Category: Review

2024 Albums that are making people Love Goth again

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There is something special happening in darkscene music. This year I have been going to shows of new goth/post punk/darkwave bands and seeing them packed with young people who are embracing this subculture. Who are finding these themes and tones to make them their own. Twin Tribes, Actors, Vision Video, Then Comes Silence, Bootblacks, Male Tears, Leathers, Urban Heat, I Ya Toyah, touring the country telling folks it is good to be strange. This is the energy that is giving me hope. I have not been at my new goth pulpit as much as I like this year. As we pass the half way point of the year I will try and share what I have been listening to so far in 2024 that gives me hope for the future.

Dead Astronauts – Ghosts – The international synthwave group comprising Jared Kyle and Slade Templeton, has resurfaced with their highly anticipated 4th studio album, “Ghosts.” I love the experience and expertise on display for the art of songcraft. Each texture and shade are masterfully chosen. Honed with precision, displayed with technique. What truly makes them top tier is the narrative order, balance, and construction of every track.

Written and produced by Dead Astronauts
Mixed and Mastered at Influx Studios
Art and Design by JthreeConcepts

Mistakes: This track is deeply relatable. It has a beautiful Construction Time Again Depeche Mode bouncing beat with earnest reflection and buttery vocal delivery. A brief shimmering single that leaves you wanting more.

The Red Dress (feat. Florence Bullock): Beautiful city street flashing streetlamps streaking by at a furious pace. Wonderful vocal accents from A New York native, residing in Los Angeles, glitbiter, aka Florence Bullock. This track hugs the curves of a twisting road with a high performance engine. Perfect song to start an adventure to.

You try
To survive
Boy you’ve got clout
You’ve got your knives out
Trying to stay alive

Ghosts | Dead Astronauts (bandcamp.com)

Urban Heat – Seven Safe Places – The Austin TX band that has become an obsession for me. There is a special feeling when a band comes to a place beloved and familiar, but took an entirely different road to arrive. A punk rock vitality with soulful smooth edges and flawless technique. This was an April release single for the upcoming August album “The Tower”. Johnathan is one of the true distinctive voices in the modern darkscene. An energy and talent that would make any band shine. Combined in this trio powerhouse Urban Heat has distinguished themselves with the other A level artists of the next wave. This single has a Peter Hook lead guitar bassline that hugs every curve. The vocals are frantic and emotive. It’s a song built to gleam in the modern landscape. Become a true believer now and see Urban Heat out on tour, I assure you, the tickets will be more expensive and harder to find the next time around. Look for an interview with the band soon on youtube 🙂

Seven Safe Places | Urban Heat (bandcamp.com)

Tears for ʇhe Dying – In the Shadow of the Midnight Sun – I first saw the amazing emotional tidal wave of Adria and Tears for The Dying at Southern Gothic in Athen’s Georgia and was enraptured by the emotional impact and reckless truth of dynamic songwriting. Deathrock is a genre that traces it’s roots back several decades, so finding visionary new ground is no easy task. With slithering sinister concepts and vocal ingenuity TFTD pays reverent homage to Christian Death and Specimen while inserting modern elements and broader concepts like “Dead Girl Dancing” a gorgeous synth laden apocalypse pop anthem that steps outside of the box. This is one of those amazing bands that every artist in the scene respects deeply even if you have never heard them. A true inner circle talent.

Favorite Track: Kaiju – Slow big and full of destruction as the name implies. I love this winding guitar and tempo shift that allows Adria’s cadence and Mick’s rolling percussion to make dynamic stories of trampling feat and terrifying beasts.

Special mention: Jolene (Dolly Parton Cover) – It takes a special performance to take one of the greatest ballads of all time and make it your own. Everyone needs to give this a spin.

In the Shadow of the Midnight Sun | Tears for ʇhe Dying (bandcamp.com)

THEN COMES SILENCE – Trickery – Recently I got the extreme privilege of opening for Swedish based band Then Comes Silence on tour with Vision Video. I had reviewed them before. This was one of those bands you truly can’t fully appreciate until you have seen them live. I have witnessed so many impressive performances in the last five years, I hope you take to heart when I say this is the tightest, most energetic band I have witnessed in recent memory.

I used to have a joke that Rush was the greatest group of compiled musicians who’s album I didn’t want to buy. Not being my style. In the modern darkscene I think Then Comes Silence is the greatest group of compiled musicians who’s album I very much want to buy. Part of the elegance of Trickery is how it doesn’t sound like they set out to make a great post punk album. The cohesion, passion, and construction present here would have fit any genre or style just as easily. It just happened to come in one of my favorite forms.

The album has a wide range of sounds, lots of thunderous rock bangers where Jonas tom punishing drum accents make TCS stand out in a field of bands leaning towards electronic drums. Slippery shadow disco club tracks like Feel The Cold create contrast and highlight Alex rich broad beam vocals. Songs like the collaboration with Dusty “Stay Strange” bring a horror punk mod feel that ride Hugo’s wall of sound guitars. Whatever the tone, it always seems to land.

I would be hard pressed to choose any song on this album as a top track, Never Change was definitely one that crept up on me. Stellar underlying harmonies, a crackling backbeat that always hits on the outside of the synths. This whole record has an underlying tone of hope, rising out of the mire of tough times. This track captures that feeling the hardest for me.

Alex Svenson – vocals, bass and synthezisers
Jonas Fransson – drums
Hugo Zombie – guitars

Additional musicians:
Dusty Gannon (Vision Video)
Emma Nylén (Emmon)
Gözde Duzer (Aux Animaux)
Jörgen Wall (Whale, Thåström, among others)

This is a 10/10 album in contention for top 10 records of 2024.

Trickery | THEN COMES SILENCE (bandcamp.com)

Eva X – Fiction – July 5th single from Electronic producer Gaby (Eva X). The single includes two remixes of the previous single Dopamine Blind by Sawtooth and Enter Face. Retro 80s pop with soul on the intro, fed into the grinder of metal tooth electro rock. Gaby’s voice keeps growing in confidence and glamour with every new release. This would pop at a mainstream club or goth/Industrial night.

Fiction | Eva X (bandcamp.com)

Cemetery Sex – Leviathan – This is a young band generating an enormous amount of buzz from Washington DC. Artist that truly embrace the goth ethos of inclusion and counter culture pouring into the batcave of gothic roots. Anastasia has an undeniable presence in her words and delivery. The music is serpentine and hungry. To have young people with such an intrinsic understanding of the culture with both their music and mindset truly fills me with hope for the future. When Cemetary Sex burst onto the scene, they understood the assignment. Be ready to hear A LOT more about this band in the coming year.

Leviathan | Cemetery Sex (bandcamp.com)

PIG – Red Room – Raymond Watts has left an indelible stamp on the industrial scene for decades. One of the key reasons is his ability to find fresh untread ground with which to blend with industrial. Soul, funk, metal all are wound into spiritual inspiration to fortify the alloy of his art. Red Room took me to another place, late 70’s glam like Alice Cooper and TRex colliding pageantry, sensuality, and filthy grinding machines. A tight compact bullet that enters your brain before fragmenting into something larger and more explosive. Leaving you changed by the fragments left behind.

A rogues gallery of contributing artists, both old school and new class Alexis Mincolla (3Teeth), Chris Hall (Stabbing Westward), and the PIG Choir: Chris Connelly (Revco, Ministry etc), Emily Kavanaugh (Night Club), I Ya Toyah, Marc Heal (Cubanate) and Burton C Bell (Fear Factory), En Esch, Susannah Doyle, Anita Kyoda, Mark Alan Griffiths, Mike Watts, Jimmy Livingstone, and more!

This is an album best served live with sweat running down the walls. Catch them on tour with Curse Mackey, Unitcode:machine, Stoneburner, and more at a city near you. I’m going to both Coldwaves (Chicago) and Smalls (Detroit)

Favorite Tracks: Dirty Mercy – This opening is absolutely filthy.

Red Room | PIG (bandcamp.com)

ACTORS – Dead Inside – Vancouver based band Actors have been at the forefront of Nextwave Darkscene music since the start of the Rennaissance. This new single as a prelude to the tour of one of the top live music experiences of 2024 shows the group showing no signs of slowing down. The first time I heard it I was struck with Jason’s sultry whispering Jarvis Cocker vibes. of the cohesion and telepathy of one of the tightest acts of the modern era. The crisp brush crack drums Adam delivers use timing as art to build the tension. Shannon’s rippling cascade of dark water ripples. Kendall a forceful step on nimble feet. Every time I think, this is it, Actors have reached their peak, the journey continues up a mystical mountain.

Jason Corbett – Vocals + Guitar
Shannon Hemmett – Synth + Vocals
Kendall Wooding – Bass + Vocals
Adam Fink – Drums

Dead Inside | ACTORS (bandcamp.com)

MALE TEARS – Parad​í​sco – La Based neosynth band Male Tears has filled me with hope for the future. There is nothing more beautiful than a group of young people discovering a fresh path to classic sounds. James and company went through a major lineup transition before the release of this EP and came out the other side with a hopeful passion. Soulful new depth and determination to find the beauty in the darkest reflections of life. Fans of Petshop Boys, and Duran Duran will find an homage to bright crystal sounds on the sonic spectrum that hold the truth of dark introspection. Great guest appearance on track two by our friends Corlyx. A beautiful harmony of James mournful beauty and Caitlin’s alien ethereal whisper. As well as track 3 “Sex On Drugs” a gorgeous and heart retching single that could have been the missing track off (Actually 1987) with features Caitlin (Corlyx), Azy Bats (Obscura Undead), and Ryan King (Witchhands). This is a modern day classic that stirs my heart with that same feeling of unburdened delivery. Male Tears is something special and memorable this scene needs to embrace with both arms. They are currently on their first major tour and I encourage everyone to be a part of this revolution on the ground floor.

Catch them in Detroit 10/1/24 at Small’s in Detroit with Crune and yours truly 🙂

Paradísco | MALE TEARS (bandcamp.com)

Night Club Tighten Their Grip on Dark Dance-pop With ‘Masochist’

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The tag team of Emily Kavanaugh and Mark Brooks have pumped out their brand of dark pop for well over a decade by this point, landing soundtrack appearances in each of the Deadpool films, as well as scoring the Comedy Central series Moonbeam City. Their third album, 2020’s Die Die Lullaby, landed a #1 debut on the US iTunes Electronic charts, with hits including “Miss Negativity,” “Gossip,” and “Die in the Disco.” Now, the LA twosome have brought us Masochist, another lean mean synthpop machine clocking in at just north of half an hour of bouncy, bassy synths and Kavanaugh’s dynamic vocal range. 

There are some club bangers, runway stompers, and all-around hits on this disc, including the lead single “Crime Scene” and the sleek and seductive “Barbwire Kiss.” The former begs for a sing-along whether in one’s room, on the dance floor, or at the show, with its kinetic chorus and earworm of a melody. The latter speaks of irresistibility and desire over a four-on-the-floor groove and Brooks’ deft synth work.

“Pretty Girls Do Ugly Things” starts off innocently enough with just piano behind Kavanaugh’s vocals before descending into an energetic, full-force number that evokes memories of the previous record’s “Die in the Disco” in more than just the key. Among the treats of the record are the one-two punch of “Let’s Play Revenge!” followed by “The Lunatics (Have Taken Over The Asylum), with spooky and saccharine vibes preceding a spooky, swaying good time. 
Night Club are four for four on their full-length releases, with Masochist taking its place as further evolving the band’s sound. Any one of their records serves as a great entry point into their catalog, with this latest entry bringing some of their most accomplished works yet.

Spinal Tap, Anvil (The Story of Anvil), Murphy’s law, all of which were SLAYED by CROWJANE.

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Concert Review

Artist: Crowjane

Date: July 22 2023

Venue: Quarters DLC

City: Salt Lake City UT

Recently I got a little clip of Crowjane releasing a cover of “Real Life” by Tones on Tail. I have been a fan of Crowjane for a couple of years now, and this one caught me by surprise, (mostly cause I didn’t know they were recording anything, having just released an EP last year). I wrote a little piece about it, and it seems to have been enjoyed by all, even getting a nod from Daniel Ash who wrote it.

Crowjane is one of the darling bands of the wonderful “Kitten Robot” record label, a darkwave experimental rock band, that really can’t fit into any one genre.

Crowjane is as of today finishing up their brief stint of live shows around the West Coast, and The Rockies. I got to see them play in Salt Lake, after their 11-hour drive from Moscow, Idaho.

The story goes like this, I was notified of their scheduled gig at “The Utah International” in downtown Salt Lake City. I was scheduled to cover the gig and was notified that they were going to be late coming into town, so if I got any interview time, it would be brief, and they were not even going to get a sound check. I was at the venue and saw 3 other bands setting up, and no one knew where Crowjane was. I ended up at another venue on the other side of the block, asking the doorman if this was where they were playing, it turns out that the gig had been moved and no one had been given the update. I was hoping that other fans got the memo and made it to the right place, that it was in a backroom at an arcade. I know this place well because I used to DJ there in the 90s.

I got in a little interview here with Heather Galipo but had to cut it short because the opening band was taking the stage.

I was talking to the drummer Shok, only to realize that we had crossed paths probably 50 times over the last 30 years, and just conveniently reconnected here. (Really, almost to the level of being at the same parties in high school).

Once Crowjane took the stage, there was no soundcheck, and the sound guy was a jerk and turned Heather’s vocals down, and there was NO lighting in the house, just a back panel (after they finished, the next band had lights, REALLY?). There were 3 people in the audience for the opening band, and Heather invited everyone from the arcade to come in and listen to them play. In short, this entire night was a complete disaster. So, with Murphy’s law kicking in and everything turning out to be a “Spinal Tap” moment, or even “The Story Of Anvil” (Both classic movies about everything going wrong for a band on the road), and everything having gone bad so far, where are you going to go from there?

Well, here is how it went, THEY ABSOLUTELY KILLED IT!!!!

They opened with “Butterflies” and I was shocked at how they just blew us out of the water. They started with a small crowd, but this video should give you an idea of what we got.

The hall suddenly had people that I knew there, guys from the SWANS gig, and other shows, and there was a “Goth pit” (everyone pogo stick dancing). But what I thought was most impressive was the other punters who showed up. There were a couple of guys that you would have thought were “Gangsta Rap”, a couple of guys you would expect to see at a mud bog event, some Metalheads, and then some guys who were obviously college football players. While the goths were up front dancing, the rest of these punters started moshing. The entire experience was surreal, all of these people were fans, there to hear Crowjane play.

They worked through their set, with Mika a professional opera singer, giving backing vocals, while Heather, still sweating from 11 hours in the car in 100-degree heat, gave us a mix of Siouxsie Sioux, Peter Gabriel horror film soundtrack.

They played “Delusion” from the album “Mater Dolorosa”, which is a great album, with a great Laurie Anderson feel to it. (This was the song that made me fall in love with their music). They got to “Ides of March” which was a mix of Siouxsie and Missing Persons, with all 4 women’s powerful voices giving the chorus. The singing is reminiscent of Jane’s Addiction, however, the vocals of Heather and crew are harmonic and very beautiful.

My fave song of the night was “Nomad”, which I have always liked, but I was surprised at how well they did it live, with the haunting vocals, and almost a choral arrangement made for a film. Heather works in film, and this was nothing short of extraordinary, a song I would have enjoyed in “The Crow” or even “Suckerpunch”. All of this while the weirdest, most diverse mosh pit was still happening.

They did “Broken Angel” to slow everything down, and the performance was no less haunting, with Mika chanting on top of the vocals that somehow would have fit perfectly in a bar scene in Twin Peaks.

They finished off with “Real Life”, tying up a short set, that they had no time to prepare for. It was incredible, they really delivered a great performance. When a band can be up against so much, seem destined for an absolute failure that night, Crowjane have a penchant for burying your expectations.

Crowjane has a few live sets planned for some more festivals this summer, their live shows are eclectic and very artistic, they have a great stage presence, and even with the sound gone bad, they will keep your attention with some wonderful performances.

Next show July 29 Long Beach, CA Supply and Demand

https://www.instagram.com/crowjane

https://www.facebook.com/CrowJaneNoise

https://www.youtube.com/@crowjanenoise4707

“NITE” Your new favorite goth twins…

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Over the last few years, I have had the privilege of being able to work with an amazing band. During this time, I have gotten to know them better as musicians and as people and it has truly been an honor. They are a hidden gem, in my opinion. Let me introduce you to the next BIG thing.

Kyle and Myles Mendes, Canadian-born twin brothers raised in Dallas, Texas, make up the alternative/electronic-rock duo known as NITE.  The Mendes brothers, along with their drummer Phil Helms, are extremely talented musicians, but upon listening to their music for the first time, you might find yourself a bit confused. 

Starting in 2013, their first album “I Am Not Afraid” features a lot of dark and moody tracks with lush synthesizers and breathy vocals. Then the following 2 albums, “Reborn” and “Sleepless” delve deep into the synth-pop and dream-pop genres with danceable tracks such as “Dreamer” and “All You’ve Ever Dreamed Of” that really encapsulate that retro 80’s new wave feel that transports you back in time!  However, on their latest album “Be Destroyed,” released in September 2023, they shifted in a darker, more industrial direction with their sound, including, but not limited to, tracks like “I Just Want To Be Destroyed,” and their cover of Alice In Chains’ “Would?,” that feature heavier guitars and vocals that lend more to that industrial style of the 90’s and early 2000’s grunge era. Recently though, they have circled back to their roots incorporating more of their earlier synth and electronic elements into their music with their newest singles “Price For Heaven,” and “Our Light Will Never Die”.

Check out NITE’s newest music video for “Price For Heaven” just dropped on June 19, 2024

NITE.bandcamp.com

Their sound is eclectic and unique, but that is exactly what I love about them. Their lyrics are very beautifully and eloquently written as well. Their work is original and not one I would confuse with any other band within the same genre. Whenever I hear one of their songs, I know that is a NITE song!

What you really need to know about though, are their live performances. These guys are absolutely PHENOMENAL and put on some of the BEST live shows I have ever seen, and I’ve been to a lot of concerts in my 34 years! Their shows are extremely high-energy and once the music hits you, you can’t help but let loose and let the music move you.  Not to mention their stage presence… just picture two twin brothers with incredible long curly hair coming out in matching blazers and matching orange Fender guitars. They just look cool! Their shows are honestly so captivating to watch, with their incredible laser light show, their electric energy, and headbanging with their wild curly locks.  

At this point, I have seen them perform almost 50 times in the last 3 and a half years and each time they still manage to blow me away! They always put on a killer performance no matter how many people attend. They feed off the energy from the crowd and are 100% there for the show every time.  Anyone can see they really enjoy performing, and any band that is passionate about what they’re doing will perform better. 

There is no comparison seeing them live versus seeing a video of them online, or even just listening to their albums. These two will leave you speechless. If you ever get the opportunity to see them, DO IT. Seeing them perform live is a whole experience of its own and any words I say just won’t do it justice. It’s that powerful.

One thing people ask me all the time, aside from how I can tell them apart and what hair products they use, is if Kyle and Myles are truly as kind and genuine as they appear to be? The answer is yes, absolutely.  I’ve actually known the twins since high school, and they’ve always been exceptionally nice! Many people are so surprised by their kindness that they believe it too good to be true, but I can promise you, they really are that nice. 

A big thing that sets them apart, from what I’ve seen, is that they genuinely want to connect with their fans.  A lot of bands will play the part and act nice, but don’t really care. NITE is different. NITE really does care. They are always putting in the effort to reply back to comments and messages on social media and stay late at shows to interact with fans and don’t hide out in the back, a noticeable attribute in my opinion. Sending special video clips to international fans, a personal happy birthday video or message to a sick fan that had to miss a show, even offering free merch occasionally to a fan who went out of their way to show support, are just a few examples of their kindness. I really can’t say enough good things about these guys and how exceptional and kind-hearted they are!

The Mendes twins definitely have something special, there is no doubt about that. Although they have seen a lot of growth in the last few years, I often find myself wondering why they are not bigger than they are. They definitely have the talent, the passion and the drive. They are some of the hardest working people I know, and they deserve to reach their highest musical aspirations. Their big break may not be tomorrow, but I know that day is coming very soon.

NITE has changed my life, and I don’t say that lightly. By knowing them and sharing their music, I have met so many incredible people and have gotten tons of awesome opportunities! Not to mention their music has gotten me through many tough times. I am more than happy to support them knowing they are honestly good people and I wish nothing more than to see them succeed. I feel incredibly lucky to know them and to be able to call them some of my closest and dearest friends. 

Check out NITE and follow them on social media @wearethenite on all platforms! Also check out their website http://www.wearethenite.com for merch and upcoming show dates.

Join the NITE fan group community on Facebook: ALL-NITERS (NITE Fan Group)

-Angela Alameda (@ohdarling08)

Photo credit: Top photo by Whitney Hensley
All other photos by Angela Alameda

BRIDES “Doom Profits”

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BRIDES – Doom Profits – Adrian has been levelling up at an exponential rate. This EP has been in my heavy rotation for a couple months now filling my need for grimy painted on leather pants classic goth. He has zeroed on a course vocal style right on the mean ratio between a blended instrument and poetic delivery system. Previous Brides offerings have tended towards a theme of sound. Doom Profits flings wide the door to a range of possibilities within the project. Using that distinct voice as an anchor to tie this gently drifting ghost ship together from Ultravox to New Order Movement.

Watering flowers in the bowels of Hell
With painted tears
Smokestack serpents coil around us
Can`t see the forrest for the fire
And the waves come crashing through
Burning hands applaud the wreckage on

Suffer little children
Sell your fear for doom profits

Favorite Tracks:

Heartquake: This is a record it is difficult to pick a favorite on. Each song hits you in a different place. This opening bassline is an obsidian boulder chasing you down the mountain. The synth leads are the exact amount of brass to shine in all this darkness. That title and idea evoke such an image. A heart shaking with profound trauma. So much it rocks the ground around you.

Doom Profits: A title track should always been a strong one. The backbone of your idea. Adrian read the assignment. That keyboard tone of water dripping from a stalactite into a dark pool. I have that same feeling when Goodbye Horses comes on. Profits come to harken the masses of a terrifying destiny. Adrian growls forth a frightening warning, as well as a promised hope. I adore the outro guitar lead. Using the theme of other tracks in a single moment the title track shows the complexity and growth on this record.

Doom Profits | BRIDES (bandcamp.com)