sunshine Blind/Switchblade Symphony with this eerie atmospheric crushed velvet textures. I heard about this band from Dani Ashes and they are always a voice in what to look for in goth. This single is the only one I found for them so far, but I was an instant fan. Vocalist Moth Del has a dark and haunting voice that drips with star power.
released May 1, 2026 Tary Rolfe, Trevor Slabaugh, Coit Dolhover, Moth Del, Jafet Mendoza
THE DISCUSSION – She Said (Lost Tapes Remix) – La based artist I had the absolute pleasure of seeing open for and then play with Bootblacks last year. Awesome driving dark Chrissie Hynde energy with wicked guitar chops. This remix single whips the tempo of the snare to the limit and really cooks this perfect getaway drive track for a midnight jewel heist. On Artoffact Records and heading out on tour soon. DO NOT MISS THEM LIVE
The Sad Hour – Dead Nor Alive – Detroit Death rockers fronted by Charles Urban with a new single that utilizes that pageantry and glam ethos they do so well with blue collar rock romantism. The combination blends into a poetic lyric dream with shades of Bright Eyes. The Sad hour is always showing me something new and beautiful.
released May 22, 2026 Written and Performed by The Sad Hour Luke Hodorek – Guitar/backing vocals Charles Urban – Vocals Charles Venditto – Bass/backing vocals —————————————————- Justin Dulecki – Drums/Production Jordan Compton – Synthesizer
Sorrow Stories – SoSick [with Christopher Hall] – UK based Tina Forlorn with a flickering violet new single with aid from the master of angst croon himself Christopher Hall (Stabbing Westward). Loving this recent trend of 90s gothdustrial throwback. It was a too often overlooked time in music so it is wonderful to hear an homage blended with modern beats and production. Three great Remixes by Stabbed By Prongs, Violet Wanda, Adoration Destroyed.
You said never goodbye It was just another lie In sickness, in health No heaven, only hell
So much for what we had If it means nothing to you All the time that I’ve lost Giving everything to you
I’m so sick… and you’re so sick of me I’m so sick and I’m so sick of me
released August 7, 2026
‘So Sick’ by Sorrow Stories [with Christopher Hall] Music & Production, Vox & Lyrics by Sorrow Stories Guitar, Post-Production & Mixing by Christopher Hall Remixes by artists as stated Artwork & Digital Booklet by Sorrow Stories Mastering by Sorrow Stories
Written and produced by Mark Trueman in La Crosse/Milwaukee, WI Vocals recorded at Subspace HQ in Milwaukee, WI Mastered by Eric Oehler and Grant Richardson Art by negativemeditation and VIOLENCE.PARANOIA Layout by Sam Stoxen Photography by Carlos Azuara Thanks to: My friends and family for existing, Negative Gain, Phage Tapes, Everyone at OmenMilwaukee’s Choke Chain serve up Decomposition, some unapologetic old-school style industrial noise for your earhole.
It’s aggressive, grating, abrasive and brutal. It’ll piss off your parents, your neighbors and your dog.
In short, it’s everything that makes industrial music great!
Never mind the niceties. This is raw naked aggression served up in a handy five-song EP.
Two additional remixes give DJs ammo for the dance floor as well.