Brand New Video from Grabyourface “Rob the Bank”

Brand new video from French Coldtrance artist Grabyourface on Negative Gain Productions. A tip toe grinding electronic sermon of post capitalism dystopia and rebellion. The video features this wonderful Mad Max tractor pull aesthetic. Join in the heist

https://grabyourfacengp.bandcamp.com/

Music and lyrics by grabyourface
Mixing and mastering by Gom Pilote (Unspkble, Between the Zones, Londead, Animal)

Sounds and Shadows Darkscene Chart

Recently on the Sounds and Shadows group we had a discussion about the place of “Charts” like the DAC in the modern scene. A way to keep your finger on the pulse and help DJs see what tracks are trending by people in the know. I took a poll of our group of Dj’s, Musicians, Labels, PR companies, and superfans to pick their hottest releases in Sept-Oct of the modern Darkscene. We had a ton of stellar releases that were discussed but I have taken the top 10 chosen. I plan to do this once a month.

  1. Moris BlakCandyman
  2. The Joy ThievesNemesis – Armalyte Industries
  3. StoneburnerApex Predator – COP International
  4. ActorsLove You More – Artoffact Records
  5. WingtipsRun For Shelter – Artoffact Records
  6. BootblacksThin Skies (Twin Tribes Remix) – Artoffact Records
  7. Curse MackeyLacerations – Negative Gain
  8. Angelspit – Don’t Know Zero – BLACKPILLREDPILL
  9. Gasoline InvertebrateScarlet Slip feat Chris Connelly (iVardensphere Remix) – Tigersquawk Records
  10. Dread RisksTrauma Ties – Re:Mission Entertainment

https://morisblak.bandcamp.com/album/candyman-single?fbclid=IwAR3IkWI5xWU_wG07h02T1GLS7al59J6KTudG_eA32-EEMRBfUB8CnWl2AwI

https://thejoythieves.bandcamp.com/album/nemesis?fbclid=IwAR2qVQHV1KgC_gizRUTp2qRRaYiU6w_lMQH_MGn2AQEit5Ltyk94etsEsK0

https://stoneburnerofficial.bandcamp.com/album/apex-predator

https://actors.bandcamp.com/

https://wingtips.bandcamp.com/album/cutting-room-floor

https://bootblacks.bandcamp.com/album/thin-skies-remixed

Curse Mackey (bandcamp.com)

https://angelspit-official.bandcamp.com/album/don-t-know-zero-single

Gasoline Invertebrate – Scarlet Slip feat Chris Connelly (iVardensphere Remix)

https://tigersquawkrecords.bandcamp.com/album/tigersquawk-vs-cop-international

https://dreadrisks.bandcamp.com/

Keep growing the scene, keep supporting great music. If you want to vote in next months S & S Darkscene chart join up on facebook and submit your song.

Video Premier of SYS MACHINE “Poison In My Skin”

The first single from the new project of Illinois Industrial Metal artist David Ssd. Who has completely shifted gears with this slinky sensual atmospheric drift. A new EP forthcoming in December called “Graceful Isolation” featuring 6 original tracks, 3 of which feature vocals from Kimberly of BOW EVER DOWN with remixes from ASSEMBLAGE 23, THE JOY THIEVES, SPANKTHENUN, BLUE EYED CHRIST, MISSSUICIDE, MICROWAVED, Steven Olaf and AUDIO BUDDHA. Artwork is by Greg Rolfes of Eleven12 Design which will be unveiled soon. When you read the names that stepped up to be a part of this, you understand why it has the community buzzing with excitement.

https://sysmachine.bandcamp.com/

The sound and video are a creeping unrelenting strength of movement and woven textures. A motion horror video game of strange lights and symbols tingling on the back of your spine. Kimberly’s emotive vocals sound like a lost record played on a haunted phonograph. Otherworldly and lost in time. They speak a warning to anyone that would dare stumble into her realm. The build and fall of measured electronic background against waving arms and murky waters. With sizzling will o wisp guitar leads lighting the way on this desolate journey. Assemblage 23 has been owning dancefloors for many years, they know just how to stir the pot of this heady brew. I look forward to the whole EP and future of Sys Machine.

Kim (Bow Ever Down)

Exclusive Video Premier of Crying Vessel “Nevermind”

Band: Crying Vessel

Label: Cleopatra Records

Album: May 2022 release “Before Life was Death

Members: Slade Templeton (Vocals/Guitar//Bass/Keyboards) Basil Oberli (Percussion)

https://cryingvessel.bandcamp.com/

I have been an enormous fan of this project for several years. Crying Vessel has raised the bar in terms of complexity, artistic vision, and glamourous pizazz in modern goth/darkscene. Making music that touches on the darkest concepts of human nature, while appealing to our desire for macabre beauty and human connection. In addition to the music, Slade and Basil have always been deeply influenced by cinematic narrative. Particularly facing fear and searching for beauty in the alien and unknown.

With the new single “Nevermind” we are drawn into a journey of mystical ritual and symbolism. Slade has constructed a world around his music and continued it through his novel “Truth of the Shadows”. Imagery of pushing the boundaries between this world and the next. You can feel the strength of intent that goes into each detail in both lyric and image. The Illustrator of the novel Fabio Rincones is also director for this video. I love the continuity of vision there.

https://www.goodreads.com/en/book/show/55288295-truth-of-the-shadows

OFFICIAL MUSIC VIDEOCREDITS:Talents–Andrea Rodríguez, María Niño, Ysi Romero Director–Fabio Rincones Edit & Color-Fabio Rincones Production Assistants–María Niño, Aureliano Contreras Assistant Director–Pierina Espinoza Director ofPhotography–Victoria Uzcátegui Camera Assistant–Ana Sanabria Gaffer–Ana Sanabria Art Directors–Fabio Rincones, Pierina Espinoza Make up–Pierina Espinoza Wardrobe–María Niño Prop Master–Fabio Rincones Puppeteers–Fabio Rincones, María Niño Location Manager–Aureliano Contreras Special Thanks to:Casa MudejarNissrim El AysamiRicardo Lopez PradaRodolfa

Ken is back on his bullshit. Apparently My Bullshit is Industrial

It is 10:30pm on a Saturday and I am 3am drunk. Let us stumble through bandcamp and seek out what is sparking joy on this fine October night.

COMPACTORTension Crucible – Brand new album from New York City artist. They have a unique creativity to both his music and the formats he releases it in. I am always astounded by his out of the box thinking for the delivery system of his tracks. People use the term Industrial music, but I feel like Compactor really embraces the blue collar concept of found machinery recorded, converted, and repurposed into true Electronic music meant to infuse with the human body. There are no words. This is not poetry. This is working music. Rhythmic, grinding, sparks flying from sheet metal destroyed with power tools. This is grease and grime with clean streaks of sweat. It’s music of inspiration to drive yourself until you can’t do more. To complete the task. Seldom do I review an album with such a clear purpose.

https://compactor.bandcamp.com/album/tension-crucible

Favorite Track: War of 1312 – I’m not sure what the reference is to. The marching beat, the syncopation, the metal on metal tension building in aggression and machine precision is unnerving as it is powerful. A perfect summary of the tightening of the muscles this album creates. (I learned later this was a reference to the Code 1=A 3 = C 1 = A 2 = B in regards to the street clashes between BLM protesters and police) Added a whole new layer.

unitcode:machineThemes for a Collapsing Empire – Dallas TX Industrial artist has been on my radar for a while. This new album hits a whole new gear. I remember being at Cold Waves this year and hearing person after person in the know say “Holy shit have you heard this album”. This is a masterclass in marble statue precision craftsmanship in electronic music. The vocals are melodic and driven in a way that haunts your head. I love how clearly the poetry of the lyrics rings out beyond music that fills every wall of a dance club. It follows the template of classical industrial while finding a tone distinctly it’s own. People need to know about this, it needs to be appreciated.

https://unitcode.bandcamp.com/album/themes-for-a-collapsing-empire

Favorite Track: Falling Down/Drift Away – It’s so hard to choose, because while Falling down is the zenith of everything i just described that makes me love this album. So Eric. Drift away brings in Emileigh Rohn of CHIASM with her fusion reactor bright burn voice over a slower deeper musical concept to break up the runaway freight train of the other tracks.

SlighterVoid – LA electronic songsmith producer with another powerful release. Colin Cameron is an absolute maestro of riding the razors edge between drifting spaceship on the edge of the known galaxy and that hook that gets stuck in your mind for days. The true modern day composer commanding a symphony of expression at the tips of his keyboard. The aptly named Void is a lost soundtrack of space horror like Event Horizon. Cameron has a sexy whisper voice that leads you like a siren into the unexplored darkness. Brilliant use of guest talent like Vocals on “Spill Blood” by R.A. Desilets. Proving again to be at the top of the game while drawing far outside the lines.

https://confusioninc.bandcamp.com/album/v-o-i-d

Tigersquawk vs. COP International – I love Compilations, I love Tigersquawk, I love COP International. One low price for 36 badass tracks to put you in the know of some of the best EDM Industrial in the world. This is wide in it’s scope. It is mixed and mastered by Slam, with wicked art by Greg Rolfes. So much value in one place where I guarantee you will find 7+ bands that you will immediately follow. The level of quality and diversity here is staggering.

Favorite Track: Ok normally this would be near impossible because there is so much good here. The Batavia is a undisputable jam. In fact everything i hear from them is pure gold. However one track did absolutely destroy me. Gasoline Invertebrate feat: Chris Connelly remixed by IvardensphereScarlet Slip” was a dream team too powerful to overcome. It had Brian’s leg day industrial with Connelly spitting highspeed pew pew poetry and buzzing bass beats. It’s absolutely captivating. One of those tracks you didn’t know you needed until you couldn’t live without it.

https://tigersquawkrecords.bandcamp.com/album/tigersquawk-vs-cop-international

Industrial music wasn’t a thing that happened in the 90’s. There is still so much ground to break. Still so much to be excited about.