Bands You Should Know In 2022 That Won’t Cost As Much as Depeche Mode.

So the last week I have heard a ton of people talking about the insane ticket prices of the new Depeche Mode tour. Now I have been lucky enough to see the life affirming spectacle of Depeche Mode and David Gahan “Paper Monsters” and everyone who can, should see it. It is truly one of those goosebump shows from a band that boasts a four-decade catalog. Gahan can still FULLY pull off the leather vest. While I saw a lot of folks complaining about the post Capitalism ticket prices, I didn’t hear nearly enough discussion of exciting bands in the genre you can see live in their prime for under $20. Let’s talk about some hot new releases now.

IAMTHESHADOWThe Wide Starlight – Things you can always count on from a new IAMTHESHADOW release: 1) Pedro delivering the richest baritone in modern darkwave. 2) Soul baring poetry 3) Perfect precision of mix and master. Everything else about the sound is completely in the air. “The Wide Starlight” is an expansive new sounds full of twinkling stars over violet plains. The album drops on 10/14 and marks a turn towards hope which my soul has hungered for. Cold Transmission Music has been a fertile creative ground for Portugal’s premier darkscene act.

▶︎ The Wide Starlight | IAMTHESHADOW (bandcamp.com)

IAMTHESHADOW
Pedro Code – Voices, Synths, Guitar and Programming
Herr G. – Electric Bass
Vitor J. Moreira – Synths

Track 7: Voices & Lyrics by Kristien Cools (Splendidula)

Favorite Tracks :

The Wide Starlight – Choosing the title track seems a tad on the nose , but what can you do when a song of this beauty and staggering power comes along. It is the perfect representation of what is special about this album from every previous IAMTYHESHADOW release.

I Am The Dark (Feat: Kristen Cools) – As someone who has sang a duet with Pedro, I know how intimidating it can be. This was a perfectly composed blend from the Belgium artist. Spiritual, sinister, and a wonderful halfway point to break the tone.

Overall: It is so difficult to make a statement like this about an artist I am so deeply invested in. I need to inhale this record deeply several more times. On it’s face “The Wide Starlight” has the potential to be my favorite IAMTHESHADOW album.

Panic PriestPSYCHOGORIA – Speaking of world class baritone voices Jack never disappoints. New album out 10/21/22 on Negative Gain featuring the crooning beauty and slashing guitar mastery. The Chicago based songsmith always layers the club friendly dance beats with a healthy dose of guitar accents to make a truly distinctive blend. The tempo here is a fast paced bop, but the bottom of a chasm of the vocals give every track a sense of soul.

Favorite Track: Dead Lust – I suppose some of the other tracks have more pop appeal. This one just oozes with raw vampire sensuality. TYhe vocals split the sky and have a Dead Or Alive horror vibe I can’t let go of.

▶︎ PSYCHOGORIA | Panic Priest (bandcamp.com)

Sapphira VeeAscent – New remix EP from NY electronic lounge artist Sapphira Vee on Distortion Records. Featuring reimagines by several up and comers as well as scene legends. I love the eclectic blend here from Texas Doomdustyrial artists Dread Risks to Michigan lightening waterfall producer Chiasm. The common thread in all of Saphira’s releases are the honesty of tone that bleeds truth with every delivery.

Favorite Track: Metamorph (Dogtablet Mix ) – Martin captured this amazing slow motion crawl across the floor feeling for this track. It really highlights the higher range of Sapphira’s voice which she often uses sparingly and lends more power when leaned on.

Ascent | Sapphira Vee (bandcamp.com)

DogtabletAshes – New 5 song EP from Industrial legends Martin King and Jared Louche. I had the pleasure of attending a listening party at the Post Punk Industrial museum where Martin provided some background for these songs. I love the grinding and deliberate nature of these tracks. Track 3 “Careless” Feat: Coral Scere is a haunting and memorable collaboration that shows how Martin continues to get the best out of everyone he works with.

Favorite Track: 16 Times – Martin has the ability to call on top tier vocal collaborators, I keep finding myself draw most to his own growing vocal confidence. This song is a spinning tendril of dream and imagery.

▶︎ Ashes | Dogtablet (bandcamp.com)

JUNKSISTA0A – This German based band on COP International is one I haven’t given nearly enough press to. Every time I hear them I am absolutely floored by the razor wire combination of owning a space in your head pop melodies and the way too cool to hang out with me punk rock attitude. It just drips with effortless expression and after party in the know. It is hard to hear this and not feel inside the most exclusive salon where everyone is invited. Speaking of invited the album features a who’s who of guest talent.

Guest Artists: Black Nail Cabaret , Die Krupps, Vaselyne , Omnimar, Helalyn Flowers.

Favorite Track: Fuck Your Pretty Face – I’m hard pressed to choose a favorite on this masterclass album. This is an unequivocal JAM. The drums, the guitar wail, the visceral vocal delivery. It’s one of those tracks I could never tire of.

We will have an interview with Junksista coming soon.

0A | JUNKSISTA (bandcamp.com)

September Bandcamp Day Is Nearly Upon Us. What Does Your Collection Need?

I haven’t been churning out reviews at my normal pace, but that does mean I have a glorious golden stack of darkscene music to prime your soul for the Halloween season. I have some long awaited releases to discuss. Some fresh new bands I have discovered. Some spooky new corners of music I have stumbled into. So let’s dive into some of the sexy dark sounds which are haunting the beginning of Autumn

Double EyelidLeaving These Stones Unturned – Do you know what I love to hear in the modern scene? An artist no afraid to unapologetically embrace the theatrical melancholy of goth. This is something Toronto based band Double Eyelid grasps well. Ian has a voice dripping with lost lament on a turbulent storm of bass. The song swells and collapses. The lyrics are a confession of buried truth too frightening to face. Powerful revelation in a time of surface reflection.

released August 16, 2022
written by Ian Revell
……………………………………………………….
Ian Revell – Vocals, synth, programming
Sky Shaver – Guitar
Sean Beesley – Additional synth

Produced and mixed by Live Evil Productions
Mastered by Noah Mintz for The Lacquer Channel

Leaving These Stones Unturned | Double Eyelid (bandcamp.com)

SINEMantis 2 – Follow up EP to Mantis 1 by the Texas chaos electronica artist Rona Rogueheart. Powerful resonating attacks open the experience. As though you peeled away the smooth edges of Portishead trip hop and revealed something crueler and jagged while maintaining the wet sensual humidity of a packed stone wall club.

Photo by Victoria Renard

Rona Rougeheart / lead vocals, drums, programming
Words by Rona Rougeheart
Music by Rona Rougeheart / Charles Godfrey
Guitar on “Jetset” by Daniel Beaty

*Except:
Written by: Robert James Smith, Steven Severin
Music by Mark Pistel / Rona Rougeheart

Produced by Charles Godfrey / Rona Rougeheart
Recorded at Omenview and Scary American, Austin, TX
Mastered by Mark Pistel at Room 5, San Francisco, CA

Favorite Track:

Virtual Realitease – This track stalks with contrasts and extremes. The thundering club bass, the heavy shimmer of throaty vocals, the razor edge of alure and menace. I love the range of the EP which is always changing the journey. The pastel rain-streaked sorrow of “Je Suid“. This track just hits different though. I’m just not hearing this blend of sounds enough in the modern scene and it has me hooked.

Mantis 2 | SINE (bandcamp.com)

ULTRA SUNNSummer 22 – Belgian cold wave artist Ultra Sunn on Cold Transmission Music with a double single release that bops with Violator keyboard transitions and sizzling Gahan vocals. A purposeful driving beat of motion while keeping the tempo just below chaos. Expertly mastered by Pete Burns the tone flickers like a bright flame on a distant candle. These tracks both have a place on your summer darkscene party mix.

Summer 22 | ULTRA SUNN (bandcamp.com)

thePicassosExhumed – I love nothing more than the chance to shout to the sky about a gifted and haunting band in my own backyard of Michigan. We even have the honor of playing with them at Skull Festival 11/20/22 at Noir Leather in Royal Oak Michigan. This album which dropped August 2022 is a darting ebony fencing match of furious clashing metal that strikes and counters with such speed you lose sight of the precision in the illusion of chaos.

https://www.skulldetroit.com/?fbclid=IwAR2ofT3j53lHO9IsR3rh7By4L-iUBllSsT5v0SZ20YYq3sR4zFMGURd8PBo

Charles Urban

So many glorious and eclectic dark elements at play here. Twangy Latin spice notes in the guitar. Haunted murder ballad Nick Cave tones. The vocals are a roller coaster blend of Gordan Gano and Frank Black. Great use of guitars for percussion, not overdone and adding powerful accent. I looked online to learn more about the band and found little. Luckily I am set to interview them tomorrow for the podcast. Fills me with excitment for a bright future and I am so glad I found them in Michigan.

Favorite Track: Smoke and Mirrors – Part of my love here is the vast range from track to track. This one had huge PixiesDoolittle” energy. Slashing guitars with a booming clean bass tone. A haunting effortless truth to the delivery. I enjoyed all the songs for different reasons, this one seemed to compile the best flavors of everything going right.

Exhumed | thePicassos (bandcamp.com)

The Bellwether SyndicateDystopian Mirror – Chicago show stopper’s have a brilliant new single that roars like a muscle car charging down Woodward Ave. Flames spewing out the engine to chase back the darkness. William croons with an extra edge of piercing determination. The mix is clear but always feels like a toe on the line which makes it feel dangerous, on the verge of shattering the glass bubble. They just took this song on the road with Then Comes Silence from Sweeden. Of everyone I currently follow in the modern darkscene, no one has more “rockstar” energy than William with a mic in his hand.

Released August 5, 2022
William Faith: Vox • Guitars
Sarah Rose Faith: Vox • Guitars

Corey Gorey: Guitars (live)
Philly Peroxide: Keyboards • Percussion (live)
Stevyn Grey: Drums (live)

The Bellwether Syndicate (bandcamp.com)

Pilgrims of YearningHadal – Long awaited release from Boston transplants POY which hits the mark perfectly. I love hearing a band grow from album to album by keeping the mystical wanderlust that made their sound stand out, yet graduating their production and layering to make the energy sharper. Juls voice captures a haunting Siouxsie Superstition” 90s vibe while the guitar rhythms fold and dart like a weaver on a loom. This is a band that really exposes their story with brazen courage and beautiful delivery. A contagious spooky tendril of psychedelic darkness winding around your vision.

Favorite Track: Storms – One because I love the duet, two because I love a banger and this bassline is a live wire flapping on the street in a storm. It gets in your blood and never lets up. Like a jaguar running it is equal parts danger and beauty.

Hadal | Pilgrims of Yearning (bandcamp.com)

July 2022 Sounds and Shadows Darkscene Singles Chart

It is once again time to celebrate the top 10 singles chosen by our group of DJs/Artists/Reviewers/Promotors/and Mega Fans. These are all tracks released in July chosen from the broad darkscene genre. If you are an artist or know one that has a release in August, make sure to join the Sounds and Shadows group on Facebook and submit it for consideration.

  1. Kill Shelter (Feat Stefan Netschio) – In This Place
  2. StoneburnerThis Machine Kills
  3. Sequential Zero – The Last One To Fall
  4. Korine – Mt. Airy
  5. Golden Apes – From The Sky
  6. Eva X – Whipping Girl
  7. Batavia – Mailman
  8. Suzi Sabotage – I Am The Storm
  9. Sawtooth & Gasoline Invertebrate Gut Rehab
  10. Plague Garden feat. Azy BatsPandora

Kill Shelter Feat (Stefan Netschio) – In This Place – I have a full review on S & S as well as an interview with Pete releasing tomorrow. However it is fitting this single off an early contender for album of the year is top song in July. Stefan of Beborn Beton delivers heavy resonant drops of tone into an unlit cave pool. 10/10 absolute banger

Asylum [European Version] | Kill Shelter (bandcamp.com)

StoneburnerThis Machine Kills – The Wolf Lord Steven Archer come in second this month with a blistering club hit doused in political gasoline. You know that part in the movie where the barrel of the machine gun gets so hot that fire shoots out. Thats what I picture when I hear this track.

Stoneburner (bandcamp.com)

Sequential ZeroThe Last One To Fall – Love to see this come in at #3. A team up of Australian Ant Banister (Sounds Like Winter) and American Bruce Nullify (Orcus Nullify). It’s such a delicious blend of what I love about them individually. True old school batcave rough edge oil drenched attitude with cracking snares and crystal keys.

Fourth Sequence | Sequential Zero (bandcamp.com)

KorineMt. Airy – There really is nothing I don’t love put out by the Philly based death dream. Coming in at #4 it is another sizzling shock of step and turn. These vocals are pastel perfection blending with the music in color bleeding splendor. I love every note.

Mt. Airy | Korine (bandcamp.com)

Golden ApesFrom The Sky – Some real fierce competition this month has the Berlin Post Punk bard’s coming in at #5. I more crackling tempo full of uplifting rippling guitar staircases. Peer’s voice is that distinctive baritone rumble of honestly that makes every single feel distinct.

From The Sky | Golden Apes (bandcamp.com)

Eva XWhipping Girl – #6 is Canadian siren and electronic producer Eva X. I just got a chance to interview her which we will release soon. We got to talk about this song and video, partially how every release is growing by leaps and bounds. I love how her skills at production are opening the possibilities for every new violet electrolash single.

Whipping Girl | Eva X (bandcamp.com)

BataviaMailman – The Florida Industrial power couple have called in their friends to lend a hand on this new EP. The first single of which features drum stylings from Dan Milligan (The Joy Thieves). Inspired choice to fire the first volley with a cover of The Jesus Lizard. 90’s skate grind vibes of chopping guitar over explosive percussion stomps. Terri’s riot Grrl sultry ferocity adds such a different tone. Fresh idea’s for a familiar classic.

Mailman | Batavia (bandcamp.com)

Suzi SabotageI Am The Storm – Finnish TechPunk stands up for Ukrainian’s effected by Russian aggression with this slow build ice palace bop with operatic cries of anguish. I love the empathy, message, and power of delivery.

Suzi Sabotage (bandcamp.com)

SawtoothGut Rehab (feat. Gasoline Invertebrate) – MA based producer Lillian Edith Martin comes in at #9 with this sweat stealing banger she teamed up with Brian Graupner on. I absolutely love the powerful imagery in the lyrics. Absolutely bashing beats filthy with decay and rebirth. I could hear more of this team up.

Gut Rehab (feat. Gasoline Invertebrate) | Sawtooth (bandcamp.com)

Plague Garden feat. Azy BatsPandora – I was so excited to see this track from Colorado based frozen cemetery synth band collab with Azy (Obscura Undead) slide into #10. The lofi roaring guitar sound makes lovely dissonance from the pipe organ purity in the bass tone. Azy’s vocal confidence takes a bold stride forward and propels their presence to the front of a haunting tune.

Plague Garden feat. Azy Bats – Pandora | Bleeding Light Music (bandcamp.com)

SINE – Mantis 1

mantis 1

“Show me what you’re made of,” croons SINE’s main member Rona Rougeheart, atop a slow-burn minimal (but not “minimal wave”) beat. I found myself returning to this sentiment a bunch of times throughout the duration of MANTIS 1, the latest EP from SINE. “Attack”, the title of the opener, rides a single synth riff throughout its duration; it’s a cool riff, admittedly, and the swung house-music claps do much to keep the dancefloor alive. If there’s anything that ties together the whole EP, it’s mood; this slow burn tempo persists throughout much of the EP .”Future Whores” is a definite vibe switch from the opener, feeling more open, almost like a distorted version of a William Orbit track (and I mean that as praise.) Buzzsaw guitars sit comfortably next to fuzzy monosynths; “Until” explores a mellower vibe, with more of a rocky, dynamic feel.

“Blurred” is my personal favorite from the album; Mark Pistel’s glitchy, dirty industrial hip hop suits Rona’s vampy monotone very well, and I’d love to hear further collaboration from the two of them. “Control” closes out the EP with a retro 90’s-goth type track helmed by Curse Mackey (that checks out!), switching from roaring rock to noise to the familiar slow-burn dancefloor fare, sometimes with a whiplash change. The highs? This a VERY well produced EP, and both the mix and the sound choices work very well together. Sean Beavan, Mark Pistel, Curse Mackey and Charles Godfrey strike admirably similar vibes, which can be difficult when working with multiple producers. As for the lows, there’s never a moment where a track lets loose, where the energy and tension breaks into a big release; this may or may not be by design. Because of this, there’s the danger of a song feeling half formed. That being said, there’s always the next one to grow into your sound – and there’s a great deal of potential on display with SINE.

Check it out at BandCamp!

Kill Shelter – Asylum

In 2019 at the beginning of my goth renaissance UK producer Pete Burns released the album “Damage” in response to the trauma he was experiencing over the passing of his mother. He wrote the lyrics and music to each song while bringing in a different up and coming vocalist for every track. The result was a magical instant classic which became my top albums of the year for this review page. Damage was so far ahead of the game in what would become the new standard for both collaborative possibilities as well as a defining new tone in goth/post punk.

Kill Shelter review of : Damage – Sounds and Shadows

All songs written by Pete Burns except
The Necklace – words by Johan Lange, music by Pete Burns

Backing Vocals by Lynsey Burns
Concept and Artwork by Pete Burns
Vocals, Guitars, Bass, Synths and Programming by Pete Burns
Produced, Mixed and Mastered by Pete Burns at The Shelter

Fast forward to 2021 when Pete collaborated with one of the great guitar wizard of the modern Post Punk era Karl Morten Dahl of Antipole for “A Haunted Place“. A textural sonic painting where Pete took the helm of his own vocal duties. A flash negative exposed shadow dance. A beautiful departure with a focus on tone and abstraction.

A Haunted Place | Kill Shelter & Antipole | Kill Shelter (bandcamp.com)

Welcome to present day. Kill Shelter releases their third album Asylum, and the world has started to catch on to the soft-spoken genius setting the standard for this new wave. Featuring a slew of the biggest names of the scene: Stephan Netschio ( Beborn Beton) , Valentina Veil (VV & the Void), Karl Morten Dahl (Antipole) , Emanuel Åström (Agent Side Grinder) Alessandro Belluccio (Ash Code), William Faith (The Bellwether Syndicate), Ronny Moorings (Clan of Xymox). An impressive list of talent and experience which speaks to the respect Pete has catered as a producer and song writer. This album tackles an even darker theme of trauma and the most shocking pain of the human experience. Casting a light through a wide range of vocal prisms. The completion of a journey started just after Damage in 2019 and meticulously refined over four years.

Asylum [US Version] | Kill Shelter (bandcamp.com)

One of the powerful aspects of Damage was how it used the vehicle of a record to expose new listeners to collaborators with projects that all demand attention. I found several new bands that helped bridge my way into the modern Darkscene. Previous to creating Damage, Pete partnered on a blog with Christian Schaefer called (Rule of Three) to discover cutting edge bands and share them with the world. I am going to explore some of these standout tracks and the singers with the compilation feel this album has.

Asylum [European Version] | Kill Shelter (bandcamp.com)

In this Place: Featuring Beborn Beton – Singer Stephan Netschio of the German darksynth band has a voice that coasts the perfect line between grit and ice. Unnerving tension meets guitar percussion that staggers and ripples. I love the way it builds and expands without increasing in volume or speed. A masterclass in emotional impact with subtle elements.

A Worthy Compensation (Deluxe Edition) | Beborn Beton (bandcamp.com)

Valentina Veil of VV and the Void

Queen of Hearts (Feat: Valentina Veil) – Domestic violence is a difficult topic to address. Clashing fronts of synth and percussion is given gravitas by Valentina‘s overlapping vocal performance. A disassociated wispy dream with retro energy of Projekt Records. The entwined guitar lines feel like two rippling ropes shaken in alternate succession by someone working out. The spoken word section delivered in another tone solidify the duality of concept. Valentina was meant to be on Damage, it is so fitting she finally makes an appearance on a Kill Shelter album.

VV & The Void (bandcamp.com)

Bonafide TUUUUNE

Buried Deep (Feat: Antipole) – This track could have been on “First and Last and Always” with it’s bottom of the well bass resonance and shadow ripple guitar leads. In that vein Pete summons a cyborg Eldrich delivery both haunting and frozen as it faces a heavy weight too much to bare.

Marble | Antipole (bandcamp.com)

The Necklace (Feat: Agent Side Grinder) – Swedish synthrock darlings with dance club scintillation and unique vocal tone/cadence that I could always pick out of the lineup. ASG vocals always feel like chorus vocals, but I have no reason to confirm. The same spotlight production that sounds on another level. This track has a switchblade danger to it’s tone that stands the hairs on my arm up.

REMA/X: THE A/X REMIXES | Agent Side Grinder (bandcamp.com)

Feed The Fire (Feat: Ash Code) – The shooting star Italian Darkwave band that has become a scene force in record time preparing is for a tour of Central and South America collaborated on this sleazy shadow disco track. Explosive rising synth spell strikes and particle accelerator guitars. The vocals capture the effortless cool dynamic Ash Code are famous for. Another heart wrenching concept done with razor sharp execution.

All We Ever Wanted Was Everything | Ash Code (bandcamp.com)

Cover Me (Feat: The Bellwether Syndicate) – If you were to ask me who gives off the most live rockstar energy in the modern darkscene, the answer is William Faith. This is another true club jam that will send folks charging to the floor. William‘s vocals are sheer romantic goth perfection. The lyrics are a darker poetry which helps form the complexity of meaning. William is a legend and Pete gave him an Aston Martin as a vehicle to drive to the front of the club and shine.

The Bellwether Syndicate (bandcamp.com)

All Of This (Feat: Clan of Xymox) – To say Ronny Morning was a definitive voice in the scene is a vast understatement. One of the inventers of darksynth post punk. This jam is a charging quartet of apocalyptic horses. A culmination of dark tides eroding an unforgiving shore. The progressive time changes and subtitle phrasing are a work of genius and emotional impact that hits you when you least expect it.

Clan Of Xymox (bandcamp.com)

Overall: Kill Shelter has done it again. Creating a personal emotional journey through post-traumatic stress with expert production and collaborative vocal performances that shine a light on some of the top singers in the scene. I can’t wait to release and rare upcoming interview on the Sounds and Shadows youtube page. We dig deeply into the process and feelings of one of the most important artists the modern era. When we speak to future musicians who are in the know about what influenced them in our time. Kill Shelter will be the Joy Division like name that trend setters were appreciating in the present.