Time for the Sounds & Shadows April Darkscene Singles Chart

It is time once again for our monthly Darkscene singles chart. I did a recent interview with Michael Nagy where I mentioned how I have come to value doing this chart once a month. It really shines a light on great new bands that don’t always show up in other charts. All entries are “darkscene singles” a very loose term, released in April 2022. They are voted on by the Sounds and Shadows Facebook group members of Djs, Review Pages, Promotors, Bands, and Superfans. I compile them and post the results. If you have a single release in May, make sure to add it to the polling.

  1. StoneburnerContracting Iris
  2. Eva XBody Talk
  3. Mark E MoonBlacklight
  4. Death Loves VeronicaWhen I Was Dead
  5. Silver WalksTear Me Down
  6. I Ya ToyahVast Spaces (Joy Thieves Remix)
  7. Scary Black – Transatlantic Tears
  8. Sever The Servant – Nowhere
  9. Der ProsectorStanding In The Embers
  10. AngelspitStand In Line

StoneburnerContracting Iris – Steven Archer is always pushing the edge hard and furious. This time by interweaving with Sci Fi author Peter Watts with a punishing new sonic canvas so relevant to the emotional mindset of the population. This artistic journey keeps getting larger and more intricate. Also be on the lookout for Stoneburner back on tour with Chant. Always a must see show.

Stoneburner’s “Contracting Iris”, features 2 tracks and a full-hour audiobook story written by acclaimed science fiction author Peter Watts

“Contracting Iris”, the new single from Stoneburner, takes the listener on a cinematic journey to the beginning of a future pandemic. Combining the classic Arrakis-era style with industrial beats and vocals, the single is a cohesive representation of Steven Archer’s ever-evolving project.

Contracting Iris | Stoneburner (bandcamp.com)

Eva XBody Talk – Another lovely shadow dance single from Canadian siren Eva X. I love hearing the soul and depth that keeps growing with every new release. Here making it to the #2 spot on the chart. This has a glorious submarine echo in pressurized depths flavor. Crystal mastering by Eric Oehler and enchanting video from Erik Gustafson.

Body Talk | Eva X (bandcamp.com)

Mark E MoonBlackLight – This single absolutely shreds. In a world where goth gets more and more fractured into sub genres. This is a pure blast of that old school traditional. Mark’s voice is a powerful and resonant baritone blending with Shelly to ride the front of a crackling dark wave. This is an instant hit from Cold Transmission and The Isle of Man.

Lux Vindictae | Mark E Moon (bandcamp.com)

Death Loves VeronicaWhen I Was Dead (feat. Tim Skold) – Texas songsmith Veronica Campbell has teamed with Tim Skold to make this twisting black oil symbiont sound that drips with necromancy and danger. Loving this slashing whip quick guitar riff and the determination and movement of her vocals. A song that won’t stop scratching the back of your neck.

When I Was Dead (feat. Tim Skold) | Death Loves Veronica (bandcamp.com)

silver walkstear me downDaniel McCullough has been slowly teasing me with masterpiece of an album for too long. Every single is crafted with such obsessive precision. I love the flow, the impact, and the vocal resonance from Coral Scere. Mixed by the living legend John Fryer another reason this album is going to rock the landscape.

tear me down | silver walks (bandcamp.com)

I Ya ToyahVast Spaces ( The Joy Thieves Remix ) – Well what isn’t to love here? The firework electronic one woman army spewing unmatched intensity, then amplified by the hairpin turning fury and percussion mastery of The Joy Thieves. Dee Nelson’s outro guitar solo is the fireball cherry on top of the sundae. Total Burner.

Vast Spaces ( The Joy Thieves Remix ) | I Ya Toyah (bandcamp.com)

SCARY BLACKTransatlantic Tears – Why everyone in this scene does not follow and know Louisville goth band Scary Black absolutely baffles me. Alphie is a cosmic force of genuine inflicted emotion, artistic expression, and perfect pop hooks. This is always some of the best new goth in the game and if you don’t know it you need to.

Transatlantic Tears | SCARY BLACK (bandcamp.com)

Sever the ServantsNowhere – I love this glorious team up from Hide Tepes and Michael Nolan. It is sinister, textural, and seeping with mystery. New material keeps surfacing and all of it is a powerhouse of talent and edge.

Sever the Servants | Sever the Servants | Sever The Servants (bandcamp.com)

Der ProsectorStanding In The Embers – The electro intelligencia punk band with another long awaited single. Absolute banger. They always leave me hungry for more and infused with perspective.

Der Prosector (bandcamp.com)

AngelspitSTAND IN LINE – California digital psychedelic freedom rock. I love the chaos energy and foot stomping dance energy. Aside from the acid splash on the dance floor single this track also features 13 badass remixes.

STAND IN LINE (SINGLE) | Angelspit (bandcamp.com)

I hope you found something wonderful here you didn’t know about. If you have a single in May you want to see added, go to Sounds and Shadows on Facebook. Support the scene, lift each other up, tell people about great new music. Also if you like Sounds and Shadows and want to support us, get a T Shirt in the link below.

Standing the test of time. Two PreGoth bands still leading in this Darkscene Rennaissance

Goth music has always been a scene obsessed with the past. By nature it came from a literary concept of macabre themes. Many of the bands that started this movement have actively pushed back, famously Sisters of Mercy for example. This month two bands that were there in that early pre-goth era paving the road for the decades, creating a new wave of splintered darkscene sounds. I love in both cases, these are not fan service records standing on the name of their past. They are fresh new ideas, forged in the skill and intensity that decades of releasing albums provide. So let us discuss the latest offerings from The Cassandra Complex and Christian Death.

The Cassandra ComplexThe Plague – Rodney Orpheus and The Cassandra Complex have been entrenched in the concept of what we would later call “goth” music since before we had a word to describe it. They have toured with and played festivals with the biggest names in the scene. Starting in 1985 releasing 7 full albums and 3 live albums the last of which “Wetware” on Metropolis Records in 2000. 22 years we waited for a return with “The Plague” to burst forth with a ferocious new energy. Early releases like “Grenade” were thick with an aggressive political message. I fell instantly for this return of piss and vinegar spirit blended with fine blade refinement. A razor edge between emotional concept and ability. Although these are new songs tackling modern concepts of a post capitalism world, the album serves as a greatest hit record. Drawing on individual styles that run the range of their history. It doesn’t forget the tongue firmly in cheek humor, using wit to mock the face of power.

The Plague | The Cassandra Complex (bandcamp.com)

Released May 6, 2022

Rodney Orpheus: vocals, vocoder, synthesizers, drum machines
Andy Booth: guitar, keyboards
Volker Zacharias: guitar, bass, keyboards
Axel Ermes: synthesizers

Produced by Rodney Orpheus @ Magic Library Studio, London
Cover Art by Antony Johnston

Photo by Patrick Beerhorst

Standout Tracks: This is not an album of singles. No fractured thoughts of refracted light touching unrelated ideas. This is a record of intent meant to be played in succession. I must stress the importance of reading these chapters in order to understand the story. To say particular songs didn’t grab hold of my lapels and shake me with staggering force would be unjust as well. I will call out three.

Hotline To Elvis – Opening the album with this blistering gallop of southern twang guitar and hooved pounding bassline. Living in Kalamazoo MI I remember the Elvis hotline. It is often forgotten that bizarre conspiracy theories were not new ideas. When people want to believe something, no matter how absurd, they found a way. I love how Rodney takes on just enough southern lilt to summon the shaking spirit of the King. I blast of fire to set the scene.

We did this interview with Rodney in 2020. We have another soon to release 🙂

Speed Of Sound – Ok, this is that track. A swelling ballad that captures a relatable experience that just hits different. The heart grasping hook of this bassline, Rodney’s genuine and tragic delivery with a Lou Reed poetry in blue collar hues. I must have played this track 20 times. I feel myself well up for every single one. A modern classic.

Old Boys Network – This song is about a collision of sounds and fierce satirical rebuke of the men in power which permeate and destroy every aspect of life. This synth line is a bouncing frenzy and Andy Booths guitar lines crackle with LA punk chaos. Rodney keeps the effect of clarity and grey pastel while spewing forth a Dead Kennedy’s rant.

Overall this is a triumphant return, an band that has earned the freedom and skill to treat their fans to a fearless and personal glimpse into the human experience in a failing system. It is my sincere hope that this is a path back for younger new fans to one of the bands that paved the way for the modern darkscene.

Christian Death Evil Becomes Rule – The most recognized name of the American Proto goth scene from Los Angeles “Evil Becomes Rule” marks the 20th studio album in a legendary career. In our recent interview Valor told me about EBR being a continuation of 2015 The Root of All Evilution. It would be easy to appeal to longtime fans, putting out similar albums in a fan friendly style. Some artists have wonderful careers doing just that. This has never been the Christian Death way. Always slicing the edge in every incarnation. Evil Becomes Rule took me to a new place I never expected. A shadow psychedelic blasphemy of triumph blending world beat Dead Can Dance and roaring power of Judas Priest. Maitri’s vocals are highlighted like never before and cast a sinister ritual of power.

Evil Becomes Rule | Christian Death (bandcamp.com)

Recording lineup:
Valor – Lead vocals, guitars, violin, cello, piano (inside and out), keyboards, percussion
Maitri – Lead vocals, bass guitar
Pao – Drums

Live at Reggies in Chicago

Stand Out Tracks: It is so hard use objective judgement for a song writer I have this much respect for. I will try my best to pick a few favorite tracks that struck me hard and made me revaluate the idea of what Christian Death is.

Elegant Sleeping – This track is a stalking wolf in a swirling forest mist. Maitri delivers such a delicious snarl to split the space between the dervish guitar rhythm. The break down sails right off the rails in a savage cacophony of chaos. A blistering and explosive avant garde.

Beautiful – There are other singles on this record. This one just rings out with such beauty and clarity. The chorus hooked me in hard, I kept hearing it in my mind wherever I went. Cobra strike guitar lead, dancing beside a merciless chant of longing. The organic crashing drum sounds really find their form. This single is such a penetrating reminder of how complex and emotive Christian Death are. Shout out to this gorgeous video as well to bring the concept into stark relief.

Who Am I part I – Another aspect of CD has always been a clear understanding of the power of pageantry. Drawn bow strings and the call and answer dialog vocals of Valors Bowiesque glam dueling with Maitri’s storm winds challenge. Crashing contrasting voices meeting in the middle to erect a swirling tower. A final crescendo on this journey through past and future.

Overall: I am left astounded at Christian Deaths ability to always be growing, always raising a challenge. I saw the first night of the tour in Chicago and was overwhelmed by the presence they create. Valor and company are excited for this record. That enthusiasm bleeds into every word and note. Seek out a chance to witness this live, there just aren’t as many true rock stars in the world anymore. You still have a chance to see one in an intimate setting.

Excitement at 11 as I review Procession Magazine and Cleopatra Records’ final installment of “The Unquiet Grave” 

Growing up in the Velveeta Valley suburbs of Detroit in a time before the Google search, Spotify playlists, Youtube suggestions, and Sounds and Shadows I had a sacred ritual. Once a month I would coat myself in black from head to toe and pedal my bike to a mini mall which contained a record store. Here in the new CD releases I would take my caddie/busboy money and purchase the latest Cleopatra Records sampler. Now these compilations took many themes, tribute cover albums, up and coming goth bands. This was how you found the next band that connected you to the wider world. I would race back home, tear apart the packaging and dream of one day seeing my own name in the liner notes. This ritual mattered, it made me feel connected to other kids like me that I didn’t know. Somehow, I knew they were out there. When I saw Procession Magazine bring back this series of goth compilations, my faith was confirmed. To see one of our songs, appear here, that dream has finally come true. So, I welcome you all to join me in my room, as I light a candle, press play, and journey into the macabre world of “The Unquiet Grave” searching for dark diamonds in a cruel sea.

The Unquiet Grave – Cover Model: Angela Benedict
www.instagram.com/angelamariebenedict/
Photograph by Zimmer-Range Images
Graphic Design: Rene Ramos for Procession Magazine
www.instagram.com/procession_magazine/
Compilation produced by Procession Magazine and Athan Maroulis
Mastered by Xris Smack at Mindswerve Studios, NYC

https://theunquietgrave2020.bandcamp.com/album/procession-magazine-presents-the-unquiet-grave-the-final-chapter

This album is massive in scope. Featuring 43 tracks from a wide variety of goth subgenres and cities. I can’t write about every single amazing band featured. A good portion of the fun of a compilation is the exploration of every track. Waiting for some to speak to you and searching for their album. I will call out some small portion that spoke to me.

  1. NOIRThe Burning Bridge – From NYC the mastermind curator behind this compilation Athan Maroulis opens the journey with this writhing serpent of smoking desire. I can feel the fingerprints of Erik Gustafson (Adoration Destroyed) on the guitars and production which ebb and flow with crushing dark waters for Maroulis vocals to ride upon. A fitting tribute to David Bowie and a powerful opening volley to set the stage.

The Burning Bridge | NOIR (bandcamp.com)

3) Byronic Sex & ExileCu Foc – From Goth City Records in Leeds UK this was definitely one of those magic moments where I knew nothing of this band going in and immediately fell deeply in love. Throbbing and melodic gothic rock with a touch of western Fields of the Nephilim guitar twang. Crooning clear vocal delivery with just enough grit to feel dangerous. First EP dates back to 2016 and I will definitely be placing this on my list for a back catalog deep dive.

Cu Foc | Byronic Sex & Exile | Goth City Records (bandcamp.com)

5) Bedless BonesSad and Alone – This is an amazing track from an album I am quite familiar with. We reviewed it in 2019. Kadri Sammel and Bedless Bones have the distinction of being my favorite band from Estonia. I love the swarming dark forest life and creeping chaos. Kadri has a unique sizzling whisper of a voice with a cadence that makes it stand out in a crowd. Gorgeous witchcraft in midnight blue beams.

Sublime Malaise | Bedless Bones (bandcamp.com)

Slighter x Static LogicMirror In Darkness – Team up of LA based Cyberwizard Colin Cameron Allrich and James D Church to flip the script with this hurtling empty space driving beat spinning through a red light matrix. A synthetic breath on the back of your neck, a ghost in the machine.

Mirror In Darkness / Data-Loss | Slighter x Static Logic | Confusion Inc. (bandcamp.com)

A Cloud of RavensFlowers Melt Away – Our dear friends from Brooklyn Matt and Beth who are on Cleopatra Records have done this amazing tribute to Fahrenheit 451 the New York pre goth underground legends that included the previous mentioned Athan Maroulis on vocals. I really feel this slippery bassline and glam rich lilt of Matts vocals. I wonderful way to connect the past and future.

Flowers Melt Away | Fahrenheit 451 (bandcamp.com)

A Covenant of ThornsDahlia – This song holds such a special place in my heart. Scott-David Allen has brought the concept of romantic goth back into the forefront of the modern scene. Gorgeous heartfelt longing and loss, pulling apart your heart. This song was remixed on a compilation I put together at Sounds and Shadows which led to the collaboration The Burying Kind with Dan Milligan. If you have never explored the rich history of ACOT I really can’t speak highly enough of them.

Shadows & Serenades | A Covenant of Thorns (bandcamp.com)

Adoration DestroyedBlackout Again – Glamdustrial rockers from Austin TX led by Erik Gustafson. Off their album Ritual Deconstruction. AD always brings such a punishing and powerful mixture of bass beats and heavy dark cloud guitars. An important voice in the modern goth scene.

Ritual Deconstruction | Adoration Destroyed (bandcamp.com)

AmuletLast Ditch – Badass swamp curse energy from DC that again I am happy to say I found as a result of this compilation. Stephanie Stryker has one of those sky splitting voices that encompasses your entire sensory scope and this mello ground shaking bassline completes the ritual. I was an immediate fan.

House of Black + White | Amulet (bandcamp.com)

Dover LightsMemory Dissolves – So I was not trying to stumble on this band from the Ozarks. However when one finds a mixture between The Chameleons and Bruce Springstein it is unavoidable to call it out. I found this sound so mystifying and unique while pairing so many nostalgic feelings I couldn’t look away. This will definitely go on my deep dive list for later. I never knew I needed this, but I do.

Dover Lights (LP) | Dover Lights (bandcamp.com)

Eva X – Canadian darkpop goddess changes the tempo of the compilation with this driving foot stomping club hit. I love the twists and turns of cadence and tone. I always picture Gaby dancing in an ice palace full of refracting lights.

Black Blood (Dance and Destroy) | Eva X (bandcamp.com)

Cliff and Ivy: Alaska’s goth duoBring Us The Night – Our dear friends the power goth couple from Alaska. Again a wonderful tempo and intensity change for this journey. Breakneck deathrock with scintillating guitars and Ivy’s rock smashing voice. This track is a runaway ride in a minecar down a shadowy mountain. Wonderful music by wonderful humans.

Bring Us The Night | Cliff and Ivy: Alaska’s goth duo (bandcamp.com)

The AmaranthThighs – We have a song on this compilation. It is on our upcoming album Gothtimism. It’s weird talking about yourself. We write a goth song about waking up in a hotel with your partner and realizing a perfect imprint of your makeup pallet is on their inner thigh. The world needs more goth songs about going down.

Noxious | The Amaranth (bandcamp.com)

Shadow FashionChildren of the Night – I love the clash of emo and synthgoth from Texas based Shadow Fashion. Patrick the singer has an amazing voice and presence. It rides that perfect line between 2 kinds of nostalgia and a modern exuberant energy. Everything I hear from them is pure gold.

Children Of The Night | Shadow Fashion (bandcamp.com)

VAZUMUnspoken – Glorious GothGaze duo from our home state Michigan that have continued to crank out dark slushy walls of sound in a steady stream since 2017. I love the monster theme and water color tone. A truly unique and powerful sound.

Haunted House | VAZUM (bandcamp.com)

Doors In The LabyrinthDead Stars – The tragic and haunting gloom painting from Pittsburgh sonic texture artists Josh Loughrey. Powerful intensity that harkens back to Projekt records slow grinding emotional destruction. I’ve got to see them live before and the intensity of the experience is well worth the price of admission.

In The Shadow Of The Monolith | Doors In The Labyrinth (bandcamp.com)

I wish I could write about everyone present here, because they all have something to offer. Instead, I will let you make your own way down this murky mist covered river. Thank you again to Procession Magazine and Athan for putting together this immense undertaking. In the comments below tell me about a new band you discovered.

Mark E Moon “Lux Vindictae”

New lineup, new sound, and explosive delivery from Isle of Man shadow croon gothic rock Mark E Moon on Cold Transmission Music. A blazing light of vindication as the title states. The first single Blacklight bursts through a wall with shaking intensity. The drums pound relentlessly as Mark delivers confident sadness tinged with raw fury. Phil is spinning barb wire distortion in precision loops. The black mirror reflection of Shelly Rourke on vocals as contrast Mark’s cavern shaking Eldrichesque power. As the engine roars down an unlit highway this album swerves in tone and style without warning leaving you always on your heels. Mark really throws his soul into the vocal delivery. The tracks are all pure heat and poignant, each under 5 minutes.

https://markemoon1.bandcamp.com/album/lux-vindictae

I think two main changes stand out in contrast to 2021 release “Old Blood ” 1) the extreme nature of the peaks and valleys in tempo and style. This album runs the spectrum where Old Blood worked to perfect a singular idea. 2) Rourke’s vocals have really found a sharp and resilient force to break the power of Mark’s tide. In particular track 4 Drowning is a gorgeous ballad of imagery that highlights the new sound with strongly defined lines. It shows a passion and maturity of song writing that portrays subtle differences in depth as you sink below ever darker waters. I love the panning synth lines. The background to those glimmering delayed guitars flickering through the pressurizing water.

I rarely get that feeling in the goth scene always driven by nostalgia that someone is ascending with every release. That every new album finds new colors and expression. It makes me wonder where the ceiling for Mark E Moon is. This is hungry music, to revel in, but never to sit comfortably with. It’s an energy that is always stalking over the next hill. Searching for a deeper more visceral pain.

Sounds And Shadows March Darkscene Singles Chart

I have never been a huge fan of “Charts”. As month 5 of me putting this out rolls around I always pause for a moment to reflect on do I want to keep doing this and why? Each time when I look at the bands who are featured I say to myself, this matters. Everyone here is chosen by the Dj’s, Reviewers, Bands, and Superfans who are all deeply invested in Darkscene music. There is no financial motivation. No Politics. Just who has our group excited. I’m always inspired to see how the bands chosen shine a light on music that needs to be heard. As always these are singles released in the month of March 2022. Rated by your votes.

  1. LyciaSimpler Times
  2. Eric ObertoCloser Than Ever Before
  3. Scary BlackTragedy
  4. Christian DeathBeautiful
  5. Dread RisksMachine Identity
  6. Object XCoasting
  7. FatigueThe Fall (Pierce Me)
  8. TenderlashZombie (Cranberries Cover)
  9. Night SinsViolet Age
  10. Thieve 6 Inside Out (The Heart In A Blender Song)

LyciaSimpler Times – A triumphant return for the Arizona based trance coldwave band. This track is a perfect blend of pastel light and dark hues. Oil spreading in a rain puddle. Mike VanPortfleet‘s vocals sit deep within the mix to create a gentle specter haunting your mind. I love seeing a band I loved in my youth break new ground while keeping their soul.

https://lycia.bandcamp.com/album/simpler-times

ERIC OBERTOCloser Than Ever Before – Texas composer, film maker making a bold return to music and immediately taking our chart by storm two months in a row. I love the way that Eric paints images and feelings with sound and vocal effect. This single makes wonderful use of a prowling tension that is always pushing forward but never losing it’s cold control. We had a recent interview with Eric where he shares his history and experience. Look for his music in upcoming horror movie projects.

https://ericoberto.bandcamp.com/track/closer-than-ever-before

SCARY BLACKTragedy – Another amazing single from one of the most underrated voices in the modern goth scene Albie Mason. I love the pounding thrum and vibrating batcave guitar. Albie has an abyssal sensuality so dripping and raw like blood drenched fangs. If you love goth music and haven’t heard Scary Black, that is the first thing you should do today.

https://scaryblack.bandcamp.com/track/tragedy

Christian DeathBeautiful – Living Legends of the goth genre come forth from beyond the veil with a second single from the upcoming album. I was at a loss for what to expect and nothing could have prepared me for this rich blend of organic strings, dark blue guitar waves, and venom dripping vocal chants from Maitri. As a 17th album I was immediately struck by how powerful Valor and Christian Death continue to strike. The contrast on the chorus is a sky splitting gorgeous hook, inspiring beauty on black feathered wings. “I want you to look beautiful, at my funeral”. I’m actually interviewing Valor tomorrow and I can hardly contain myself.

Dread RisksMachine Identity – Another two time winner the Doomdustrial band from Texas with a second single off of Automated Disappointment. This release comes courtesy of label Re:Mission Entertainment. It’s brutal, cruel, and furious with a chanting cadence of nearly hip hop horror. Dread Risks are doing something fresh and special the world needs to be aware of.

https://remissionentertainment.bandcamp.com/track/machine-identity

Object XCoasting – So I don’t know much about the Reno NV band, so lets learn together. I love that is a father daughter project, I fully support that kind of purity. This is a dreamgaze indie float through amber waves of grain. Rachael Fuhs has a bright and captivating vocal style. I look forward to more.

https://objectx.bandcamp.com/track/coasting

FatigueThe Fall (Pierce Me) – DJ Sawtooth of Massachusetts additional project. Loving the dark water currents and hovering trance vocals. Great synth builds and dance floor power. The final build gathers speed and energy in the perfect moment. I love when an artist understands timing composition.

https://fatiguema.bandcamp.com/track/the-fall-pierce-me

TenderlashZombie – North Carolina darkwave artist covering the 1994 classic from the Cranberries. Candy really put their own spin on this, a slower minimalist grind of ringing synth bells and wispy phantom fury. Another great band from Swiss Dark Nights label that I will be digger further into.

https://tenderlash.bandcamp.com/track/zombie?fbclid=IwAR0SrJlJJsMe29ioS974Z90W1svHg9yvy8efNRdm6bC0SmVtWM6xP3QsYzo

Night SinsViolent Age – First single from the upcoming June release of Philly dark dance act Night Sins. Huge 80’s Depeche Mode vibes. I love the thumping drive of this baseline. A familiar retro vibe but a nice execution with a lot of heart. I’m a fan.

https://bornlosersrecords.bandcamp.com/album/violet-age

Thieve6Inside Out – Ken, are you the type of asshole who would include your own single on a chart you put out? If people vote for it you are godamn right I am. Amaranth + The Joy Thieves have teamed up to form Thieve 6, releasing a electropunk cover of 1998 Alt rock classic Inside out while donating all proceeds to humanitarian relief in Ukraine. It’s a great cause, the track slaps, and it answers the question once and for all “Do you like the heart in a blender song”

https://thieve6.bandcamp.com/releases

I will have the voting available in the Sounds and Shadows facebook group for April if you have a single you are releasing or love then stop on by and cast your vote. Keep supporting underground music.