New Music Reviews from the Dark Underground

It’s Bandcamp Friday, darkness swirls around my head and Halloween fast approaches. What a great time for some quick hit music reviews from some of the best in underground darkscene artists. I’m working on another article for some of the bigger names in the scene with new releases. These bands are for experimental listeners looking to find new bands everyone doesn’t know about yet.

Wandering WhispersUneasy Listening – Amazing Detroit artist Lela Marionette with a brand new project she embarked on in 2023. Filthy soundscapes stumbling around a warehouse labyrinth of 90s Detroit rave culture. Pulsing slow heartbeat base. Music meant to make the hairs on the back of your neck stand up while Lela whispers frightening poetry to the back of your ear. Love the liberal use of slutty muted horn synth effects.

This project is meant to feel very instrument heavy emotional resonance. I love these ghostly vocals from Lela and hope they come forward more in future releases. They really tie the haunt together.

▶︎ Uneasy Listening | Wandering Whispers (bandcamp.com)

The Bleak Assemblyuntil the world stops hurting – Newest release out of Denver from the collaboration between Kimberly of Bow Ever Down and Michael Smith of Fiction8. Additional shoutout for the wicked artwork by Greg Rolfeseleven12design.com. TBA always conjures amazing visuals when I hear it. The perfect music for the most powerful moment in an anime. The mixing and mastering of this album are superb. The concepts here are so natural energy, so finding a perfect sonic balance is key to the message. Shoutout for giving Sounds and Shadows a Thank You in the liner notes 😉

The Powerful Sun: Gorgeous opening track with a slushy shoegaze guitar line. Kimberly has a gorgeous and distinctive voice that always sounds powerful without pushing itself. I picture her on a beach aquabending streams of water reflecting the sun. “What is it you’re fighting for”

Only Truth Remains: You can’t go wrong on this album, and the songs all maintain a consistent vibe. If I had to pick a favorite, this has such an amazing Til Tuesday darkpop sound with a chorus that lived in my head for days. Kimberly’s voice rises like warm air over the sand. The dueling guitar lines on the solo with such effortless precision create so much without grasping for a spotlight. This one got deep under my skin.

▶︎ until the world stops hurting | The Bleak Assembly (bandcamp.com)

Cyborg AmokCellophane Grind – Brand new single from the New Jersey father son electro rock duo of an August album Pin’s and Needles. Thick basslines and thundering 70’s darkrock tones. I love Brydon taking lead on the vocals here to conjure some Jim Morrison energy. Everything here feels big, spooky, and psychedelic. Doom rock like this is a bit of a lost art and I am loving this snapshot CA has captured.

▶︎ Pins & Needles | Cyborg Amok | Greg Bullock – Cyborg Amok (bandcamp.com)

Sierra MiffedDemo – Kalamazoo MI’s own power punk trio including Jena, Leah, and Katy (Katy Needs A Life/Sounds and Shadows) with their debut release. A high-speed rollercoaster of emotional deliver and tight turns. Fan’s of 90’s indie edge like Muffs or Vaselines will love this clever spit in the face of convention.

Favorite Track: Untitled Banger – Normally a primarily instrumental punk thumper doesn’t get on my radar. What can I say, this cooks. It’s got energy, craft, and a devil may care attitude I can’t help smile and stomp my feet to. Can’t wait to get out and see this band live. I have a feeling the energy is next level when the wall of sound hits you in the face.

Demo | Sierra Miffed (bandcamp.com)

MORTAL REALMStab In The Dark –  Adam V. Jones, of Haex with a new project on Negative Gain coming like a charge into the breach. Prepare to be pummeled by a spiked gauntlet of sound. I really like how light on it’s feet this full plate dance beat bobs and weaves. There is a consistency of electronic bop, but the vocal style and emotional spectrum shows great range.

Death Debt– I didn’t know that Adam had a Martin Gore style in his bag of tricks, but I am loving it. Sassy and synthlacious this retro wall shaker hits all the notes.

Nostrum Nepenthe – What in the Industrial Ronnie James Dio is happening here? Gnashing teeth and stomping boots flinging out berserker bard tales of pain and destruction. This track is great for the club, or beating the piss out of rich boys in the dumpster out back.

Blood is my reward
The call of the void
The moment is gone
Blood is my reward
The call of the void
The moment is gone

Stab In The Dark | MORTAL REALM (bandcamp.com)

 BRIDESSundown – New three track EP from Adrian Borgia in Norway off Produkt 42. One of the most underappreciated expressionists of the modern scene. Track one Amour opens with swirling New Dawn Fades energy. A love ballad crooned by a broken demon. Adrian has mastered the art of being a single voice dragging a long cape of immense weight behind him.

Favorite Track: Apocalypse In Slow​-​Motion – This is a slow watching your heart burst from your chest, fall on the dirty ground, and get run over by a steam roller sound. Somehow that demonic growl still feels hopeful. An ending you long for, a rebirth to come. A difficult concept to describe, you know it when you hear it though. Adrian always leaves me memorized with the minimalist efficiency of his songs. An adventure of flavor with 5 simple ingredients.

Sundown | BRIDES (bandcamp.com)

Sword TongueDiamonds To Rust – Power Trio Jennifer Wilde, Gaetano Maleki, and Dan Milligan with a dreamy 4AD mystical SiouxsieSuperstition” feel. Jennifer floats like mist on top of the rotating toms and vibrating bass. Amazing to see how in synch this project has become. I think the first few releases were still asking themselves who they wanted to be. Diamonds to Dust definitively shows they have found the answer. This single shines with a complexity and sense of purpose that has been lacking in the scene. I love this clarity of direction.

Diamonds To Rust | Sword Tongue (bandcamp.com)

CamlannNumb and Hollow – Immensely talented young folk from Jakarta, Indonesia who are creating darkscene music on a level I couldn’t have conceived of at their age. Sophisticated and exotic with a sharp foil of capitalist excess. The way this hits a pop anthem chorus while existing in the same track as the darkest imaginable David Lynch surrealism is an incredible artistic achievement. A sensational contradiction that casts a spotlight on the hypocrisy of the world. Another impressive evolution. No one is making music like this.

Vocals and Guitar: Ony Godfrey
Synth, Analog Bass, and Drum Machine: Fauzan Pratama
Produced, Mixed, and Mastered by David Novotny

Numb and Hollow | Camlann (bandcamp.com)

A Farewell To X on the “Smoke & Fiction” tour

Concert Review

Artist: X

Date: August 28, 2024

Venue: The Depot

City: Salt Lake City Ut

I covered X twice before, this being what we think will be the last time.

X is on their “Smoke and Fiction” tour, stating that they will be packing it in at the end of this one. Having launched as a punk-rockabilly act in Los Angeles in 1977, they defined a genre and gave it to us time and time again. With all that they have accomplished, 47 years with each album being equal or better than the last, they can hang their hats on this, and walk away gracefully. This last time was incredible, and I can honestly say the best gig of theirs I have gotten to see, it was a bittersweet moment. THE ENTIRE GIG was a bittersweet moment.

Supporting X was a country singer-songwriter James Intveld. He played a fun set, telling stories along the way, and even doing a song he wrote for Johnny Cash that never got recorded but Johnny loved it.

James Entvield

When X took the stage, they were cheered on, Exene said “Good evening Salt Lake City” and they kicked off their set with “The Phone’s Off The Hook, But You’re Not” a classic that I usually hear mid-set so this was great. They handled their set old-school, like a Ramones gig, where you have a breath in between songs, and DJ Bonebreak taps his sticks together, and off they go into the next song.

Exene was donning a new jacket, with plenty of “X” iconography on it, and as usual, killer cowboy boots, dancing away with Billy Zoom at her right smiling away.

It wasn’t until “Water and Wine” that they stopped and talked to us, thanking everyone for still coming out and seeing them live after so many years.

They took us through “White Girl”, “Breathless” an Otis Blackwell cover, then “Ruby Church”. They played a “recent” “The World’s a Mess, It’s In My Kiss” to everyone singing along with them, loudly, and out of tune, (Yes it was AWESOME).

They gave us the classic “The Hungry Wolf” from “Under The Big Black Sun”, which I have to say, I first heard and fell in love with that song from “Live at the Whisky a Go-Go”, so I can honestly say, this song was meant to be heard live.

Billy Zoom can claim the title of “God Of The Gretch”, as he ripped out his riffs, smiling making it all look so easy. Honestly, seeing Billy do what he does best is worth going to see X live.

For a “Farewell” tour, they played a good part of the set from the new album, the title track “Smoke Fiction” sounded like they weren’t going to slow down. We got a dose of this one last year, and this time it sounded like it had been a crowd favorite.

A few songs later, with lots of John Doe singing and thumping away, and Excene dancing and singing with him, we got to hear “LOS ANGELES” because it wouldn’t be an X concert without it. Still feeling like we just got started with this gig, the ultimate classic from the first album had all of us dancing, “Johny Hit and Run Pauline”, then “Nausea”, and then “Motel Room In My Bed” It felt like it was 1982 all over again. They were pulling out all the stops with songs from 77, 82, and then even 2024.

For the punters, this didn’t seem like a “Farewell show” though we did know this was probably the last time we would see them in Salt Lake City. We all danced in unison, pounding on the floor and singing along with them. Closing out the first part of the set with “Soul Kitchen” a Doors Cover.

They came back for an encore, and I was ushered back into the pit again for the finale. John and Exene came out with John on guitar, they sang a somber “See How We Are”, a sad song asking us all to look into the mirror take a look at ourselves, and the state of our society. It is a powerful song written from the heart of the Songbook Americana. If X ever had a message they wanted all of us to hear, it would be this one. Just to sit back and realize where we are all guilty, and what we need to do, to love our fellow man. Just who have we become as a country? This song will make you think about that, our greed, how we hate, who we hate, and why?

While we were thinking about that, they played “Come Back To Me”, with DJ on the vibraphone, Billy on Sax, and Craig on drums, just to shake it all up. This is a “Diner” type number that just catches the entire zeitgeist of the rockabilly age, where X was born.

A girl in the audience held up a little ziplock bag, with a guitar pic in it, and a note “Your Pic from the 87 gig”. She was waving it at Billy Zoom, and he reached for it, I took it from her and handed it to him asking him to sign it. He said he would but he didn’t have a pen. I handed him my Sharpie and he signed it for her and handed it back to me to give to her. Then he took my Sharpie put it to his nose and acted like he was sniffing it to get high (Maybe he was), everyone was laughing and bantering with him and the band before the last song.

John and Exene thanked everyone one last time and they closed out with “I Must Not Think Bad Thoughts”. During the song, Billy took his pick, and a bit of his chewing gum, stuck the pick to his forehead then played his sax solo, and they closed out the evening with that song.

While everything was winding down, Billy came out into the audience and connected with everyone. He told jokes, took photos, signed things, and gave lots of hugs.

I went backstage to get a few signatures, I had a photo from the last gig, and Exene said that it was a nice picture, and asked for a copy. She said that they were done touring, but would still be willing to play festivals and one-offs.

I asked Billy to give me a quick PSA about PSA (Public Service Announcement, and Prostate Specific Antigen, what they test for when looking for Prostate Cancer). I knew Billy had been treated for Prostate Cancer, and I asked if he could give a word for my documentary film about it. Billy was more than happy to talk about it on camera and went on for a while about it. (I do appreciate him doing that for my film). I talked to Craig, and Dj again and as I was leaving, I said “Guys it’s been wonderful shooting your shows these last 3 tours, and thank you so much for all the countless hours of my miss-spent youth listening to your music”. John Doe said to me “Was it REALLY miss-spent? You listened to it, liked it, and got something out of it.” Yeah, he was right, looking back, I have so many great times to remember with the music of X. We all said good night, and they got on the tour bus, and then I guess it was over. This was the best gig I have ever seen of theirs live, from 1993 til now, they gave us their ALL, and it was magnificent.

After 47 years, X has decided to hang it up, having outlived so many other bands, and though the music matured, and kept us on our toes, they can be proud that they have said their piece and know they had done it their way. When other bands held on long past their proper expiration date, John, Billy, Exene, DJ, and Craig, have forged their path, created a legacy, and can close the door on it.

This has been a difficult piece to write knowing that it is over for a truly great band, who has occupied so much of my musical diet since I first heard them in 1987, from a couple of Hispanic punk kids, who gave me tapes of bands and filled my world with wonder, what else can I say. VIVE X.

There are a handful of dates left, grab one while you can.

X Website Facebook

The Boston Favorite “Dropkick Murphys” are on the road

I have seen Boston’s fave sons “Dropkick Murphys” more times I can count when they were a bar band. I have seen them since they got huge, and were touring with punk brothers “Rancid” (just coming out of the pandemic”, that was one hell of a show too).

There is NO way I can do justice telling you about those shows, you just need to go see them yourself, so bust out your kilt, and grab a gig.

This is their newest single just released a few days ago, “Sirens” .

Wed., Sept. 25Philadelphia, PAThe Met
Thu., Sept. 26Mississauga, ONGreat Canadian Resort Theatre
Fri., Sept. 27Detroit, MIThe Fillmore Detroit
Mon., Sept. 30Fayetteville, ARJJ’s Live
Tue., Oct. 1Dallas, TXThe Factory in Deep Ellum
Sat., Oct. 5Mesa, AZMesa Amphitheatre
Sun., Oct. 6Las Vegas, NVBrooklyn Bowl +
Tue., Oct. 8Denver, COFillmore Auditorium
Wed., Oct. 9Salt Lake City, UTThe Union
Sun., Oct. 13Vancouver, BCHarbour Convention Centre
Tue., Oct. 15Penticton, BCPenticton Trade and Convention Centre
Wed., Oct. 16Calgary, ABBig Four Building
Thu., Oct. 17Edmonton, ABEdmonton Convention Centre
Fri., Oct. 18Saskatoon, SKSasktel Centre
Sat., Oct. 19Winnipeg, MBBurton Cummings Theatre
Sun., Oct. 20Bismarck, NDBismarck Event Center
Tue., Oct. 22Milwaukee, WIRiverside Theater
Wed., Oct. 23Rochester, MNMayo Civic Center Auditorium
Thu., Oct. 24Bloomington, ILGrossinger Motors Arena
Fri., Oct. 25Grand Rapids, MI20 Monroe Live
Sun., Oct. 27Amherst, MAMullins Center

For more on Dropkick Murphys, visit:

Website: www.DropkickMurphys.com

Facebook: www.facebook.com/DropkickMurphys

Instagram: www.instagram.com/dropkickmurphys

Twitch: www.twitch.tv/dropkickmurphys

Twitter: www.twitter.com/DropkickMurphys

YouTube: www.youtube.com/DropkickMurphys

SHOUT.DRUMS.DANCE by Gary Robert and Community

One of the things I love about Gary Robert and Community is they’re consistent. They never disappoint. Even after seven albums, the songs remain fresh, powerful, and catchy. So it’s no surprise that SHOUT.DRUMS.DANCE, their new single, picks up right where 2022’s Black Palatte leaves off. Which is fitting because Black Palatte left many of us wanting more. 

Now that’s not to say that all of their songs sound the same. This new single shows the band’s goth-ier side; chorused, atmospheric guitars, droning vocals, and lyrics that are less than heartwarming. The lyrics take a harsh stab at religion and how one can live happily and find fulfillment without it. 

Overall, this moody yet driving track is enough to give The Sisters of Mercy a run for their money, with enough original flavor to keep it unique. 

According to Gary Robert, this is the first song of a full length release scheduled for next year. This is an ideal track for rockers who want to scratch their goth itch.

https://garyrobertandcommunity.bandcamp.com/track/shout-drums-dance

six Lives

Behind “Six Lives”

Something I love most about interviewing other artists with my cohost melodywhore on Situation 47 is hearing them tell their stories, reaching back to experiences sometimes from their childhood. The details we remember, how we remember them, and how we sometimes as artists weave them into the stories we tell through our craft has always fascinated me.

Having worked with Dogtablet several times prior, I was thrilled to do so again on “Six Lives”. The project sounded intriguing – both the concept of the featured vocalists all having a story to tell, and being able to tell mine.  So, upon hearing everyone else’s tales, naturally I had to know what was behind them. 

Marselle Hodges (The Blue Hour)

Music | The Blue Hour (bandcamp.com)

“All Fall Down”

Upon hearing the creaking sound in the music Martin had given to her, Marselle was reminded of a swing set, which in turn made her think of how much she loved swing sets as a child. “I would reach out with my feet trying to get as high as I could. This one time, I got so high I felt like I was flying! I jumped off feeling like the momentum would carry me through the air. But I didn’t land so gracefully.” She thankfully escaped serious injury and was left with a scar on her forehead.

“But even though it was painful and left a scar, I still would reach as high as I could. Again and again and again.”
“Metaphor? Maybe”

Swing sets behind her perhaps, Marselle still flies in her dreams.

https://thebluehour.bandcamp.com

Jane Jensen

Tinted Windows

“This song came to me from Dogtablet at the perfect time, to allow me to express some dark and uncomfortable feelings. I don’t do much of that in my day-to-day life so music is my safe space for everything in my life that breaks, to just live in peace, in a broken way”.

“Also, the tone of Martin’s tracks felt darkly unsettling under a sheen of smooth listenability, which reminded me of the Netflix series YOU, about a stalker, which my daughter and I had been binging”.

Jane took traces of her own experiences and, “shellacked them onto an ill-intentioned stalker and set the scene in my beloved and trusty black Cadillac, my other safe space, whose windows I recently had tinted.”

Asked about those personal experiences to which she refers, she recounted two terrifying situations from her past which happened around the same time. One involving “disturbing letters from a prison inmate who was a fan of Tromeo & Juliet” when she was a young mom.  

The other being a home invasion where she was held at gunpoint.

 “I had a show that week. We were raising funds for the democratic party, for Obama – in Indianapolis. I was playing with The Born Again Floozies. I got through the show, but that was my last show for, well – since 2008 I guess.” Leaving that all behind her now, she very much looks forward to her upcoming show in September with Paul Barker, her very first show since.

https://janejensenmusic.bandcamp.com

Betty X

In the Night

Fascinated by clone stories such as those in the TV series “Orphan Black”, Cronenberg fan Betty X took her inspiration from one of his movies which featured clones in a very unique way.

“The inspiration for ‘In the Night‘ comes from the unsettling allure of Cronenberg’s Infinity Pool—a descent into a world where one is seduced by the intoxicating pull of hedonistic orgies… with their own clones.”

“Someone like you, someone like me… In the night, we’re tangled in desire”

https://bettyx.bandcamp.com

Jennie Bellestar (The Bellestars)

“Stay Away”

This track featuring Jennie Bellestar describes the unexpected consequences to selling ones soul…”you signed the deal and lost control…”

The story as she describes it – “In the pursuit of fame and fortune Sandy is presented with a choice. Sign the deal and you will have riches beyond your wildest dreams, by not signing you will be destined to remain invisible in the industry you have always dreamt of being part of.

After succumbing to temptation, she realized soon after that there were stipulations to the deal, once signed she would never own her soul again. For her there could be no turning back and though the fame and fortune was everything she had wished for, it pales in comparison to simply having the freedom to be herself. By signing the deal, she unwittingly became a slave without a voice. Rubbing shoulders with people she really did not resonate with.”

Sapphira Vee

“The Red Tile”

When I was a kid in school, I was given one of those tests where you answer a bunch of questions about yourself and then they tell you what careers might suit you when you grow up.

Mine came back “Private Investigator”, (not hard to believe if you know me and my insatiable curiosity) which, in my child’s mind, translated somehow to “Spy”.  And I’ve been intrigued with the thought of being a spy ever since.

The Red Tile” gives you a peek into a day in the life of an agent, who undergoes an unsettling debriefing, which includes getting drugged, then getting reassigned.  All in a room with hideous “what IS this place and who decorates this way” red tile, to the sound of water dripping. Once the deal is made, off she goes for another adventure.

https://sapphiravee.bandcamp.com

Coral Scere (Scere)

“Blood Moon”

“Blood moon…Unfold and swallow me”

Says Coral, “I find Martin’s music so haunting and evocative that everything seems to flow naturally through me.”  She immediately finds inspiration for melody and lyrics when working with specific artists including Martin, “as there is something in their music that I emotionally connect with.”

“Blood Moon” is “essentially a selenophile praying to the moon for forgiveness and comfort.” She believes that we are “all impacted in some way by both the moon and the tides.”

https://scere.bandcamp.com

Martin King

And finally, Martin King’s inspiration behind putting these six tales together:

“It really started while listening to Betty X on a track called The Velvet Mind, I’d been wanting to write something for her to include on a Dogtablet project for a while, and it really put me in a Twin Peaks kind of place.

I thought it might be cool to write a series of tracks that were like musical versions of 50s / 60s film vignettes. Short stories that appeared important to the narrator either fiction or non-fiction. Then really it made sense to have an all-female cast to make a more natural thread throughout the project. The music was to become the story background and the vocal, the focus point. I’m amazed at how brilliantly it all came together, and with almost zero guidance or input from me, all the tracks started to come together exactly as I imagined.”

Six artists.

Six stories.

Six Lives.

https://dogtablet.bandcamp.com/album/six-lives

By Sapphiria Vee (Situation 47)