Actors – Our Love Will Live Forever

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Three is a really important number. In society, in religions, the number three has always held special significance. I’ve always felt the same was true for great bands. Making a noteworthy album is hard. A lot of bands have gotten that far though. Writing two albums that truly resonate with people has always meant you aren’t a fluke, you aren’t forgotten. Once you have three albums the grow, evolve, and speak to people. Those are bands that are no longer defined by era or genre. They are simply great. During the course of my life I have found several bands that already had 3+ amazing records that helped shape who I was. Far fewer where I could say I was there for album one and followed that band on their journey, matured with them. What I couldn’t say until Actors “Our Love Will Live Forever” was that I had such a deep connection to a band I saw at the beginning and was screaming from the rooftops about to anyone who would listen until they hit that moment. Having the creativity, talent, and cohesion to consistently to 10 songs that matter together while touring the world is truly lightning in a bottle in 2026. I’ll pause a moment to tip my hat to Jason, Shannon, Adam, Kendell, and Jahmeel.

ACTORS – Our Love Will Live Forever

1.CTRL03:15
2.Youth03:17
3.Stimulation03:15
4.Left On Read03:20
5.Dead Inside03:29
6.Object of Desire03:12
7.In Real Life03:15
8.I’m Not Here03:32
9.Exploded View03:33
10.Bad Boys (Don’t Go to Heaven)03:50

Jason once again produced the album at his studio Jacknife Sound, and released it with Artoffact Records. Before the 9/4/26 release the album was preceded by 6 singles CTRL, Left On Read, Youth, Object Of Desire, Dead Inside, and In Real Life. So we have already reviewed and felt a good portion of the record. I think it really speaks to the goal Actors had, to release an album of just bangers. Jason had a serious cardiac event during the writing and recording of “Our Love Will Live Forever”. The kind of thing that makes you reflect on what matters most while wondering if your chance to travel and play for people was done. To answer those questions by putting out and 10 out of 10 no skips record says everything about the love and passion Actors hold for their art.

Previous Singles i reviewed from the album already 🙂 CTRL

For a band I have loved since the beginning when I hear a new release the first thing I think of is what is new? For me the Actors sound has always built around the core of Jason’s vocals. Thirteen seconds into CTRL you are blasted with a wall of sound driven by a run-away chariot of blasting bass. Jason is emotive and understated with Kendall and Shannon shining echo’s glowing around the edges. The guitar swirls and cracks in precise moments. The entire ride is a 3.25-minute banger with tight structure and vibrant energy. I can’t wait to hear this live with Adam booming away in 4/4. I’ve never heard Actors push the needle like this and I am here for it. The “Our Love Starts Forever tour is coming in 2026 and if you have never witnessed the Actors live, don’t wait.

Youth – This track makes the little hairs on my arm stand up. A beautifully retro Echo and the Bunnymen vibe with a little extra foot on the gas. Your youth can feel constantly further away, but one thing you never forget is how hard everything hit. Love, anger, friendship, everything was loud and earth shaking. I love how the synths bounce on this. Jason does a really clean whisper of his voice. Like telling you a secret you lean in to hear.

Stimulation – This one wasn’t one of the early release singles and the first thing that hits is the phrasing on the lyrics. The timing is just slightly off of where you expect it to be. It really gives a feeling of mystery. We are all so hungry to feel something in these days. Scrolling content, consuming, I love this reminder that the true experience is out there beyond the screen. Waiting to be tasted, touched, and smelt.

Left On Read – Oh how I love a good breakdown. At 1:29 this song has a masterclass in the power of space to let a song breathe. I feel like this theme, of left on read is so relevant in 2026. It seems like we are all holding our breath for an answer, and communication just beyond our reach. This track is so real. To share the real fear that comes along with love is so difficult. This song makes it feel effortless.

Dead Inside – Again this is a no tracks skipped album. This one is special for the drums. Jason’s voice is a smokeshow, the bassline is walking me through the neighborhood as I am a dog on a leash. The true masterclass here are Adam’s subtle shifts and accents. It’s a mystery novel that always has me guessing. It has a bit of 90’s Pixies flavor mixed with, well Actors. I love when a band hits that level where part of the fusion you describe is, them.

I’m Not Here – This one cooks. The baseline is humming like an electron in a collider, right until the overlapping guitar starts growling. I love every flavor of this tortured love kaleidoscope.

Screenshot

Please forgive me for my sin
I can’t live through this again
You could be that someone

This record is a rollercoaster through the spectrum of love and loss. In a world spinning further from the truth of the human heart it feels so good to have ten songs guaranteed to make you feel something. To make you remember why the world is a beautiful place and worth fighting for.

Bootblacks “Paradise”

One of my favorite bands of the modern darkscene. I feel like I have been on this journey through style changes, line up changes, one things stays consistent. It’s always something fresh, always something real, and always at the top quality of any genre they dive into. Post Punk, Slick Indie, Italian Dark Disco, I never know where Panther, Barrett, and company will go next. I could not have predicted this. A complex deep cut British synth. Flavors of the criminally underrated OMD album “Crush”. Another gorgeous presence is the muted Saxaphone in a modern sound, something sure to always win my heart. with every track I am staggered by the crisp tone and razor edges. Bootblacks for me conjures images of a smokey underground club with flickering gasoline lights. Paradise is a rise to main stage neon crystal waves of Simon Le Bon.

https://bootblacks.bandcamp.com/album/paradise

All songs by Bootblacks
Lyrics by Panther Almqvist
Produced & Mixed by Xavier Paradis de Larochelle
Mastered by Hillary Johnson @ Kale Shelter Studios
Additional Arrangements by Xavier Paradis de Larochelle
Additional Engineering by Hillary Johnson
Cover Art by Carlos Pure
Additional Art by Russell Hymowitz

Additional Instrumentation:
Drums & Programming on Only You by Chris Vrenna
Saxophone on Only You by Benjamin Harrison
Saxophone on Leipzig by Oskar Carls
Saxophone on Can You Feel It? (Anymore) by Oskar Carls
Background Vox on Fade Away by Alice Gift
Percussion on Melt by Adam Amram
Bass on Melt by Russell Hymowitz

Favorite Tracks:

Forbidden Flames – “Saw you dive in the shallow end  Crack in the door, the light creeps in.  Make me clean, make me yours  Take me away my love, I’m not ready to quit ” Always open with a banger, rule number one. The verse is one of the most “Classic” sounding Bootblacks tracks. This works well to set the transition of the chorus that lets the starlight pour in. Keyboard line is such a hook here. Loving the echo vocals by Alice Gift. A shock and beautiful set up for what comes next.


Only You (feat. Chris Vrenna & Benjamin Harrison)
– “What have you lost?  You don’t have to say  Is it love?  Doesn’t have to be that way” – This track is pure sex coming out the pores of your skin. Every part humming in a rise and fall unity to then be capped off with that perfect sax riff. This would be a great intro song for the next James Bond movie.

Paradise
– “Heaven’s not so far  Not so far away  If you plan to stay I can show you it all ” Title track is a sleek Tron laser bike ride through a midnight city. Pather’s vocal’s have a honey dripping chorus effect. The double beat snares are crackling light. Every track is felt as much as head in the percussion.

(This interview feels like a million years ago now 🙂 but it was 4 🙂 )


Wilderness
– “In this life we’re not alone  You’re the only one I’ve ever known  When the sky turns to black  It’s your call that keeps me coming  ” – Something primal and cold. A beacon we hold in our hearts that draws us to each other in times of danger. The synth line is so light on it’s feet, unpredictable. Panther’s vocals hold a bit more of that Thin Skies menace and growl.

“Paradise” represents another leap forward in evolution for a band unafraid to go wherever the spirit directs them. The precision, innovation, and passion of the songs marks them as one of the prime trend setters of modern darkscene. If you have never seen their live show, it is an experience beyond these heart pounding songs. Watching this high speed journey the last 5 years has been a privilege. Don’t waste another moment before jumping on the Bootblacks train.

Actors – “Acts Of Worship”

There is a shift that has happened in modern music, of how music is released. A focus on speed and constant content of singles in the streaming world. The art of tension and anticipation between releases has become an artform which has fallen by the wayside. In 2018 Actors released “It Will Come To You”. It captured the imagination of the scene which propelled them as a modern voice for a genre based in nostalgia. Three years later that title that won over new wave of Post Punk/Synth fans has come to ring all the more true. The slow gleaming trickle of singles leading to the promise of a sophomore album have fallen like individual raindrops on the thirsty tongues of their growing fanbase. The addition of a new bass player Kendall Wooding adds another element to the chemical reaction. The patient crafting of new songs which hold that emotional connection, while growing in complexity and range. The story of Actors has always been one of communication and relationships within the human experience. “Acts of Worship” elevates that connection to explore the spiritual macro concepts which bind us together.

Acts of Worship | ACTORS (bandcamp.com)

Kendall Wooding

Going to do something a little different for this review because I am so invested. A song by song breakdown of my impressions:

Love U More – A delicate symphonic intro that opens the curtain. Jason’s voice is sorrowful and and ripe with longing. The chorus is a perfect way to display this fresh sound of collaboration. A true harmony of individual styles. Shannon’s vocal’s fire forth with a confidence and balance that leaves you looking up to the sky. I love the clear heavy footed walk of the bass. The flickering electric street lights of the guitar lead. This track is here to set the scene. To re-introduce beloved characters and place them in a new adventure. The most striking aspect is how much the concept of the song feels uncharted. The genre is familiar. The style distinctly Actors. The texture and melody feels like the future. Something we have yet to hear.

Like Suicide – It can be hard to separate an artist from art. When people hear “The Joshua Tree” by U2 these days the first thing that pops to mind is a Bono joke. The impact that album had with it’s ballads in particular. A voice so dripping with mystery and unfettered passion. A romantic beauty in a time of consumerism. That lost concept is what stirs within me in this soul barring heart dancer. It’s a catchy croon that glows with soul. That place where what is pleasing to the ear and painful to the heart go to share the struggle and triumph of life.

Cold Eyes – A forceful driver of city lights blurring as a they pass by the passenger window. Love this overlapping guitar part between muted crunch and crackling lead. The singing has a voices in your head surrealism. A hallucination effect that leaves you questioning what is real. I think this song has a classic Actors feel which helps connect “Acts of Worship” to “It Will Come To you”. This is the preservation of continuity song.

Obsession – This song felt personal for me. We all have felt this isolated time to dwell on people or things we are missing. Swirling shadows in the water, violet hues and reflected neon light. Jason’s voice takes on that airy Ian McCulloch beauty. Letting you sink within your own destructive thoughts and lose yourself between the water and the mist. One of the deepest most revealing moments of honesty. This song in particular felt like a real look behind the bands eyes.

Photo by Pedro Santos

Death From Above – What a glorious tone shift. I found myself transported like a World War 2 fighter pilot blazing towards a synthwave animated landscape. The hook and harmony of this track is captivating. The strong down strike percussion that personifies the aerial assault. The record player effect of the vocals enhanced the vintage feel to create a sharp contrast against the digital soul of the music.

Killing Time – Strong opening of magnetic fuzz on the guitars. The shifting polarities kept me bouncing around the room. The last two years has seen time slipping past us. Days bleed together and we need to force ourselves into these moments. I love the tension breaking shouts of “Hey” to stir a unity and freeze frame. An anthem to stop the push and pull of life and hold us in this moment until the pull sends us back into a volley. I am impressed by the ambition of this track. It pulls off the difficult task of complexity without sounding complex.

Photo by Pedro Santos

Only Lonely – The bouncing funky bass line of this track has huge John Taylor emotions. Jason swings into a husky whisper on vocals. A secret that pulls you in and sets you up for the call and answer chorus. A much brighter and meringue peaked dessert tone. The lyrics still deliver a pang of longing to add shape and depth to one of the most tender fashion walk singles on the album.

Strangers – Another engulfing single on an album full of singles. Strangers hits on all cylinders. The lyrics paint a picture in beautifully blended water colors. The music is that razors edge of expansive synthetic beauty and sizzling rock energy. I feel like this is Jason’s strongest vocal performance. Utilizing everything he does well at it’s highest peak. It is decisive, emotional, and resonates with a concept which relates and challenges. This is the type of powerful track lost in the modern age full of poetry and delivery. A true modern classic. My top track on a top album.

End of the World – A nice tension building intro for a cosmic journey watching the world grow small. The radio announcer crackle effect on the vocals creates weight and acceptance of a world slipping away. That progressive keyboard line pushes to center stage and sets the tone of emotional longing for La petite mort. As life hurtles towards uncertainty we take a journey of acceptance. This was one of the most musically powerful tracks. A haunting tone of post apocalyptic hope in a desolate moment.

Photo by Pedro Santos

Once More With Feeling – The ending of a journey of one of the most complete records of the modern era. To say it leaned into the epic and expansive is an understatement. This song has a true OK Computer emotional range and scope. We have witnessed the end of the world, but are left with a resurrection and resilience. To push on, to survive while towers of magma shoot into the sky of a new world. I love that instead of going out on a single, instead we are played out into a promise of future adventure. A glimpse on the horizon of a world to come.

“Acts of Worship” Is going to change the standard. Rather than think of it as an album out of time. Hear it as the type of puncturing emotional thought pieces we talk about as nostalgia from a previous era. I choose to see the hope it promises. To be a place where those that remember the past, and those that are blazing new ground in the future meet. Where they say this was the moment where the music we talk about twenty years from now with a new generation is remembered. It’s a powerful feeling that you can be apart of now.

Review pf Glass Apple Bonzai : The All​-​Nite Starlite Electronic Café

Band: Glass Apple Bonzai

Album: The All-Nite Starlite Electronic Cafe’

Label: Artoffact Records

So my first introduction to Glass Apple Bonzai was through this collaboration and I immediately fell in love. This song is beautiful, deep, and textured in a way that pays respect to the past. Yet was fresh and original. I had to apologize to Daniel. This album came out in 2019 and somehow just slipped through my fingers. So I started listening tonight and Holy shit, this is up there with the best Synthwave albums I heard in 2019. It’s passionate, it’s powerful, it’s crafted by a master of Synthesizer architecture. The idea of Synthwave music is such a carefully formulated construction of building blocks in perfect precision that even to a rookie it is so easy to hear when something is out of place. On this record nothing is ever out of place even for a moment. Daniel is an artist who uses every sound, every effect, every word to razor wire effect.

Sometimes in 2020 it is easy to get caught up in the fact that artists are creating music on the shoulders of artists 20-30 ect years gone. That we have this pressure to re-invent the wheel and say that we are doing something fresh that isn’t effected by the things we loved in the 80’s that came before us. I think one of the most entrancing aspects of this record is the unapologetic way it embraces it’s homage to the past while finding it’s own voice. The concepts, sounds, even vocal patterns pull heavily from 80’s pop music. Yet the concepts here are fresh. The vocals and lyrics are heartfelt. The technology allows for new possibilities. It’s like Daniel traveled to the past, had modern tech not available to musicians then, then wrote about life in 2019 within that framework. It’s not easy to pull this off and Daniel is a craft person who pulled together a difficult idea.

Favorite Tracks:

Radio: Gorgeous synth magnificence straight out of a John Hughes movie. It’s expansive, it’s beautiful, and it burrows into your head with lovely pop hooks. I can’t never get enough of this track.

Stormy Weather: I love the sensitive power of this track. It has a wonderful lyrical poetry. It builds and uses harmony like a synth itself. This was 80’s Duran Duran at it’s best and yet a song I never heard and wanted to.

The Fire (Of Giant Red Stars) – I love the change up here. The beats are off kilter and the background takes a dark tone in spite of the bright music. This song has wonderful layers. Reminds me of Pet Shop Boys in the hurtful intensity of the lyrics against the bright synths and dance beat.

Overall I can’t believe I never dived into this album in 2019. It should have been on my top 2019 list but I am making up for lost time. Find this record and play it often.

Sounds and Shadows Podcast featuring Jason Corbett of Actors

This is episode 1 of the Sounds and Shadows podcast. Here we feature artists in our scene choosing three bands they find meaningful and important in modern music. We then discuss three of their songs. In this episode Collin and I talk with Jason Corbett of the band Actors and Jacknife Studios from Vancouver Canada. We discuss three bands he has recorded Frankiie, Gang Signs, and Mesa Luna. We also drink sugar free Red Bull and spout off about life on tour, the modern post punk revolution, and whatever came to mind.

Frankiie

https://frankiietheband.bandcamp.com/

Gang Signs

https://gangxsigns.bandcamp.com/

Mesa Luna

https://mesaluna.bandcamp.com/

Actors Jason and Shannon with Me 🙂

https://artoffact.com/

Enjoy the discussion and leave a comment or question below, I bet Jason will read them 😉