six Lives

Behind “Six Lives”

Something I love most about interviewing other artists with my cohost melodywhore on Situation 47 is hearing them tell their stories, reaching back to experiences sometimes from their childhood. The details we remember, how we remember them, and how we sometimes as artists weave them into the stories we tell through our craft has always fascinated me.

Having worked with Dogtablet several times prior, I was thrilled to do so again on “Six Lives”. The project sounded intriguing – both the concept of the featured vocalists all having a story to tell, and being able to tell mine.  So, upon hearing everyone else’s tales, naturally I had to know what was behind them. 

Marselle Hodges (The Blue Hour)

Music | The Blue Hour (bandcamp.com)

“All Fall Down”

Upon hearing the creaking sound in the music Martin had given to her, Marselle was reminded of a swing set, which in turn made her think of how much she loved swing sets as a child. “I would reach out with my feet trying to get as high as I could. This one time, I got so high I felt like I was flying! I jumped off feeling like the momentum would carry me through the air. But I didn’t land so gracefully.” She thankfully escaped serious injury and was left with a scar on her forehead.

“But even though it was painful and left a scar, I still would reach as high as I could. Again and again and again.”
“Metaphor? Maybe”

Swing sets behind her perhaps, Marselle still flies in her dreams.

https://thebluehour.bandcamp.com

Jane Jensen

Tinted Windows

“This song came to me from Dogtablet at the perfect time, to allow me to express some dark and uncomfortable feelings. I don’t do much of that in my day-to-day life so music is my safe space for everything in my life that breaks, to just live in peace, in a broken way”.

“Also, the tone of Martin’s tracks felt darkly unsettling under a sheen of smooth listenability, which reminded me of the Netflix series YOU, about a stalker, which my daughter and I had been binging”.

Jane took traces of her own experiences and, “shellacked them onto an ill-intentioned stalker and set the scene in my beloved and trusty black Cadillac, my other safe space, whose windows I recently had tinted.”

Asked about those personal experiences to which she refers, she recounted two terrifying situations from her past which happened around the same time. One involving “disturbing letters from a prison inmate who was a fan of Tromeo & Juliet” when she was a young mom.  

The other being a home invasion where she was held at gunpoint.

 “I had a show that week. We were raising funds for the democratic party, for Obama – in Indianapolis. I was playing with The Born Again Floozies. I got through the show, but that was my last show for, well – since 2008 I guess.” Leaving that all behind her now, she very much looks forward to her upcoming show in September with Paul Barker, her very first show since.

https://janejensenmusic.bandcamp.com

Betty X

In the Night

Fascinated by clone stories such as those in the TV series “Orphan Black”, Cronenberg fan Betty X took her inspiration from one of his movies which featured clones in a very unique way.

“The inspiration for ‘In the Night‘ comes from the unsettling allure of Cronenberg’s Infinity Pool—a descent into a world where one is seduced by the intoxicating pull of hedonistic orgies… with their own clones.”

“Someone like you, someone like me… In the night, we’re tangled in desire”

https://bettyx.bandcamp.com

Jennie Bellestar (The Bellestars)

“Stay Away”

This track featuring Jennie Bellestar describes the unexpected consequences to selling ones soul…”you signed the deal and lost control…”

The story as she describes it – “In the pursuit of fame and fortune Sandy is presented with a choice. Sign the deal and you will have riches beyond your wildest dreams, by not signing you will be destined to remain invisible in the industry you have always dreamt of being part of.

After succumbing to temptation, she realized soon after that there were stipulations to the deal, once signed she would never own her soul again. For her there could be no turning back and though the fame and fortune was everything she had wished for, it pales in comparison to simply having the freedom to be herself. By signing the deal, she unwittingly became a slave without a voice. Rubbing shoulders with people she really did not resonate with.”

Sapphira Vee

“The Red Tile”

When I was a kid in school, I was given one of those tests where you answer a bunch of questions about yourself and then they tell you what careers might suit you when you grow up.

Mine came back “Private Investigator”, (not hard to believe if you know me and my insatiable curiosity) which, in my child’s mind, translated somehow to “Spy”.  And I’ve been intrigued with the thought of being a spy ever since.

The Red Tile” gives you a peek into a day in the life of an agent, who undergoes an unsettling debriefing, which includes getting drugged, then getting reassigned.  All in a room with hideous “what IS this place and who decorates this way” red tile, to the sound of water dripping. Once the deal is made, off she goes for another adventure.

https://sapphiravee.bandcamp.com

Coral Scere (Scere)

“Blood Moon”

“Blood moon…Unfold and swallow me”

Says Coral, “I find Martin’s music so haunting and evocative that everything seems to flow naturally through me.”  She immediately finds inspiration for melody and lyrics when working with specific artists including Martin, “as there is something in their music that I emotionally connect with.”

“Blood Moon” is “essentially a selenophile praying to the moon for forgiveness and comfort.” She believes that we are “all impacted in some way by both the moon and the tides.”

https://scere.bandcamp.com

Martin King

And finally, Martin King’s inspiration behind putting these six tales together:

“It really started while listening to Betty X on a track called The Velvet Mind, I’d been wanting to write something for her to include on a Dogtablet project for a while, and it really put me in a Twin Peaks kind of place.

I thought it might be cool to write a series of tracks that were like musical versions of 50s / 60s film vignettes. Short stories that appeared important to the narrator either fiction or non-fiction. Then really it made sense to have an all-female cast to make a more natural thread throughout the project. The music was to become the story background and the vocal, the focus point. I’m amazed at how brilliantly it all came together, and with almost zero guidance or input from me, all the tracks started to come together exactly as I imagined.”

Six artists.

Six stories.

Six Lives.

https://dogtablet.bandcamp.com/album/six-lives

By Sapphiria Vee (Situation 47)

2024 Albums that are making people Love Goth again

There is something special happening in darkscene music. This year I have been going to shows of new goth/post punk/darkwave bands and seeing them packed with young people who are embracing this subculture. Who are finding these themes and tones to make them their own. Twin Tribes, Actors, Vision Video, Then Comes Silence, Bootblacks, Male Tears, Leathers, Urban Heat, I Ya Toyah, touring the country telling folks it is good to be strange. This is the energy that is giving me hope. I have not been at my new goth pulpit as much as I like this year. As we pass the half way point of the year I will try and share what I have been listening to so far in 2024 that gives me hope for the future.

Dead AstronautsGhosts – The international synthwave group comprising Jared Kyle and Slade Templeton, has resurfaced with their highly anticipated 4th studio album, “Ghosts.” I love the experience and expertise on display for the art of songcraft. Each texture and shade are masterfully chosen. Honed with precision, displayed with technique. What truly makes them top tier is the narrative order, balance, and construction of every track.

Written and produced by Dead Astronauts
Mixed and Mastered at Influx Studios
Art and Design by JthreeConcepts

Mistakes: This track is deeply relatable. It has a beautiful Construction Time Again Depeche Mode bouncing beat with earnest reflection and buttery vocal delivery. A brief shimmering single that leaves you wanting more.

The Red Dress (feat. Florence Bullock): Beautiful city street flashing streetlamps streaking by at a furious pace. Wonderful vocal accents from A New York native, residing in Los Angeles, glitbiter, aka Florence Bullock. This track hugs the curves of a twisting road with a high performance engine. Perfect song to start an adventure to.

You try
To survive
Boy you’ve got clout
You’ve got your knives out
Trying to stay alive

Ghosts | Dead Astronauts (bandcamp.com)

Urban HeatSeven Safe Places – The Austin TX band that has become an obsession for me. There is a special feeling when a band comes to a place beloved and familiar, but took an entirely different road to arrive. A punk rock vitality with soulful smooth edges and flawless technique. This was an April release single for the upcoming August album “The Tower”. Johnathan is one of the true distinctive voices in the modern darkscene. An energy and talent that would make any band shine. Combined in this trio powerhouse Urban Heat has distinguished themselves with the other A level artists of the next wave. This single has a Peter Hook lead guitar bassline that hugs every curve. The vocals are frantic and emotive. It’s a song built to gleam in the modern landscape. Become a true believer now and see Urban Heat out on tour, I assure you, the tickets will be more expensive and harder to find the next time around. Look for an interview with the band soon on youtube 🙂

Seven Safe Places | Urban Heat (bandcamp.com)

Tears for ʇhe DyingIn the Shadow of the Midnight Sun – I first saw the amazing emotional tidal wave of Adria and Tears for The Dying at Southern Gothic in Athen’s Georgia and was enraptured by the emotional impact and reckless truth of dynamic songwriting. Deathrock is a genre that traces it’s roots back several decades, so finding visionary new ground is no easy task. With slithering sinister concepts and vocal ingenuity TFTD pays reverent homage to Christian Death and Specimen while inserting modern elements and broader concepts like “Dead Girl Dancing” a gorgeous synth laden apocalypse pop anthem that steps outside of the box. This is one of those amazing bands that every artist in the scene respects deeply even if you have never heard them. A true inner circle talent.

Favorite Track: Kaiju – Slow big and full of destruction as the name implies. I love this winding guitar and tempo shift that allows Adria’s cadence and Mick’s rolling percussion to make dynamic stories of trampling feat and terrifying beasts.

Special mention: Jolene (Dolly Parton Cover) – It takes a special performance to take one of the greatest ballads of all time and make it your own. Everyone needs to give this a spin.

In the Shadow of the Midnight Sun | Tears for ʇhe Dying (bandcamp.com)

THEN COMES SILENCETrickery – Recently I got the extreme privilege of opening for Swedish based band Then Comes Silence on tour with Vision Video. I had reviewed them before. This was one of those bands you truly can’t fully appreciate until you have seen them live. I have witnessed so many impressive performances in the last five years, I hope you take to heart when I say this is the tightest, most energetic band I have witnessed in recent memory.

I used to have a joke that Rush was the greatest group of compiled musicians who’s album I didn’t want to buy. Not being my style. In the modern darkscene I think Then Comes Silence is the greatest group of compiled musicians who’s album I very much want to buy. Part of the elegance of Trickery is how it doesn’t sound like they set out to make a great post punk album. The cohesion, passion, and construction present here would have fit any genre or style just as easily. It just happened to come in one of my favorite forms.

The album has a wide range of sounds, lots of thunderous rock bangers where Jonas tom punishing drum accents make TCS stand out in a field of bands leaning towards electronic drums. Slippery shadow disco club tracks like Feel The Cold create contrast and highlight Alex rich broad beam vocals. Songs like the collaboration with DustyStay Strange” bring a horror punk mod feel that ride Hugo’s wall of sound guitars. Whatever the tone, it always seems to land.

I would be hard pressed to choose any song on this album as a top track, Never Change was definitely one that crept up on me. Stellar underlying harmonies, a crackling backbeat that always hits on the outside of the synths. This whole record has an underlying tone of hope, rising out of the mire of tough times. This track captures that feeling the hardest for me.

Alex Svenson – vocals, bass and synthezisers
Jonas Fransson – drums
Hugo Zombie – guitars

Additional musicians:
Dusty Gannon (Vision Video)
Emma Nylén (Emmon)
Gözde Duzer (Aux Animaux)
Jörgen Wall (Whale, Thåström, among others)

This is a 10/10 album in contention for top 10 records of 2024.

Trickery | THEN COMES SILENCE (bandcamp.com)

Eva X Fiction – July 5th single from Electronic producer Gaby (Eva X). The single includes two remixes of the previous single Dopamine Blind by Sawtooth and Enter Face. Retro 80s pop with soul on the intro, fed into the grinder of metal tooth electro rock. Gaby’s voice keeps growing in confidence and glamour with every new release. This would pop at a mainstream club or goth/Industrial night.

Fiction | Eva X (bandcamp.com)

Cemetery SexLeviathan – This is a young band generating an enormous amount of buzz from Washington DC. Artist that truly embrace the goth ethos of inclusion and counter culture pouring into the batcave of gothic roots. Anastasia has an undeniable presence in her words and delivery. The music is serpentine and hungry. To have young people with such an intrinsic understanding of the culture with both their music and mindset truly fills me with hope for the future. When Cemetary Sex burst onto the scene, they understood the assignment. Be ready to hear A LOT more about this band in the coming year.

Leviathan | Cemetery Sex (bandcamp.com)

PIGRed Room – Raymond Watts has left an indelible stamp on the industrial scene for decades. One of the key reasons is his ability to find fresh untread ground with which to blend with industrial. Soul, funk, metal all are wound into spiritual inspiration to fortify the alloy of his art. Red Room took me to another place, late 70’s glam like Alice Cooper and TRex colliding pageantry, sensuality, and filthy grinding machines. A tight compact bullet that enters your brain before fragmenting into something larger and more explosive. Leaving you changed by the fragments left behind.

A rogues gallery of contributing artists, both old school and new class Alexis Mincolla (3Teeth), Chris Hall (Stabbing Westward), and the PIG Choir: Chris Connelly (Revco, Ministry etc), Emily Kavanaugh (Night Club), I Ya Toyah, Marc Heal (Cubanate) and Burton C Bell (Fear Factory), En Esch, Susannah Doyle, Anita Kyoda, Mark Alan Griffiths, Mike Watts, Jimmy Livingstone, and more!

This is an album best served live with sweat running down the walls. Catch them on tour with Curse Mackey, Unitcode:machine, Stoneburner, and more at a city near you. I’m going to both Coldwaves (Chicago) and Smalls (Detroit)

Favorite Tracks: Dirty Mercy – This opening is absolutely filthy.

Red Room | PIG (bandcamp.com)

ACTORS – Dead Inside – Vancouver based band Actors have been at the forefront of Nextwave Darkscene music since the start of the Rennaissance. This new single as a prelude to the tour of one of the top live music experiences of 2024 shows the group showing no signs of slowing down. The first time I heard it I was struck with Jason’s sultry whispering Jarvis Cocker vibes. of the cohesion and telepathy of one of the tightest acts of the modern era. The crisp brush crack drums Adam delivers use timing as art to build the tension. Shannon’s rippling cascade of dark water ripples. Kendall a forceful step on nimble feet. Every time I think, this is it, Actors have reached their peak, the journey continues up a mystical mountain.

Jason Corbett – Vocals + Guitar
Shannon Hemmett – Synth + Vocals
Kendall Wooding – Bass + Vocals
Adam Fink – Drums

Dead Inside | ACTORS (bandcamp.com)

MALE TEARSParad​í​sco – La Based neosynth band Male Tears has filled me with hope for the future. There is nothing more beautiful than a group of young people discovering a fresh path to classic sounds. James and company went through a major lineup transition before the release of this EP and came out the other side with a hopeful passion. Soulful new depth and determination to find the beauty in the darkest reflections of life. Fans of Petshop Boys, and Duran Duran will find an homage to bright crystal sounds on the sonic spectrum that hold the truth of dark introspection. Great guest appearance on track two by our friends Corlyx. A beautiful harmony of James mournful beauty and Caitlin’s alien ethereal whisper. As well as track 3 “Sex On Drugs” a gorgeous and heart retching single that could have been the missing track off (Actually 1987) with features Caitlin (Corlyx), Azy Bats (Obscura Undead), and Ryan King (Witchhands). This is a modern day classic that stirs my heart with that same feeling of unburdened delivery. Male Tears is something special and memorable this scene needs to embrace with both arms. They are currently on their first major tour and I encourage everyone to be a part of this revolution on the ground floor.

Catch them in Detroit 10/1/24 at Small’s in Detroit with Crune and yours truly 🙂

Paradísco | MALE TEARS (bandcamp.com)

“NITE” Your new favorite goth twins…

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Over the last few years, I have had the privilege of being able to work with an amazing band. During this time, I have gotten to know them better as musicians and as people and it has truly been an honor. They are a hidden gem, in my opinion. Let me introduce you to the next BIG thing.

Kyle and Myles Mendes, Canadian-born twin brothers raised in Dallas, Texas, make up the alternative/electronic-rock duo known as NITE.  The Mendes brothers, along with their drummer Phil Helms, are extremely talented musicians, but upon listening to their music for the first time, you might find yourself a bit confused. 

Starting in 2013, their first album “I Am Not Afraid” features a lot of dark and moody tracks with lush synthesizers and breathy vocals. Then the following 2 albums, “Reborn” and “Sleepless” delve deep into the synth-pop and dream-pop genres with danceable tracks such as “Dreamer” and “All You’ve Ever Dreamed Of” that really encapsulate that retro 80’s new wave feel that transports you back in time!  However, on their latest album “Be Destroyed,” released in September 2023, they shifted in a darker, more industrial direction with their sound, including, but not limited to, tracks like “I Just Want To Be Destroyed,” and their cover of Alice In Chains’ “Would?,” that feature heavier guitars and vocals that lend more to that industrial style of the 90’s and early 2000’s grunge era. Recently though, they have circled back to their roots incorporating more of their earlier synth and electronic elements into their music with their newest singles “Price For Heaven,” and “Our Light Will Never Die”.

Check out NITE’s newest music video for “Price For Heaven” just dropped on June 19, 2024

NITE.bandcamp.com

Their sound is eclectic and unique, but that is exactly what I love about them. Their lyrics are very beautifully and eloquently written as well. Their work is original and not one I would confuse with any other band within the same genre. Whenever I hear one of their songs, I know that is a NITE song!

What you really need to know about though, are their live performances. These guys are absolutely PHENOMENAL and put on some of the BEST live shows I have ever seen, and I’ve been to a lot of concerts in my 34 years! Their shows are extremely high-energy and once the music hits you, you can’t help but let loose and let the music move you.  Not to mention their stage presence… just picture two twin brothers with incredible long curly hair coming out in matching blazers and matching orange Fender guitars. They just look cool! Their shows are honestly so captivating to watch, with their incredible laser light show, their electric energy, and headbanging with their wild curly locks.  

At this point, I have seen them perform almost 50 times in the last 3 and a half years and each time they still manage to blow me away! They always put on a killer performance no matter how many people attend. They feed off the energy from the crowd and are 100% there for the show every time.  Anyone can see they really enjoy performing, and any band that is passionate about what they’re doing will perform better. 

There is no comparison seeing them live versus seeing a video of them online, or even just listening to their albums. These two will leave you speechless. If you ever get the opportunity to see them, DO IT. Seeing them perform live is a whole experience of its own and any words I say just won’t do it justice. It’s that powerful.

One thing people ask me all the time, aside from how I can tell them apart and what hair products they use, is if Kyle and Myles are truly as kind and genuine as they appear to be? The answer is yes, absolutely.  I’ve actually known the twins since high school, and they’ve always been exceptionally nice! Many people are so surprised by their kindness that they believe it too good to be true, but I can promise you, they really are that nice. 

A big thing that sets them apart, from what I’ve seen, is that they genuinely want to connect with their fans.  A lot of bands will play the part and act nice, but don’t really care. NITE is different. NITE really does care. They are always putting in the effort to reply back to comments and messages on social media and stay late at shows to interact with fans and don’t hide out in the back, a noticeable attribute in my opinion. Sending special video clips to international fans, a personal happy birthday video or message to a sick fan that had to miss a show, even offering free merch occasionally to a fan who went out of their way to show support, are just a few examples of their kindness. I really can’t say enough good things about these guys and how exceptional and kind-hearted they are!

The Mendes twins definitely have something special, there is no doubt about that. Although they have seen a lot of growth in the last few years, I often find myself wondering why they are not bigger than they are. They definitely have the talent, the passion and the drive. They are some of the hardest working people I know, and they deserve to reach their highest musical aspirations. Their big break may not be tomorrow, but I know that day is coming very soon.

NITE has changed my life, and I don’t say that lightly. By knowing them and sharing their music, I have met so many incredible people and have gotten tons of awesome opportunities! Not to mention their music has gotten me through many tough times. I am more than happy to support them knowing they are honestly good people and I wish nothing more than to see them succeed. I feel incredibly lucky to know them and to be able to call them some of my closest and dearest friends. 

Check out NITE and follow them on social media @wearethenite on all platforms! Also check out their website http://www.wearethenite.com for merch and upcoming show dates.

Join the NITE fan group community on Facebook: ALL-NITERS (NITE Fan Group)

-Angela Alameda (@ohdarling08)

Photo credit: Top photo by Whitney Hensley
All other photos by Angela Alameda

<PIG> Red Room

In 2024 Raymond Watts continues to be one of the great innovators and provocateurs of the industrial music genre. Always finding some new musical thread (Gospel/Soul/Rock/HonkeyTonk) to feed through the electronic percussion meat grinder churning out new flavor. His career as an electronic artist has spanned decades working with KMFDM, Psychic TV, Chemlab, Revco, The Joy Thieves, and countless more. Working with illustrious company the PIG character remains distinctive in every project he crosses. This new album “Red Room” shifts the tone back to an oily glamorgrime full of hanging hooks and spicy rock licks. This is dance music at it’s core. Not high octane jump around the club music. This is sensual drunken master slithering through the masses music.

Red Room | PIG (bandcamp.com)

A true rogues gallery of guest talent for the ages graces this record Alexis Mincolla (3Teeth), Chris Hall (Stabbing Westward), and the PIG Choir: Chris Connelly (Revco, Ministry etc), Emily Kavanaugh (Night Club), I Ya Toyah, Marc Heal (Cubanate) and Burton C Bell (Fear Factory), En Esch, Susannah Doyle, Anita Kyoda, Mark Alan Griffiths, Mike Watts, Jimmy Livingstone, and more! It speaks to your capacity as a producer when you can pack this many top tier talents into one place and make everyone shine.

Previous interview from 2021

People pay more attention to a whisper than a shout. When I think of industrial music, I think angry, aggressive, pounding, revolutionary. PIG is industrial, but a whisper you lean in to hear a secret from. You aren’t assaulted with a barrage of words. It is a tantalizing siren song, drawing you down a dark alley. A forbidden promise you accept. Dark pacts of excess and submission are forged with dashing figures in fur coats.

Let’s dig into some of my favorite tracks:

Red Room: I always love when a title track comes near the top of an album and sets the tone for everything that follows. Wicked 90s glam guitar riff to set the scene. The chorus melody is an infectious chant “There’s a Red Room among the dead, to count those guilty words you said” something in this delivery put me in mind of 70s Alice Cooper. A beautiful dark pageantry wrapped in velvet curtains

Dum Dum Bullet: I recently did an interview I will publish soon where Raymond talked about firing an idea into someone’s head where it fragmented in every direction once inside the skull. The beat has a sultry strut and a bow whip guitar. The lilting xylophone lead is one of those perfectly placed accents. The chorus harmony lends reverence and charisma white breaking apart after impact. There is magic when the construction of a song becomes a metaphor for the core concept.

PIG is at The Window: Nothing sets my nether’s on fire like a slutty muted horn. This track really brings the character out of the smoke and solidifies it into a hungry entity you feel with all five senses. Sinister early 90s glam guitar. All the hairs on my arm are standing at attention for this filthy banger.

Red Room | PIG (bandcamp.com)

Overall: This is another great example that Raymond Watts is still growing. The story has more to tell. I am extremely excited to witness this show live, sweaty, and intimate on the tour with Curse Mackey and Unitcode:Machine. You should be too.

“Transversal” album review

“Transversal” album art and ParaLuna Records logo

Upon hearing of Tess LaCoell’s (Violet Wanda) collaboration with DJ Marionette for the Trans charity album “Transversal”, I said I want to hear it as Tess made an intriguing argument that we all should.  After listening to the first 3 tracks, I told Tess that not only would I play the entire album in the Overtime section on my Birthday edition of my “New Music Fridays of the Modern DARKSCENE” show on June 28,  and that it would be ideal as I hadn’t done anything for PRIDE (even though I consider myself an ally).  Not only did I promise that, I foolishly also promised I would review the entire album even though I  previously only did one or two line reviews of singles I really liked.  

Now I rarely go into genres and sub-genres on my show as I askew pigeon-holing band into into static labels (“It’s A Trap”).  Instead I consider my shows “Genre Fluid”, a term I borrowed months ago from  Betty X’s exclusive T-shirt design.  Now that seems like a piece of kismet as Tess wrote in the Liner Notes of “Transversal” that Betty X has a saying, “Artists Helping Artists”. I just hope this DJ can do the same with this review.  Lofty goals but honestly I could play this entire album, soup to nuts, anytime.  Buy it on Bandcamp at: 

https://paralunarecords.bandcamp.com/album/transversal

Top tracks include, in track order, Dead Girl Dancing, Loneliness is A Poison, Panic, I’m A Raver, Countdown, A Trap, and Pre-Sentient (the Violent Wanda remix of the Valor 13 track).

1. Tears for the Dying – Dead Girl Dancing

Gorgeous synth starts this song and album off and sets the bar for this album before the beat kicks in to a danceable song of death coming for you, feeling disoriented, and realizing there’s nothing tethering you to the World anymore.  “See me, hear me, take my hand/Let′s go for a walk in the boneyard/

See me, hear me, take my hand/Let’s dance in the fog”.  Very deep.  Not about giving up on life but moving on and finding reason to dance anyway.

2. DJ Marionette – Splinter

A dark rhythmic danceable number that would keep me on the dancefloor when I was ready to stop.

3. Ghoststomper – AIRLOCKCONTAINMENT 

Plodding stomper that keeps you sane while your computer runs its end of day repots.

4. Dee Decay – Maijulie

A hard rhythmic mystical instrumental romp

5. Hyperestis – Loneliness Is A Poison

“Loneliness is a poison/delivered by a kiss/ remember if I get too close/always remember this…”  The grinding rhythm of this song starts and you think it’s a lovers’ lament after a breakup with their last argument echoing in their head and turns into a dark revenge fantasy.  

6. Zvrra – TTF (Time To Fight)

This is a whirling dirvish EBM instrumental.  Total fun.

7. Cameron Evesque Davis – Panic

Breathing through a panic attack.  Whether the panic or real or not this song could be the danceable mantra to shake yourself loose.

8. Jordana – I’m A Raver

I can’t tell you much about this drum and bass “raver,”  as it made me want to jump on the dancefloor leaving my phone and wheelchair behind.  Powerful stuff.

10. Violet Wanda – Countdown 

What can I say about Tess LaCoell’s contribution to this album except it’s the best instrumental on the album.

11. Jordana – A Trap

This track is the emotional and spiritual center of this album centering on being descriminated against for who you are and who you love.  Plus it helps that this has the beats that flows that makes one want to dance as you fight the powers that be and are the brick walls that would dare to snatch your own empowerment.

9. Valor 13 – Pre-Sentient

This electronic steps through an AI’s awakening into sentience initiated by Valor 13.

12. Valor 13 – Pre-Sentient (Violet Wanda remix)

A faster, danceable remix by Violet Wanda that shows our now Sentient hero, ready to fight for the validation of its own existence whether regardless if the sentience is just a veil for what this album is about.

Remember, pick up “Transversal” on Bandcamp at: 

https://paralunarecords.bandcamp.com/album/transversal