Katy’s “End of Days” Playlist (Pt. 2)

Here’s my latest update on life. Like many people, this has been a rough patch. A lot of personal inventory has been had along with tough life evaluations, revelations, and epiphanies. It sucks. Luckily, I have had one thing in my life since I was a little kid that always helped me through the hard times. That thing is music. During this time, a lot of things have shut down. However, music keeps going and keeps getting better by the day.

When I was scrolling through Bandcamp today, I needed some new tunes to carry me through this week and the many moods it would surface. Some of this is brand new, some of it came out this month, some of it is just a preview of what’s to come. All of it’s great.

Nick Griffith

7 AM

Wombarra, Australia

https://nickgriffithmusic.bandcamp.com/album/7am

Nick Griffith_4_1_Review

This indie-rock, electro-pop, synth album is the definition of glee. The songs are fun with lots of quirky samples that seem to be centralized around generally peppy things. Griffith’s voice has a soothing sound to it. Not to say it’s angelic, but something about it feels familiar and refreshing. The music is incredible. It’s fast and in-your-face synth-pop with synthesized drums that incorporates romantic feels at points with unexpected instrumentation. Every track on this album had its own thing that made it stand out. 

Favorite Track: Riding On My Bike

Release Date: March 20, 2020

CHROMB!

Le livre des Merveilles

Lyon, France

https://chromb.bandcamp.com/album/le-livre-des-merveilles

Le livre des merveilles_4-1 Review

‘Le livre des Merveilles’ is absolutely insane. It’s every ounce of what you’d imagine a post-jazz, post-rock, avant-garde, power-pop album would be. You never know what to expect. Each track creates an entirely new landscape and mental image. Some tracks, like “Le livre des Merveilles” are shorter and have a poppier feel, almost like Stereolab.  While other tracks like “Le fleuve Brison” start a little more cosmic feeling and take their time building into hugeness. The album maintains is unpredictability throughout splashing in longer experimental interludes featuring instrumentation from synths to strings within the tracks. Also, there are a ton incredible vocal harmonies.

Favorite Track: Le fleuve Brison

Release Date: March 27, 2020

Blankenberge

More

Saint Petersburg, Russia

https://blankenberge.bandcamp.com/album/more

Blankenberge

If you’re in dire need of walls of sound with pop-rock vibes underneath, this is the album for you. Blankenberge has fused together shoegaze, dream-pop, and post-rock together in a way that is astonishing. The instrumentation is saturated in a way that hits you in big emotional waves. One of the guitars sounds super wet and surfy, while the other creates ambiance and space. The songs are still driving and sometimes really upbeat, borderline optimistic-sounding, without being overtly happy. The vocals are super saturated and act as more of an instrument than lyrics to sing along with. There are huge post-rock builds and unexpected rhythmic changes throughout that make each song increasingly interesting. Altogether, it’s really beautiful music that makes ya feel good.

Favorite track: Look Around

Release Date: April 10, 2020

ODDLY

Loaded EP

Kyoto, Japan

https://oddlyband.bandcamp.com/album/loaded-ep

Oddly

“ODDLY is a 3 piece rock band with no bassist. Why we don’t need bass? Cuz we’re louder than that.” I took that from their Bandcamp about section because I thought it was perfect. It perfectly describes who they are and kind of how they sound,. Don’t let their promise of loudness dissuade you. I mean, it’s pretty loud, but it’s intricate and fun with little happy vibes overall. There’s a classic, early 90’s alternative punk vibe to it with apathetic vocals riddled with angst. I love the call-and-response in songs like their featured track, “Loaded”. From beginning to end, this EP is everything it promised to be with its title.

Favorite Track: Loaded

Release Date: March 27, 2020

SPC ECO

4EP April EP

UK

https://spceco.bandcamp.com/album/4-ep-april-ep

SPCECO

SPC ECO consists of former Curve member Dean Garcia and his daughter Rose Berlin. They’ve been doing this project actively since 2007 and have been putting out shorter EP’s the last few months. This EP is very fun and poppy with some really chill electronic songs and some really energetic songs. The dreaminess of this album is almost immeasurable. When you close your eyes and listen to tracks like, “Don’t Mind Me,” the mental scenery is so bright and positive. Other tracks, like my personal favorite, “Who We Are” have a more melancholy vibe to them with experimental textures and synth. This is an alum that you can get hypnotized by and utilize when you’re doing extended outside tasks like walking around, gardening, or driving.

Favorite Track: Who We Are

Release Date: April 1. 2020

Spring Reverb

It’s a Feeling She Don’t Believe In

Portland, Oregon

https://springreverb.bandcamp.com/album/its-a-feeling-she-dont-believe-in

SpringReverb

Okay, so this isn’t an album or an EP, it’s just a single. However, I’ve been obsessed, now listening to this track a dozen times. I can’t tell you what exactly I love about it so much. Is it the excessive use of spring reverb or that classic tone on the organ. I love the fact that it sounds like you’re listening to the track on a warped piece of vinyl. Something about it is so positive at the same time as being so haunting. It has every ounce of a happy day song when you’re driving down the street, wind in your hair, styling some huge fashionable sunglasses while still being ever so slightly unnerving. There’s nothing minor or negative about this jangle-pop track, which is something really great to be able to listen to and really enjoy right now. I can’t wait to hear more from this band.

Only Track: It’s A Felling She Don’t Believe In

Release Date: March 30, 2020

Once again, I hope you all enjoyed this installment of “Katy’s ‘End of Days’ Playlist”. I enjoyed making it. There’s a ton of amazing music coming out regardless of the world situation that can give us all a little comfort right now. Whether you’re into dark, heavy stuff or prefer things to be a little lighter right now, there’s something out there for you to enjoy. You just have to dig a little. Hopefully, these lists help steer you in the right direction.

Things are tough, but you better believe we’re tougher than this. Stay safe and healthy if you’re able to. Don’t be afraid to ask for help if you need it. Reach out to your friends and family and find something to occupy your mind so things don’t feel as dark. I’ve chosen to deep dive into Bandcamp and have found it to be a sanity-saving time consumer.

You are cared about even if it’s by someone or a group of people you’ve never met. We care about you. All of you. We want to help make this time bearable for people who aren’t used to being home all the time and severely want everyone to get through this with as little damage as possible, but we’re also here if you just need to talk to someone. Reach out. We love you all.

Review of Night Nail: LA Demons

Band: Night Nail

Label: Cleopatra Records

Members: Brandon Robert – Vox/Guitar
Michael Carpenter – Guitar
Justin Regele – Synths/Keys/Programming
Bryan Panzeri – Drums​ Members: Brandon Robert, Justin Regele,

Home Base: Berlin Germany

https://music.nightnail.com/

https://www.facebook.com/pg/nightnailmusic/about/?ref=page_internal

So I had the extreme pleasure of meeting and interviewing this band while I was in Berlin. I am really excited for the footage we got and can’t wait to include it in this review. I feel like it gave a great background to these songs. As I am still working on editing, I didn’t want to put off this review any longer. So be prepared for it to expand.

This album is a narrative. A journey both emotionally and physically. To travel from LA to Berlin, two cities of such different flavor. It’s not a record to throw on in the background and do something else. It pulls you in, and demands your attention. Right away I am struck by the effective use of so many guitar tones. Some have a percussive almost bell like quality. The attention to detail in how they blend together give the texture integrity. A strength from the core of the sound.

Brandon has a deep rich voice that adds resonance to every song. It’s warm and dripping with anguish. The clarity of it really lets every word drift to you across the misty streets of the music. The way it sits so well on top brings the full range of feelings from the poetic lyrics. Sometimes with a gentle whisper, sometimes from the bottom of a well each word finds it’s way to you.

Now we speak of the saxophone. I miss the use of a muted, sexy sax in rock music so much. Night Nail uses the perfect amount to add texture and movement and complete that feeling of wet cold streets in an empty city. The bass guitar is thick and swelling. Not driving as is popular in post punk but a constant wide buzz that holds each song up. The lovely synth pads add the final piece of the puzzle. Varied, emotional, and never detracting. I keep getting drawn back to the idea of perfect construction. The time, thought, and stability of this lovely obelisk standing against a bleak landscape.

Some favorite tracks

Never Dream – Starting off strong with one of the more upbeat pacing songs. That gentle sawing guitar lead is the perfect smooth progression to set up Brandon’s deep echoing croon. The weight of the verse, given a beautiful uplift shift in the chorus. Wonderful effect.

LA Demons- The title track is an absolute simmering scorcher. This slow slinking bass riff with 90s flare right out of The Crow soundtrack. The sax in this song has this cool Pulp “This is Hardcore” sex appeal. This song has so much to unpack. Each time I listen it’s something new.

Shadow Song – This track has such a foreboding build with snapping snares that feel like they are in another room but snap like whips. The vocals are a gentle ghostly whisper with a harmony that makes everything sound ethereal and dangerous. Then that saxophone comes back to build. The drums start crashing like a funeral march and everything charges at you at once. This is song writing done right.

Overall Night Nail has me so excited. I feel like they have a beautiful and unique sound, but also the attention to detail and commitment that really takes a band to the next level. I’m extremely excited to complete the interview I had with them which gives even more background and insight into an already stand out album. Make your night better with this record.

Review of Corlyx: In2 the Skin

Band: Corlyx

Album: In2 the Skin

Label: Independent

Members: Caitlin Stokes: Singer/Songwriter
Brandon Ashley: DJ/Singer/Songwriter

https://corlyx.bandcamp.com/

https://www.facebook.com/CORLYXOFFICIAL/

Sounds and Shadows interview with Colyx!!

Confession time, I am a total sucker for 90’s down and dirty female singer dark grunge. I consider Hole’s “Celebrity Skin” one of the top 3 grunge albums of all time. I don’t care how many cool points that costs me. So when I put on this album for the first time and that sordid LA sludge came flowing into my ears lacing over a disco drive early Ministry drum beat I was hooked hard. This record is ripe with the same over the top imagery of hot clubs, leather, glitter, and broken dreams dragging themselves off the floor and forcing you to see that darkness in all it’s glory. It grabs hold of you and wins you over. The songs are wide and varied but have the oily residue in every sensually charged line that ties them together with perfect continuity. Guilty pleasure delicious.

The production levels of these songs are anything but rough and raw. The album instead achieved it with Lyrics, concept, and delivery. The mix is done with such needle sharp clarity and humming dissonance. Stokes has a voice rich with hazy dripping desire. She sings with force and malice without losing that cold detached crystal creation of LA and London. They are songs for dancing, but not club bangers. Instead, those other dance songs that happen slow and deliberate in the smoke and darkness and leave you burning like a flickering candle. This scene is longing for the sensual sting of dark music and Corlyx has delivered again.

Lets talk about favorite tracks a bit because this record is full of sinful singles

Twist like an Animal – Let’s start off with the first single and video track. Opening to a pig squealing! Vibrating drive guitar straight out of Prick. Crisp snapping snare slaps. Then Caitlin starts unleashing that smolder and I start crawling along the ceiling while the keyboards are popping. I love every aspect of this song and it belongs on your dance floor now.

Guys Like You – Powerful imagery with that repeating keyboard hook line. At 52 seconds everything jumps up and Caitlin’s cadence intensifies. This record has huge pop appeal simultaneously with a lot of depth happening. The quick but drastic transitions of this song really keep a frantic motion that makes it sear both your sides. “Guys like you, they always get what they want. Ladies don’t come to me when it happens”

One of the Used – Good gods the Courtney Love floor of a hotel in smeared make up feels are so real on this song. It’s shattered and understated and worms it’s way in your ear. That slushy 90’s shoegaze guitar is the perfect contrast to the other sounds on the album. “You’re just one of the used, broke up, battered and bruised” Sample sounds at 2:30 are a great breaker to let the vocals whisper back in. A good ballad makes you spin and that is what this song achieves.

Overall I have been rocking this album non stop the last two weeks. I love the filth, i love the hooks, I love her voice. Dj’s get this record on your dance floor immediately.