The Next Wave of Goth Is Now

Goth music and culture has always been rooted firmly in the past. It often has felt this subculture awards time served in the scene and knowledge of the obscure history of the bands, clubs, and fashion of our progenitors. However in order for a culture to carry on it must evolve and strike a chord in future generations. This happened in the 90s, then again in the mid 2000’s as new waves of goth music found and audience. Each time adding to the story by paying homage to the generations before it. As time went on “Goth” has splintered into smaller subgenres which have pushed further from that original concept until a tangled and complex web reached towards the edges of other genres. I for one embrace how rich and diverse the concept of goth culture has become. In future articles I want to explore some of these subgenres and how they are impacting modern music. In this article I will be focusing on the return to the core. That first idea of guitar driven dark music, with throbbing basslines, ethereal keyboards, and haunted lyrics with romantic natures.

1st Wave: The Velvet Underground, Joy Division, Siouxsie and The Banshees, Killing Joke, Bauhaus, The Cure, Sisters of Mercy, The Birthday Party, Sisters of Mercy, Red Lorry Yellow Lorry, Fields of the Nephilim, The Mission.

2nd Wave: Rosetta Stone, Nosferatu, The Wake, Children On Stun, Dead Can Dance, Lycia

3rd Wave: Angels of Liberty, Merciful Nuns, Switchblade Symphony, O’Children, Ritual Howls, Pink Turns Blue, The Horrors, Sunshine Blind, Golden Apes, Black Tape For a Blue Girl, Razed In Black.

Finally a new slew of darklings is raising that torch and producing the next wave of goth rock. I think it is key that these are bands who came up listening to the post synthesis goth and found their way back to the root. It gets me excited for the future.

Sonsombre – Leading the charge in this next wave. A band now signed on goth mainstay label Cleopatra. Sonsombre brings back that electric tempo and graveyard theme with flickering guitar riffs that flow like a fencers duel. You can feel that early outlaw goth Fields of the Nephilim on their 4 amazing albums. With no sign of slowing down. If you are ready to jump into that next wave, this is a great place to start.

Brandon Pryus

https://sonsombre.bandcamp.com/

The Kentucky Vampires: Hailing from shockingly, Kentucky, here is another band that brings old school sinister pipe organ and fire bright guitar riffs. From Secret Sin records the tone and emotion of their 5 records is everything true fans of 80’s death rock long for. Abbas has a haunting voice full of chorus and foreboding. Brandon of Sonsombre does mastering for them and helps add a sense of continuity to this new goth sound.

https://thekentuckyvampires.bandcamp.com/album/crimson-curse

Scary Black: Another amazing new goth act from Louisville KY. What the hell is in the water out there. This is a one person band that has such electric energy and frightening tone. Singer Albie has one of those deep baritone voices that comes from the bottom of a well and fills you up with emotion. 3 albums and the napalm fire single Starlight Dancer.

https://scaryblack.bandcamp.com/album/are-you-afraid-of-the-dark

Twin Tribes: These lovely lads from Texas have taken the world by storm. Dreamy private ritual sounds that bring the beauty and heartbeat of The Cure back into the mainstream. Tender poetry and swirling texture smoldering in a cauldron on a moonlit night. Already with two breakout albums and additional singles they are setting the standard for the softer side of gothic rock.

https://twintribes.bandcamp.com/album/ceremony

Black Angel: London UK artist Black Angel is putting the bat cave rock back into death rock. I feel so much of The Mission and later Sisters dancy flow to gothic rock. Their music reminds me so much of the goth club scene, swinging arms, leather and lace. Gothic music has always been tied to expression with the body, that is something Matt Vowel’s has grasp and fused into the future.

https://blackangelmusic.bandcamp.com/album/kiss-of-death

IAMTHESHADOW: When I think of goth, I think of passion and vocals that capture a room. Lisbon Portugal’s IAMTHESHADOW does that in spades. Pedro Code has the best baritone in modern goth. It’s sexy, crooning, dangerous music that sounds like a full bodied red first touching your lips. It’s music to give yourself over and get lost in. Like the first time you heard Peter Murphy and thought this is the sound that encapsulates the image i want to see in the mirror. Now on Cold Transmission Music.

https://iamtheshadow.bandcamp.com/album/pitchblack-2

Cliff and Ivy: Alaska’s favorite goth couple Cliff and Ivy have brought back the isolated howling wolf tooth and nail of goth. The punk blend of The Damned and Alien Sex Fiend. It’s raw, fierce, and unapologetic. Ivy takes the back of your head with her beautiful prose, then smashes your nose with a headbutt of power. Cliffs thick guitar riffs are a growling beast let off the chain. Iron Gauntlet in a velvet glove.

https://cliffandivy.bandcamp.com/album/the-best-of-cliff-and-ivy

Crying Vessel: Slade and Basil also bringing that softer dark edge to gothic rock. Horror author Slade is integrating imagery of the macabre an sinister with a glam razamtaz feel. Gorgeous layered production and flange rich echo’s that simmer with Bowie and Love and Rockets. That special darkness you find on the edge of a rainbow after a storm. Available on Cleopatra Records.

https://cryingvessel.bandcamp.com/album/pleasures-for-the-wicked

Mary: My newest goth obsession from Toronto. It is fast paced, spicy, with an old school New York feel. Strong sweeping vocals with a lot of depth and meaning. It also has a complete album feel with the sweeping tempo and dynamic shifts. Take me through the full range of emotions in one record. Another Cold Transmission signing. I expect big things in the future from him.

https://maryofficial.bandcamp.com/album/die-before-death

Death Loves Veronica: This lovely lady from Texas brings that same Souxie dripping soul and witchcraft elegance to modern goth. It’s smoky and pours straight from the vein into your ears. Really nice use of guitar to add weight in the right moments. Goth needs to echo through the listener on a personal level. You need to feel what they feel and that is what Veronica captures so elegantly.

https://deathlovesveronica.bandcamp.com/album/in-the-silence

Sounds Like Winter: All the way from Australia Art Banister’s popping sharp edge retro feel goth rock has a lot of that true early Joy Division/Warsaw vibe in the drum and tempo. The vocals are forceful and ringing in a hopeless monotone. All that fuzz and emptiness given flesh.

https://sounds-like-winter.bandcamp.com/album/no-interest-single

Adoration Destroyed: Also from Texas this band is leather pants sexy in musical form. Masters of blending modern pop and old school shadow shock. It’s animalistic and winding with crackling electric dance destruction. Erik has a voice that calls to you come hither and has a 10/10 on the shake that ass factor.

https://adorationdestroyed.bandcamp.com/

Orcus Nullify: The doom and shattering gothic rock sound and poetry unafraid to lean into the cheese and imagery of early goth. Thunderous bass driven rock about bog witches and grave dirt. I love the courage and delivery of this South Carolina sensation

Witchhands: Colorado doom metal with raw open wound sounds full of decay and ritual. That place where early goth rock stayed into metal and pain. Spewing forth a filth and blood soaked pageantry with blistering guitars mashed with organs and echos.

Redwing Blackbird: Another Colorado band with blistering speed and The Damned edge punk feel mixed with true goth sensibility. This album picked me up when i am feeling low…and then sends me low again. Great production and electric tempo.

https://redwingblackbird1.bandcamp.com/album/too-klaus-for-comfort

Amaranth: Ken, do you have the strength of character to not engage in shameless self promotion and include yourself with this wave of goth bands? Fuck No! I feel good about the music we have made coming back. It veers from old school to proggoth/ to industrial but fuck it, it’s good. Give it a listen 🙂

https://theamaranth.bandcamp.com/album/spreading-the-charred-remains-of-hope

I also wanted to call out a few bands that rose from the grave to join the modern scene but have been making music all along 🙂

Caroline Blind: The stunning voice from Sunshine Blind has returned to cut an amazing solo album. Bringing in a who’s who from third wave goth to accompany her on this soulful and rich goth endeavor with a more organic feel. Her voice grabs hold of the heart strings and rides your into the ground. Breathtaking music contributions from Rich W. (The Wake), David Wolfenden (Red Lorry Yellow Lorry), Dave (The Dramedy), Ashe Ruppe (Delphine Coma), George Earth (Switchblade Symphony), Gordon Young (Pretentious Moi, Dream Disciples, Children on Stun), CWHK (Sunshine Blind), William Faith (Bellwether Syndicate, Faith and the Muse) and Geoff Bruce (Sunshine Blind, Faith and the Muse). Everyone who shows up hear really shows the impact of this artist on the scene and how much power this newest release packs.

https://carolineblind.bandcamp.com/album/the-spell-between

The Wake: Speaking of The Wake, they have just unleashed a new album in 2020 and it is game changing outstanding. This record is going to get it’s own review but to not mention the power of this release would be an oversight. Such a sky opening laser of guitar beams interlaced with velvet smooth vocals and a canopy of bass to hold it inside. My breath is taken.

The Cassandra Complex: Rodney Orpheus of London’s Cassandra Complex has been keeping the goth sound alive for years. A tantalizing and sinister painting of sound with the history of human experience brought shining and new with each release. Recently on bandcamp he put out some remasters of those lovely goth anthems back into the light. A true crooner of the poetic experience of early goth music who actually toured with the early progenitors.

https://thecassandracomplex.bandcamp.com/album/wetware-2019-remaster

I didn’t come close to hitting everything, and with facebook now stopping videos, lists like this on our page might be the best bet for a full playlist of new music. So If I missed something you feel meets the requirement of guitar based goth made in the last 4 years. Please add in the comments and I will try and get it included. Much love, Precious Ken.

Black Angel : Kiss of Death

I posted about who are the new bands leading the charge in new traditional goth. Goth has evolved, splintered, reformed, and become 100 new sub genres. When you talk about the original roots of goth the conversation tends to draw back to the original 80’s bands. In the last two years that is changing drastically. The hunger for dark fast paced gothic guitar rock has given rise to a new generation of that original stream. Matt Vowels and Black Angel from London are releasing a new album that captures that spirit, puts it on a ghost ship, puts that ship in a dusty bottle, and leaves it in a haunted mansion for some unsuspecting baby bat to discover.

Produced by Matt Vowles.
Recorded and Mastered at The Manor
Copyright Solid Recordings 2020

Bandcamp link

The new record jumps in with the title track “Kiss of Death” a haunting sly keyboard swell. As the slashing violet lasers of guitar break into the tempo you are transported back to the storied heroes of goth. The Cult, The Sisters of Mercy, The Mission rise from their graves with this driving bass beat and snapping snares. I’m loving the expertly blended vocals and chaotic harmonies that give real Vision Thing vibes.

Next up is “Animal” and where Kiss of Death was a builder, this song comes out of the gate with thunder and dancer touch guitar taps. That bass line is feral and stalking. It’s a hungry song that owns a dance floor.

Track 8 “She Said” brings the weight level down and intros with a beautiful ringing acoustic guitar ala The Cure. This song feels like a black convertible car on an open road racing away from a stormy sky.

I love how this album matches everything I love about rock and goth together. It’s sleek, it’s sexy, and it keeps the pace up while flowing through peaks and valleys. The vocals are rich and have a bit of southern soul. I think Matt is using this album to make a strong argument his name in this new wave with Sonsombre, The Kentucky Vampires, and others. Long Live Goth.

Tomorrow is Bandcamp Day! Instead of Ken’s Hot Releases. I’m going to write about OUR hot releases Comrades.

So the other day I posed a challenge on Facebook to send me a band you are loving that you are not in. You did not disappoint! So I will fire through a bunch of quick shot reviews sent to me by our readers! Music for the people!!! Remember tomorrow Bandcamp waves their fees and gives all revenue to artists.

BootblacksTraveling Light – Ok this is my personal pick, new single drops tomorrow. I have been eagerly anticipating this album for so long. Produced by Jason Corbett of ACTORS this whole album is a game changer. I will be pre-ordering on vinyl immediately. This is the sound you have always heard in your minds soundtrack. Panther’s voice is let off the chain and the effect is engulfing. This first single feels like The Happy Mondays on Adrenochrome.

https://bootblacks.bandcamp.com/

L’AvenirRequiem – Not a new release but a great one. Suggested by my friend Michelle Shaw. Lovely buzzing synth textures from Barcelona. This album had a really cool Ultravox vibe. Not a comparison I use loosely. Beautiful, murky, full of secrets.

https://coldbeatsrecords.bandcamp.com/album/requiem

Flesh FiendsBleed For Love – Scorching single from Kansas City from my friend Mason Monigold. I was an instant fan from the gate. The name is a great alliteration. Plus they are a band that seems to put the character in their sound. It is spooky chained to the wall sexy raunchy ghoul synth. Love the concept, love the execution, this will get bought.

https://fleshfiends.bandcamp.com/track/bleed-for-love?fbclid=IwAR1YW8hnt3UFMI5HAMpIO5P11UI2I9f7V2d7ZNbM-k1Ds1lBXyyBxIU6pWo

We Are ParasolsOrphaned – This recommendation from Chase Dobson who knows electronic music as well as anyone I can name. This is a beautiful dripping slush of dark pastels. An instrumental movie sound track for that moment of introspection before a protagonist stands up and dusts themselves off. We could definitely use some of that in these times.

https://weareparasols.bandcamp.com/?fbclid=IwAR1kn0RiGcx2TEyQIjsg0SIjS5_-47Hs-ZCtNhJoAEXX1dn2ioRT31JseAc

KorineThe Night We Raise – So this was a recommendation from Karl of Antipole. If i had to choose one band that other great bands I love recommend the most it is Korine. The album pre-order is up but one single is out now called Fate. Such gorgeous streaming ribbons that wrap around your arms and legs and make you dance with reckless abandon. Seriously if you are not in the know about this band buy the whole catalog. Will not disappoint.

https://korine.bandcamp.com/

Black AngelANIMAL – Uk goth stars dropped this single in June. It’s everything you loved about old dance club goth of The Mission/Sisters of Mercy. Pulverizing bass lines and resonant vocals. Hooks and builds to spin you around while opium incense burns.

https://blackangelmusic.bandcamp.com/track/animal-single-edition

RotersandHow Do You Feel Today? – Recommendation from Dana Leigh Cooper. Another great Philly band that cuts the edge between traditional goth rock and darkwave. I love the barb wire beauty of the vocals. A lot of range in styles and infectious energy. Every song I hear makes me fall further in love.

https://metropolisrecords.bandcamp.com/album/how-do-you-feel-today

MalefixioCulto a lo Invisible – Recommendation from Fernando Altonaga of EhPh. Another band from Barcelona Spain, what is happening in the music scene there? This has a stomping cadence and freaky vibro guitars. The vocals have this delicate lifting version of Lords of Acid. It’s strange, it’s sinister, it’s going in my collection.

https://malefixio.bandcamp.com/album/culto-a-lo-invisible?fbclid=IwAR1kn0RiGcx2TEyQIjsg0SIjS5_-47Hs-ZCtNhJoAEXX1dn2ioRT31JseAc

CAVALCADESonic Euthanasia – This one comes from Ben Boggs, who is about the only human I take metal recommendations from. It’s big, loud and nasty. I really like the balance though. It’s not just a napalm wall of sound with throw up vocals. The twisted goblin screaming away can be understood and those chunky guitar riffs are axe trigonometry.

https://cavalcade.bandcamp.com/album/sonic-euthanasia?fbclid=IwAR0MfgYCiW4tq1-DWfGtDTC0eTd5Hy1bjHKFKcivoO1P_Meon0UZdgXxKNE

Arya ZappaDark Windows – From Damien Moyal (Damien Done) this German shadowpop is like a slow drink of whiskey. It’s smokey and smooth and warms my insides. Full length album just released in June. I really like the poetry of the lyrics too. This one needs a lot more reflection.

https://aryazappa.bandcamp.com/album/dark-windows

Wires & LightsA Chasm Here And Now – More Berlin goodness recommend by Adrian Auchrome. This is a speed ball spiraling towards you with great post punk tone and crisp drum sound that makes me want to drive fast. I can’t believe I hadn’t heard this, know that I will own it tomorrow.

https://wireslights.bandcamp.com/releases

Well this was a blast. I’m not even half way through the list so I will post it now for bandcamp day and pick back up tonight. Support new music Comrades!

Bandcamp Day was a smashing success. What was hot?

So during the current pandemic when artists are taking a hit from an inability to tour and play out, Bandcamp the music distribution platform that seems to actually care about artists waived their fees for a day. Honestly the fees they charge are pretty fair but anything to get people excited to support bands. So here is some of what caught my fancy on the first day of May.

Panic Priest (Second Seduction) what a strong second offering from Jack. This album really took the sound in a sleeker, stronger, synth driven new direction. His voice remains one of the strongest baritones in the scene but here it is piled on layer after layer of textural experience and the experience is amazing. Extra Credit for the cool fan sourced music video on the single Lonely City.

https://panicpriestngp.bandcamp.com/

Blood and Dust – (Compilation) This is such an awesome comp put out by out by TG Mondalf of Venus Aeon. I was just talking to Brandon of Sonsombre on the podcast about the connection of southern sound and goth…which i call Outlaw Goth. This comp is absolutely jam packed with fire tracks of some of the hottest names in new goth rock doing southern style. October Burns Black/Sonsombre/Black Angel/Raven Said/Cliff and Ivy/Guillotine Dream and many more. A cool concept and great execution.

https://venusaeon.bandcamp.com/album/blood-dust-a-gothic-western

Delphine Coma(Secondary Eyes) Long awaited EP from Ashe Ruppe. Two tracks and two remixes with that true deep darkwave sound. Rolling baselines and Ashe’s deeper than then earths core voice ringing icy and clear. Yes please.

https://swissdarknights.bandcamp.com/album/secondary-eyes

Orcus Nullify – (Pandemonic ) A poignant track for the current situation. Much more stripped down and electronic feel for doom rocker Bruce Nullify yet holding true to that buzzing noise sword guitar. This one strikes hard and takes no prisoners.

https://orcusnullify.bandcamp.com/track/pandemonic

Vlimmer(Pulmo) Shadow Sound architect Alexander Donat continues to spew forth such a steady stream of quality material at a rate that defies imagination. Here he stays between tighter lines than some of his more psychedelic offerings. The drum beats are tight and the guitars are cold vibrating lasers cutting through the dark din. I really like how the bass walks in track two Sonnenspeer.

https://blackjackilluministrecords.bandcamp.com/album/pulmo

The Black Capes – (Lullabies For The Dead) Old school gothic rock from the land of history Athens Greece. Like a big black wolf snarling and writhing these crushing beats and vicious growling vocal delivery is the sound of night creatures baying. It has tender moments of light strings and contrast. Another band embracing the glory of the past to create a dark future. The sound put me in mind of the wild rural parts of my home in Michigan. The land of Iggy Pop.

https://theblackcapes.bandcamp.com/album/lullabies-for-the-dead

Ashes Fallen(Thy Will Be Done) Sinister guitar lord James Perry put out a new single today full of a lot more menace than the last album. I feel like Michelle and Jason have really had an effect on the tone for this single. The guitar and baselines still include a lot of movement and technique. The keyboards fill the space to give those hard down strokes more accent. The vocals are not a clean alternative romanticism I heard and enjoyed on the last record.. They are dark, full, gritty, and not what you want to meet in a dark alley. Love the direction.

https://ashesfallenmusic.bandcamp.com/track/thy-will-be-done?fbclid=IwAR3BuaA3tjcyuKJLP42cPJspG6gQeMmdYw3vbS_lY30355dxCup4ZqGT5uo

Pilgrims of Yearning(Forsaken Land) – Pre release of the June 5th album offers a first track and single The Visitor. Juls Garat has a clear and slicing voice which knows how to shine light through every crack in the dark and driving bass wall. This was a taste that gets me excited for the whole meal and the future of an exciting sound.

https://pilgrimsofyearning.bandcamp.com/album/forsaken-lands

Plague Garden – (Left in The Grave ) – Ok important question, how the fuck did I not know about Plague Garden? Paul Barker of Redwing Blackbird (who i love) is involved in this project. This is gorgeous, sinister, old school artistic almost Tones on Tail lo fi drone goth. Great use of changes and making every sound count. Goth with clinical efficient effect.

https://plaguegarden.bandcamp.com/releases

Caustic(The King of EBM) So if Matt Fanale has a new EP and the title sounds like a play on Run DMC best believe I am here for this. Of course it is just what you would think. Look it is not an overstated boast to say The King. Infectious beats drive your body like a bolt of electricity from the sky awakening dead flesh. It’s Alive! It’s Alive! It’s blue collar, it’s high ideal, it’s everything I love about punk, and EDM and nothing I hate about either.

https://caustic.bandcamp.com/album/the-king-of-ebm

A Cloud of Ravens(The Earthen Call) New York darkwave duo with a new single out. I really want to listen to this while doing ritualistic magic in a secret underground lair. Not that doing that doesn’t sound cool all the time, but to this song in particular. Love the walls closing in guitar for an otherwise traditional darkwave song. Gave the whole feel flaming wheels.

https://acloudofravens.bandcamp.com/track/the-earthen-call

Raven Said(Beyond the Darkest Hour) Ok, I have a confession/moment of self reflection on Raven Said from Russia. I have had 3 reliable people all tell me to listen to this record and just hadn’t gotten to it. I get a little full of myself sometimes from writing this page and start to think if it was really that good I would have found it right? Holy shit this is good. I hate myself for the moments I wasted not knowing about it. It’s driving through haunted woods chased by a ghost luxury automobile full of specters and demons on a foggy night. It bounces on tight coils like post punk but it has the soul of really spooky quirky bat cave. So don’t be dumb like me, buy this immediately.

https://ravensaid.bandcamp.com/album/beyond-the-darkest-hour

From The Mouth Öv Belial(Defied and Devoured) Have you ever wondered where modular synths go after they die if they have not lived a good and pure life? Adrian can show you. This is disturbing sonic nightmares given flesh. In fact I might have to write one more review just so this isn’t the last thing I hear before I pass out. Honestly he should have wrote the soundtrack for the Suspiria remake instead of Thom York.

https://fromthemouthovbelial.bandcamp.com/track/defied-devoured

Mindless Faith(Insectual) Washington DC based electronic robot invasion music that makes me long for humanities inevitable collapse at the hands of our metallic superiors. I suppose it is easy for me to think of Rick Furr as part of Steven Archer’s posse. Here with Jason Sevanick, Paul Green and Chris Sevanick they have unleashed soulful energon cube filled landscape of precise mixing and slapping beats. I got half way through writing this and realized it came out last year, but somehow skipped past my notice. An endless tide of automation integrating your mind.

https://alterculture.bandcamp.com/album/insectual

Well I didn’t come close to writing about everything I listened to this Bandcamp day (My new favorite holiday) I wrote a lot though. It’s a strange and scary world full of uncertainty. Listen to new music. Support the artists who make it. I suppose it is time for a little shameless self promotion.

Tiny Gods Who Walk Beside Us – I made a compilation, to save my cat. Beyond that it is really good. I honestly astounded how good. If you like Goth/Industrial/Post Punk/Darkwave/Coldwave A lot of the hottest new talent is here. $10 for 25 songs.

https://theamaranth.bandcamp.com/album/tiny-gods-who-walk-beside-us

Locked in Isolation with the Dark Thoughts of Others

So today was bandcamp day. When the wonderful people that run the best site for artists to get music to their fans decided to give all proceeds to said bands. I scored quite a few great albums. I am now working from home for the foreseeable future which might give me some time to do some damage on the giant stack of new releases that need reviewing. Here is some of what I am listening to right now.

The Kentucky Vampires from Louisville released the album Crimson Curse. They were featured by Brandon of Sonsombre on our podcast and he got me excited for this record. I feel like it was a huge step forward for them. The production is first rate and really gets back to the original death rock roots of goth. The guitars are humming and full of movement. I’m so glad to see guitar becoming a focus in gothic rock again. Large crashing drum sounds create a cavernous dark under the ground feel. I really enjoyed how varied the vocals feel from song to song. The lyrics are a captivating story with tons of call and echo. Almost like the demons haunting the story teller are whispering from the shadows.

https://thekentuckyvampires.bandcamp.com/album/crimson-curse

Standout tracks: Holy Heretic, Saint Vincent, Die with you.

The Ghost of Bela Lugosi from Australia put out Tales from the Darkside in January. Vin Price is a true treasure and enigma of this scene. If you haven’t heard of one of the best kept secrets modern music has to offer I can’t stress enough how you need to go through his back catalog. This songs are crafted with such precision and understanding of hook and flow. Somehow each one retains an anti-establishment punk rock feel that destroys everything vapid in their path. His voice has a unique cadence which I find captivating and challenging at once. This album like so many of his songs shows the learned study of 80’s new wave song construction. Instead of decadence the tone is filled with clever tongue and cheek Crass and street smart blue collar passion. Whenever I am trying to think of an underground sound to share, I know will wow them from the first track I usually think of TGOBL first. I also love his use of horror movie nostalgia and slashing overlap melodies from a variety of instruments. This album has an innate sense of just what to put to the front. Anthem after anthem of middle fingers to the establishment of music. If you want to be a part of the gothwave revolution this record is a great place to start.

https://ghostoflugosi.bandcamp.com/album/tales-from-the-darkside

Standout Tracks: All of them. If I must pick: Fade Into Oblivion, Laugh Now Cry Later, Nefarious Beings

Black Angel are the LA based goth rockers with a new release The Window that is putting an emphasis on the rock. Matt Vowels has a impressive Ian McCullagh range and clarity. The music has dark shadows but a high energy full band feel that fills the whole sound spectrum. The giant smashing kicks and 10,000 pound fluttering butterfly basslines give Vowels the perfect vehicle to ride that line between post punk and LA rock. This album offers that cleaner connected front of dark music.

https://blackangelmusic.bandcamp.com/

Standout Tracks: Poison, Creeper, Christine

Clone Culture from Italy with their new release Innocense sent to me by the always tasteful Andy of Cold Transmission. This album is a post punk fringe with a primarily new wave flavor. Immediately put me in mind of Aha from their more underground offerings. The vocals are focused and have a sustained beauty. I found myself continually impressed with how the percussion snuck up on me when I didn’t expect it. Really interesting use of panning and sound placement in the speakers to create constant movement. The tempo and raindrop patter of the guitar lines made me want to drive a very tiny car through very tight streets while chased by the authorities.

https://cloneculture.bandcamp.com/album/innocence-2

Standout Tracks: Feed me Tonight, Tearing our Minds to Pieces, Stop Hanging Out

I will keep going through this huge back catalog through the month, what are the new releases that captured your imagination this year?