Glitter and Grime Make Me Shine, It’s Review Writing Time

Another Wed in mid November and I have the Oscura Festival fast approaching. This may be my last chance until December to write some reviews of the glorious new music that is being released. As always these are darkscene bands that have caught my attention and need to be shared. If you have a release we need to hear hit us up on Sounds and Shadows.

Modal CitizanIdolatry – The lads from Virginia beach have released a new 4 song EP. Have you ever wondered what if NIN “The Downward Spiral” and Clutch engaged in unholy union to spew forth a jagged baseball bat rolled in broken glass and started taking wild swings at an unsuspecting populous sounded like? Now you need not wonder. Horror film builds and chaotic drum beats, thunderous funk metal bass from Sean Waff, and screeching heart string vocals from Ryan Jones. I love the tight turn into electronic dance beats from their November 2020 album “Control Alter Deplete“. They really comprehend the power of dynamic contrast to tell a story. Adam Fueston unleashes slashing electro whip guitars that pick just the right moment to sear their impact. It’s mean, it’s jaded, it’s rowdy.

Favorite Track: Expanse – A true emotional firehose that encapsulates the anger and aggression while baring the quiet emotional turmoil of keyboards and poetry. Jones goes deep into character thrashing and jerking like a person processed by a demon riding a bull.

Previous interview and video Premier

https://modalcitizan.bandcamp.com/album/idolatry

Sapphira VeeBreath of You – I always love a new single from Sapphira, I especially love it when it goes to such an important cause. Cat Hall, a cervical cancer survivor, agreed to collaborate on this single, as well as our good friend Jim Marcus of Go Fight contributing a remix, having lost his mother to cervical cancer. This single is being released in the month of October, in observance of Women’s Cancer Awareness Month. The track also has remixes from frequent contributor Melodywhore, Ratio Strain, and Federico Balducci. Sapphira shows a Cheshire cat grin to her voice. The deep buzzing pad synths move like columns of stone while the chanting words preach a resilience and vulnerability. Each version creates a vastly different tone to the core concept. Another spot on powerful offering blending dancefloor accessibility and personal trauma.

Favorite Track: Breath of You ft. Cat Hall/Dissonance – The blending of two powerful woman producers/vocalists will leave me floored every time. Add onto that the warrior princess delivery and subject matter and you have a cocktail which is smoky, burning, and filled with introspection.

https://sapphiravee.bandcamp.com/

Rohn – LedermanVenus Chariot – My love for Belgian composer extraordinaire Jean-Marc Lederman is deeply known on this page. His previous work includes ( Fad GadgetThe TheGene Loves JezebelThe Weathermen) as well as some of the most thought provoking higher tier concepts in electronica music of the past 5 years. Teaming here with COP International and exceptional producer/Vocalist Emiliegh Rohn of Michigan they blend into a poetic electrified katana of grace and fury. I have spoken of this record in the Sounds and Shadows group but was shocked I had yet to write a formal review. When I hear someone of Jean-Marc’s pedigree say “This might be one of the most important albums I have ever released” it tends to make your ears perk up. This album is full of endless fusion energy both in the intricate hair splitting craft of the music, and Emileigh’s power whisper beauty. it’s the record I reach for whenever I need to force my body into action. A well of strength at your fingertips for these draining times. Greg Rolfes provides cover art to set the tone of this runaway stampede of electronic elegance.

Favorite Tracks:

All The Little Things Left For Dead Go Unsaid (a.k.a. “The River”) – The slow tempo balled rich with waterfall emotion and connecting poetry. This beautiful piano composition with tugs the heart strings. The haunting whisper of vocals that shut out the world. This song has a captivating beauty in the vein of Life On Mars.

Destruction and More – This is a faster paced defiant and layered builder. The music keeps stepping forward a heavy foot at a time through gale winds. Ending in a fist raised chant of war. A true tribute to Athena in it’s brazen energy and feminine power.

https://rohn-lederman.bandcamp.com/?fbclid=IwAR2L63E2Kk3OSqS5V8slCHssyU7pgp1EC1xXafPSpdNN0apSQajJx_y9puI

The Ending NightsA Landscape To Die – Pre-Order available for the newest offering of Pedro Code (IAMTHESHADOW) of Portugal on Cold Transmission Music. A definingly dark apocalyptic disco drive produced and mastered by Pedro for a soul wrenching personal explosion. Jagged glass drenched in rainbow oil and water. How do you take one of the most distinctive voices in modern goth/darkwave when you find a way to make the steaming disco beats the star of the show you have really broken ground. This is a record that creates a world. Grime and desolation, the remaining survivors of a broken world follow the electric pulse of a melody from within. A perfect anthem for these fractured times.

Favorite Track: No Light – Hearing something so melodic and pure as Pedro’s voice swimming through a channel of filth and grit that is beautiful and terrifying. This macbre nightmare of insomnia and slow grinding destruction. Another layer of depth and complexity for a proven talent.

https://theendingnights.bandcamp.com/album/a-landscape-to-die

Curse MackeyLacerations – Brand new single and remixes from legendary Texas Industrial artist Curse Mackey (Pigface, My Life With The Thrill Kill Cult, Evil Mothers). Featuring remixes by  Twin Tribes, Steven Olaf, and Chase Dobson. I love the concept shift from gothic electro ritual on “Instant Exorcism” into nihilism Tokyo drift shadow synthwave. A effortless cool grinding prayer as the world crashes down and leaves you nothing to lose.

https://cursemackeyngp.bandcamp.com/

El Clan Somos Nuestro Peor Miedo – New album from legendary Mexico City dark rockers El Clan. There is something distinctive and powerful with true shadow swirl ritual rock delivered in Spanish. The fluttering trill of the guitar. The heavy strikes on backbeat snares. Gustavo Perez Ramirez has such a unique and dynamic range to his vocals. Rumbling growls, silver shining melodies, and sand swirling blasts of power. El Clan continues to encapsulate a burning flavor and haunting sound that puts them on a pinnacle of Mexican darkscene .

Favorite Track: Dios Universo – The opening light touch driving guitar riff set a tone of danger and action. Gustavo growls out a opening salvo of edge and anger. Then quickly changes lanes to a sorrowful melody. It’s a perfect homage to historical hard rock feel and modern dark progressive.

Black Rose BurningThe Wheel – George Grant of New York has taken an already amazing sound to a completely different level. This new album is progressive, complex, expertly executed emotional darkscene that permeates the skin and resonates in the chest. These vocals harken to a previous time of dripping Peter Gabriel emotion that spiral in crystal facets on top of shifting translucent hooks. It ebbs and flows through a stylistic spectrum and delivers with every memorizing tale. I continue to be blown away by one of the most criminally overlooked master songsmiths of our scene. This is a record that needs mainstream attention.

Favorite Track: An Anthem For The Strange – When the title says anthem, they are not exaggerating. These drums are rolling and trance building. George’s vocals ring through with a clarity and power that convey emotion. A warm and glowing starlight that wraps all of us freaks and outliers together in a sparkling blanket of togetherness.

https://blackroseburning.bandcamp.com/album/the-wheel

I Took a Week Off To Promote My Mental Health. So Lets Review Some Music

It has been a tough few months. A Lot of stress, but also a lot of exciting news. Sounds and Shadows keeps finding new ways to grow like last months S & S Darkscene Chart. I did Bandcamp Friday reviews last week, but I wanted to write a few tonight and just spend some time with new music. As always reach out to me or one of our other reviewers if you have something you want to hear us write about.

Machines With Human SkinTransience – Brand new album from Chicago Industrial artist Adrian Halo. I’ve been spinning a bootleg CD copy of this Adrian handed me at Coldwaves festival. I’ve really loved watching his growth and progression. As a songwriter and producer I hear continual learning with every release. Such an underrated aspect or organic growth. I love how this album uses the power of a whisper. The power and anger comes forth, but not with exploding bass, ear splitting guitars, and screams. When you deliver lyrics with a breathy and melodic intensity it makes you lean in to listen. Makes you want to be inside the circle and absorb the emotion. The bounce of these basslines really create movement and give the wispy chant a vehicle. This is my favorite work MWHS have put out to date, it is effortless, soulful, and the mix really sits in the pocket without forcing the intent.

https://machineswithhumanskin.bandcamp.com/album/transience

Hey look, It’s Adrian and I in the Post Punk Industrial Museum

Favorite Track: Invisible – This song really struck me in part for the clean and focused tone. In part for the raw and exposed aspect of the lyrics. It’s glitchy with a high energy pace and curled lip defiance. A firehose of pressure and political discourse fired with crystal cool water and builds.

Recorded at Maynott Studios, Chicago, IL
Mastered by Jules Seifert at Epic Audio Media, London, UK
Artwork: Jim Marcus

Sequential ZeroSecond Sequence – Some of the great Australian goth talent teams up with Orcus Nullify axe master Bruce Nullify. Ant Banister of Sounds Like Winter provides a haunted, emotive delivery on vocals. The dark disco style Lenn drums create an abstract Cabaret Voltaire openness. The tracks are gripping hands of tension, holding the mind and forcing introspection. This release really excites me for the future of the project. So many talented voices finding a space together and lifting each other up.

https://sequentialzero.bandcamp.com/album/second-sequence

HelixBad Dream – It surprises me I don’t think I have reviewed the powerhouse team up that is Mari Kattman and Tom Shear (Helix). I will rectify that now. Bright, bold, and teaming with energy. Mari has an elegance to her voice that feels like a bird of prey gliding on an air current. This is music that makes my legs pump with a desire to concur the world. I’m genuinely mad at myself I haven’t listened to them more before now. Track 2 Slip has a gorgeous triphop backbeat that captures the idea of movement on ice. I love the subtle changes in the vocals cadence, everything happening in the same volume and range, yet creating movement with tiny variations. Masterful songwriting and execution.

Favorite Track: Run (Hallowed Hearts Remix) – These tracks have all really impressed me. This one though managed to take that same beaming energy and fire it through a violet lens of darkness. The shadowy tones open up even more space for Mari’s vocals to shine. I put this track up for the S & S Darkscene charts. These layered guitar leads add a whole other level.

https://helix.bandcamp.com/album/bad-dream

daddybearHypnotic (feat grabyourface) – It seems whenever Matt Fanale (Caustic/Klack) and Marie Dragontown (Grabyourface) team up glory ensues. This beat is grinding dance floor magic. Marie’s vocals are sensual and terrifying. The whole song is a promise of ill intent which remains tantalizing while communicating destruction. After a few collaborations anytime I see this team put out a new song, it is an automatic buy. I have been requesting it in every Twitch Dj stream I jump into.

https://daddybear.bandcamp.com/album/hypnotic-feat-grabyourface

Goth ProfessorSwamp Gothic (Halloween Single) – Unnerving atmospheric horror trance from Florida’s Goth Professor . I really didn’t know what to expect wadding into these swampy waters. If you want to invite 9 guests to a mansion, feed them delicacies, then commit a murder everyone remaining is left to solve. This is the soundtrack you need.

https://gothprofessor.bandcamp.com/album/swamp-gothic-halloween-single

Review of Creux Lies “Goodbye Divine”

By James Edwards (Male Tears)

Creux Lies (bandcamp.com)

October was the month of spooks, a shaky return of Halloween since the long-endured pandemic and a myriad of releases by many artists within the undead world of dark-alternative music. Among the wave of new, brooding and shadow-y music unleashed upon the world shines one LP that stands apart from the cobwebs and screeching bats in the night; ‘Goodbye Divine’, the second album by moody, Sacramento post-punkers, Creux Lies. More than three years after the band’s debut record, ‘The Hearth’, Creux Lies brings us a new collection of eight tracks packaged with an avante-garde painting by Alex Kanevsky on the LP’s cover. Preceding the release, the “New Romantic” quartet appeared in promotional images portraying them as disaffected souls in serene, open fields; a fitting aesthetic theme for the music’s despondent sonic-template. “Jungle” kicks off the record with a wave of sinister keyboards before the rest of the band commences their wall of gray, foreboding rhythms, setting the tone for the LP’s thematic statement. By track four, we are treated to the bitter-sweet, emotional “PS Goodbye”. Singer, Ean Clevenger croons against the soft-rock instrumentation with lyrics, “Mercy you, you helped me shine. Although the last, it was the very first time.” One of the most distinguishing elements of Creux Lies’ sound is Clevenger’s vocal contributions.

Though the synth work and programmed electronics by keyboardist, David Wright sit heavily in the mix, Clevenger’s voice remains at the forefront of every song. The instrumentation of the band truly serves at the setting for the singer’s vocal theatrics and heart-wrenching bellows that he projects from the soul. ‘Goodbye Divine’s most consistent feature is the young, adult loneliness portrayed by it’s sonic textures and lyricism. For those that wear black, we as the audience key-in on this theme despite much of the record’s pulsating dance rhythms and identify with the true meaning behind the band’s offerings, swaying and dancing in the throws of introspection.

I also thought I would include my review of their first album “The Hearth”

by Ken Magerman

I have been sitting on this too long but I am finally ready to post this review for the amazing Creux Lies. There will be an interview to follow soon but I didn’t want to wait any longer.

https://soundsandshadows.com/…/10/creux-lies-the-hearth/

Band: Creux Lies

Album: The Hearth

Label: Cleopatra Records

Members: Kyle Vorst, David Wright, Topher Snyder, Barry Crider, Ean Clevenger http://creuxlies.bandcamp.com/album/the-hearthhttps://www.facebook.com/creuxlies

There is so much beautiful and nostalgic to hear. What if you made The Cure Disintegration but gave it razor sharp teeth? The drums had more snap. The guitar lines had that same entrancing delay but with more motion. Ean Clevenger has an obvious Robert Smith quality to his voice, yet where Smith focused more on a tongue and cheek sass, Clevenger is bringing a piercing intensity and higher range of New Order Movement feelings of being lost. The driving bass , the rising synth phrases, those crisp bark beat snaps. It’s like hearing every album that got me through my formative years but done with the precision production of the modern age. Every song makes me want to fall in love but never find the courage to express it.

Lets talk a bit about what isn’t nostalgic, because there is plenty of fresh takes in this offering. Beautiful guitar leads full of glorious textural slush in a shoegaze slither. This record is bleeds of layered sounds so thick you want to run your fingers through them. Intricate drum beats with a symphony conductors precision control the movement of each track. Just like most albums that touch me deeply it usually comes back to a vocalist that can make me feel something. Who can take me on a journey with words and feelings and this album left me shook. Every phrase drips with tortured honey and sorrow. Sometimes as an older listener who has lived a bit you hear something that makes you feel young again. In the case of Creux Lies it is not with energy and power. It is by reminding you of how deep you used to feel things before the world tempered you. Hearkening back to The Cure again this album is full of pop hooks. Strong ones that grab the lapels and shake you. It’s hard to define when you hear something that is similar to plenty of music I am hearing, but has something extra, has IT.

I’m at a loss for words on how to express it but I do know it when I hear it. I heard it. There really isn’t a weak track on this album, but I’ll pick some favorites.

Portals – This is the obvious single, but it is that way for a reason. The beautiful New Order keyboard melodies are absolutely captivating. The lyrics “Did you fall in love with a killer at your door, while waiting for a lifetime to begin” pure poetry. The vocals in this track are a masterclass in sliding between the cracks in the wall of sound around you. The build on the end is a perfect tension and release. Staggering.

Virginity – This is such a gentle caress of an opening, that effectively smashes you in the face with a giant crashing wave of sound when you least expect it. The slow crawling tempo makes you sway like a leaf on the wind. It feels like the terrifying lack of control at a first love so powerful you don’t yet have a frame of reference for it. Clevenger reaches into some sky splitting notes in this one and laser burns them into your heart. Slow dance with yourself in this moment.

Aine’s Song – Tom fills, give me all these tom fills. Tiny dancing pin prick guitar lines doing a duelist routine with the bass and rhythm, “I saw your face again, I want to take you home” That feeling of being struck. We have all felt it but to blend the music and lyrics so seamlessly to express it. I love

Bandcamp Day is Friday! What are some of the great New Releases that are fueling my Jets in these Cold Days?

Friday 11/5 marks another Bandcamp day and I get to pour through a slew of amazing releases. Remember tomorrow all proceeds from sales on Bandcamp go directly to the artists who are in desperate need. We all need songs to fill our hearts in these days. Here are the ones filling mine.

MAN1K1NDon’t Let Me Try – Brand new single from Boston shadowcrawl duo Man1K1n. Two ones to represent each of them. We have an upcoming webcast post with the act. This is a powerful song about personal loss Johnny E. Veil turned sonic and it really stirs the tendrils of emotion that suicide and mental health conjures for all of our lives. The percussion laid down by Cristian Carver is driving and precise, washing over in hurky jerky horror film atmosphere. Johnny’s vocals growl like a demon voice from within. I love the concept and how much genuine blood was poured into every word. This was an independent release but we have heard promise of an upcoming album ready to throw a match on this pooling shimmering gasoline.

https://man1k1n.bandcamp.com/track/dont-let-me-try

Stabbing WestwardI Am Nothing – Brand new single from rockdustrial legends Stabbing Westward. I just saw them at Cold Waves in Chicago, not only have they not lost a step. This new material seems to add a layer of complexity and depth to everything they have been doing for decades. Chris Halls voice grows more powerful and bristling with clarity and violet laser focus. Add in production from the legendary John Fryer and a remix from Jim Marcus. I love the flurry of katana guitar slashes and cyborg samurai cadence. Stabbing Westward still finds a way to transport me back to my 16 year old bedroom and awash with emotions and glorious vampiric dark tones. COP continues to release the cutting edge of the growing Industrial Rock genre. SW is their flagship.

https://stabbingwestward.bandcamp.com/album/i-am-nothing

Carrion – Revenant – If you didn’t know S & S contributor Hide Tepes was a huge LA hard rock Motley Crue fan in addition to making experimental textural noise you will after this track. The hard and high energy strikes of the drums, the crunching metal intensity of the guitar riffs have a very Psalm 69 recklessness. The lyrics are delivered with a harsh chaos demon venom. There is something so powerful about hearing an artist get lost in the moment. This is not a performance, it is a summoning. Further energized with a remix by Texas band Dread Risks who add a further layer of tribal intensity. I will be deep diving this entire album as it unfolds. Hide lays out a track by track explanation below of this decent into ego destruction.

The whole album is going to be available to pre-order tomorrow for both CD and digital + doing a limited edition bundle where you get the CD of the new album, the cassette of the previous one as well as two patches.

Lyrics: Maggots crawl to kiss the feet of a new God Used and abused, to be disposed in the dark Sucked dry by the hordes of the revenants Another body in the grave of their shallow praise Die the death just to come back hollow Feral angels rise, ripe with decay. Pray to me, what you sow I will reap, Pray to me.

https://officialcarrion.bandcamp.com/album/revenant-2

I Ya ToyahPray ( Stabbing Westward Remix ) – Chicago’s one woman army is back with a new remix from the previously discussed Stabbing Westward and their is nothing I don’t love about this song. The rises and falls of this high speed car chase give space and pacing for Ania to shine through city streets. her energy is a beacon that draws you in and fills you up every time you are near. Walter Flakus is a proven master of taking great vocal talent to it’s height. This remix makes me long for an Ania/Chris Hall duet. Make it happen.

https://iyatoyah.bandcamp.com/album/pray-stabbing-westward-remix

WHITE NOISE TVGENERATOR – Berlin band I have never reviewed before featuring: Oliver Staats, Bernd Abromeit, Lars Goehring. I really like the expansive opening salvo of high energy electronic sound. As the vocals come in they have a daring Peter Hook Revenge flavor. Melodic with a lashing edge. Production is top rate which is essential when blending the post punk vocal style and cascading EDM music. Great breakdown at the 2 minute mark to let the bottom drop out and stand on the hill in defiance. In general an impressive job of taking familiar ideas and stitching them into a fresh concept. I think the most ringing endorsement I can give this is I was three minutes into the first track and they had already won me over as a fan. Get ready to hear more about White Noise TV.

https://alicesitski.bandcamp.com/album/generator?fbclid=IwAR1pq27lCebavvQ8pi9HN1Y5BjL_Vn4wWJtOdSfJLcw5VkHuNQrikn5zukA

Bedless BonesThe Iron Bough – We already have a review posted of this album on Sounds and Shadows. My favorite band from Estonia on Cold Transmission. Set to release 11/25/21. Every time I take a moment to listen to BB I am always surprised I don’t think of them more. They have such a powerful and spiritual infused sound or organic soul with a lost age feeling. Kadri Sammel has one of those truly unique voices that stands out in a sea of similar postpunk/darkwave vocalists for their cadence and range. If you held a live wire up to Dead Can Dance or This Mortal Coil and shocked them with electric intensity, that would be the majesty of Bedless Bones. Cool green leaves dripping with rolling drops of water.

Bending The Iron Bough | Bedless Bones (bandcamp.com)

The Cult Sounds – Now i can say I was officially surprised by this cover. I think of St Louis The Cult Sounds of an edgy dangerous take on the post punk concept. The Moody Blues are a definite guilty pleasure of mine. This holds so true to the psychedelia beauty and romantic nature of the original. It also really shows off the talent and chops of the band in such a different vein than their amazing progressive album “Death Of A Star

https://thecultsounds.bandcamp.com/track/nights-in-white-satin

kid.saint.nothingDisgust – Ok I know this is a friend from Kalamazoo, but I am always astounded by the truth and delivery of Reggie. An exceptional talent in the scene returning once again with a passionate fury of raw veined exposure. It’s music that has that fearless, nothing to lose realness that can’t be faked. Pounding low fi metal edge with poetic soulful lyrics that ring clear beyond the crunching chaotic distortion of the music. I love the drum transition from a backbeat hip hop into throbbing metal. Reggie’s ability to flow seamlessly between styles while exposing their truth of being always reveals a new aspect with every album. More people need to know about this. The Pixies cover sounds more like the original plot of the Pixies than the Pixies do .

https://kidsaintnothing.bandcamp.com/album/disgust-ep-2

The WakeEmily Closer (Kill Shelter Remix) – New remix of legendary Ohio goth band The Wake by our dear friend Pete Burns (Kill Shelter). This song is such a driving dark jam, and Pete drives the car right into a crystal palace of reflections and crashes a dark fairytale ball. Splashes of keyboard color shine light on a dark canvas of surrealism. This track is welcome at my goth prom anytime.

https://thewakeus.bandcamp.com/track/emily-closer-kill-shelter-remix?fbclid=IwAR2pJF824VeY6K9tQZhBShw5ILrpaz6PJbppODJZCVIV9dhVmZ-0pHvWf5g

Aesthetic Perfection Feat: Isaac HowlettSave Myself – Here we have two of the top vocal talents in the modern scene teaming up to create something of staggering beauty. Empathy Test and Aesthetic Perfection share a lot of mutual space, both blending the lovely and pleasing with intense emotion to create a full pallet of human experience in song writing. They also couldn’t be more different stylistically in how they achieve this effect. This song really told a story to me, not just in the music and lyrics present. In the delivery, tone, and cadence that they volleyed then harmonized. Almost as though the perspective of what they were singing was shown through a alternate refraction. Plus it is so earth shattering pretty it made me warm inside. Musically I felt it swung more to the AP perfection side of the spectrum, but the vocal performance highlighted the contrast of two top level artists. I hope this is just the start of possible collaborations. I fully expect this will rocket to the top of the dark scene.

https://aestheticperfection.bandcamp.com/track/save-myself-feat-isaac-howlett?fbclid=IwAR1amkMPNKfSy4V0P6L3j4fOBPDKVNoVgIyBCKopnVm08ST3nFH1gU0fPiI

Review/Interview of Stoneburner “Apex Predator”

The newest offering from Stoneburner now on COP International is now available and Steven Archer keeps finding ways to ferociously raise the bar in modern industrial music. Teaming with COP International and adding in a legendary producer like John Fryer  [NIN, DM, Cocteau Twins, etc] pushed the precision and clarity of message. To create an album full of ruckus noise and chaos which focused on lyrical message about a giant wolf god reigning apocalypse on a world that had lost it’s way. The metaphor tackles hard truth in everything from feminism to mental health. Crushing percussion and uncharacteristic pop hooks combined with wry wit to sling shade at the industry from within.

https://stoneburnerofficial.bandcamp.com/

We got to interview Stoneburner in Hamtramck MI backstage

In true Steven fashion there is also a mystery to solve within the album:

We offer the physical as well as a digital version of this album and tried to figure out what could entice you the unsuspecting fan to get the actual CD. So Steven came up with an elaborate scheme. Within the artwork of the CD version is a hidden puzzle. Solve the mystery and get eternal bragging rights! You will also get a secret email address. If you are the first person to crack the riddle you will receive the original piece of cover art.

Photo by Jen Jeffery including Nathanial and Hemlock

Currently on a must see tour to support. Find Stoneburner passing through your city:

10/15 Fallout, Richmond VA10/21 Darkotica, Cincinnati OH10/22 Small’s Bar, Detroit MI10/29 Mr Small’s Funhouse, Pittsburgh PA10/30 Dracula’s Ball w The Crystal Method @ Underground Arts, Philadelphia PA10/31 Ivy City, Washington DC11/3 Red Sea, Minneapolis MN11/4 Liar’s Club, Chicago IL11/5 X-Ray Arcade, Milwaukee WI11/6 Black Circle Brewing Co,Indianapolis IN11/7 The Crack Fox, St Louis MO11/12- 11/14 Unconvention (also w Ego Likeness), Iselin NJ

Currently #3 on the Sounds and Shadows Darkscene Chart !

Favorite Tracks include:

No Light No Spark – I just adore the brutal tank tread juggernaut feel of this track against the melodic chanting. A vibrant explosion of energy against a desolate darkness.

Spectrum – Sharp striking dance track addressing the neurotypical and expanding understanding of brainwaves in the current world. Donna adds vocals here to add shining blade contrast and light.

Photo by Jen Jeffery

Overall: This is Steven taken off the chain and turned to 11. Unapologetic making industrial music of wild machines and wires. Spewed forth with venom to a world without a concern to how it will land. This is the true punk rock ethos driving giant steam punk construction vehicles. This is the industrial that Joe Strummer prepared us for.