It’s March Bandcamp Day! Let The People Rejoice!

That old familiar feeling, sitting late at night on Stella number 6. A quiet falls over my house. Other than my earbuds blasting the latest in wonderful new dark music which I will now share with you. Our new Sounds and Shadows Facebook group has exposed me to several new bands and DJs so I will dig into that now. May the muses strike you and help you find something inspiring on this list like I did.

The GothsiclesAnimal Songs – Anyone who reads this page knows I am a goth who does not take himself to seriously. I think goth music should be stretched to the utmost limit of the definition. So when I hear a band that takes that way further than I could even imagine, believe me I am all in. When I first heard bands like Violent Femms in my youth it was extremely inspiring. I have a voice that does not fit the music I play. Brian Graupner has achieved the same concept and turned it to eleven. The music is Star Destroyer laser beams of energy burning through the universe with reckless abandon. His singing is an infectious wail spewing forth educational and spicy cadence you can taste burning down your throat. This album takes on a really interesting concept. All of the songs are about animals, written from that perspective. It also has some great guest vocals including MC Lars and FIRES doing a rap. This record isn’t a lot of ups and downs musically. Just keeps blasting you like a fire hose. I think it is a true testament to what Graupner accomplished by having the lyrics and clever delivery be the dynamics that hold your attention.

https://thegothsicles.bandcamp.com/album/animal-songs

Favorite Tracks: All of them

Rock the Quokka – This track has the same bouncing intensity but with a funky bounding adorable energy. The lyrics are brilliant and transport you into the tall grass and brilliant sun.

Naked Mole Rat – I want to hear Aedra (FIRES) on everything. Here she is dropping amazing bars and her sharp edge sultry voice is an amazing addition. It blends well with Brian screaming Pink and Furtive. All these songs really do make you feel and empathize with these animals. It’s a memorizing effect.

Stag Beatle Professional Wrestling – Here the idea of making the beetles do another thing close to my heart, pro wrestling just slayed me. The music has wonderful 90s electronica industrial beats. Just pure fun right up your gullet.

This record just captured me entirely. If you buy one thing this band camp Friday my recommendation is it is this. It inspires me to make goth music even more fun. Obviously the world is ready.

The Hanging Freud – Nowhere – Delicious Glasgow slow droning darkwave. Lots of swirl and down tempo with singer Paula Borges giving rich melting chocolate to pour slowly on that buzzing synth. Definitely hearing big audio heaven sound stretching. Sometimes in a mix you can feel one aspect or another too far away. Here everything feels underwater in equal measure and it gives the music a surreal quality. The tension is great and gives this feeling of being on a submarine sinking closer to the crush point. Watching out the small glass circles and seeing the world grow darker.

https://hangingfreud.bandcamp.com/album/nowhere

Favorite Track: Power over you – Definitely the sharp point of that sinking feeling. A stalking Bioshock copper glow sound. This isn’t a song you are hearing, it is a record playing from the spirit world creeping through the veil into your human ears.

Blind ColourInk Project – Rhythm Spirit – Ok this is a little outside my usual wheelhouse. This is slow sexy textural electronic beats. Renunciant of triphop like Portishead. It’s hard to box it in just one place though because the songs cover such varied group and have a real visceral imagery. This is an album to close your eyes to, lay back, and picture yourself floating. I found a calm meditation washing over me as each track flowed like liquid into the next. The craft and patience of these songs are fully on display. This whole project streams like a movie where your imagination are the pictures.

https://blindcolour.bandcamp.com/album/ink-project-rhythm-spirit

Favorite Tracks:

Blink Feat: Yazmyn Hendrix – Slow grinding space flight. Quasars and stars pass you by. Hendrix voice has a southern soul and smooths the staccato beats of the music with a dreamlike flow.

Slow Suicide Feat: Fifi Rong – A stronger and funkier gravitational pull. Fifi has a whispered spoken word style with a little Suzanne Vega flow. Gently dipping her hand in a calm pool to create expanding ripples. Then she reaches up with a beautiful chorus melody. “I’m a mess, I confess” the balanced rhymes never let your head leave this perfectly constructed vision.

Ashbury HeightsWild Eyes – Now I understand I am a little late to the game on Ashbury Heights, I can tell you I have rectified that mistake now. Just magnificent construction and expansive rising dance club banger energy. Madil Hardis has a sunrise voice that sets light upon the shadows. Anders Hagstrom has a perfect piercing counterpart. I played this single 4 times and just couldn’t stop shaking and swaying. The lyrics were relatable and left you deep in the pop hooks. Precision layering of the vocal harmonies with modern crystal clean movement. I need to listen to A LOT more Ashbury Heights.

https://ashburyheights.bandcamp.com/track/wild-eyes-feat-madil-hardis

Long After MidnightPainkiller – Close to home is Grand Rapid Michigan’s Long after Midnight. Really liking how much rock is mixed into this Industrial Rock. The mastering was done by  Jules Seifert so everything is smooth as an Aston Martin’s fender. Ross Martin’s vocals are crisp and powerful to cut through the progressive hard edge of the music. Mike Nolan is juggling a lot of moving parts here to give the music a sense of complexity and movement. Really exciting taste of more great things to come. I need to play with these cats once shows start again.

https://longaftermidnight.bandcamp.com/album/painkiller-ep

Heavy Water Factoryit’s not what you think – Let’s keep things in the Michigan. Jesse James McClear has been a pioneer of the Detroit Industrial/Techno scene for a few decades now. This new EP highlights what he does best. The hard stomping echo of Detroit Industrial with the tight corners and revving engine of electronic dance. This EP is all instrumental but speaks volumes with the razor changes and subtitle details. It’s an endless motion and sinisterly honed vision. The bleep bloop bop is not glitchy or crushing. Instead it endeavors for something sleek and calculated. This is night time driving soundtrack through a collapsing city. Could I have appreciated some vocals? Sure. However not having them didn’t stop me from plunging in and riding this wave of emotion.

https://heavywaterfactory.bandcamp.com/album/its-not-what-you-think

Glass Apple BonzaiThe Blush – For my final review lets pick a great story from a wonderful human. Daniel Belasco had two friends effected by the winter storms in Texas and released this smoking hot synth danger to help them. This track has their beautiful signature layered new wave spun candy. The vocals are vaulting hurdle after hurdle and popping effortlessly between ranges. Spinning in a spiral of technicolor bright energy. The B side track Fire in the Sky is a deep crooning highway driver. I love this come hither version of Daniels voice. The chorus is a gorgeous open hook of cool mint candy cane. Feel good about snagging great music and helping folk in need.

https://glassapplebonzai.bandcamp.com/

Enter Camlann – review by Victoria Spungen

The most invaluable attribute of an increasingly global community is the discovery of our shared – and often, surprisingly unified – experience of the world.  Even as we languish through the isolation imposed on us via a global crisis, we can reach across vast expanses, foreign borders, and cultural divisions to find that, ultimately, we have more to connect us than we have to separate us.

Hence, the uniquely relatable Indonesian three-piece, Camlann, and their 2020 studio album, the aptly titled The Forgotten Lost Fragments. Listeners will find themselves immediately transported to the soundscapes of their misspent youths, with authentic, vintage-feeling grooves that harken back to the New Romantic golden age of the genre.  The songs feel familiar and oddly comforting, yet spiked with a dose of the unexpected, an added ingredient that lifts the recipe.  

https://camlannmusic.bandcamp.com/album/the-forgotten-lost-fragments

Namely, the most novel feature of Camlann’s sound is vocalist Ony Godfrey’s haunting tone.  Often acting as a rhythm instrument, the vocals will then suddenly take flight and soar above the surrounding backdrop, calling to mind the heady, bright tone of crooners like Jeff Buckley and Rufus Wainwright – but stripped of pretense and glamour, and flooded with simple, refreshing sincerity and a distinctly feminine nobility.  One feels less that they are merely listening to an artificially-cultivated performance, and more that they are sneaking a peek into a carefully-guarded diary.

Hummable tunes are augmented with classic, almost Santo and Johnny ‘Sleepwalk’-style guitar melodies – also Godfrey’s contributions, creating a dreamy lightness over the solid fabric of the drum-and-bass combo.  The arrangements are straightforward, but layered and colorful, employing unique effects and pleasantly disorienting quirks, provided by bassist Bayu Triyudanto and synth/keyboardist Fauzan Pratama.  

The 10-track album is a much-needed lesson in brevity; Camlann has a knack for knowing what they want to say, and being cleverly succinct in their approach.  There is no wallowing or luxuriating in the mire here; the songs are considerably brief, most of them having gotten their point across in less than four minutes, with no need for further embroidery or gilding the lily.    The charming, palate-cleansing sorbet of ‘Il Prologo’ clocks in at just 45 seconds, but its impact is effectively made, and the album wouldn’t be the same without it.  

Standout tracks include the title track, which artfully drops the listener into Camlann’s world and sets the stage for an introspective, intimate drama.  ‘What’s The Worth Of Living’ employs a lilting, rolling guitar theme that brings Camlann’s genuinely skilled musicianship into sharp focus.   ‘Father Johannes’ sails in on the wings of a sweeping, cinematic theme to introduce the album’s eponymous central character, a mysterious figure whose headstone graces the memorable cover art.  ‘The Ballad of Us’ provides a subversive twist on the notion of a conventional love song, with Godfrey’s vocal prowess on full display, grounded by the staccato heartbeat of a string quartet.  ‘New City, New Hope’ positively shimmers with its many layers and sophisticated arrangements, peppered with an exuberant horn section that feels right at home among the album’s vintage-seeming accessories. 

Formed in early 2019 by a trio of Jakarta middle-school students, this often surprising outfit also includes their own producer, Chariszan, and a co-songwriter, Arachne – both of whom share the distinction of their bandmates of being under the age of 17.  Rare as it seems to encounter a young band with such a direct focus and clear intention, Camlann are proving that the upcoming generation has their own perspective, and plenty to say.  I had the fortune of speaking via email to vocalist/lyricist Ony Godfrey about the band’s history, inspiration, and point of view.

Sounds and Shadows: Your enigmatic name is both mysterious and memorable.  How did you arrive on ‘Camlann’?

Ony Godfrey:  Camlann’s name comes from the well-known Arthurian legend, specifically from King Arthur’s final battle, “The Battle of Camlann”. I and Chariszan thought that we wanted to find a name that is easy to remember by people, and has a connection with legend or myth, so we chose the name Camlann.

S&S:  How did you find one another?

Godfrey:  In early 2019, I started posting covers of my favorite songs from my favorite artists (mostly The Smiths and  Joy Division) on my old Instagram account.  Somehow, this attracts Chariszan’s attention, and she asked me if I wanted to make a Post-Punk/New Wave band with her.  So I said yes, and that’s how Camlann was born.  It was never really taken seriously by Chariszan and I, before I graduated from middle school and moved to a public school in Jakarta, and met these two boys who later will be my closest best friends.

Around September 2019, my classmate, which is Fauzan, asked me if he could join the band as the synth player and composer.  He told me that he’s a massive 80s New Wave/synthpop enthusiast and wanted to play in an 80s synth-dominated band.  So I said yes, because we have the same interest in music and because he’s a very gifted synth player and composer.  After that, Fauzan asked his friend, which is Bayu, if he wanted to join the band to play bass.  So there you go, that’s how it all started.

S&S:  What inspires you, and your sound?

Godfrey: I got inspired by a lot of things, but mostly by some real events that [are] happening in my life and some important events that happened in this world in general.  I got influenced a lot by Morrissey’s songwriting since the very beginning of Camlann until this day.  It’s funny to see that some people thought that these dark, depressing, and melancholic lyrics are based on my life, when in fact it’s all fictional and based on my imaginations.  Well, most of them are inspired by some real events in my life, but I twisted those actual, real events into something fictional and mostly dramatic.  I took these realities as a ‘host’ for these lyrics, and [I] twist these events into something fictional, dramatic, and definitely not personal.  I love using real events in my life as a ‘host’ for these melancholic and gloomy lyrics, haha!

S&S:  What turns you on, and puts you in your creative mindset?

Godfrey:  I really love to add some religious and historical elements in my music.  I was born from a non-religious family; my parents are Protestant, but not religious at all.  But then one day, a life-changing experience happened in my life.  I felt the presence of God, and I started to buy a bible from a local bookstore near my house and learn Catholicism all by myself.  A year later, I got baptized as a Catholic and I’ve never been happier in my life.  Since then, I’ve decided to include some Catholic references in my lyrics.

All of us are massive lovers of the 80s, especially Fauzan.  So then we decided to create our own universe for our music, where in that universe, we’re living in the early 1980s.  That’s also the main reason we take a lot of influences from 80s popular culture and sounds for our music.  Fauzan’s presence and contribution in this band is very, very influential and basically, without him, Camlann would never have this current sound.  So we owe him A LOT, and I feel like he’s very, very underappreciated when in fact, he’s the main composer of this band.

S&S:  What turns you off, and how do you reinspire yourselves?

Godfrey:  The struggle of mixing our influences into our music would be the main reason.  I got influenced mostly by The Velvet Underground, The Smiths, Stevie Nicks, Fleetwood Mac, Emma Ruth Rundle, Russya, and Xmal Deutschland.  Fauzan was influenced mainly by Alphaphile, Depeche Mode, Soft Cell, Suicide, Donna Summer, and Molchat Doma.  Meanwhile, Bayu was influenced mostly by The Cranberries, Hole, The Doors, and Joy Division.  Sometimes, we struggle on mixing these various influences to Camlann’s typical sound, and it took us almost a year to find our own sound.

We usually reinspire ourselves by brainstorming our different influences together and sharing new music that we have just discovered lately, and then starting on gathering these new ideas into one unity.  You will definitely hear this new sound of Camlann in our upcoming album, ‘Circa 1983’; this album is a fresh start of Camlann’s sound and image as a band.  We will definitely go in this direction from now on – a ‘Dark Disco’ band, a mixture between classic disco and 80s synthpop/New Wave sounds with modern Darkwave sounds.

S&S:  What would your listeners be surprised to learn about you?

Godfrey:  We’re definitely just some random high school students with their own life interests and their own dreams.  We are definitely not ‘dark’ or ‘gloomy’ when we’re not being these images we play in Camlann.  We just happened to play in a dark disco band – that’s why we look gloomy and dark in our band pictures, haha!

Also, I’ve heard many people think that I have a deep voice.  But actually, my talking voice is quite high-pitched.  That’s why my father got really shocked when he heard me singing for the first time!

* * *

It may seem counterintuitive to imagine steel-gray, 1983 Sheffield skies scattered over wet cobblestones when one is listening to an Indonesian synthpop trio, but it is exactly Camlann’s relatability and reverence for their influences that makes the music feel mature and expertly crafted.    There is common ground to be found here, freshly updated and uniquely flavored with subtlety and precision.  Encapsulating a wide spectrum of genres and techniques, Camlann are proving themselves to be one to watch as they continue to develop their sound.  The Forgotten Lost Fragments feels like poring through the memory box of an intriguing stranger, where one finds  treasures that reach across time and borders to become cherished once again.

It’s a small world, after all.

– Victoria Spungen

Old Scotch and New Sounds That Leave A Smokey Taste In My Throat

Sitting down to write and absorb for the first time in a few weeks. I love the way my boundaries keep getting stretched further by the sounds I am hearing. I feel like the Goth/Industrial genres are a buffet of ever widening flavors to test that adventurous streak in my heart.

SYZYGYX and ELZ AND THE CULTANXXX – Two of the sexiest bands on Cold Transmission team up for this razor hot single. Trying to put this in a box of genre or previous sound is a herculean task beyond me. This is found metal sculpture sounds, wet leather, and heavy breath. Static glitch dance beats are a 3D computer image of horror pop fingers on the back of your spine. Elz’s voice is captivating and sensual. Luna steps outside her breathy whisper to scream out with terrifying demonic exultation. The result is a horror film spectacle that leaves you frozen to the floor. Elz spoken word poetry shows a William Burroughs raw creativity and free form emotional overcharge. Everything these bands do is glorious art. Working together it is a powerful and un nerving statement.

https://syzygy-x.bandcamp.com/album/anxxx

ActorsStrangers – Another single, another amazing slow tease from Actors. This song has a synth heavy influence with wonderful understated staircase guitar. The energy is star crossed and introspective. That kind of infatuation that rattles your DNA and leaves you be lost in the journey of knowing someone that first time. The change in bass players really adds a bright bursting color to the tone. Jason takes the reins on the vocals here and every phrase is a come hither lilting rise. The way he sits in the mix like it is the scenery of this story. This album can’t come soon enough.

https://actors.bandcamp.com/track/strangers

Echo HausDeth Werk – New single from Echo Haus, one half of Chicago based Lorelei Dreaming. AJ does a focus on electronic imagery and scenery in their music. This one instills a picture of a hospital intensive care unit. The thrumming heart beat blips and tension. The journey seems to dive into the patient around 1:27 and becomes a part of the blood stream. Twisting and turning past organ and system. I love their ability to transport you with frequency and modular shift. Sometimes I want to focus on the words and energy of music. Sometimes I want to to hide behind my eyes and drift through the world. Echo Haus is the latter.

https://echohaus.bandcamp.com/track/dethwerk

aliasynesthesiamusicStop Go – Beautiful twisting tension track. I feel that sense of Bjork surrealism pop with shadowy edges. As though she is a character in a Mario Brothers adventure. City hopping on angel wings from one cloud to another and never able to escape this digital prison. One of those solo ritual dance songs made for your alone time in your room. A true imagination fuel mind gripper. This really gets me excited for the future releases. Beautifully produced and expertly crafted.

https://aliasynesthesiamusic.bandcamp.com/track/stop-go

Burnt SoulsDesolation – An Australian recommendation from Ant Banister (Sounds Like Winter) who is always a spot on source of great music. I love the complexity of emotion and overlapping sound. They have some flavor of The Church and even The Smiths but Colin Gallagher has a unique and delicate voice that really slips through the cracks of it’s own ground. It definitely rides that lo-fi throwback tone which sits perfectly within itself. The drum transitions flow like water through a rocky path. Every emotion seems to find it’s focus without screaming out. I love the steady control and thoughtful precision. This is one of those albums you can throw on and feel something different each time. Be drawn to a new aspect every time. This isn’t a record of bangers, it’s one that needs to be absorbed.

Favorite Tracks: Sacrifice, Hate, I Used To Love

https://burntsouls.bandcamp.com/releases

The Ghost Of Bela Lugosi No Way Home – I can’t take a trip to Australia without visiting my good friend Vin Price. Every single he puts out is a master class in song writing and creativity. I know I say this every time I review him but he is staggeringly underrated. This track is a beautiful synthesis of the past and future with barbed hook guitar riffs, cascading tempo shifts, and ensemble cast vocals (even though it is all him). It’s a wobbling stumble through streets with broken lights. Following the voice of the one you love to certain danger. A power your can’t ignore. Every time I hear a new TGOBL track it instantly becomes my favorite.

https://ghostoflugosi.bandcamp.com/album/no-way-home-remix-remaster

Klack Deklacked V1 – Matt and Eric are back at it once again. This time they have brought all their friends to share in the power of the Klack. To understand the power of Klack you need to grasp the friendship of the members. This in turn becomes a contagious connection which draws in the artists in this scene like moths to a flame. You can feel the affection of all these artists to these songs as they lovingly craft new lights and blips to make them their own. Assemblage 23 , Sweat Boys , Null Device, Caustic, and many more put the tender heart in a blender and spew forth visceral blood and guts to fling at the walls of your dance hall. If you love EDM/EBM no one is doing it at a level higher than Klack.

https://klack.bandcamp.com/album/deklacked-vol-1

IN FIRE AND IN BLOOD – Review by Eddie LaFlash

Hello titty bois and titty girls, this is Eddie LaFlash from Decent News and until Ken decides I’m too shitty at writing reviews I’ll be doing this for a while. Today I’ll be covering a single that Ken sent my way. IN FIRE AND IN BLOOD by ∆AIMON.

In fire and in blood - ∆AIMON

First off I’ll start with the title track. I want to start off by saying that this single has an incredible mix. Starting with these reverbed piano swells that lays a base melody for the track. It lays down a catchy yet ambient passage that gets interrupted with a cascade of strong ass synth pads before these Dave Gahan-esque vocals punch you right in the feelings. The song structure here is good, it directs you exactly to where the progression should leaving you with a very non jarring listen which is exactly what a great track like this should have. I would’ve preferred the female vocals to be a little higher in the mix, but that doesn’t matter because this track holds its ground so well.

Now we move onto the title track except this one has Wrecked in parenthesis. Now remember that bit I said about track one being a non jarring experience? Well, if you’d like a more jarring experience then the Wrecked mix will blow your fuckin pp off. While all of the elements and structure are present in this version, the kick has a breath of punchy distortion added aswell as some more frantic and upbeat hi hats. Dynamically, this has a little more looseness in the groove. One of these versions is guaranteed to tickle your fancy.

Track 3 is a cover of Scarecrow by Ministry. Now I’m not the biggest ministry fan (surprise) but that in no way effect how I feel about this cover. The crows in the intro got some “OOOOOO” points from me. That combined with the driving bass and the buttery sawtooth lead makes this track a nice long smooth drag off a cigarette. Then the chorus hits you abruptly and you get a little spooked and you drop your ciggy into your lap, but its okay. It’s a good spook, and you just go back to smoking your cigarette.

Overall, its a great listen. There’s alot of variety between the 3 tracks in this single that should hit everyone’s taste buds. ALSO, ∆AIMON gets even more “OOOOOO” points for having acoustic drums on this release. Not that that matters to me, its just cool to see and it definitely shows with how dynamic the percussion is on this release.

https://aaimon.bandcamp.com/album/in-fire-and-in-blood

Music I Found While Drowning In A Sea Of Bernie Sanders Memes.

It was a tough week for me. I think for a lot of people. It was also a time of hope and possibility. As so often I found myself taking refuge in the sounds of others, trying to feel something outside my own head. I have some releases here, some old, some new. May they offer you some comfort as they did to me at times I needed it most. I also wanted to say what a beautiful refuge our new Sounds and Shadows Facebook community has been to me. Many of these reviews were suggestions or submissions from new friends there. Keep sharing music and lifting each other up my friends.

https://deadastronauts.bandcamp.com/album/silhouettes

Dead Astronauts : Silhouettes– A new release from our friends at Cold Transmission from Seattle WA. This record was a articulate and purposeful release that had a craftsmanship that placed it in the upper echelons. That made a lot of sense once I heard Slade Templeton (Crying Vessel) had a guiding hand involved. Florence, and Jared seem to have an instinct for where a song needs to go. Melody to melody, song to song, everything seems to flow in it’s perfect natural direction. It makes it so easy to fade away and become lost in the futuristic textures. They each have such a distinct and soothing voice. Made stronger by their combination and ability to hold the depth of a conversation instead of a monologue. The music has a lot of subtle dissonance and complex themes. What really makes it effective though is how these details are woven around straight forward pop hooks that remind me of Peter Hook’s Revenge , or Pet Shop Boys. This is a record that doesn’t need to scream to get your attention or convey emotion. It tells you everything without ever having to raise it’s voice.

Favorite Tracks:

Strangers In A Room – I feel in love with this very funky dance beat. Jared’s voice is a sensual croon with muted horn synths behind. It sets a scene of adventure and tension. Florence is the low lights which create his shadows. Just expert construction and a hook that grabs you by the waist.

She Haunts Me – Holy fuk this is gorgeous. Dark synth driven ghostly introspection. This beautiful sense of ownership of action and the feeling of someone who is gone but still shapes you. The things you have acknowledged and learned to late. This idea hits so hard. The chorus highlights the depth of Jared’s voice which swells without ever losing it’s smooth contours.

Pain, I Know – The cadence of this song make amazing movement. Florence is a haunting presence that lifts this song on her airy ever shifting melodies. This one really tugs the heartstrings.

Overall this album is a total concept and a much needed blast of poetry and expression in the darkwave genre. It’s a great example of what you can create when you understand harmony and synthesis. I just keep coming back again and again.

Chant HYDRA – New album from Bradley Bills who’s pedigree is well known in the industrial scene as a drummer. This release is a venture deeply of his own device. It still starts with the power of of percussion. Just amazing and varied rhythms and mathematical constructs. The sound is massive. I picture a powerful sorcerer standing on a cliff face raising and lowering his hands while crystal shafts shoot forth tot he sky or crash back beneath the sea. The vocals are a raspy and passionate chant. I kept finding myself drawn and isolated on individual sounds and lines. Bills is a real magician when it comes to directing your focus while he is moving the next phrase behind your view. Some nice hard smashing guitars that hit and decay quickly. I think one of the most interesting aspects here is how the drums feel like melody and the guitars feel like percussion. The lyrics are very clever and poignant to the political and human issues of the moment from demagogues to media saturation.

https://chantproject.bandcamp.com/album/hydra

Favorite Tracks

President God – Powerful and lockstep. Again I can’t stress enough how much the drums take a front seat here in the best way possible. This paints a picture we are all familiar with in the last 4 years. A politician trying to move from elected official to dictator. Very cool old KMFDM feel with a stripped down clarity I found refreshing.

Primetime Annihilation – I’m loving this concept album story of this corrupt politician in the modern era. “The more you watch and the more you hate, the more that I get paid”. This song is such a bag of broken glass swung at your head like a mace. The edges hit hard but the melody is a beautiful hook that leaves you stomping your feet while it lives in your head.

Overall it is a politically charged chaos party of blasting beats and witty scathing one liners. I am here for it.

https://swissdarknights.bandcamp.com/album/overcome

Broken NailsOvercome – New full album release from Swiss Dark Nights, a label I should really be talking about more. Great minimal old school synth sound here. Singer Kim Bell has this smoky throwback Missing Person vibe happening. I’m loving the collision of the very dungeon crawl obscure sound of the music splashed against her focused soulful pop voice. The result is a sound you can weave your arms to in the club. A club you need to travel down a flight of stairs and give a password to get into. I feel like this entire album is shrouded in mist. It’s dark, swirling, and always on the move.

Mirror – Opening track starting strong with a nice build and snapping snare. This song really puts Kim’s voice front and center which is when this band shines best. I really like the transitions and the strange millionth of a beat behind delivery on the phrases. It feels like a bizarre carnival house of mirrors you become lost in.

Control The Delusion – Wonderful 80’s throwback. Here Kim does her dreamy Terri Nunn sound. Then the music does a well executed phase shift and she goes into a chanted affirmation.

I feel like this band is yet to hit their ceiling, that leaves me excited for the future.

https://nu-n.bandcamp.com/album/remember-me-ep

NU:NRemember Me – I knew there was some beautiful goth music coming out of Portugal that was not IAMTHESHADOW. Right off the bat what I love is that this is powerful unapologetic old school gothic rock. Precision striking bass and teardrop razor guitar lines. Oliver Heuer has a voice that is captivating and romantic. The whole sound has a beautiful throwback of early 90s Rosetta Stone An Eye for the Main Chance era. This EP only contains 2 songs and remixes but it left me hungry for more. I could have devoured 8 more tracks of these lush sorrow dripping cemetery jams. The great power is in the authenticity. They are on the serious side of the emotional gothic line. Hungry and longing with a sinister edge.

https://cherimondisj.bandcamp.com/album/cherimondis-unleashed

CherimondisUnleashed – Ok is this a little outside our usual wheelhouse? Yes. Is it absolutely brilliant and I can’t stop listening to it? Also yes. Gorgeous soulful beyond their young years cabaret trip hop sounds with poetic lyrics and an angels voice. I dare you to listen to this and not feel immediately moved and connected to it’s power. Derek Christopher (The Joy Thieves) does the mastering and leaves the edges sharp and jazz chaotic letting the immense power of Cherimondis voice shine like a glorious beacon in the tempest. I hear enough music to know a future star when i hear one and this is a star.

Wolf – A skipping quirky Dresden Dolls husky jerky glory. The pixie light vocals grow into a stalking beast. I love the dancing piano and flowing bassline. I could play this 1 million times and never regret it.

Mind Over Matter – Strutting backbeat and a affirming optimism. The lyrics are delivered in a rhythmic hurricane in a bottle of control behind a thin layer of glass. This song is a perfect portrait of the artists and makes a spiritual connection with all who listen.

I except we will also be hearing big things from this 21 year old future star.