Bandcamp Day is Friday! What are some of the great New Releases that are fueling my Jets in these Cold Days?

Friday 11/5 marks another Bandcamp day and I get to pour through a slew of amazing releases. Remember tomorrow all proceeds from sales on Bandcamp go directly to the artists who are in desperate need. We all need songs to fill our hearts in these days. Here are the ones filling mine.

MAN1K1NDon’t Let Me Try – Brand new single from Boston shadowcrawl duo Man1K1n. Two ones to represent each of them. We have an upcoming webcast post with the act. This is a powerful song about personal loss Johnny E. Veil turned sonic and it really stirs the tendrils of emotion that suicide and mental health conjures for all of our lives. The percussion laid down by Cristian Carver is driving and precise, washing over in hurky jerky horror film atmosphere. Johnny’s vocals growl like a demon voice from within. I love the concept and how much genuine blood was poured into every word. This was an independent release but we have heard promise of an upcoming album ready to throw a match on this pooling shimmering gasoline.

https://man1k1n.bandcamp.com/track/dont-let-me-try

Stabbing WestwardI Am Nothing – Brand new single from rockdustrial legends Stabbing Westward. I just saw them at Cold Waves in Chicago, not only have they not lost a step. This new material seems to add a layer of complexity and depth to everything they have been doing for decades. Chris Halls voice grows more powerful and bristling with clarity and violet laser focus. Add in production from the legendary John Fryer and a remix from Jim Marcus. I love the flurry of katana guitar slashes and cyborg samurai cadence. Stabbing Westward still finds a way to transport me back to my 16 year old bedroom and awash with emotions and glorious vampiric dark tones. COP continues to release the cutting edge of the growing Industrial Rock genre. SW is their flagship.

https://stabbingwestward.bandcamp.com/album/i-am-nothing

Carrion – Revenant – If you didn’t know S & S contributor Hide Tepes was a huge LA hard rock Motley Crue fan in addition to making experimental textural noise you will after this track. The hard and high energy strikes of the drums, the crunching metal intensity of the guitar riffs have a very Psalm 69 recklessness. The lyrics are delivered with a harsh chaos demon venom. There is something so powerful about hearing an artist get lost in the moment. This is not a performance, it is a summoning. Further energized with a remix by Texas band Dread Risks who add a further layer of tribal intensity. I will be deep diving this entire album as it unfolds. Hide lays out a track by track explanation below of this decent into ego destruction.

The whole album is going to be available to pre-order tomorrow for both CD and digital + doing a limited edition bundle where you get the CD of the new album, the cassette of the previous one as well as two patches.

Lyrics: Maggots crawl to kiss the feet of a new God Used and abused, to be disposed in the dark Sucked dry by the hordes of the revenants Another body in the grave of their shallow praise Die the death just to come back hollow Feral angels rise, ripe with decay. Pray to me, what you sow I will reap, Pray to me.

https://officialcarrion.bandcamp.com/album/revenant-2

I Ya ToyahPray ( Stabbing Westward Remix ) – Chicago’s one woman army is back with a new remix from the previously discussed Stabbing Westward and their is nothing I don’t love about this song. The rises and falls of this high speed car chase give space and pacing for Ania to shine through city streets. her energy is a beacon that draws you in and fills you up every time you are near. Walter Flakus is a proven master of taking great vocal talent to it’s height. This remix makes me long for an Ania/Chris Hall duet. Make it happen.

https://iyatoyah.bandcamp.com/album/pray-stabbing-westward-remix

WHITE NOISE TVGENERATOR – Berlin band I have never reviewed before featuring: Oliver Staats, Bernd Abromeit, Lars Goehring. I really like the expansive opening salvo of high energy electronic sound. As the vocals come in they have a daring Peter Hook Revenge flavor. Melodic with a lashing edge. Production is top rate which is essential when blending the post punk vocal style and cascading EDM music. Great breakdown at the 2 minute mark to let the bottom drop out and stand on the hill in defiance. In general an impressive job of taking familiar ideas and stitching them into a fresh concept. I think the most ringing endorsement I can give this is I was three minutes into the first track and they had already won me over as a fan. Get ready to hear more about White Noise TV.

https://alicesitski.bandcamp.com/album/generator?fbclid=IwAR1pq27lCebavvQ8pi9HN1Y5BjL_Vn4wWJtOdSfJLcw5VkHuNQrikn5zukA

Bedless BonesThe Iron Bough – We already have a review posted of this album on Sounds and Shadows. My favorite band from Estonia on Cold Transmission. Set to release 11/25/21. Every time I take a moment to listen to BB I am always surprised I don’t think of them more. They have such a powerful and spiritual infused sound or organic soul with a lost age feeling. Kadri Sammel has one of those truly unique voices that stands out in a sea of similar postpunk/darkwave vocalists for their cadence and range. If you held a live wire up to Dead Can Dance or This Mortal Coil and shocked them with electric intensity, that would be the majesty of Bedless Bones. Cool green leaves dripping with rolling drops of water.

Bending The Iron Bough | Bedless Bones (bandcamp.com)

The Cult Sounds – Now i can say I was officially surprised by this cover. I think of St Louis The Cult Sounds of an edgy dangerous take on the post punk concept. The Moody Blues are a definite guilty pleasure of mine. This holds so true to the psychedelia beauty and romantic nature of the original. It also really shows off the talent and chops of the band in such a different vein than their amazing progressive album “Death Of A Star

https://thecultsounds.bandcamp.com/track/nights-in-white-satin

kid.saint.nothingDisgust – Ok I know this is a friend from Kalamazoo, but I am always astounded by the truth and delivery of Reggie. An exceptional talent in the scene returning once again with a passionate fury of raw veined exposure. It’s music that has that fearless, nothing to lose realness that can’t be faked. Pounding low fi metal edge with poetic soulful lyrics that ring clear beyond the crunching chaotic distortion of the music. I love the drum transition from a backbeat hip hop into throbbing metal. Reggie’s ability to flow seamlessly between styles while exposing their truth of being always reveals a new aspect with every album. More people need to know about this. The Pixies cover sounds more like the original plot of the Pixies than the Pixies do .

https://kidsaintnothing.bandcamp.com/album/disgust-ep-2

The WakeEmily Closer (Kill Shelter Remix) – New remix of legendary Ohio goth band The Wake by our dear friend Pete Burns (Kill Shelter). This song is such a driving dark jam, and Pete drives the car right into a crystal palace of reflections and crashes a dark fairytale ball. Splashes of keyboard color shine light on a dark canvas of surrealism. This track is welcome at my goth prom anytime.

https://thewakeus.bandcamp.com/track/emily-closer-kill-shelter-remix?fbclid=IwAR2pJF824VeY6K9tQZhBShw5ILrpaz6PJbppODJZCVIV9dhVmZ-0pHvWf5g

Aesthetic Perfection Feat: Isaac HowlettSave Myself – Here we have two of the top vocal talents in the modern scene teaming up to create something of staggering beauty. Empathy Test and Aesthetic Perfection share a lot of mutual space, both blending the lovely and pleasing with intense emotion to create a full pallet of human experience in song writing. They also couldn’t be more different stylistically in how they achieve this effect. This song really told a story to me, not just in the music and lyrics present. In the delivery, tone, and cadence that they volleyed then harmonized. Almost as though the perspective of what they were singing was shown through a alternate refraction. Plus it is so earth shattering pretty it made me warm inside. Musically I felt it swung more to the AP perfection side of the spectrum, but the vocal performance highlighted the contrast of two top level artists. I hope this is just the start of possible collaborations. I fully expect this will rocket to the top of the dark scene.

https://aestheticperfection.bandcamp.com/track/save-myself-feat-isaac-howlett?fbclid=IwAR1amkMPNKfSy4V0P6L3j4fOBPDKVNoVgIyBCKopnVm08ST3nFH1gU0fPiI

My Brother Got me a $100 Bandcamp Gift Card For My Bday! What did I get so far?

It is like the whole goth community got a birthday infusion. I am on a reckless spending spree of new music. Here is some of what I am listening to right now. As always if you have a band you want to see reviewed, comment below.

Lyres Of UrEscape From Modern Man – New single from our talented young contributor Lou Blacksail with cover art by Joshua McCallister. I continue to be impressed by the passion and vision of this young songwriter. A raw and bass driven wind tunnel of echo’s and sinister carnival keyboards. I can feel the snarl curled lip in every delivery. Sometimes when I hear a mix that has a raw feel, I am taken out of the moment. In this single that way different aspects charge to the front adds a boldness and bravado. I feel like this is an artist the shines with potential and leaves space to grow. The emotion and natural intuition for form and hook are unmistakable. I am more impressed by everything I hear.

https://lyres-of-ur.bandcamp.com/track/escape-from-modern-man

Suzi SabotageNazi Goths, Fuck Off – With everything facing our scene I am amazed no one has released a track like Finnish siren Suzi Sabotage that takes the blunt power of a barb wire baseball bat that attacks the worst aspects of goth with unbridled fury. A slinky dark synth build with a razor edge message that pulls no punches. The new generation of goths demand an anthem of political passion and Suzi has delivered. A perfect punch the masses can rise behind. Nazi Goths Fuck Off.

https://suzisabotage.bandcamp.com/track/nazi-goths-fuck-off

Precious BonesMAGNA FRACTURA – I love the name, the concept, and sound of New Jersey barb wire rockers Precious Bones. Antoine Poncelet & Guy Tetro unleash an Iggy Pop/New York Dolls late 70’s chaos venom. A tight coil of front edge intensity and pulsing electricity. I love the call and answer style of the vocals which put me in mind of the Vaselines. It flows through the pipe of uplifting joy and angry edge. This whole album is such a runaway stage coach sparking cobblestones in a tight alley chase. The organic slicing fury mixed with dangerous violent stories that has a real murder ballads feel. I love how this tale keeps changing speed and turning. I never want to look away. Horror punk with a retro feel. August 2021 release. This album is dedicated to the memory of founder Guy Tetro, a tragic story and impressive release.

Favorite track: Mysterio – Thick pulsing baseline. Start and stop reckless abandon. The vocals are the perfect volley of story telling dialog. It’s engaging and edgy without trying to sound that way. It’s one of those tracks that hits perfectly on it’s intent while the listener is left feeling it was a perfect storm with no destination in mind.

https://preciousbones.bandcamp.com/album/magna-fractura

StoneburnerSpectrum – Another face blistering hurricane wind blast from Steven Archer. This time taking a revealing and visceral offering about mental health to offer connection through the turbulence. I love the wide prism of colors in tone for the single and remixes. When I think of Steven’s sound I use words like focus, contrast, and intensity. This track is a softer and varied concept which shows range and subtilty. The bsides Bahr Bela Ma and Open Letter redirect back to the percussion assault and rhythmic chant vocals I associate with Stoneburner. This unity with COP International continues to let the wolfcore off the chain and give a fertile field for raw creative energy to foster. John Fryer has once again found a laser prism to channel the emotion of Steven’s art.

https://stoneburnerofficial.bandcamp.com/album/spectrum

CarrionShatter the Seals – New two track EP on Brutal Resonance from the charred angels of Carrion. I love the new direction. The monster is no longer lurking in the darkness, it’s sinister intention a slow whisper behind your back. Now the monster is charging towards you full speed with teeth barred and howling your doom. The vocals are a striking snake hiss. The drum beats are frantic and marching. Biggest of all this guitar distortion is clean, mean, and red eye glaring at you. The seals have truly been shattered and the demons unleashed on this plane. I’ve never heard Hide lash out with such unbridled intention. Buy this album, bath in blood, smash your meaningless possessions with a baseball bat.

https://brutalresonance.bandcamp.com/album/shatter-the-seals

Ratio StrainCentury Of The Self – San Diego band I am just finding from the drummer of W.A.S.T.E. This release came out in January 2020 but i am glad to discover it now. 8 songs of mind shattering hard industrial which is going to hurl a challenge in your face like a gallon of moonshine to the eyes. The vocals are sample laden and I will admit made me blush several times. This is music intended to cause discomfort. It’s also slick tight dance beats that had my head bopping while I stood in fear and awe. The panning of the drums was an expertly done effect and really makes the room spin to the napalm explosions. You think, you dance, you shake, you break.

Favorite track: Objectify – This song made me wildly uncomfortable and unnerved. A real blinding light held up to the misogamy prevalent in he world. It is not a soft message and hurled with such strength and aggression it left me speechless. (Warning) Not safe for Work 🙂

https://ratiostrain.bandcamp.com/album/century-of-the-self

VlimmerMeter b​/​w Kartenwarten – Alexander is back again, with a new two track EP and again stretching the range of one of the great sonic sculptors of our time. This is shake your ass club thump. The open expansive feel of the synths, the thunderous driving bass, I couldn’t help throw my hands in the air. Beautiful syncopation and vocal cadence. Track one Meter has a Blondie Atomic energy while pulsing in hues of violet and crimson.

Favorite Track: Kartenwarten – The glorious sway and slide of this track. I’m on a cliff staring at the sea, feeling the slow shifting power of dark water. So many textures and concepts bleeding together in harmony. A true work of beauty.

https://blackjackilluministrecords.bandcamp.com/album/meter-b-w-kartenwarten

Lorelei DreamingFuture Fables – Long have I awaited this 6 track EP complete with wonderful remixes by Chicago dystopian pop princess Laura. It’s so clear and textured from their previous release. Laura’s voice breaks through the wall and takes it’s rightful place on center stage. The album opens with an absolute banger in Of Stars. I’m loving the rippling synth sounds to add a fantasy feel. Each song is a striding step forward for an armor clad paladin facing down the demons surrounding her. This album was so worth the wait and every song is an adventure. The remixes are a brilliant contribution with the likes of Kanga, Sawtooth, Eva X, Angel Metro, and more. I love seeing so many top tier ladies involved.

Favorite Track: To Leave This Heaven – Sparkle explosion of dance delight and spinning cyclones. A real Violator Depeche Mode swagger with silk swirling gentle touch.

https://loreleidreaming.bandcamp.com/album/future-fables

It’s Wed My Dudes, On 5/7 It Will Be Bandcamp Friday May Edition

I have not been great about writing reviews this month. However that has not stopped my compulsive purchase of badass new music. So I am going to delve into my cups as well as the latest in hot new tunes. I invite you to follow my meandering thoughts and broken sentence structure. It is my genuine hope you find something here that will inspire hope for you as the tension of the last year and a half seems to have a light in the distance. As always leave a comment below if you have an artist you would like to see me review in the future.

kenzifiresSlumber Party” by Ashnikko – The amazing shooting star Æðra Justice Burke of FIRES has started a new WitchHouse project and blew my doors off out of the gate. These slinky flowing hip hop beats crisscross with waves of color and heat. I think the most amazing impact is the ability to stop everything, hang in silence a moment, then pirouette and walk away. I don’t know the original song well, but you can bet your sweet bippy I am looking it up now. Everything she touches is a laser beam right to my heart.

https://kenzifires.bandcamp.com/track/s-l-u-m-b-e-l-i-g-u-s

DoppelgängeRMercy and Eternity – Currently the hot topic in Post Punk/Darkwave is the amazing icy wind blowing out of Russia. Doppelganger has been leading that charge for a while now. Building an impressive catalog for 25 years and honing an impressive smooth icicle sound with a razor point. Rolling live drums with crisp transitions. Light shard guitar cadence. A bass line the drives the tempo with intuition and an unseen presence. The vocals are subtitle and hold a wisdom. When someone says you have an old soul, that is the effect these vocals create with me. I am kicking myself for waiting so long to find this band and if you haven’t heard them please don’t waste another day.

Favorite track:

Dancing With Shadows – A flowing wisp of smoke with quick moving guitars and deceptive transitions. Another power of this band is that it sounds like itself. The vocals in particular could easily get lost in the “Baritone Post Punk” singer trope. It has instead a fresh confident take that is not another Ian Curtis/Andrew Eldrich.

https://doppelganger-ru.bandcamp.com/album/mercy-and-eternity

HALLOWSAll That Is True Dies – New single from recently relocated Seattle band Hallows on Cold Transmission Music. In addition to the single you get two remixes by Dead Astronauts and Profit Prison. As well as exquisite mastering by Pete Burn and Slade Templeton. That is an all star team and gets me excited. The first time I heard this band I was struck by the glorious blend of vocal styles. It really creates a story between these voices. Like an other world echo of memory that haunts a home. I love the simple idea layered with tragedy and humanity. This is a song of reflection and immersion. After the banger club hit, that quiet moment when our characters lock eyes and get lost.

https://hallows.bandcamp.com/album/all-that-is-true-dies

Into GreyWaiting Here – So this is a band from Columbus Indiana that found it’s way to the Sounds and Shadows group and holy shit it is good. I’m working my way through the previous catalog. It is rainy days and water colors. Deep resonant vocals that put me in mind of Golden Apes. Cutting poetic lyrics of longing and doubt. A lot of overlapping busy guitar leads which create motion from an otherwise crushing weight. It’s a nice effect that draws a beautiful contrast. Quickly rising on my list of modern bands making goth romantic again.

https://intogrey.bandcamp.com/track/waiting-here

StoneburnerSell Out – Steven is newly signed to label COP International and broke out the first single. To no ones surprise it is a total banger. It was produced by living legend John Fryer and features remixes by Klack, Stabbing Westward, and Sick Jokes. I love the crushing 100 MPH pop stinger tempo and tongue and cheek clever delivery. “I want to look good in the DJ booth” “You have to sit through my noisy ass shit”. This is a cleaner burning view into the wit and humor that Steven uses to connect with his audience outside of his music. I love the left turn in direction to show the range and endless creativity Stoneburner continues to bring.

https://stoneburnerofficial.bandcamp.com/album/sell-out

Shadow FashionOne Black Rose – San Antonio darkpop darlings have dropped a new single and this is my favorite of their releases to date. I fell deeply in love with this track. It hits on so many genres and decades in one dark clean insta classic. Huge John Hughes romantic swirling film feels. Patrick’s vocals are crisp and dreamy. It has a modern production with a nostalgic tone. This single really paves the way for a bright exciting future. I’m jaw dropped blown away by how much this track is stuck in my mind when I least expect it. Must have.

https://shadowfashion.bandcamp.com/track/one-black-rose

Dove TribeAll In The Waiting – No one is a bigger fan of the artistic exploration of sound by Hide Tepes of Carrion than me. He is on a constant journey to create some of the most cutting edge sound crafting in the modern scene. So when I heard he was doing a new project with a more rock focused old school bat cave sound I knew to expect something exceptional. The song “New Cold War” is a powerful political statement with an emotional delivery that harkens me back to 1959 by the Sisters of Mercy. A track that transports you and paints a picture of strife and rebellion. It shows Hide’s voice in a completely new light that left me spellbound. Currently available for pre order for a 5/15/21 release. I feel like this EP has the raw power to be a game changer in a genre hungry for new sound.

https://dovetribe.bandcamp.com/album/all-in-the-waiting

Lyres Of UrI Look Good On You – I know, I know, you are thinking Ken are you just reviewing all of your contributors at Sounds and Shadows? No, this new single from Lou Blacksail is pure blazing fire and marks more young talent that is hitting a stride which strikes me deeply. The vocals are a sinister reflection of 80’s pop. I love how accessible the hooks and cascading synths feel while the vocals hint at something secret. A dangerous curl of the lip and arrogance of the eyes. As Lou continues to find his voice, I continue to be more invested and impressed by a future talent in this scene. Show support now for this “It” factor artist.

https://lyres-of-ur.bandcamp.com/track/i-look-good-on-you

MORIS BLAKIrregular Revisions Vol. II – Brand new remix album from Boston EDM wizard Brian Blacknoise. Powerful reimagining from 2019 The Irregularity of Being. This album is a epic dance journey where sounds are sculpted from chaos into form. A masterful job of enlisting vocal performances from the likes of Alicia May, Luna, and Pete Crane to add layers that elevate the intent and narrative. Finding a fresh image in songs you have previously done is no easy task, but this remix album cracks the standard code. It’s a collaboration that takes something wonderful and fires it through a prism.

Favorite Track: I have a tossup here. Between Alicia May‘s vocal delivery of empowerment and grace on Burying Place, and the and the HAEX remix of of Erase Displace. Both brought such a fresh vision to Brian’s vibrating walls of earthquake destruction. Honestly I am hard pressed to find anything here I didn’t enjoy.

https://morisblakngp.bandcamp.com/album/irregular-revisions-vol-ii

ΣΕΘ(SET)Disorders Of The Heart feat. Morgue VVitch – So this was a powerful and abstract find from Arizona featuring Morgue VVitch. An unnerving and beautiful forest of terrifying Will o Wisp lights. Goblins horror texture blended with dungeon synth adventure. I loved the spoken word intro and the fingers on your spine chime movement. What left me enthralled by this was how unfamiliar and dangerous it felt. A chilling feeling of desperation leaving me hungry for life. I want to explore deeper in this haunting mystery.

https://subgoth.bandcamp.com/album/disorders-of-the-heart-feat-morgue-vvitch

Who is the Next Wave of Industrial/EDM Making My Gears Turn and Glitch

In my youth I didn’t really have a punk rock phase. My angry phase was Industrial. Ministry, NIN, Skinny Puppy, Test Dept, KMFDM, Die Warsaw, Lord of Acid, Neubauten, Front Line Assembly, Front 242, Leatherstrip, Chemlab, were the fiery steam fire oily sounds that spoke to my soul. As time went on my anger and napalm softened and I moved away from this soul. In the past few years I have found myself rediscovering and broader and more intricate hard electronic sound. Here are some of the echoing booms filling my warehouse.

SpankTheNun: The Texas industrial sensation from Eric Hanes is bringing Industrial back to it’s early core. It’s catchy and dancy, with steel jaws of metal drive guitars and distorted growl. I love the clarity achieved through modern tech that takes the early feel and refines it into the modern expectation of laser focus. The new album out “The Bunker Tapes volume 1” is a perfect homage to the past with a fresh hypersonic spin.

https://spankthenun.bandcamp.com/album/the-bunker-tapes-vol-i

Stoneburner: Steven Archer of Ego Likeness started the project of to express a different aspect of his music. This is truly taking the concept of Industrial music into a higher form of evolving art. It’s high concept sci fi with tribal organic drum beats and lyrical poetry that pushes the boundaries of the human experience. The albums are ever evolving and are done with a vision. He also is a master of interactive experience and blending of visual and sonic art. Truly breaking ground for a new concept.

https://stoneburnerofficial.bandcamp.com/album/beauty-is-terror

GoFight: It’s hard to think of Jim Marcus as “new” Industrial. Die Warsaw was one of those early bands that taught me the idea of Industrial music could mean something more than macho angry aggression. A beauty and subtlety that made me dance and sing along with glorious pop hooks while maintaining that furious grinding filth. Jim continues to write songs that capture the mind and infuse the body with buzzing chemical energy. A relatable idea with sharp edges and teeth. One of those beautiful ideas that blends accessibility with higher thought. Jim has always been the cutting edge of Chicago Industrial and has not missed a beat. New single out Freestate is another masterpiece of technique and torr ant.

https://gofight.bandcamp.com/

I Ya Toyah: The one woman army from Chicago is a explosion of energy, love, and pain. It’s has a soul that really sets it apart from a lot of the genre. Ania has a voice and song writing style that captivates with it’s power and passion. The songs move with intention and the lyrics have a personal flavor that makes you a part of them. The live stage show is truly something to behold. She is a voice for the future of what electronic music is capable of.

https://iyatoyah.bandcamp.com/album/code-blue-album

The Joy Thieves: Another Chicago band ( A Lot of good Industrial came from Chicago). This one a super band helmed by Dan Milligan has brought amazing talents from several Industrial mainstays to ride that line between hard rock and industrial. I once describes them as Clutch beating the shit our of Stabbing Westward with a baseball bat. It’s furious aggression, blistering guitar work, progressive percussion, and napalm vocals. It’s a compilation of talent to rival bands like Pigface with it’s own organic concept.

https://thejoythieves.bandcamp.com/

Fee Lion: Another Chicago act with more smooth cold blue edges. A powerful and sensual voice with distinctive electronic dance club explosions. Very avant garde and and invasive. A true master class in how to use push pull dynamics to pull in your audience. Only a few releases so far but already setting the stage for a power player in the genre.

https://feelion.bandcamp.com/track/baby

Klack: Madison WI collaboration between Matt Fanale (Caustic) and Eric Oehler (Null Device) have formed up to make EDM for a new generation. It’s clever, conscience, and shoots a bolt of electricity into your spine that shakes that ass. The vocals are the perfect blend of both talents that brings the revolution and makes it fun. It’s an iron gauntlet in a velvet glove. Get Klacked and stay Klacked.

https://klack.bandcamp.com/album/two-minute-warning

Moris Blak: Boston MA, Hard EDM industrial is not here to take you gently into emersion. It is fierce and limb flinging excitement adrenochrome shot into your mind and designed to make you let go of all control. He also does some intense remixes and mind bending live shows. This is not a throwback sound. It is straight alien brain melt.

https://morisblak.bandcamp.com/

ESA (Electronic Substance Abuse) – The British master of EDM dance club excitement. When using bass beats like a sonic weapon it is a true challenge to construct ear worm melodies that cut to the forefront. This music is a virus that infiltrates every cell of your being and demands you dance. The newest album “Eat Your Young” also features the amazing Caitlin of the band Corlyx. Immersive filthy grinding dance beats that ride you hard and put you away wet.

https://esangp.bandcamp.com/album/eat-their-young-the-scorn-ep

Curse Mackey: – This is a scene veteran that has been a key member of one of the biggest Industrial bands Pigface. He has recently released his first solo album “Instant Exorcism“. Aside from the amazing vocals and pedigree of this record, I think what really moves me are the thought and poetry of the lyrics. This is truly and out of the box thinking persons Industrial sound. A must have.

https://cursemackeyngp.bandcamp.com/album/instant-exorcism

Silverwalks: Criminally underrated sci-fi electronic backdrop creator from Philly. This new single is “Lantern” is an absolute burner. One of those songs I can’t hit play enough times on. It has a true Gary Numan quality in it’s texture and flow. I loved it so much I had to have an Amaranth remix done. Transport yourself to an alternate sonic reality with this band.

https://silverwalk.bandcamp.com/

Melodywhore: This glorious electronic music wizard has forged really taken the old Industrial concept of collaboration. Blending a softer more passionate dance grime energy. Using a variety of musicians and vocalists. This latest track for BLM charities is beautiful and powerful. Giving voice to rage using an intelligent whisper.

https://melodywhore.bandcamp.com/

DEAD AGENT

Dead Agent is the solo project of Ed Finkler, also known as Funkatron.

Musically it leans more towards the EBM side of the spectrum but manages to do so without feeling like something we`ve heard a thousand times before during the last X amount of years.

While its mainly instrumental there`s heavy use of samples and other sound design techniques to create the illusion of vocals as can be heard on the track “Frentik“.

Ed was once part of the band Cult Of Jester where we saw him in the role of a vocalist fronting an industrial rock band so to see him return to music in such a different yet at the same time familiar manner is definitely interesting. Dead Agent is a project to keep your eyes on going forwards.

DECENT NEWS

From Connecticut we have Decent News who we have featured on the site before in various scenarios. They deliver a refreshing take on the blending on industrial and rock/metal. The guitar work especially stands out from the crowd as one can pick up on some clear early thrash metal influences at times as opposed to what has seemingly become the standard industrial guitar consisting of simply palm muting and tabs that look something like this: 0-000-00-0.

Having carved out their own sound they manage to evolve and progress with each release within the confines of their world which is quite an underappreciated talent.

VANITY KILLS

From the UK comes Vanity Kills delivering some dirty, gritty rock n roll with filthy, dripping electronics sewn in like a patch on a vest.

They wear their influences on their sleeve and take it all the way whether that be sonically or visually, yet also manage to do things their own way and leave an open wound on the otherwise often too mechanical world of industrial rock.

NOTHING VALENTINE

While Darrin Lewis may have spent years as vocalist for the metal/deathcore band Beside The Silence he’s now working under the moniker Nothing Valentine creating what I‘m tempted to call a blend of pop and industrial but still retaining the heavy element of earlier projects.

Debuting with the song #GothGirl almost a year ago, he later followed up with the politically charged track “Civil Unrest” which showed a thematically and in many ways musically heavier side to NV which might not have been according to the audiences expectations after hearing the more light hearted first single but this is exactly why he`s on the list. Expect the unexpected whether it be in terms of music or the overarching themes.

BLAKMOTH

Of course we have to include Blakmoth as we just did an interview with him.

Blakmoth creates what he refers to as “Doombient” consisting of heavy rhythmic drum work and droning ambient soundscapes all created with modular synths.

Having recently signed with Errorgrid Records and with a new release on the way despite having released “Deathshead” only a couple weeks ago Blakmoth is highly productive and is always seeking to push the envelope and challenge the audiences ideas.

I hope that with time well see more modular based artists pop up and break out of lighthearted bleeps and bloops for just a moment to explore the dark side of synthesis that Blakmoths music beckons us towards.

ECHO BEDS

From Denver, Colorado comes the duo known as Echo Beds with amplified oil barrels, broken tapes and generally less than perfect instruments they create noisy yet catchy and often strangely melodic tunes reminiscent of early Swans meets EBM or something along those lines. Visceral yet danceable, not too harsh for the new comers to the experimental part of the industrial genre but just enough to entice you to go deeper and explore a side of it which is often forgotten about these days despite being the source of the genre. This one is truly DIY or die voltage therapy.

CARRION

Industrial Rock isn`t exactly what Norway is known for musically although one might be able to draw comparisons between the early days of industrial and black metal in terms of extremity ,avant garde-esque tendencies and against the grain approach.

Carrion, lead by S&S writer Hide [Adrian Kjøsnes] blends elements of traditional rock n roll with a tad of 90s Nine Inch Nails style steeped in occult philosophy and mysteries.

Having just released the album “Testament Ov The Exiled” now is the perfect time to check them out if you haven’tt already to hear Hides most recent experiment mixing distorted guitars and modular synthesis into a blend of structured yet still chaotic noise and…Power ballads. Yes, you read that right.

MISSFIT TOYS

Having recently released the single “Blithe Din” along with a ton of remixes [Including Dead Agent and Decent News] this Florida based aggrotech band is perfect for those who love catchy synth lines that worms their way into your ear while banshee like vocals speak of biblical themes full of symbolism painstakingly researched for accuracy and adopted to whatever vocalist Richie V. Suriv attempts to express.

Having already built a following within the U.S alternative scene playing with acts like Psyclon Nine, Dope, Skold, Combichrist and more this is not one to miss, oh, and they`ve got their keyboards on a chain swingset 😉

https://missfit-toys.bandcamp.com/album/blithe-din

Zwaremachine: Loud and nasty from Minneapolis, this band is a grinding tidal wave of shrapnel and hiss. It rolls over you in slow driving sludge and flashing lights. Bringing gore and empty warehouse space into stark relief that transports you back to a 90’s rave in Detroit. Join in the chant and leave your inhibitions at the door.

https://zwaremachine.bandcamp.com/album/be-a-light-special-edition

11 Grams: The team up between Rob Early and Simeon Fitzpatrick that cuts the clean razors of electronic science fiction and dance club fury. This is two masters of production riding an electric wave of futuristic beauty and construction. It’s transformative and honed to make rooms sizzle.

https://11grams.bandcamp.com/

StatiqBloom: This New York band is frightening and cold. It’s movement is infectious but the tone is dark. A Sinister horror film brought to life. Definitely EDM dance movement but one that leaves you anxious and clawing at the wall. You can’t sleep because you can’t relax in this terrifying landscape.

https://statiqbloom.bandcamp.com/album/beneath-the-whelm

TH Inc: Chicago, Illinois Hailing from the beating heart of American Industrial music comes the sonic power house TH Inc. Electronic music pioneers Christopher Turner (of Nookleptia and the mixcloud show The Garbageman Show) & Robert Hyman (Drummer of Mr. Russia, member of Melter and owner of Lens Records) first came on the scene with the darkly haunting 8 minute “Drawstring” and the pair continue to dish out fresh dark DIY industrial reminiscent of Throbbing Gristle, Brighter Death Now, and the edgier side of COIL. If you missed out on or just miss the raw paranoid energy of early industrial and noise, but need a taste of something new, look no further. 2020 has seen the Release of 2 albums the gritty pulsing Circuit Flare, and the epic droning of The Tarkovsky Suites.learn more @ thincband.com

Bellhead: Chicago, Illinois Also from the land of WAX TRAX, this 2 Bass & a Drum Machine, Male/Female duo gave us their first taste of their mix of industrial sleaze with the thick dirty sound of “Fire Control“. Bellhead have kept it up with a hand full of releases including the 2020 EP “Unicorn Bones” and the Single “Sanity Assassin” an edgy in you face cover of the Bauhaus song.Keep you eyes on Bellhead, especially if you are a fan of the 90’s industrial rock style of Orgy and Snake River Conspiracy and even later Thrill Kill Kult.

https://bellhead.bandcamp.com/

eHpH: Denver, Colorado By now I am sure you have noticed we here at Sounds and Shadows are fans of eHpH and Bleeding Light Music in general. I feel I cannot say enough about eHpH, they come to the table with a fresh take on EBM and the darker side of synth driven industrial. From track to track you feel something that could have easily hit the dance floors of 90’s/2000’s goth industrial clubs and yet sounds strangely original. eHpH is that seductive dark stuff that draws you into this world.

https://ehph.bandcamp.com/

I find myself yearning for sonic texture paintings. Stoneburner/Carrion/eHpH

Lately I have really been immersed in music that takes me somewhere. A picture of sound that swirls and shakes me. Something where I don’t focus on the words or melody but drown myself in the image from 1000 miles away. Trying to see it all. Here is some of what is taking me there.

Stoneburner – (Beauty Is Terror) I feel like watching this project from Steven Archer is like seeing a blacksmith always sharpening a blade with a whetstone. Each album just keeps getting cleaner and sharper. You really can see the sound itself gain more technique and mastery with every release. It builds on itself and takes new shapes. In particular the vocals on this album are both more of an instrument but also crisper and more distinct.

Beauty Is Terror – Title track slams hard out the gate. I’m hit first by the construction. The efficiency of every sound there. Nothing overpowers or takes away. Keep yourself from fucking up. The cymbal crash sounds seem to strike at just the right moment to feel like the sound is cooking but the tempo is in reality a steady medium groove. This song feels like the early moments of an origin story. Someone just coming into their power in defiance.

Are You There The Way I’m Here – This his me like a concrete brick sledge hammer. It’s so different from everything Stoneburner. It’s smooth, sleek, sexy, it’s almost like Peter Gabriel doing triphop industrial. Again I love the connected story of this record. It isn’t so much the lyrics as the natural progression of each songs sound. Two stars synchronized across the black.

London – I love when songs are places. When you hear a song and are immediately been to a place you have been. Wet old brick walkways in a dark city full of tight alleys. The doubled vocals here, one electric and buzzing. Another chanting and organic to make a glorious effect. This song is a reflection, both the puddles on the street and the way it leaves you thinking about actions.

I know I often gush about Steven’s work, but I really believe this is the best music I have ever heard him produce to date. Take my recommendation and buy it. You won’t be sorry.

https://stoneburnerofficial.bandcamp.com/

Carrion – (Testament Ov The Exiled) If Stoneburner was a hero’s journey rising then Testament ov The Exiled is the hidden horror lurking in that alley. It drones and stalks, but with the smoothness of a predator you never see. Whispering to you. Just the quick glimpses of Flashing yellow eyes in slashing distortion. It’s the atmosphere that builds the horror here. Like an old Vincent Price movie that never needed to show you the monster to scare you. This is music to test your bravery against. Light a single candle. step outside the comfort of your door, and test the strength of your courage.

https://officialcarrion.bandcamp.com/

eHpH – (Infrared) – This is a turbulent time, you can taste it in the air. Division and fear are everywhere in the soul of America. This album takes that tension and spins it into thread. Weaving a tapestry. Heavy use of samples and thick pad sounds. Who says you can’t dance and think at the same time. This is a sound hungry for revolution. Fernando’s vocals come from behind a distorted shadow but ring clear. The fighters of freedom wear masks and carry an axe. I love challenge and FLA dance beats.

https://ehph.bandcamp.com/album/infrared