Review of Electronic Substance Abuse : BURIAL 10

ESA – are an English dark industrial / electroclash project by Jamie Blacker, which started in 2002. This new album is called Burial 10 and features vocals from Jo Hysetria (Massenhysteria), Caitlin Stokes (Corlyx), and Lecture.

https://esangp.bandcamp.com/

https://www.facebook.com/ElectronicSubstanceAbuse/

So right out the door this album is coming at you like a speeding train through a tunnel. It’s driving pistons and screeching metal furiously charging down your throat with reckless abandon. It would be easy to feel like that was chaotic because that is the emotional response it summons. This is a focused and precise weight of speed and power with intent and form. I feel like i am describing a high end automobile not a record, but this is the feeling of Burial 10.

ESA has been around a good while and gone through different styles. I feel like this album ran a bit of that spectrum on it’s own. It twists, writhes, and thrashes like a cornered animal. Unpredictable and fierce. Great use of guest vocalist like Jo Hystaria and Caitlyn to add more surprise twists to this story. The pulsating beats are a relentless onslaught which attack from so many directions. Gentle synth tones carefully placed expose the belly of the beast and add style and craft to this fierce creature.

Upcoming tour schedule

Favorite Tracks :

You are Safe Here (Feat: Caitlyn Corlyx) – I, of course, had to choose this one because it features the angelic, sensual voice of the amazing Caitlyn. This has the intense EDM drive but is tempered by her striking laser-fire voice. This is a club hit made to shake floors supporting giant speakers.

Caitlyn Corlyx

Burial 10 – The title track is a driving march. I really like the bizarre off-kilter chanting sample vocals. Part of the fun of ESA is they never seem to take the foot off the pedal. Even when breaking down with the spoken word vocal sections. Lots of high energy, never-let-up Prodigy feelings.

Blessed With Bruises – A nice change up here, bringing the tempo down and the trip hop feeling up while keeping the same steady crashing waves of sound. Instead of a high-speed chase, this is a slow, smooth roll, sliding around corners, channeling Massive Attack’s effortless cool.

Jamie Blacker

Overall this is a fury of intensity sure to make your club walls shake. Find the biggest speakers you can and crank this until the neighbors cry.

It’s February and the world is covered in frozen sparkles. What hot new releases are keeping my nights warm?

Caroline Blind of Sunshine Blind is back with another sizzling new single that is a cover of Goth greats The Wake. The single is called “First” and actually features members of The Wake. Does that even count as a cover then? It releases for Valentines day and is the perfect blend of old school Sunshine Blind style with intense droning power gorgeous flowing echos for vocals but with her new style of matured layered atmosphere. Get it on your spotify list tomorrow.

Caroline Blind

https://distrokid.com/hyperfollow/carolineblind/first?fbclid=IwAR3dIbgV8J2gwQm29EsGP4ryVzPjDLk_6ljjdmhaht0bupkZ_nuppn_nPuM

IAMNOONE – Italian dark Synth from Cold Transmission releases “A Primitive Trinitas” on 2/29/20. I love the uptempo bass lines blending with a background gentle chant vocal. The single is full of movement and subtle hooks.

https://iamnoone1.bandcamp.com/album/a-primitive-trinitas

White Mansion – Another Cold Transmission release from the States in Fayetteville, Arkansas. Big popping synths and beautiful Duran Duran style vocals. Very retro feel of slippery sensuality and emotional expression. This was a full album that released at the end of January and has been on my mix list ever sense.

https://whitemansion.bandcamp.com/album/human

STEREOCCULT – From Houston, TX, this came to me from Shayn Blaqk and I am really drawn in by the sound. The drums are a constant murderous pound of tom intensity. The vocals are a nice driving post-punk chant and make good use of harmony to make some electricity. I need to give this album a deeper dive soon.

https://stereoccult.bandcamp.com/releases

Electronic Substance Abuse – from the UK have released an album a lot of people have been waiting on. Burial 10 is a machine gun spray of dance madness with a concise and sizzling plan. It is focused chaos full of shake-your-ass beats with enormous variety and pop sensibility. It feels like that first time you heard Underworld and thought “this is dance music?” yet so much more. Special shout-out to the track “You Are Safe Here” which features my dear friend Caitlyn of the band Corlyx. Damn that track is a burner. The whole album demands a full review but I needed to shout out about it now.

https://esangp.bandcamp.com/album/burial-10

Missfit Toys – This album actually came out in December but I am starting to really absorb it now. It’s a twisted goblin scream full of terror-inducing ferocity. Yet somehow the music is such an accessible synth dance. The sheer audacity of the clashing sounds and swirling concepts make this record haunting and hides behind your conscious mind. Richie V. Suriv of Florida is unleashing a nightmare of sonic intensity and the live show features none other but Adrian Kjosnes of Sounds and Shadows.

https://missfit-toys.bandcamp.com/album/through-the-glass

IAMTHESHADOW – OK I know Cold Transmission is getting a lot of love in this article, but what can I say? I love them. I am so excited for this new album: Pedro and company are taking the already entrancing sound and hitting new heights of expression and dance floor grind. This new single Pitchblack is a passionate intense burner and it makes my body shake with anticipation.

https://iamtheshadow.bandcamp.com/album/pitchblack

Seven Federations – North Dakota industrial concept artists who are creating world beat textural Industrial with a thinking person’s swagger. I love the violins and future revolution feel. It’s heavy, it’s mean, but it expands your thought waves while making you want to break shit. I hear Front Line Assembly wave destruction with Prick vocal cadence.

https://sevenfederations.bandcamp.com/track/slav

Tigercide – LA darkwave band with a lovely, atmospheric trip hop vibe. Sizzling desert David Lynch driving through an ever shifting reality vibe. Lovely vocals with tender lilting emotion. I found myself lost in the brush stroke snare sounds which rise and fall as your vision melts.

Review Of La forêt by Feu Follet

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Band: Feu Follet

Label: Blackjack Illuminist Records

Members: Alban Blaising

Home Base: Nancy, France

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If you’ve been searching for the perfect 80’s action/sci-fi/horror movie feels to warm you up this winter, look no more! La forêt, the latest album by Feu Follet has everything! It’s perfectly synthwave, perfectly pop, and perfectly dark.

This album is entrancing. There are very few lyrics, but somehow from the first track through the last track, the album is hypnotized. Unexpected changes dictate the experience in the coolest way. Throughout, I got mega robot opera vibes, so I’m deeply in love with this artist now.

The twists and turns of this album are unpredictable and much appreciated. This album is ridiculously awesome. Synthwave has a way of always feeling super positive, but this album reaches depths of darkness I’ve not heard much in this genre. Some tracks will send chills down your spine as you listen.

The music is structured throughout this album in a way that tells a complete story. Like each song is a chapter or level that tells you right where you are in the story arc. It’s incredible how many times I’ve already listened to this album and feel like it tells me a different story every time.

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Some favorite tracks

Les chasseurs– Right away, this song is dark. It stays in a minor key throughout. This song is incredibly visual. It’s like you’re being chased by a robot or something and at points, you feel like you’re going to get away, but then you’re running as fast as you can and even faster at the end. Never at any point in this song do I feel anything other than pumped and creeped out.

L’enfant- This song isn’t as dark as the last, but is just as fun if not more so. This song is very danceable and has mega synthwave, 80’s movie score vibes.  I don’t know if it’s the epic guitar leads, the synths that make you feel like you’ve hacked the mainframe, or the epic Phil Collins drums in the bridge that seal the deal for me.

Le photographe- This song is just as mystical as it is epic. If you’re looking for montage music, this may be one of the greatest contenders you’ll ever hear. This song feels like it was plucked right out of The Goonies. When anything starts with a goblin synth line then drops into some gated drums, you know you’re in for a good time.

To be able to tell a story with a song is easy, but to create an entire album that makes the listener feel like they’re part of an episode of Black Mirror is a major accomplishment. This outstanding album is easily one of my new favorites.

If you’re a fan of Kraftwerk, M80, John Carpenter, anything synthwave/darkwave, or if you like to collect awesome comics with your awesome albums…. check this album out.

Review Colors Bleed by Crooked Ghost

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Band: Crooked Ghost

Label: Crooked Ghost Records

Home Base: Asheville, NC

Website: https://crookedghost.bandcamp.com/

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I listened through this album over and over trying to think of what to say about it and it truly left me speechless. It’s incredible. I think it is beautiful. To say that it’s dreamy is an understatement. It’s absolutely mesmerizing.

The first time I listened through this album, I simply listened to it. I thought it was great! The album sounds upbeat with really pretty vocals. There are lots of layers and lots of reverb. The album has a lot of post-rock and shoegaze elements splashed in, but it was really hard to pinpoint genre-wise. The vocals are huge and captivating with lots of harmonies and layers. I got lost in them. I couldn’t shake that I was missing something bigger about this album though, so I checked out their Bandcamp page to see if they had lyrics posted. They do!

These songs are heartbreaking, sometimes even kind of creepy. The second time I listened through I read along. I realized the depth of each song and the intensity of each word. Where minutes before I was dancing around my bedroom thinking how awesome this album would probably be to run to, I was suddenly fixed to my futon, listening intently trying not to miss anything.

By the time I got to the white noise at the end, I was floored. How is it possible to write so well? How is it possible to put something out there that’s probably so specific and yet so relatable? It’s difficult to write about this without creating blurriness around their incredibly crafted sound.

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Some favorite tracks

Sinew In Red– Remember earlier how I said that some of the lyrics were a little creepy? Sinew In Red starts with a twangy guitar solo. When the keys and drums kick in, the song starts sounding like a dreamy desert night. The lyrics are hard to understand, but they’re the darkest on this album. In order to really understand without giving it all away, a sinew is a piece of tough fibrous tissue uniting muscle to bone or bone to bone. It faintly reminded me of Nick Cave and the Bad Seed’s, Do You Love Me (part 2).

Golden Blue– This is probably my favorite track on this album. The story that’s happening lyrically is one of despair and heartache, but you don’t need to know the lyrics for the emotions to come through. The instrumentation never seems to stop building until it suddenly resolves. I can’t listen to it without having a level of excitement form in my chest while simultaneously wanting to cry.

Bright White Noise– This song made me feel very sad and lonely. For that, I love it! When the guitars and vocals come in, they convey such emptiness. The guitar plays a melancholic riff throughout that made me feel like a lost little kid looking for someone who wasn’t there. As the song progresses, the instrumentation becomes more chaotic as the singer sings, “big static bright white noise”. Then it dissolves into the guitar and then into static. It is perfect.

When I listened through this album the first time, I loved it. When I listened to it again, I felt really connected. It’s not every day that you hear something new and it almost brings you to tears the more you hear it. Yet I am trying to fill a hole in my heart I never knew I had.

I’d recommend this album to anyone who likes dream-pop, indie-shoegaze, post-rock, or post-punk. Heck, I’d recommend this to anyone. It left me feeling like I wanted more and I’m sure it will do the same for anyone who gives it a listen!

 

Review Lash by Mesa Luna

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Band: Mesa Luna

Album: Lash

Label: Afterlife Music ltd.

Website: https://mesaluna.bandcamp.com/

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When I listened through, Lash, the debut album by Mesa Luna, I fell in love. It has pretty much everything that I need to be obsessed with an album. Lash is the perfect union of chillwave and shoegaze. The lyrics are relatable and impactful in such a soul-crushing way it will skyrocket you to the love you lost when your heart had never been shattered so badly.

Mesa Luna is a duo from Vancouver, BC consisting of Justice McLellan and Jason Corbett. This album has a central theme of trauma and definitely feels at points like you’re reading over their shoulders while he writes a deep and thoughtful journal entry.

Like every great shoegaze album, Lust, has great hooks throughout both lyrically and instrumentally. This is one of those albums that is psychologically soothing on a few different levels. Beyond it being a very pretty and listenable album, it delivers on what’s expected out of each song without being predictable. It’s definably interesting without being indigestible.

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Some favorite tracks

Woronoco– This was one of the singles released right before the albums release, so you may have already heard this one. I love it! There isn’t much to not like about this somber breakup song. It’s blunt and beautiful as a story of empty promises and heartache unfolds. Though the message of the song is sad, the build-up and resolve is exciting. It kept me captivated the whole time.

Sarve– This song is absolutely gorgeous. It starts out really gentle with a soft guitar and keyboard creating a really warm atmospheric vibe. When the dual vocals kick in, it’s like they’re in an endless room. The beat is really relaxed, but still a head bopper.

Never Steady– This song is heartbreaking from the beginning. Though it starts out with a catchy beat and hypnotic synth, the lyrics spell out a sad scene of someone trying to move past something difficult. The builds in this song make your heart swell, but also leaves you feeling forlorn. Right when you think you get the flow of the song, all the instruments fade out and you can clearly hear what Justice is saying and it’s so god damn relatable. I would quote the line, but you just have to hear it yourself. When everything else kicks back in, it gave me goosebumps. This song stood out to me after listening to the whole album because it was one of the songs with less going on instrumentally, but still hit me just as hard as the walls of sound I’ve been expressing through this review.

I had a hard time writing this review because I found myself listening to this album over and over again finding new things that I loved and didn’t know how to explain. This album is definitely worth listening to if you’re into dream-pop, shoegaze, chillwave, or good music. I’d highly recommend if you like the artists: Jack Stauber, Primitive Radio Gods, and/or Youth Lagoon.