Review of Joy Thieves “Cities In Dust”

Artist: Joy Thieves

Album: Cities in Dust

Label: Armalyte

Hometown: Chicago IL

Members: Holy Shit too many to count 🙂 Please see Facebook link below Chris Connelly , Dave Suycott , Louis Svitek , Ania Tarnowska , Eric Liljehorn , Mike Reidy , Matthew Clark , James Scott , Dan Milligan , Michael Allen , John Fryer , Lana Guerra , Gordon Young , Howie Beno , Mike Czarnik

https://www.facebook.com/pg/TheJoyThieves/about/?ref=page_int

https://armalyte.bandcamp.com/album/the-joy-thieves-cities-in-dust

The Joy Thieves are a massive collaboration with over thirty contributors gathered together by Dan Milligan. When i first heard this EP my initial description was “This is what it would sound like if Clutch beat the shit out of Stabbing Westward with a baseball bat” I still stand by that. This record has a ton of big name Industrial contributors and the Pigface, Ministry, Chicago Industrial sound is prevalent. To me what really made this record shine was the hard rock aspects charging forward which included aspects of industrial. Not the other way around. Dan is a drummer by trade and this percussion fills every inch of space and creates such electric movement. These tracks have melody and catchy hooks, but it’s the teeth that sets them apart. It bites hard, visceral, and does not let you go.

This EP includes remixes and a cover of “Siouxsie and the Banshees” sung by the amazing Ania Tarowska of I Ya Toyah. Her vocals are a fierce guttural homage to the queen of goth punk and pulls off something I had lost hope for. Making a song that was so incredible it had been overplayed into the ground, sound fresh and crackling with energy once again. The musicianship on the guitars make every song sizzle with true foot stomping ferocity of rabid wolves attacking in unison. Every song finds a way to build in succession and find a new voice.

Lets talk about favorite tracks. It is an EP so I will limit to two.

Honeycomb and Silk – This song is a freaking master class in percussion and drive. Thick slashing guitars are chased like wild horses by whip crack snare snaps. The vocals are a driving chant with range and intensity. I just want to play this song and break shit.

Cities in Dust – I hate to use a cover for best tracks but this one is a show stopper. There was so much potential to go wrong covering this song. Cities in Dust has been played at every goth night since the Vandals sacked Rome. Although I love it I almost dread hearing it at this point. Then Dan and company found a way to turn it up to 11. Ania attacks it with a ferocity I think Siouxsie herself would be proud of. Plus the humming guitar lead really cuts through the mix to give a blistering hard rock feel. They made me give a shit about Cities in Dust again.

Overall this EP was a blistering fresh romp through the wild west of hard rock on an mechanical horse. The lineup is so chocked full of talent it couldn’t help but obliterate every target it set sights on. Sometimes you just need to flay with reckless abandon and swing your arms to intense perfect precision drum beats. This is the album to do that to. Turn it on, max your volume, and scream until your neighbors know just who they are fucking with.

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A rookies guide to Cold Waves VIII Chicago day 1. 9/19/19

In 2012 a musician and sound engineer much beloved by the scene named Jamie Duffy was taken too soon. In an effort to pay tribute and help his family, a group of bands collaborated to create a music festival. Eight years later it has continued to grow and thrive as a celebration of music, counter culture, and dancing. Somehow in those previous seven years I have never attended this festival. This year I am changing that. I figured I would create a preview of each of the four days line up. Then try to share them before I head to Gotham City this weekend. Friday is sold out but tickets are still available for the other days and I would love to share my Cold Waves deflowering with as many of you wonderful people as possible.

Thursday Sept 19th lineup is a monster one. Lets break down who you will see.

http://coldwaves.net/?fbclid=IwAR14BGkA1nBmGq0oS1uPTuQgYd8MRX8U2-4MjDVqu6GiHMih-r8zsMjeaMg

Chicago’s own Panic Priest from Negative Gain records is playing Smart Bar and Jack Armondo will be bringing his honey rich baritone voice over delicious electronic beats and sizzling guitar licks. If you have never had the pleasure of witnessing it live, it is a must see.

This couldn’t happen in Chicago without some old school boot stomping in your face industrial. Sean Payne/Chris Harris and friends doing Conformco will give you that in excess. Get on this dance floor now!

Bootblacks – of New York is a driving post punk electroclash sizzlefest that has to be seen live to truly be appreciated. I saw them play with frequent life partners Actors in Detroit this past year and was floored by the energy and passion of their set. They have a new record coming soon “Thin Skies” produced by Jason Corbett so you might get to see some preview material. Just seeing Panther’s dance moves alone is worth the price of admission.

Far from done here it’s we are still talking about day 1! Curse Mackey with his debut solo album “Instant Exorcism” I have already reviewed this year and it shook me to the core. Curse has a storied history in Industrial music playing with (Pigface/My Life with the Thrill Kill Cult/Evil Mothers) and this personal and powerful record is a ritual charged electronic inferno. I am yet to see him live so I couldn’t be more excited.


Acumen vs 16 VoltAcumen lead by the Novak brothers has been an intense hard hitting metaldustrial band since the late 80s. Their guitarist Jamie Duffy and his tragic passing was the focus that brought this festival together. No doubt making this a very personal show each year. 16 Volt with Eric Powell from LA also lean towards the metal side while adding electronic and synth elements. I’ve always really liked their vocals and cadence. I’m not sure exactly what the combination will sound like on Stage but with that level of talent in one place it is sure to be memorable.

Jared Loche and the Chemlab crew from Washington DC are part of any serious discussion about what Industrial music is. Chemlab has always held that early Throbbing Gristle art piece style of industrial music for me. They push the edge in the best possible way. It’s been a long hiatus since 2012 when they last played. It is a swirling, electronic Pandora’s Box, Like a pressure cooker filled with chaos brimming over into your eardrums. I can imagine what that many years of ideas is going to look and sound like.

Pop Will Eat Itself the UK based dance explosion that has been shaking the cement off clubs since 1986 with napalm bright guitars and electric stage shows and effective rapping. I think it has always been the extreme cleverness of this band that makes it stand out. My dear friend Josh Garman said it best “PWEI is so good they did a diss track of the Jesus and Mary Chain and I still love them” PWEI really deserves it’s own lengthy article about their contribution to the bigger musical picture.

Other important news, WAX TRAX will have a collectors corner set up with both the WAX TRAX documentary film and several rare test press, first press collectors items from the label.

My friends we are only at day one of a four day musical celebration and the names keep this exciting as the weekend goes on. So hydrate, pace yourself, and leave everything on the floor.