Review of Night Nail: LA Demons

Band: Night Nail

Label: Cleopatra Records

Members: Brandon Robert – Vox/Guitar
Michael Carpenter – Guitar
Justin Regele – Synths/Keys/Programming
Bryan Panzeri – Drums​ Members: Brandon Robert, Justin Regele,

Home Base: Berlin Germany

https://music.nightnail.com/

https://www.facebook.com/pg/nightnailmusic/about/?ref=page_internal

So I had the extreme pleasure of meeting and interviewing this band while I was in Berlin. I am really excited for the footage we got and can’t wait to include it in this review. I feel like it gave a great background to these songs. As I am still working on editing, I didn’t want to put off this review any longer. So be prepared for it to expand.

This album is a narrative. A journey both emotionally and physically. To travel from LA to Berlin, two cities of such different flavor. It’s not a record to throw on in the background and do something else. It pulls you in, and demands your attention. Right away I am struck by the effective use of so many guitar tones. Some have a percussive almost bell like quality. The attention to detail in how they blend together give the texture integrity. A strength from the core of the sound.

Brandon has a deep rich voice that adds resonance to every song. It’s warm and dripping with anguish. The clarity of it really lets every word drift to you across the misty streets of the music. The way it sits so well on top brings the full range of feelings from the poetic lyrics. Sometimes with a gentle whisper, sometimes from the bottom of a well each word finds it’s way to you.

Now we speak of the saxophone. I miss the use of a muted, sexy sax in rock music so much. Night Nail uses the perfect amount to add texture and movement and complete that feeling of wet cold streets in an empty city. The bass guitar is thick and swelling. Not driving as is popular in post punk but a constant wide buzz that holds each song up. The lovely synth pads add the final piece of the puzzle. Varied, emotional, and never detracting. I keep getting drawn back to the idea of perfect construction. The time, thought, and stability of this lovely obelisk standing against a bleak landscape.

Some favorite tracks

Never Dream – Starting off strong with one of the more upbeat pacing songs. That gentle sawing guitar lead is the perfect smooth progression to set up Brandon’s deep echoing croon. The weight of the verse, given a beautiful uplift shift in the chorus. Wonderful effect.

LA Demons- The title track is an absolute simmering scorcher. This slow slinking bass riff with 90s flare right out of The Crow soundtrack. The sax in this song has this cool Pulp “This is Hardcore” sex appeal. This song has so much to unpack. Each time I listen it’s something new.

Shadow Song – This track has such a foreboding build with snapping snares that feel like they are in another room but snap like whips. The vocals are a gentle ghostly whisper with a harmony that makes everything sound ethereal and dangerous. Then that saxophone comes back to build. The drums start crashing like a funeral march and everything charges at you at once. This is song writing done right.

Overall Night Nail has me so excited. I feel like they have a beautiful and unique sound, but also the attention to detail and commitment that really takes a band to the next level. I’m extremely excited to complete the interview I had with them which gives even more background and insight into an already stand out album. Make your night better with this record.

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Review of Corlyx: In2 the Skin

Band: Corlyx

Album: In2 the Skin

Label: Independent

Members: Caitlin Stokes: Singer/Songwriter
Brandon Ashley: DJ/Singer/Songwriter

https://corlyx.bandcamp.com/

https://www.facebook.com/CORLYXOFFICIAL/

Sounds and Shadows interview with Colyx!!

Confession time, I am a total sucker for 90’s down and dirty female singer dark grunge. I consider Hole’s “Celebrity Skin” one of the top 3 grunge albums of all time. I don’t care how many cool points that costs me. So when I put on this album for the first time and that sordid LA sludge came flowing into my ears lacing over a disco drive early Ministry drum beat I was hooked hard. This record is ripe with the same over the top imagery of hot clubs, leather, glitter, and broken dreams dragging themselves off the floor and forcing you to see that darkness in all it’s glory. It grabs hold of you and wins you over. The songs are wide and varied but have the oily residue in every sensually charged line that ties them together with perfect continuity. Guilty pleasure delicious.

The production levels of these songs are anything but rough and raw. The album instead achieved it with Lyrics, concept, and delivery. The mix is done with such needle sharp clarity and humming dissonance. Stokes has a voice rich with hazy dripping desire. She sings with force and malice without losing that cold detached crystal creation of LA and London. They are songs for dancing, but not club bangers. Instead, those other dance songs that happen slow and deliberate in the smoke and darkness and leave you burning like a flickering candle. This scene is longing for the sensual sting of dark music and Corlyx has delivered again.

Lets talk about favorite tracks a bit because this record is full of sinful singles

Twist like an Animal – Let’s start off with the first single and video track. Opening to a pig squealing! Vibrating drive guitar straight out of Prick. Crisp snapping snare slaps. Then Caitlin starts unleashing that smolder and I start crawling along the ceiling while the keyboards are popping. I love every aspect of this song and it belongs on your dance floor now.

Guys Like You – Powerful imagery with that repeating keyboard hook line. At 52 seconds everything jumps up and Caitlin’s cadence intensifies. This record has huge pop appeal simultaneously with a lot of depth happening. The quick but drastic transitions of this song really keep a frantic motion that makes it sear both your sides. “Guys like you, they always get what they want. Ladies don’t come to me when it happens”

One of the Used – Good gods the Courtney Love floor of a hotel in smeared make up feels are so real on this song. It’s shattered and understated and worms it’s way in your ear. That slushy 90’s shoegaze guitar is the perfect contrast to the other sounds on the album. “You’re just one of the used, broke up, battered and bruised” Sample sounds at 2:30 are a great breaker to let the vocals whisper back in. A good ballad makes you spin and that is what this song achieves.

Overall I have been rocking this album non stop the last two weeks. I love the filth, i love the hooks, I love her voice. Dj’s get this record on your dance floor immediately.