Unearthly Vessels hits the ground running with a Theta’s Twilight, their debut single. The Virginia duo strives to blend Darkwave, Goth and Electronic Rock. And overall the result has been successful. Somber lyrics, driving drumbeats and a dreamy production stylemake this single a worthwhile listen to fans of dark music. Fans of The Sisters of Mercy and Type O Negative would do well to pay attention and keep their ears open for future releases.
Composition: Joshua Morse & Scott Hall Mix/Master: Kevin Moun
Joshua Morse: Lead Vocs/Guitar/Keys Scott Hall: Backing Vocs/Bass
Lyrics: A lucid daze, a shadowed room I saw you sitting there alone. Eyes glaring red, soul bereft of life.
In that moment I saw the chaos of it all, Unholy night, infinite darkness. The elements torn apart, Corrupting, primordial.
I burn in the fires of creation. I drown in the waters of life.
I hear the dawn in your voice, Pitch-black eyes that hypnotize. You bind me in your twilight, Show me the truth of your night.
Your form beneath the moonlight, Your whispers, like honey in my ear. Though the cup is overflowing, Partake in the garden of life.
Nothingness transforms into a blinding image, All things are created and destroyed by fire. The heavens decay in their endless circle. The gods lay broken amongst forbidden stars.
I hear the dawn in your voice, Pitch-black eyes that hypnotize. You bind me in your twilight, Show me the truth of your night.
I hear you calling. You speak of the beginning of time. I hear you beckoning, You speak of the end of days.
There are bands that grab you by the ears and bands that grab you by the soul. Then there’s Ghost — the Swedish theatrical death-metal papal circus that somehow delivers both, plus a side of pure, unfiltered goofball joy. They’re not just a band; they’re an experience that leaves you grinning ear-to-ear, wallet happy, and weirdly full of love (yes, love) even after an hour-plus of Satanic iconography and power chords.
I grew up watching KISS movies as a kid, dazzled by the makeup, the flying rigs, the rollercoasters, the whole Kabuki-meets-arena-rock spectacle. But past the theatrics? KISS was mostly killer riffs, great rhythm guitar, and genius marketing. Ghost? They took that blueprint, burned it in a black-mass bonfire, and rebuilt it into something smarter, funnier, and musically ferocious. They’ve pushed every limit — anonymity, blasphemy, spectacle — and still keep the audience laughing and singing along like it’s a church revival gone gloriously wrong.
Anyone who walks out of a Ghost show feeling short-changed is lying to themselves. You get your money’s worth and then some. The feeling lingers for days: a mix of adrenaline, absurdity, and inexplicable warmth. (That was my exact experience last week.)
The policy of no phones in the venue? Genius. Everyone had to lock their devices in those little Yondr pouches — no distractions, no shitty TikTok clips leaking out, no jackass blocking your view with an iPhone on a stick. Even us photographers had to stash our phones while lugging massive lenses to shoot from the sound booth. The result? A crowd fully present, eyes on the stage, phones forgotten. Refreshing as hell.
GHOST ARE THE REAL DEAL
The fans showed up in force: dark nuns in habits and Eyes Wide Shut masks, V for Vendetta Guy Fawkes faces, full “Death Pope” regalia, Satanic priests everywhere. One of the other shooters leaned over and deadpanned, “I think I’m gonna need my gear blessed after tonight.” I laughed so hard I nearly dropped my camera. If you take Ghost seriously, you’re missing the joke. The whole thing is campy, theatrical blasphemy played with a wink — like The Residents if they traded anonymity for papal robes and cowbells.
The show opened with Gregorian chants floating through the dark, building tension like a horror movie score. Ghost took the stage behind a torn curtain, ripping into “Peacefield” (halfway through before the curtain finally dropped). When it fell, the arena exploded. Papa Emeritus (in full regalia) and the Nameless Ghouls were everywhere — animated, theatrical, impossible to pin down. The guitar work was razor-sharp: late-’70s hard rock echoes of Journey, Judas Priest, Boston, all wrapped in modern metal precision. One song in, I was already sold — they’d brought their A-game.
“Lachryma” shifted gears into an ’80s power-ballad vibe with Scorpions-style riffs and soaring vocals — tight, emotional, and huge. Then came the classic horror-film keyboard intro on “Spirit,” with the Ghouls trading matching riffs before splitting into dueling lines. It’s an older track, but it still fits like a glove — pure pre-Wes Craven prog-metal.
I had to stash gear and hustle back to my seat (10th row, first riser — stupidly close) just in time for “Majesty.” A few songs later, during “Devil Church,” the black backdrop ripped away to reveal a glorious gothic cathedral stage: LED candelabras, stained-glass windows glowing, everything lit like a cathedral from hell. The visuals were jaw-dropping, and the song? Pure power. I leaned to my photographer buddy and said, “Dude, I feel like I’m at a Yes concert.” He laughed: “Yeah, me too.” Prog-metal guitars tearing through the Delta Center — who knew?
“Circle” and “Darkness at the Heart of My Love” hit like classic metal anthems — riffs that took me straight back to my teenage bedroom air-guitaring to Boston’s “Amanda.” “Satan Prayer” opened with Papa Emeritus rising on a platform, holding a black matte cowbell aloft like a holy relic. He handed it to the keyboard Ghoul (devil-nun vibes), who started hammering away in perfect sync. My buddy and I lost it — straight-up Blue Öyster Cult “More Cowbell” SNL reference. Genius.
Pyro flared, heat blasting my face from 20 feet away. “He Is” turned into an acoustic power ballad, Papa blessing the crowd like a deranged evangelical. (The video’s Jonestown undertones were strong here — a sly warning about charismatic preachers wrapped in beauty.) “RATS” had the stained-glass windows animating with chasing rats and hellscape reds. Confetti guns blasted dollar bills with Papa’s face on them — they flew past me into the second tier. Insane.
Papa’s banter was pure goofball gold: thanking Salt Lake for growing with them (The Complex → Depot → Amphitheater → Maverick → Delta Center), then conjuring “Jesus” with a chant. A Hispanic roadie rolled out with a leaf blower to clear confetti. “Give it up for Jesus Rodriguez from New York City!” Jesus waved politely and kept blowing. The arena roared.
“Kiss the Go-Goat” was silly fun, but “Mummy Dust” killed — militant marching cadence, layered vocals, killer bassline (that unnamed Ghoul on bass deserves more credit; he held the whole thing together). Papa thanked the fans again, then dropped “Monstrance Clock” — an oldie that’s haunting and heavy, soothing lullaby turning into Luciferian metal.
The encore? “Mary on a Cross,”(Juxtaposition, right? Fair is fair), “Dance Macabre,” “Square Hammer” — the perfect closer, better live than on record.
Ghost isn’t just a band; they’re a full-on theatrical experience that mixes blasphemy, prog-metal chops, ’80s arena-rock nostalgia, and laugh-out-loud absurdity. They take themselves seriously as musicians but not as people — and that’s why it works. If you want humor with your arsenic, spectacle with your soul, and a night where you leave feeling lighter than when you arrived, go see Ghost.
You won’t regret it. You’ll be smiling for days.
Stay scary, goofy, and cursed, my friends. Until next time.
In 2018 Vancouver Post Punk band Actors released the groundbreaking album “It Will Come To You” as part of a next wave Darkscene revolution. After extensive touring through world stages the follow up record 2021 “Acts Of Worship” propelled Jason, Shannon, Kendell, and Adam to festival level crowds at the spearhead of the modern alt movement. Now with a third LP release and new tour on the horizon I’m excited for the chance to review the latest single “CTRL” on Artoffact Records.
For a band I have loved since the beginning when I hear a new release the first thing I think of is what is new? For me the Actors sound has always built around the core of Jason’s vocals. Thirteen seconds into CTRL you are blasted with a wall of sound driven by a run-away chariot of blasting bass. Jason is emotive and understated with Kendall and Shannon shining echo’s glowing around the edges. The guitar swirls and cracks in precise moments. The entire ride is a 3.25-minute banger with tight structure and vibrant energy. I can’t wait to hear this live with Adam booming away in 4/4. I’ve never heard Actors push the needle like this and I am here for it. The “Our Love Starts Forever tour is coming in 2026 and if you have never witnessed the Actors live, don’t wait.
Having written about Gary Robert and Community before, I was excited to hear of a forthcoming release, with Black Panorama as its flagship single.
This time, GR&C have some fun with the time signatures to keep your ears piqued while delivering their trademark blistering guitar sound and driving rhythm, while the subdued baritone vocals float along over the energy delivered.
No one thing about GR&C makes their sound enjoyable. It’s the whole that’s greater than the sum of its parts that make Black Panorama another feather in the cap for this Missouri band. Black Panorama is a foot-tapping, fist-pumping tune that evokes elements of memorable hard rock and goth rock bands thrown together in a mixture that doesn’t seem hodgepodge, but rather makes the listener wonder why no other act has tried it up to this point.
I have been admittedly awful at putting out new reviews the last few months. I just haven’t been able to muster the spoons to share the level of excitement I hold myself to when writing music reviews. In 2026 I am trying to find that energy again. So here are my favorite 30 Albums/EPs in the loosely defined Darkscene Genre for 2025. Was this everything I enjoyed, of course not. Did I forget something important? Probably. However even though I haven’t been putting out regular reviews like normal, it doesn’t mean I haven’t been listening. 2025 in spite of being an absolutely dumpster fire of a year, has produced some incredible musical releases. In no particular order because every album listed SLAPS 🙂
Curse Mackey – Imaginary Enemies
Bootblacks – Paradise
Mari Kattman – Year of the Katt
Jean Marc Lederman – Electronic Slipper Music
Mark E Moon – Pop Noir
Black Rose Burning – The Fear Machine
Corpus Delecti – Liminal
VNV Nation – Construct
Pixel Grip – Percepticide: The Death of Reality
Assemblage 23 – Null
Plague Garden – Under The Sanguine Moon
Sapphiria Vee – The Haunting of Us
ESA (Electronic Substance Abuse) – Sounds for your Happiness
Stoneburner – Post . Industrial . Occult
Caustic – FIEND I/FIEND II
HEALTH – CONFLICT DLC
Panic Priest – Once Wild
AL1CE – As Above, So Below
NITE – NITE
Korine – A Flame In The Dark
Patriarchy – Manual For Dying
Kill Shelter – Slow Burn Sorrow
Blood Dance – Walk the Night
Red Lorry Yellow Lorry – Strange Kind Of Paradise
Bellhead – Threats
The Funeral March – It All Falls Apart
Roger Ebner – EBNR
Grabyourface – Sad Girl Mixtape
Kali Dreamer – Imperfect Dark
WitchHands – Vox Nihili
I hope you give a listen and a share to every album here. They are all amazing and worth your time. These are all real underground artist, so please give this post a share to increase the bandwidth for awesome music in our scene. Remember you found all these bands first, so the more folks you tell about them, the cooler you are 😉 I’ll give a few words and a link about each record 🙂
Curse Mackey – Imaginary Enemies – Luckily I already have a review done of this record. A brand new solo album from Texas front man extraordinaire Curse Mackey (Evol Mothers/Pigface/My Life with The Thrill Kill Kult) and it’s the most vicious offering to date. Curse brings a vocal talent capable of standing in for Peter Murphy and a poetic spirit of William Burroughs splashed against the canvas of early 90s Wax Trax. Following 2022 Immoral Emporium this fresh construction tackles the modern trauma of self-reflection and paranoia composed in the post capitalist world. Dripping with religious pageantry and gothic ideals Curse weaves and electronic tapestry to challenge a world of degrading empathy.
Produced by Curse Mackey + Chase Dobson Lyrics by Curse Mackey Performed by Curse Mackey + Chase Dobson Mixed by Chase Dobson
Bootblacks – Paradise – One of my favorite bands of the modern darkscene. I feel like I have been on this journey through style changes, line up changes, one things stays consistent. It’s always something fresh, always something real, and always at the top quality of any genre they dive into. Post Punk, Slick Indie, Italian Dark Disco, I never know where Panther, Barrett, and company will go next. I could not have predicted this. A complex deep cut British synth. Flavors of the criminally underrated OMD album “Crush”. Another gorgeous presence is the muted Saxaphone in a modern sound, something sure to always win my heart. with every track I am staggered by the crisp tone and razor edges. Bootblacks for me conjures images of a smokey underground club with flickering gasoline lights. Paradise is a rise to main stage neon crystal waves of Simon Le Bon.
Mari Kattman –Year Of The Katt – I got to see the uber talented producer/singer Mari play live this year. This album is one badass affirmation of being a positive wicked warrior in a world that keeps falling apart. Whenever I needed a little energy to keep my head up this was an album I turned to. The production levels are exquisite, and Mari’s smokey silk voice is captivating and dangerous. Favorite Track:Little Bullet Girl wicked Shirley Manson energy
Jean-Marc Lederman – Electronic Slipper Music – Jean-Marc is one of the most creative conceptual composers of the modern era. As well as a legend in the scene. His albums often feature guest vocalist but for this record he took on the duty himself to wonderful effect. A whispered tongue and cheek spoken word beat poetry. The music weaves the electronic chaos like jazz. The humor, the muted horns, the breaking of the 4th wall. In a world of regurgitated uninspired ideas, Jean-Marc is an artist in a world of products. Favorite Track:I Fell In Love With A Russian Spy
Lyrics by Jacques Duvall (Lio, Sparks, The Runaways, etc…). Lyrics by Emileigh Rohn (Chiasm, Rohn-Lederman). Lyrics by Jean-Marc Lederman
All music composed, played, arranged and produced by Jean-Marc Lederman All vocals by Jean-Marc Lederman. Sorry about that 😉
Mark E Moon – Pop Noir – Total 10 track banger album from the Isle of Man off Cold Transmission. This record is such an evolution of the modern goth ideal. It’s furious, it’s dark, it incorporates the soul of the past with the precision and technology of the future. Mark has a generational baritone voice. I can’t help but be reminded of UltravoxVienna for creating something primal and dark. I’m a huge fan of Mark E Moon, but this record hits different. A transcendent beauty that the larger world scene needs to take notice of. Favorite Track:Ten Thousand Years
Black Rose Burning – The Fear Machine – One of the most underrated bands in the scene from NYC George and Black Rose Burning with a new record of fantastical beauty and intelligent stories. George Grants voice and playing style is unique and captivating. The tone transports you to a blend of science fiction and ancient civilizations. BRB is really raising the standard of quality as well as the level of conversation in modern goth. Favorite Track:Into the Black
George Grant – Vocals, Bass, Synth and Guitars Luis Infantas – Drums, Percussion and Synth Triggering Produced, Mixed and Mastered by George Grant @ Putnam Valley Recording Company and The Wolf’s Den – Manhattan Cover Artwork: Antonella Di Mattei / Eshmoon DM
Corpus Delicti –Liminal – Goth legends from Nice France with this blistering Raw Power gothic offering with a cold wilderness energy. Alien sounds, hurky jerky rhythms, surround sinister snarling vocals. Really nice trad goth guitar work. Everything on this record works in perfect harmony. The attention paid to dynamics really take you on a journey. Favorite Track:Chaos
Additional Musicians : Laurent Tamagno (drums on « Crash » and « Chaos »), Frédéric Allavena (Piano and backing vocals on « Under His Eye »), Max Abrieu (trombone on « Under His Eye »)
All music and lyrics by Corpus Delicti Drums recorded at Mounta Cala Studio, St Cézaire, FR by Valery Lacroix. All others instruments recorded at FATS Studio, Nice, FR by Franck Amendola. Produced by Franck Amendola and Corpus Delicti Mastered at The Exchange, London, UK
VNV Nation – Construct – Ronan Harris was one of my first introductions into futurepop. A distinct powerful voice with a gift for tapping into and conveying emotional snapshots that are so relatable. The themes are often on self-discovery and Construct seems to lean into that harder than ever. The music is bouncy and upbeat for the most part but contains such a depth. Favorite Track:Nothing More , this one ripped my guts out and left them steaming in beauty on the floor.
Music and lyrics by Ronan Harris Produced by Ronan Harris Recorded at Anachron Studios, Hamburg, Germany Mixed by Benjamin Lawrenz and Ronan Harris Mastered by Chris Gehringer at Sterling Sound Published by Schubert Music Publishing Released on Anachron Sounds
Pixel Grip –Percepticide: The Death of Reality – No one is writing such a fire hose blast of pure bangers as Chicago’s Pixel Grip. Every track is an instant dance party. Rita Lukea belts out Siouxsie like brash punk beauty. It’s one of those records that makes you feel cooler than you are while you walk down the street listening to it. Absolute masters of sonic transition. Favorite Track:Split
All songs written by Rita Lukea, Jonathon Freund & Tyler Ommen Produced by: Rita Lukea, Jonathon Freund, Tyler Ommen, & Joojoo Ashworth Vocal Production & Mixing: Andrew Lappin Mastering: Ruairi O’Flaherty / Nomograph Mastering
Assemblage 23 – Null – Another FuturePop lord with a new emotive dancefloor gem. I love the romantic tone Tom Shear infused into this record. The world is a frightening place lately and hearing this hopeful message of love really did my spirit good at some dark moments. Tom has such a rich and earnest voice. It’s hard to put to words its ability to make you feel calm and secure in the moment. This is my feel good record of the year. Favorite Track:Believe , Always open with a banger.
Plague Garden – Under The Sanguine Moon – From Colorado comes this Vampire themed death rock record leaning in from a lost time. Sometimes I think modern goth music is afraid to embrace the over-the-top theater of its roots. Plague Garden jumps in head first to the murky pool. Every member of this band is an expert on their instrument from the Carl McCoy school of goth knocks. The songs also have some amazing guest spots from Azy Bats, Dan Milligan, and Brian Gillette. As if I didn’t love the style and sound enough, they also keep true to the political punk ethos of goth. The lyrics all tell a beautiful tale of anguish and horror in English and Spanish. Favorite Track:The Dirty Dead
Sapphira Vee – Unfolding – I understand this one is riding the line between album and EP, but even with 6 tracks it is undeniable that it shreds. Sapphira is an artist I have gotten to watch the growth of in the last 6 years and she is hitting an unmistakable stride with Distortion productions. The guitar lines are rolling walls of flame which find a perfect mix with her smokey gospel vocals. I love the clever synth instrument choices to add a 90’s Susan Vega world beat vibe. Every track here cooks without a wasted moment. The concept of short stories mixed into songs is brave and inspiring. To Forgive or Not is absolutely heart wrenching. What a raw moment she shared. Favorite Track: I would go with To Forgive or Not but it might be a little too real for my comfort. Instead I’ll pick Evil In Numbers with a guest vocal from Jim Semonik, total banger.
ESA – Sounds for your Happiness – Uk Artist Jamie Blacker does the hardest freaking industrial I can handle. Maybe not the hardest there is, but it is my maximum spice level for enjoyment. Complete vision of concept, intelligent lyrics, and hot wet charisma rising from the floor. Always the right sound to convey the moment. I dare anyone to listen to this record and not feel your body moving. This record is my apocalypse soundtrack and the way things are going I will need it sooner rather than later. Favorite Track:Something For the Horsemen
Stoneburner – Post . Industrial . Occult – Baltimore Cyber Wizard Steven Archer‘s latest offering full of tight turns like a Tron light cycle. “Oh Ken, picking another of your friends?” Guess what, my friends make the sickest music. Every new release of Stoneburner Steve steps further in front of the mic to embrace the frontman inside him. Mark Alan Miller (Out Out) joins in the production to add a funky 90s industrial flavor to the glistening bionic teeth. I kept picturing that day 1992 at Pine Knob when Ministry took the stage and the sod blotted out the sky. Favorite Track:C4 Amour
Caustic – FIEND I / FIEND II – Why do we love Madison Wisconsin Industropunk Caustic? The punk rock ethos? The intelligent political vinegar? Is it the fact that Matt loves bad ass beats as much as you do and dedicates his life and time to making sure your fuking bones quake when his bassline drops? Pick an answer. One truth remains, for 1.5 decades now Caustic has been giving you both barrels of fearless phosphorus dragon round industrial music and the Fiend dual albums leave it all on the floor. Fiend I is a Tesla arc of manic blue energy. Both have a wonderful Underworld umami with just as much diversity to the flavors. Fiend II is slushy soul bearing concrete stomps. Both humble, self-aware, and real as a heart attack. I wish all dance music had the courage to be this honest. Favorite Tracks: Ritual Self Destruction and Survive Myself Despite Myself. Fuk these hit hard.
No AI went into the making of this. Don’t be a hack.
HEALTH – CONFLICT DLC – In 2024 HEALTH had an album on my top records list, and here they are back again. The LA trio is simply changing the game. I rarely see something as debated as rather they fall under the “goth” umbrella. One thing that is decidedly true is they fall under the umbrella of things that consistently slap. It’s jet black ear candy in a latex wrapper. It’ sexy, soulful, and follows a beat of it’s own. I could just set this record on repeat and not get board of it for 4 days. Favorite Track:You Died
Panic Priest – Once Wild – Chicago shadow crooner Jack Armondo was one of the first artist I discovered in my goth renaissance back in 2018. A dreamy rich baritone voice who fires out wicked guitar licks and fills a stage all on his own. In those years he has evolved and refined leading up to Once Wild. It’s so sleazy and retro in tone and presentation. Like plush purple velvet wrapped around Depeche ModeViolator. I love the even ratio blend of synthpop and glam rock. Jack has a sensual unforgettable voice that makes the hairs on the back of your arm stand up. Every new Panic Priest record makes me say “This is the best Panic Priest album yet” but… “This is the best Panic Priest album yet” Favorite Track: My Lonely Ghost
Produced, Mixed and Recorded by Brian Fox and Jack Armondo at Altered States and The Panic Pad Additional Production and Recording by Daniel Belasco at The Belasco House Studio (Tracks 3,7) Mastered by Jeppe Hasseriis at The Constellation
Cover Design and Layout by Eric Adrian Lee Concept and Front Cover Photo by Jack Armondo Model: Lindsey Nelmar Back Cover Photo by David Joseph Gall Panic Priest “Splatter Logo” by John of Clubdrugs
AL1CE – So Below – Progressive psychedelic dark rock with blistering laser vocals and true artistry for every instrument on a packed stage. Basically Goth Jefferson Airplane led by the charismatic Tash out front. This album is emotive and deliberate. An emotive rollercoaster behind the curtain. So below hits on the heavier rock driven side of Al1ce. The record features a lot of wicked guitar licks and heavenly vocal blends but otherwise hits a wide variety of styles within the loose dark rock concept. Tash also does an awesome interview podcast called The Unwritten Rules of the Road. Their live show is a must see of the modern scene, never miss a chance when they come through your town. Favorite Track: See Me
All AL1CE songs written by Tash Cox, Scott Landes, Gordon Bash, and Steve Kefalas
Nite – NITE – Twin brothers from Dallas Texas with this self-titled release. These lads just have something captivating and special. The harmony of shadowy Duran Duran sounds blended with romantic gothic Cure vocals. if you aren’t on the NITE bandwagon yet, do it now, because in a few years you will need to buy a ticket to a festival to see these shooting stars. Favorite Track: Easy – this has such an awesome 90’s electronic sound that transports me back.
Korine – A Flame In The Dark – The gorgeous darkgaze sound of Korine from Philly is criminally underrated. One of those bright warm glow sounds with lyrics so raw and crushing like Pet Shop Boys “Rent”. As they have done more releases they keep everything that makes them great and add layers of depth and maturity. Favorite Track: it’s hard to pick but I’ll say “Screaming in the Night” because the lyrics made me cry.
All songs written, recorded, and produced by Korine Mixed and mastered collaboratively by Trey Frye and Noah Lemen Korine font designed by Liz McLean Insert Photo by Caro Ramirez Artwork layout and design by Korine Released by Born Losers Records 2025
Patriarchy – Manual For Dying – LA razorpop artist Patriarchy had one of the best cross over records this year. Something that transcends genre by pulling the best parts of so many sounds together. The vocals are haunting and ethereal. The music is a swirling vortex that flows in clean patterns that follow the instinct of the bodies movement. Every song here is a dance floor banger. Favorite Track:Pain Is Power
Kill Shelter – Slow Burn Sorrow – Pete Burn’s is one of the best producers/song writers of the modern goth era. 2019 album “Damage” is a 4th wave classic. With Slow Burn Sorrow Pete stripped everything to the ground a minimalist Swans like swaying delivery of tortured melody. I love when an artist proves they can hit you emotionally using any tool in the box. Using 58 overlayed sounds or 4 simple tracks Kill Shelter has a grasp of how to connect with a human story. Something of a lost art in the singles and over produced beats in the current deluge. Favorite Track: A Gift of Ashes
Blood Dance –Walk the Night – Akatoxkatl Martinez in Mexico City has blended trad goth sensibility with protest punk heart, and wicked dance beats to create one of my favorite modern interpretations of what captured my soul in early goth. Produced by goth legend Franck Amendola (Corpus Delicti) who understood how to perfectly blend the emotive rise and falls of Akatoxkatl‘s vocal delivery. This record just drips with soul, it’s a living evolving energy from track 1 – 7. Mexico City has a goth scene that needs a lot more attention and Blood Dance is leading the charge into the future. Favorite Track: Compromise
Produced by Franck Amendola & Blood Dance | Mixed by Franck Amendola at FATS Studio in Nice, France | Mastered by Jerome Schmitt at theairlab.com in London, UK.
Red Lorry Yellow Lorry – Strange Kind Of Paradise – I 1st heard English goth legends Red Lorry Yellow Lorry in the 90’s in college with the album “Talk About the Weather”. I was struck by the chaos and dynamics, by Chris Reed’s corroded dark delivery and blistering cadence. In 2025 they have released a new album on COP with the chaotic blistering post punk guitars, layered in more digital swirls and psychedelic fantasy. Fans have been waiting for this record for two decades and it does not disappoint. Favorite Track: Walking On Air…that bassline…perfection.
Chris Reed – Vocals & Guitar David Wolfenden – Guitar Simon ‘Ding’ Archer – Bass, Synths Martin Henderson – Drums
BELLHEAD – Threats – From Chicago my favorite duel bass dark alt murder ballad stars Bellhead put out this absolute banger record. It’s tight, it’s fierce, and it has a vibe all of it’s own. This is story telling explosion somewhere between Nick Cave and Filter. It’s even better when you see it live. it also contains a couple of wicked Remixes by Club Drugs and Stabbing Freaking Westward. The Bass growls, the guitars howl, Ivan does both. Karen makes all the edges smooth and sparkling. Threats are all my favorite things from the 90’s alt scene with the benefits of modern production. Favorite Track:Heart Shaped Hole
BELLHEAD Karen Righeimer ~ Low Bass / Vocals Ivan Russia ~ High Bass / Vocals / Drum Programming
All Songs Written, Performed and Produced by BELLHEAD Management Consulting David Schock
Recorded & Mixed by Neil Strauch Mastered by Carl Saff
Photography by Fleurette Estes Design by Igloo Vacuum
The Funeral March of the Marionettes – It All Falls Apart – From Rockford Illinois this one is a tearjerker just to talk about. The mind child of beloved scene figure Joe Whiteaker who was taken from us too soon by cancer. His bandmate Darius McCaskey engaged some friends to make sure this record found its way into the world even after Joe’s passing. It ended up being his most profound work. A heart wrenching work of beauty and mortality. Razor sharp instrumentation, haunting vocals, and masterful production by goth legend William Faith. I just love playing this album and try not to cry picturing Joe belting his heart out. Favorite Track:Shadow Games
The Funeral March of the Marionettes is: J. Whiteaker – Vocals, Bass, Keyboards, Programming D. McCaskey – Bass, Programming, Backing Vocals W. Thiele – Guitar, Backing Vocals
Additional performances by: Ria Aursjoen (of Octavian Winters and AURSJOEN) – Vocals on “Stars at Night” and “Save Us” Rob Hyman (of [melter]) – Drums on “Save Us” and “It All Falls Apart” Renard Platine – Bass VI on “Bobblehead”
Remixes by Tweaker, Bellhead, and The Joy Thieves
Recorded at Studio 13 Produced, mixed & mastered by William Faith (williamfaith.studio)
Roger Ebner – EBNR – I’m a huge sucker for saxophone in darkscene music. Roger of (Pigface) is a true artist of stretching the instrument beyond it’s intended boundaries with electronic effects. His story is such an inspirational one. Being told he would never play again after a frightening diagnosis. Through perseverance and creativity he birthed this beautiful record with the help of Krstoff Liggio of legendary industrial band BILE. Favorite Track: Break It Up
grabyourface – Sadgirl Mixtape – From France Marie has been creating their own genre of electronic sadpop that just keeps evolving. Visceral Leonard Cohen lyrical poetry with modern sensibility and gorgeous backing like grey waves rolling into the shore. This record is so raw and full of confrontational wisdom. Favorite Track: The Black of my Hoodie
Kali Dreamer – Imperfect Dark – From Colombus Ohio comes Kali Dreamer, one of the most talented young people in the modern scene. A lot of folks on this list are well known and talked about by other pundits of the scene. If you take away one thing to put yourself out there and try that you have never heard of it should be this CRIMINALLY underrated record. Derek Christopher does a masterful job of production to make these songs glow in the neon that modern goth can achieve. Markise Johnson is a vocal and songwriting talent that draws you in immediately. These songs tell a vivid story and expand the definition of what you thought you knew about goth. The sleazy slushy guitar work is a masterclass in tone and setting. Favorite Track: Dead Boys Don’t Fall In Love.
WitchHands – Vox Nihili – Colorado band Witchhands is one of the most underrated talents in modern Deathrock. Vox Nihili is a reimagined and re-recorded version of the first WitchHands album A Voice and Nothing More (2018) with the 2025 band lineup.A Voice and Nothing More is what made me fall in love with Ryan and their sound in the first place. here hits another level of production, which the raw grizzly sound of AVANM was part of what i loved. That broken glass in a sleazy ally is still there. what they have done to create atmosphere and transport you to a horror movie landscape is different. I used to play A RPG in the 90s called Vampire the Mascarade, to set the tone for the game I would often play (joy division, Bauhaus, The Sisters,) to put my players in the right headspace. If I ran a campaign today, I would play Vox Nihili. Favorite Track: Still Derelict, it feels like being chased by a Crynos form werewolf through a New York back ally.
Ryan Flint: Vocals, Lyrics, Art Brian “Sleazy B”: Drums, Production Dæmien Alexander: Guitar Danny Vigilante: Bass
