Follow The Leaders (A Killing Joke Tribute)

Coitus Interruptus Productions quotes writer Steve Taylor from his 2006 book, The A to X of Alternative Music, as saying “Killing Joke have inspired all dark music since 1981” going on to posit that “Scrape the surface of just about any Industrial Metal or Alternative Rock band worth their salt, and you’ll find some aspects of the prolific and powerful Killing Joke.”

With that bold statement, they bring us Follow the Leaders (A Killing Joke Tribute), an 11 track compilation that dares to take on the challenge of honoring one of the greatest progenitors of the post-punk/industrial metal genre.

Snowbeasts start it off right with their take on the KJ classic Wardance. Primal rhythms with a darkly polished sheen. This wardance knows it’s not just about brutality and wounds its prey with  subtle efficient strikes… Makes you wanna pogo along like a flashback to an 80’s punk show by way of a Berlin discotheque. 

From there we move onto Element, and their version of Turn to Red. Element trades the punk reggae vibes of the original for more darkwave sound and turns up the dub a bit to make this one hard not bob your head to its tranced out vibe.

Next, The Blue Hour brings us The Gathering. I am not sure how they do it, but TBH takes this classic Killing Joke track, and channels the ghosts of Bow Wow Wow, and still makes the track sound fresh.

Riotgun takes on the herculean task of covering one of the most well known KJ tracks, Eighties. You have to give these guys credit… This is the one track that I had the most concern about when I heard about this compilation. Yet I think they do an admirable job of keeping the aggression in place and not turning in an unintentional parody of the original. Hats off to Riotgun… Well played!

Here in the middle of the group, we find three of the best tracks of the compilation in my opinion…

Shhadows brings us a dreamy, trip hop inspired version of my all time favorite Killing Joke song Love Like Blood. For all its dreamy, spaced out qualities, it still keeps its power.

Trance to the Moon tackles Love of the Masses. This song hits me with the same angst of a song like Love Like Blood from a new direction, and I feel the pain in every note that vocalist Monet Alarie hits. Like a love gone wrong, it leaves you longing for another kiss.

And rounding out this triad of greatness is The Joy Thieves (featuring I Ya Toya) with Money is Not Our God.  Ania Tarnowska, takes no prisoners with her vocals on this bombastic assault against capitalism, propelled through the night by the punishing rhythms courtesy of Dan Milligan and crew.

On The Death and Resurrection Show, Missing Witness brings us a version of the song that we might have seen if Jaz and the Gang had gotten snared in the Wax Trax net circa 1986. The track evokes the feel of Ministry tracks The Angel and Over the Shoulder. Very cool old-school Chicago industrial vibes here.

The Raygun Girls bring those Big Paul Ferguson Beats to the front of the line on their take on  Hosannas from the Basements of Hell. This is the most Killing Joke like track on the whole record, yet doesn’t cross that line over into cover band purgatory.

This World Hell by Dead Receptors is an interesting track full of contradictions. Its brutalist vocals and staccato clipped synths are weighted down by the sleazy/funky bass and drums that remind me of great tracks like Golgotha Tenement Blues from Machines of Loving Grace. 

And finally, HadesMachine shows us out with Euphoria. A Goth rock banger tinged with siren call synths pleading for us to show some urgency, like a vampire biker gang racing against the dawn.

Overall this compilation curated by Coitus Interruptus Productions is a worthy tribute to one of the great pioneers of the post-punk/industrial sound. Go pick it up as a pay what you want offering at: https://coitusinterruptusproductions.bandcamp.com/album/follow-the-leaders-a-killing-joke-tribute

Katy’s “End of Days” Playlist (Pt. 2)

Here’s my latest update on life. Like many people, this has been a rough patch. A lot of personal inventory has been had along with tough life evaluations, revelations, and epiphanies. It sucks. Luckily, I have had one thing in my life since I was a little kid that always helped me through the hard times. That thing is music. During this time, a lot of things have shut down. However, music keeps going and keeps getting better by the day.

When I was scrolling through Bandcamp today, I needed some new tunes to carry me through this week and the many moods it would surface. Some of this is brand new, some of it came out this month, some of it is just a preview of what’s to come. All of it’s great.

Nick Griffith

7 AM

Wombarra, Australia

https://nickgriffithmusic.bandcamp.com/album/7am

Nick Griffith_4_1_Review

This indie-rock, electro-pop, synth album is the definition of glee. The songs are fun with lots of quirky samples that seem to be centralized around generally peppy things. Griffith’s voice has a soothing sound to it. Not to say it’s angelic, but something about it feels familiar and refreshing. The music is incredible. It’s fast and in-your-face synth-pop with synthesized drums that incorporates romantic feels at points with unexpected instrumentation. Every track on this album had its own thing that made it stand out. 

Favorite Track: Riding On My Bike

Release Date: March 20, 2020

CHROMB!

Le livre des Merveilles

Lyon, France

https://chromb.bandcamp.com/album/le-livre-des-merveilles

Le livre des merveilles_4-1 Review

‘Le livre des Merveilles’ is absolutely insane. It’s every ounce of what you’d imagine a post-jazz, post-rock, avant-garde, power-pop album would be. You never know what to expect. Each track creates an entirely new landscape and mental image. Some tracks, like “Le livre des Merveilles” are shorter and have a poppier feel, almost like Stereolab.  While other tracks like “Le fleuve Brison” start a little more cosmic feeling and take their time building into hugeness. The album maintains is unpredictability throughout splashing in longer experimental interludes featuring instrumentation from synths to strings within the tracks. Also, there are a ton incredible vocal harmonies.

Favorite Track: Le fleuve Brison

Release Date: March 27, 2020

Blankenberge

More

Saint Petersburg, Russia

https://blankenberge.bandcamp.com/album/more

Blankenberge

If you’re in dire need of walls of sound with pop-rock vibes underneath, this is the album for you. Blankenberge has fused together shoegaze, dream-pop, and post-rock together in a way that is astonishing. The instrumentation is saturated in a way that hits you in big emotional waves. One of the guitars sounds super wet and surfy, while the other creates ambiance and space. The songs are still driving and sometimes really upbeat, borderline optimistic-sounding, without being overtly happy. The vocals are super saturated and act as more of an instrument than lyrics to sing along with. There are huge post-rock builds and unexpected rhythmic changes throughout that make each song increasingly interesting. Altogether, it’s really beautiful music that makes ya feel good.

Favorite track: Look Around

Release Date: April 10, 2020

ODDLY

Loaded EP

Kyoto, Japan

https://oddlyband.bandcamp.com/album/loaded-ep

Oddly

“ODDLY is a 3 piece rock band with no bassist. Why we don’t need bass? Cuz we’re louder than that.” I took that from their Bandcamp about section because I thought it was perfect. It perfectly describes who they are and kind of how they sound,. Don’t let their promise of loudness dissuade you. I mean, it’s pretty loud, but it’s intricate and fun with little happy vibes overall. There’s a classic, early 90’s alternative punk vibe to it with apathetic vocals riddled with angst. I love the call-and-response in songs like their featured track, “Loaded”. From beginning to end, this EP is everything it promised to be with its title.

Favorite Track: Loaded

Release Date: March 27, 2020

SPC ECO

4EP April EP

UK

https://spceco.bandcamp.com/album/4-ep-april-ep

SPCECO

SPC ECO consists of former Curve member Dean Garcia and his daughter Rose Berlin. They’ve been doing this project actively since 2007 and have been putting out shorter EP’s the last few months. This EP is very fun and poppy with some really chill electronic songs and some really energetic songs. The dreaminess of this album is almost immeasurable. When you close your eyes and listen to tracks like, “Don’t Mind Me,” the mental scenery is so bright and positive. Other tracks, like my personal favorite, “Who We Are” have a more melancholy vibe to them with experimental textures and synth. This is an alum that you can get hypnotized by and utilize when you’re doing extended outside tasks like walking around, gardening, or driving.

Favorite Track: Who We Are

Release Date: April 1. 2020

Spring Reverb

It’s a Feeling She Don’t Believe In

Portland, Oregon

https://springreverb.bandcamp.com/album/its-a-feeling-she-dont-believe-in

SpringReverb

Okay, so this isn’t an album or an EP, it’s just a single. However, I’ve been obsessed, now listening to this track a dozen times. I can’t tell you what exactly I love about it so much. Is it the excessive use of spring reverb or that classic tone on the organ. I love the fact that it sounds like you’re listening to the track on a warped piece of vinyl. Something about it is so positive at the same time as being so haunting. It has every ounce of a happy day song when you’re driving down the street, wind in your hair, styling some huge fashionable sunglasses while still being ever so slightly unnerving. There’s nothing minor or negative about this jangle-pop track, which is something really great to be able to listen to and really enjoy right now. I can’t wait to hear more from this band.

Only Track: It’s A Felling She Don’t Believe In

Release Date: March 30, 2020

Once again, I hope you all enjoyed this installment of “Katy’s ‘End of Days’ Playlist”. I enjoyed making it. There’s a ton of amazing music coming out regardless of the world situation that can give us all a little comfort right now. Whether you’re into dark, heavy stuff or prefer things to be a little lighter right now, there’s something out there for you to enjoy. You just have to dig a little. Hopefully, these lists help steer you in the right direction.

Things are tough, but you better believe we’re tougher than this. Stay safe and healthy if you’re able to. Don’t be afraid to ask for help if you need it. Reach out to your friends and family and find something to occupy your mind so things don’t feel as dark. I’ve chosen to deep dive into Bandcamp and have found it to be a sanity-saving time consumer.

You are cared about even if it’s by someone or a group of people you’ve never met. We care about you. All of you. We want to help make this time bearable for people who aren’t used to being home all the time and severely want everyone to get through this with as little damage as possible, but we’re also here if you just need to talk to someone. Reach out. We love you all.