Before The Internet There Was The Label Compilation.

I am not a baby bat, nor am I the most eldest goth in the crypt. I started discovering myself musically at the end of the 80’s. It was a glorious time to find dark music. However we didn’t have all the tools we have today. The internet was around (I’m not that old) but the BBS/AOL world was not the endless ocean of bands we have at our finger tips today. You really had three main options for discovering your next favorite band. 1) Have a cool older relative/friend. 2) Go to the club and ask annoying questions to the DJ (Hard when you are a teenager) 3) Buy the latest compilation from your favorite label and hope for the best. For me this meant A LOT of Cleopatra samplers.

I started wondering in this world of Spotify and ITunes hitting you with a fire hose of what you need to listen to next, where does the label sampler fit? Most of you that read this page know I recently put out a compilation myself called “Tiny Gods Who Walk Beside Us“. It really gave me an appreciation for both the power and effort it takes to put one together. So I thought I would share some of my favorite new compilations for a new generation of dark music fans.

Blood and Dust – Released on Venus Aeon 5/1/20 goth rock label of TG Mondalf. They do quite a few compilation as they seem to be one of those glorious outfits that really cares about sharing new music with the world above their bottom line. This compilation has a really special concept and drew in some of the hottest names in next wave gothic. I had a discussion with Brandon Pybus (Sonsombre) on our podcast about the close connection between southern outlaw county and Traditional goth. Johnny Cash, Waylon Jennings, Kris Kristofferson, had a darkness, a mystery, a danger to their sound and aesthetic which carried into early goth lords like Fields of the Nephilim. Here at the crossroads of those genres where devil deals are stuck this huge assortment of talent pays homage.

1.October Burns Black – Arrowhead 03:50info
2.Sonsombre – Slow Kill (Fields of the Nephilim Cover) ◊ 03:44
3.Black Angel – She (Deluxe Version) 05:24
4.Amautica – Estos Abismos (Silas J. Dirge Mix) ◊ 03:34
5.Raven Said – Shadows On The Ceiling, Shadows On The Floor 04:00
6.Dark Side Cowboys – Signs of Life 12:54
7.Cliff and Ivy – EightStar * 04:14
8.Caligulust – Drifter Δ 03:29
9.The Dust Ryde – Gunslinger 03:32
10.Guillotine Dream – Code 04:13
11.Silas J. Dirge – Ghost Town * 04:12
12.Tidal Baby – The Visitor * 04:56

https://venusaeon.bandcamp.com/album/blood-dust-a-gothic-western

Some Favorite Tracks:

October Burns Black – Ed Shorrock and company have stayed tried and true to purist gothic rock and bring that sizzle and lariat spinning overlapping guitar riffs. Organic snap and haunted vocal lines. This is the opening track for a reason, it grabs you and holds you in awe.

Sonsombre – (Slow Kill) Probably the hottest new name in Gothic Rock on Cleopatra records absolutely unloads on the scorched earth cover of Fields of the Nephilim. This track is so full of reverence for the source material, you can really hear they are true fans. It still manages to burn it’s own trail and have that unmistakable Sonsombre sound.

Raven Said – (Shadows on the Ceiling Shadows on the Floor) This Russian goth duo has a true wild sound. That ever present sense of a starving wolf just outside the view of your fire. I love the menace and venom.

Cliff and Ivy – (Eightstar) Alaska’s favorite goth couple brings the fury to this lawless land. I love the whip snaps and border war ferocity. The distorted guitar gallop at full tilt like a run away stallion.

Rainbow Goth Volume II – So lately compilations often come in the form of charity releases. This one which Amaranth took part in the last two years is put together by Cliff and Ivy for  Identity Inc, an all-volunteer nonprofit organization which provides vital services to LGBTQ+ youth, elders, families and the community in Alaska. A great cause which has always been intricately laced with the goth community. 31 tracks that cover a lot of genre ground and highlights new talent.

https://rainbowgoth.bandcamp.com/album/rainbowgoth-2

1.Sky Lee Vague – Vampire Winter 05:28
2.New Zero God – Hell Bet On Me To Lose 03:34 video
3.Ravens Moreland – Comes The Bite 04:41
4.The Dirty Horror – Twenty Three 05:10
5.Scarlet Fever – Sea of Mercury 04:42 video
6.Amaranth – Deliverance (A Covenant of Thorns Remix) 04:52
7.Burn The Earth – Resurrection 05:37
8.Sombre – Linsay 04:23
9.Count Vaseline – Texas Band 01:26
10.Lisafer’s Screech of Death – Candy Necklace 03:07
11.Swansect – Kaldt Kappell 03:46
12.Fudge Bubble – A Prayer to Fudge Bubble (Confessional Mix) 04:16
13.Frozen Charlottes – Residue 06:22
14.Burn The Earth – Lockdown 02:45
15.Das Funus – My Dark Shadows 04:11
16.Count Vaseline – What’s Your Name, Where Are You From, What Are You On? 01:42
17.Burn The Earth – This Broken Land Will Rise 05:33
18.Full Of Grace – If God Should Ask 04:53
19.Prague Dead Souls – Terminal Souls 04:58
20.Jexx Livzin – Petrified 03:13
21.Fatigue – Heresy 05:18
22.Vanessa Rowan – Voce Di Strega 03:49
23.Jay Draper and the Subterraneans – Land of Anxiety 04:32
24.Ascent – Starlet 03:57 video
25.Planet Glee – Prayer of The Elementals 03:48
26.Rob Byrd – Whisper Lake 05:19
27.The Gay Sportscasters – Cleo’s Gone 02:29
28.TUNNELMENTAL – Falling Up 03:22 video
29.Stardust Heroes – Bloodguilt 06:56
30.Caligulust – Depressor 04:01infobuy track
31.Cliff and Ivy – Velocity Drift 04:35

Some Favorite Tracks:

The Dirty Horror – (23) LA death punk full of gnashed teeth and inky darkness. Danna Marie is a seething powerhouse of intensity and expression. Chunky machine gun guitar riffs firing out in circles.

Sombre(Lindsey) – French ShadowWave with this beautiful melodic duet really breaks up the batcave intensity of the rest of the compilation. Flowing and warm the melting watercolor sound is lovely to the eye, heavy to the heart.

https://thebandsombre.bandcamp.com/album/linsay

Burn The Earth(Lockdown) – This LA/Melbourne team up has two tracks on the compilation. Really cool slushy delayed guitar sounds set the stage for Jeremy Bornstein clear ringing spoken word style melodies. Beautifully crafted songs which flow together in perfect measure to build towers of sound.

Look I hate to do this, but A Covenant of Thorns did an amazing remix of Amaranth‘s Deliverance and you really need to hear it. Scott David Allen absolutely killed it.

Electronic Saviors VI – So when it comes to compilations that give back to charity, this is the gold standard. Jim Semonik of Distortion Productions started this compilation several years ago while battling cancer to raise money and awareness for research. This 68 song Goliath of the biggest names in Goth/Industrial is the final addition of the project and a must have for anyone with an ounce of rivethead in your heart. The artist list is downright staggering. I wouldn’t begin to know how to choose favorite tracks. Other than Steven Archer who assures me always has the best tracks. Honestly I probably need a separate review just for this compilation and it would take me 6 hours to do it justice. In the meantime just trust me, go to the link, pick a random name, and leap into the chasm.

https://metropolisrecords.bandcamp.com/album/electronic-saviors-electronic-music-to-cure-cancer-vol-vi-reflection

Cold Transmission (Spotlight) – Ok I might be jumping the gun here. This release is not available until 6/25/20. However the amount of talent, diversity, and creative freedom that CTM has built into their stable has made them one of the most respected voices in darkwave/post punk/cold wave. They have earned a level of trust from me like those old Cleopatra compilations of the 90’s. When they tell me I need to hear a new band, I need to hear that new band. You need to hear that new band.

https://coldtransmissionmusic.bandcamp.com/merch/spotlight-a-cold-transmission-label-compilation-double-cd?fbclid=IwAR0JSsmZ4_8tj9ZhMKeFUb39f9uDZR_HkvKHop8ouq76S1enBAIkfpPc94Y

CD 1:
1. S Y Z Y G Y X – Kill the Pain
2. ELZ and the CULT – HORRIFIED
3. Kiss of the Whip – Put You In The Past (exclusive)
4. HALLOWS – Subtle
5. Bedless Bones – Split
6. La Mécanique – Dernier Voyage
7. DILK – Pluto
8. iamnoone – Stranger (exclusive)
9. ICY MEN – Полупустые автобусы (Uninhabited Buses)
10. White Mansion – Clear Your Head
11. Iamtheshadow – Off My Hands (exclusive)
12. Clone Culture – You Are The One
13. Control Room – Are We All Alone (exclusive)

CD 2:
1. The Gathering – Trying To Call (Colibri Mix)
2. Palais Ideal – Erase (Original Mix)
3. Mark E Moon – Dancing (With The Lights On) (exclusive)
4. MARY – Frantic
5. The Bluebeard’s Castle – Plunge
6. The Secret French Postcards – Out Of You
7. Vestron Vulture – Hair On Fire
8. Silent Runners – Forgotten
9. Push Button Press – Mire And The Sea
10. Carlo Onda – Kopf oder Zahl
11. ROSI – Tanzen
12. Monographic – Addicted
13. Paradise Cove – Lost
14. Reconverb – Hem 

Who are the compilations you are currently trusting to bring you that next band you are in love with that you didn’t know about yet? Comment below

Advertisements

Ring The Bells For It Is Bandcamp Day Once Again!

I make this speech a fair amount but bandcamp is the only distributor of music that seems to give two shits for new bands. On Friday once again they are waiving their own fees to give all proceeds to the artist. To be clear the rates they charge are extremely fair. However if you have a band you love that you want to show support for now is the time. I ask our Sounds and Shadows family to shout out what we will be looking to buy on Friday.

Ken (that’s me)

Blak Sunday – Spooky fierce old school bat cave death rock from Indianapolis. Crunchy Riffs and Misfit punk edge by goth members of our community that are POC. What is not to love about all of this. It’s hard and dirty full of fangs and leather. What’s not to love? This is on my must have list.

https://blak.bandcamp.com/album/blak-sunday

Cold Transmission Music (Zeitgeist 13) – Lucky number 13 of the glorious compilations from Frankfurt Germany’s Cold Transmission. 33 songs for 4 euros that spins the whole wheel of the dark music scene. it has lots of their label bands which are always top notch. As well as several other offerings from around the world. This is by far my top value pick.

https://coldtransmissionmusic.bandcamp.com/album/zeitgeist-vol-13

Eva X – From the northern lands of Alberta comes shadow queen Eva X. This album has been on my list to pick up for a while now and Friday is the day. Loving these crashing hand drum sounds and her swirling Miranda’s Sex Garden wispy vocals. That spot on blend of beauty and sinister intention.

https://eva-x.bandcamp.com/album/electrowoman

Daddybear– These are troubling times, sometimes I need a wall shaking, butt thumping, dance party. Matt Fanale of Caustic/Klack has brought that once again. It’s driving, sexy , and guarantied to make your apocalypses shake with the sweaty masses until oblivion. Also featuring the heavingly vocal stylings of grabyourface.

https://daddybear.bandcamp.com/album/ebdsm

Dead Agent – Ed Finkler once again unleashes an assault of mechanical disaster on the unsuspecting world. 24 tracks of remasters and remixes and remixes including a straight inferno from Joy Thieves. It makes me want to build a mech and fight stuff.

https://deadagent.bandcamp.com/album/fight-like-a-robot-v2

Stoneburner(Soundsystem) Glorious new album of covers of Industrial greats like Chemlab/Covenant/Gary Numan/Ministry/Massive Attack. Also some new versions of the last few albums. If you read this page you know of my deep admiration for the art of Steven Archer. This album gives a chance to hear some of what Steven pays homage too. It’s beautifully crafted and a bit of a love letter to what inspired him. Plus it thumps.

https://stoneburnerofficial.bandcamp.com/album/stoneburner-soundsystem-kompromat-1

Katy’s Picks

Backxwash This occult hip-hop album got me really excited. I hadn’t heard of this artist before, but I loved how the genres met.  The latest album, “God Has Nothing To Do With This Leave Him Out Of It,” is a huge, symphonic level hip-hop album that scratched the pop sound and emphasized a witchy feel. 

https://backxwash.bandcamp.com/album/god-has-nothing-to-do-with-this-leave-him-out-of-it

Fearing – “Shadow” was released in early April and should get some recognition. This album is dreamy and poppy with a huge wash of reverb over top. There’s passion in each track with a familiar ’80s tone. 

https://fearing.bandcamp.com/album/shadow-2

New Haunts– This UK artist is making waves and just released a full-length album today. As Ken would say, “it bops!” The new album, “Fight/Flight” will make you dance from beginning to end. 

https://newhaunts.bandcamp.com/

 

Adrian’s Picks

 The Wraith – (Gloom Ballet) – LA Deathrockers The Wraith released this album late 2019, November to be exact and I have not stopped listening to it ever since. I found this band through having been a fan of Lost Tribe, singer Davey Bale`s previous band. Gloom Ballet serves excellence on each track which during these goth revival times is few and far between as the revival brings a certain amount of mediocrity with it.

https://thewraithsl.bandcamp.com/releases

Jessica93 – (Guilty Species) Jessica93 is a one man band from France, this album in particular is one I listen to on a nearly daily basis, it`s filled with rhythmic, catchy songs that just gets stuck in your head and forces you to listen to it. This album in particular leans more towards post punk although Jessica93 seems to hold no regard for genre and just do what they feel which is a trait I greatly value in artists.

https://jessica93.bandcamp.com/album/guilty-species-2

The Cult Sounds – (S/T) The self titled debut album from The Cult Sounds is yet another of those gems such as Guilty Species and Gloom Ballet where you`ll find great variety in each track, ranging from classical post punk but without feeling like tired repetition to more mellow ambiance.

https://thecultsounds.bandcamp.com/album/the-cult-sounds

Hide – (Hell Is Here) Hide is to me one of the most important bands within industrial right now. Utilizing found sound, field recording and old school sampling in modern ways all wrapped with a political message they stand out amongst the crowd and yet can not be compared to anyone.

https://hide3.bandcamp.com/album/hell-is-here

 

 

 

 

 

 

The Jean-Marc Lederman Experience: Letters to Gods and Fallen Angels

Jean-Marc Lederman is an artist who’s pedigree in music is undisputable. Aside from his composition work he has played with bands like The The, Fad Gadget, Gene Loves Jezebel, The Weathermen, and Front 242. Take a moment to absorb that resume to understand the scope of his career. As an artist where do you go to break new ground that can still inspire and challenge? With this album he has found a multimedia experience that raises the bar of expression in sound. It comes in the form of a package including a 36 page image book by Erica Hinyot. and texts by Philippe Genion , Ceratomia and the comic writer and singer Christina Z. 24 original tracks with a diverse cast of musicians spanning wide the breadth of genre . The tracks are varied but tied together by an insistence of craft and quality. Ambitious while relatable to a central concept. In this time of quick hit pop singles, this 2 cd package is relying on a hunger for intellectual art.

The premise is concise, yet deep as the earliest longings of humanity for answers to questions beyond proof. To write a letter to faceless entities of the gnostic realm. Each “letter” is penned by a different artist with a human voice beseeching the beyond of angels and demons. Some with pleading, others with snark, but each is a revealing correspondence with a human voice. I also love the idea of letters. We live in a digital age of texts and snippets. Putting pen to paper holds a power. The energy of will and intent made into matter. I will give thoughts of some of the songs that struck me hardest. This is a concept album, I strongly suggest listening front to back in the order Jean-Marc intended. Everything you are hearing has purpose and is best absorbed through that lens.

https://wool-e-discs.be/releases

Our interview with Jean Marc

Letter From JP Aston ft. Julianne Regan – This gentle ballad from the Gene Loves Jezebel members is full of defiance. Beautiful harmonies and lush layering. Aston’s voice has always had a calming and sparking effect. These gentle string plucks vibrate the wave of angelic harps. I don’t believe in angels, don’t need angels. A masterful portrayal of indecision in the face of unanswerable questions.

Into My Arms ft. Jenna Fearon – Jenna does vocals and music for several wonderful projects including HAD TO KILL, THE SIREN AND THE VOID, SOPHIE STRYCHNINE. This cover of Nick Cave is a warm and tender hymn stripped down and soulful. Beautiful pads that seem to have a beating heart behind the honey rich voice.

Letter From Tom Shear – The vocalist Of Assemblage23 offers this pleading call to the void in a moment without control. A rolling tide of humming synth work with a David Gahan flavor. I love the steady build and poetic intention. The sensual beauty of feeling lost and wanting more.

Letter From Mark Hockings – Artists of Warner Chappell Music this letter again focusing on the marching feet of a human who asks for no help or quarter. I love the vocal changes in effect to add weight to this prayer which says I help myself. The music crackles and glitches to add a dynamic backdrop to this pronouncement.

Letter From Rodney OrpheusThe Cassandra Complex star strays far from his goth roots to give a tongue and cheek lounge song in purgatory with all the sass of Jarvis Cocker. Dark gallows humor as stinging as it is playful. Organic open room piano with marimba , and tamborims that makes heaven feel like a smokey lounge in Las Vegas. I kept coming back to this track again and again.

Letter From Haydn Park-Patterson – I couldn’t find a lot of information about their other musical projects. I really love this track though. The vocals have a very Magnetic Fields feel and a brit pop ring. A hope and fear at the same time “I’m scared of waking up with open eyes” Lovely and brimming with emotion.

Letter From Emileigh Rohn – This beautiful track comes from a fellow Michigan resident of the band Chiasm. Breathy and hopeful with an enticing whisper. Hard dynamic shifts in the changes here. I love the computerized vocal effects which add a different layer to the concept. I love how abrupt the ending comes upon you when you don’t expect it.

Letter From Claus Larsen – The amazing person behind Leatherstrip stepping so far outside the box of what I am used to in his art. This track is driving and uplifting. Leaving behind the chains of life and reaching skyward. Claus shows the amazing range of his voice and it is clear and ringing. What a glorious and bold exploration of two great artists reaching into uncharted ground for both and create something wonderous.

Overall this double album is such a journey. It brings each artist out of their comfort zone and stretches in so many bold directions. It really runs the breadth of human emotion while struggling with the biggest questions of life, death, and divinity. I review a lot of music and always tend to find things I love in most albums. I steer my reviews to focus on those aspects because making art is hard. I find it difficult to judge beyond what something makes me feel. Every so often though someone of immense talent comes up with a concept which challenges the mind. Has a carefully constructed well done musical vehicle. Is full of soul and emotion and pulls on the heart strings of the listener. Doing all three is a rare gem in this day and age. So please feel the weight of me saying this is what Jean Marc Lederman has accomplished. It’s a feat worth celebrating and definitely worth owning in it’s full form.

https://wool-e-discs.be/releases

CD1:
01. Intro Log By 8 Of Nine
Letter From Agi Taralas
Letter From Emma Barson
04. Letter From Ghost & Writer ft. Jo Quail
Letter From Mari Kattman
06. Letter From JP Aston ft. Julianne Regan
Letter From Coline Wauters
Letter From Christina Z
09. Letter From The Vintage
Letter From Lucia Fairfull
Letter From Stefan Netschio
Letter From Hunter S. Thompson

CD2:
Letter From Elena Alice Fossi
Letter From Tom Shear
Letter From Mark Hockings
04. Into My Arms ft. Jenna Fearon
Letter From Emileigh Rohn
06. Letter From Miriam Christina
07. Letter From Haydn Park-Patterson
Letter From Rodney Orpheus
Letter From Louise Fraser
Letter From Lis Van Den Akker
Letter From Claus Larsen
Outro From Friedrich Nietzsche

It’s Friday Night, I’m drinking Tepache. What am I listening to ?

Silverwalks – This Philly based EDM Soothsynthers have a new single out called Lantern. Holy shit does it slap hard with what I call desert power. Has a bit of that swirling sandstorm Gary Numan “My Name is Ruin” Flavor. It’s poignant with both a political and spiritual feel. The standout version to me was #1 the (Kynos) mix. This is straight up money lender table flipping revolution in dance form. Out end of June on Distortion Jim Semonik’s label.

https://silverwalks.bandcamp.com/

Daniel Joseph McCullough of Silver Walks

Bedless Bones – My favorite band from Estonia off Cold Transmission Music. New album out 6/5/20 but you can hear a few singles now like Ostara and Sad and Alone (Wytchdoktor remix). I recently talked about this band in the video podcast with IAMTHESHADOW as Kadri Sammel does a track with them. This is thunderous rolling ritual dance music. I love her captivating vocal cadence and the heavy slamming club bass. I hope this album really puts them in the public attention where they belong

https://bedlessbones.bandcamp.com/album/after-malaise

Charn – Our very own Hunter Hunter has this project out with a series of bonus tracks. Ever since I met them I have been captivated by this broken toy organ grinder from hell lofi sonic explosion that rocks like a tiny ship on giant waves between pop beauty and terrifying nightmare. Charn is not a series of club hits, it’s an experience. An experience I continue to be surprised and impressed by.

https://charn.bandcamp.com/album/always-winter-never-christmas-bonus-disc

Pilgrims of Yearning– As we draw closer and closer to their June 26th release this Boston MA band continues to impress. It’s a post punk fuzz fest of tip toe cadence vocals and choppy upstroke guitars. This latest music video In God You Trust erupts with energy like napalm out of a fighter jet.

https://pilgrimsofyearning.bandcamp.com/album/forsaken-lands

Normoria – Swedish stomp Synthwave sent to me by Dj Sonic Szilvi. This track is a real boot stomper. She has a powerful voice with an almost retro Grace Slick ring. Great job with the lyrics and laser focus intent. This is music to get shit done to.

https://normoria.bandcamp.com/track/the-cost-of-freedom-2

New Haunts – English darkwave with outstanding vocals by Alice Sheridan. A real dancing around a roaring bonfire with flickering shadows and trees. Due out June 5th. I love these flowing synth lines that keep you guessing where they are going next. Powerful transitions and soulful delivery. Heartbreaking delivery of storyweaving lyrics, a true throwback soul born out of time. I’ll be watching this band closely.

https://newhaunts.bandcamp.com/

Blak Sunday – Ok I was done for the night but when some badass old school death rock comes down the pipe I’m going to talk about it. It’s a deep grooves and thick ass guitars. Dark sinister crooning vocals and a breakneck pace. Sign me up.

https://blak.bandcamp.com/album/blak-sunday

What was the album that impacted you musically, of a genre you don’t really care about?

Today I got thinking hard about Fugazi “Repeater“. I have never really associated with punk rock music much. When I was young, impressionable, and full of anger it was Industrial that filled that void for me. Generally if I found myself drawn to punk it was the style with glib humor (Dead Milkmen, Dead Kennedy’s, The Clash, The Dammed). Surely never the post hardcore scene. This was the exception though. I bought a cassette of Fugazi Repeater when I was 15 and I played it until the tape wouldn’t play any more. Sometimes we find a record that transcends genre. Those that read this page (I’m making a big assumption that many people do) know the real focus is on new albums specifically in the dark genre. Today I want to step outside of both constraints and pose this question.

When thinking on this question, what checks the boxes for me? Because it is a big question. I hope one worth thinking about.

What was my criteria?

  1. Is it real? When I, a white boy from Velveeta Valley Clarkston hear gangsta rap can I comprehend or relate? Not really. However when I hear Biggie Smalls, do I know real from an image when i hear it? Maybe. That is what Iam MacKaye and Fugazi was to me. They truly embodied the concept of anti consumption punk rock. They didn’t just say Anarchy in the UK. They lived it. They would only do shows for $5 and lived the ideals they preached.
  2. Did it stand up? So I spun this album 3 times today after not thinking about it for a decade. It still stands up. The music embraces the spit and vinegar of The Stooges, while showing the complexity and expertise not associated with peers in this style. The lyrics were thought provoking and hit you on a different level today then they did the last time you listened. Like a great book. I read the Lord of the Rings trilogy 7 times in my life. 14/17/24/29/32/36/41. Every single time it has held a new meaning and an new weight. That’s how i felt while spinning Repeater today.
  3. Did it change me? This aspect goes to impact. I have a lot of records in my top 30 albums in any genre. They all had a big influence on what music means to me. I do think with a good portion of them you could group together these 7, these 5, these three. Repeater is really outside the box for me. Yet it still told a story about who I was. About who I would become. About how I saw the world differently because I had opened my eyes to something I didn’t associate with my self concept. People are not just one thing. We are complex creatures made of a lot of parts. Sometimes the smallest parts have a lot to say about shaping the core of who we are.

So I am very curious as to what is the album that changed you, but is totally outside of the genres you usually listen to? Tell us in the comments below. I will choose the entry I like the best and send you a special prize and publish your answer in Sounds and Shadows.