Who is the Next Wave of Industrial/EDM Making My Gears Turn and Glitch

In my youth I didn’t really have a punk rock phase. My angry phase was Industrial. Ministry, NIN, Skinny Puppy, Test Dept, KMFDM, Die Warsaw, Lord of Acid, Neubauten, Front Line Assembly, Front 242, Leatherstrip, Chemlab, were the fiery steam fire oily sounds that spoke to my soul. As time went on my anger and napalm softened and I moved away from this soul. In the past few years I have found myself rediscovering and broader and more intricate hard electronic sound. Here are some of the echoing booms filling my warehouse.

SpankTheNun: The Texas industrial sensation from Eric Hanes is bringing Industrial back to it’s early core. It’s catchy and dancy, with steel jaws of metal drive guitars and distorted growl. I love the clarity achieved through modern tech that takes the early feel and refines it into the modern expectation of laser focus. The new album out “The Bunker Tapes volume 1” is a perfect homage to the past with a fresh hypersonic spin.

https://spankthenun.bandcamp.com/album/the-bunker-tapes-vol-i

Stoneburner: Steven Archer of Ego Likeness started the project of to express a different aspect of his music. This is truly taking the concept of Industrial music into a higher form of evolving art. It’s high concept sci fi with tribal organic drum beats and lyrical poetry that pushes the boundaries of the human experience. The albums are ever evolving and are done with a vision. He also is a master of interactive experience and blending of visual and sonic art. Truly breaking ground for a new concept.

https://stoneburnerofficial.bandcamp.com/album/beauty-is-terror

GoFight: It’s hard to think of Jim Marcus as “new” Industrial. Die Warsaw was one of those early bands that taught me the idea of Industrial music could mean something more than macho angry aggression. A beauty and subtlety that made me dance and sing along with glorious pop hooks while maintaining that furious grinding filth. Jim continues to write songs that capture the mind and infuse the body with buzzing chemical energy. A relatable idea with sharp edges and teeth. One of those beautiful ideas that blends accessibility with higher thought. Jim has always been the cutting edge of Chicago Industrial and has not missed a beat. New single out Freestate is another masterpiece of technique and torr ant.

https://gofight.bandcamp.com/

I Ya Toyah: The one woman army from Chicago is a explosion of energy, love, and pain. It’s has a soul that really sets it apart from a lot of the genre. Ania has a voice and song writing style that captivates with it’s power and passion. The songs move with intention and the lyrics have a personal flavor that makes you a part of them. The live stage show is truly something to behold. She is a voice for the future of what electronic music is capable of.

https://iyatoyah.bandcamp.com/album/code-blue-album

The Joy Thieves: Another Chicago band ( A Lot of good Industrial came from Chicago). This one a super band helmed by Dan Milligan has brought amazing talents from several Industrial mainstays to ride that line between hard rock and industrial. I once describes them as Clutch beating the shit our of Stabbing Westward with a baseball bat. It’s furious aggression, blistering guitar work, progressive percussion, and napalm vocals. It’s a compilation of talent to rival bands like Pigface with it’s own organic concept.

https://thejoythieves.bandcamp.com/

Fee Lion: Another Chicago act with more smooth cold blue edges. A powerful and sensual voice with distinctive electronic dance club explosions. Very avant garde and and invasive. A true master class in how to use push pull dynamics to pull in your audience. Only a few releases so far but already setting the stage for a power player in the genre.

https://feelion.bandcamp.com/track/baby

Klack: Madison WI collaboration between Matt Fanale (Caustic) and Eric Oehler (Null Device) have formed up to make EDM for a new generation. It’s clever, conscience, and shoots a bolt of electricity into your spine that shakes that ass. The vocals are the perfect blend of both talents that brings the revolution and makes it fun. It’s an iron gauntlet in a velvet glove. Get Klacked and stay Klacked.

https://klack.bandcamp.com/album/two-minute-warning

Moris Blak: Boston MA, Hard EDM industrial is not here to take you gently into emersion. It is fierce and limb flinging excitement adrenochrome shot into your mind and designed to make you let go of all control. He also does some intense remixes and mind bending live shows. This is not a throwback sound. It is straight alien brain melt.

https://morisblak.bandcamp.com/

ESA (Electronic Substance Abuse) – The British master of EDM dance club excitement. When using bass beats like a sonic weapon it is a true challenge to construct ear worm melodies that cut to the forefront. This music is a virus that infiltrates every cell of your being and demands you dance. The newest album “Eat Your Young” also features the amazing Caitlin of the band Corlyx. Immersive filthy grinding dance beats that ride you hard and put you away wet.

https://esangp.bandcamp.com/album/eat-their-young-the-scorn-ep

Curse Mackey: – This is a scene veteran that has been a key member of one of the biggest Industrial bands Pigface. He has recently released his first solo album “Instant Exorcism“. Aside from the amazing vocals and pedigree of this record, I think what really moves me are the thought and poetry of the lyrics. This is truly and out of the box thinking persons Industrial sound. A must have.

https://cursemackeyngp.bandcamp.com/album/instant-exorcism

Silverwalks: Criminally underrated sci-fi electronic backdrop creator from Philly. This new single is “Lantern” is an absolute burner. One of those songs I can’t hit play enough times on. It has a true Gary Numan quality in it’s texture and flow. I loved it so much I had to have an Amaranth remix done. Transport yourself to an alternate sonic reality with this band.

https://silverwalk.bandcamp.com/

Melodywhore: This glorious electronic music wizard has forged really taken the old Industrial concept of collaboration. Blending a softer more passionate dance grime energy. Using a variety of musicians and vocalists. This latest track for BLM charities is beautiful and powerful. Giving voice to rage using an intelligent whisper.

https://melodywhore.bandcamp.com/

DEAD AGENT

Dead Agent is the solo project of Ed Finkler, also known as Funkatron.

Musically it leans more towards the EBM side of the spectrum but manages to do so without feeling like something we`ve heard a thousand times before during the last X amount of years.

While its mainly instrumental there`s heavy use of samples and other sound design techniques to create the illusion of vocals as can be heard on the track “Frentik“.

Ed was once part of the band Cult Of Jester where we saw him in the role of a vocalist fronting an industrial rock band so to see him return to music in such a different yet at the same time familiar manner is definitely interesting. Dead Agent is a project to keep your eyes on going forwards.

DECENT NEWS

From Connecticut we have Decent News who we have featured on the site before in various scenarios. They deliver a refreshing take on the blending on industrial and rock/metal. The guitar work especially stands out from the crowd as one can pick up on some clear early thrash metal influences at times as opposed to what has seemingly become the standard industrial guitar consisting of simply palm muting and tabs that look something like this: 0-000-00-0.

Having carved out their own sound they manage to evolve and progress with each release within the confines of their world which is quite an underappreciated talent.

VANITY KILLS

From the UK comes Vanity Kills delivering some dirty, gritty rock n roll with filthy, dripping electronics sewn in like a patch on a vest.

They wear their influences on their sleeve and take it all the way whether that be sonically or visually, yet also manage to do things their own way and leave an open wound on the otherwise often too mechanical world of industrial rock.

NOTHING VALENTINE

While Darrin Lewis may have spent years as vocalist for the metal/deathcore band Beside The Silence he’s now working under the moniker Nothing Valentine creating what I‘m tempted to call a blend of pop and industrial but still retaining the heavy element of earlier projects.

Debuting with the song #GothGirl almost a year ago, he later followed up with the politically charged track “Civil Unrest” which showed a thematically and in many ways musically heavier side to NV which might not have been according to the audiences expectations after hearing the more light hearted first single but this is exactly why he`s on the list. Expect the unexpected whether it be in terms of music or the overarching themes.

BLAKMOTH

Of course we have to include Blakmoth as we just did an interview with him.

Blakmoth creates what he refers to as “Doombient” consisting of heavy rhythmic drum work and droning ambient soundscapes all created with modular synths.

Having recently signed with Errorgrid Records and with a new release on the way despite having released “Deathshead” only a couple weeks ago Blakmoth is highly productive and is always seeking to push the envelope and challenge the audiences ideas.

I hope that with time well see more modular based artists pop up and break out of lighthearted bleeps and bloops for just a moment to explore the dark side of synthesis that Blakmoths music beckons us towards.

ECHO BEDS

From Denver, Colorado comes the duo known as Echo Beds with amplified oil barrels, broken tapes and generally less than perfect instruments they create noisy yet catchy and often strangely melodic tunes reminiscent of early Swans meets EBM or something along those lines. Visceral yet danceable, not too harsh for the new comers to the experimental part of the industrial genre but just enough to entice you to go deeper and explore a side of it which is often forgotten about these days despite being the source of the genre. This one is truly DIY or die voltage therapy.

CARRION

Industrial Rock isn`t exactly what Norway is known for musically although one might be able to draw comparisons between the early days of industrial and black metal in terms of extremity ,avant garde-esque tendencies and against the grain approach.

Carrion, lead by S&S writer Hide [Adrian Kjøsnes] blends elements of traditional rock n roll with a tad of 90s Nine Inch Nails style steeped in occult philosophy and mysteries.

Having just released the album “Testament Ov The Exiled” now is the perfect time to check them out if you haven’tt already to hear Hides most recent experiment mixing distorted guitars and modular synthesis into a blend of structured yet still chaotic noise and…Power ballads. Yes, you read that right.

MISSFIT TOYS

Having recently released the single “Blithe Din” along with a ton of remixes [Including Dead Agent and Decent News] this Florida based aggrotech band is perfect for those who love catchy synth lines that worms their way into your ear while banshee like vocals speak of biblical themes full of symbolism painstakingly researched for accuracy and adopted to whatever vocalist Richie V. Suriv attempts to express.

Having already built a following within the U.S alternative scene playing with acts like Psyclon Nine, Dope, Skold, Combichrist and more this is not one to miss, oh, and they`ve got their keyboards on a chain swingset 😉

https://missfit-toys.bandcamp.com/album/blithe-din

Zwaremachine: Loud and nasty from Minneapolis, this band is a grinding tidal wave of shrapnel and hiss. It rolls over you in slow driving sludge and flashing lights. Bringing gore and empty warehouse space into stark relief that transports you back to a 90’s rave in Detroit. Join in the chant and leave your inhibitions at the door.

https://zwaremachine.bandcamp.com/album/be-a-light-special-edition

11 Grams: The team up between Rob Early and Simeon Fitzpatrick that cuts the clean razors of electronic science fiction and dance club fury. This is two masters of production riding an electric wave of futuristic beauty and construction. It’s transformative and honed to make rooms sizzle.

https://11grams.bandcamp.com/

StatiqBloom: This New York band is frightening and cold. It’s movement is infectious but the tone is dark. A Sinister horror film brought to life. Definitely EDM dance movement but one that leaves you anxious and clawing at the wall. You can’t sleep because you can’t relax in this terrifying landscape.

https://statiqbloom.bandcamp.com/album/beneath-the-whelm

TH Inc: Chicago, Illinois Hailing from the beating heart of American Industrial music comes the sonic power house TH Inc. Electronic music pioneers Christopher Turner (of Nookleptia and the mixcloud show The Garbageman Show) & Robert Hyman (Drummer of Mr. Russia, member of Melter and owner of Lens Records) first came on the scene with the darkly haunting 8 minute “Drawstring” and the pair continue to dish out fresh dark DIY industrial reminiscent of Throbbing Gristle, Brighter Death Now, and the edgier side of COIL. If you missed out on or just miss the raw paranoid energy of early industrial and noise, but need a taste of something new, look no further. 2020 has seen the Release of 2 albums the gritty pulsing Circuit Flare, and the epic droning of The Tarkovsky Suites.learn more @ thincband.com

Bellhead: Chicago, Illinois Also from the land of WAX TRAX, this 2 Bass & a Drum Machine, Male/Female duo gave us their first taste of their mix of industrial sleaze with the thick dirty sound of “Fire Control“. Bellhead have kept it up with a hand full of releases including the 2020 EP “Unicorn Bones” and the Single “Sanity Assassin” an edgy in you face cover of the Bauhaus song.Keep you eyes on Bellhead, especially if you are a fan of the 90’s industrial rock style of Orgy and Snake River Conspiracy and even later Thrill Kill Kult.

https://bellhead.bandcamp.com/

eHpH: Denver, Colorado By now I am sure you have noticed we here at Sounds and Shadows are fans of eHpH and Bleeding Light Music in general. I feel I cannot say enough about eHpH, they come to the table with a fresh take on EBM and the darker side of synth driven industrial. From track to track you feel something that could have easily hit the dance floors of 90’s/2000’s goth industrial clubs and yet sounds strangely original. eHpH is that seductive dark stuff that draws you into this world.

https://ehph.bandcamp.com/

I find myself yearning for sonic texture paintings. Stoneburner/Carrion/eHpH

Lately I have really been immersed in music that takes me somewhere. A picture of sound that swirls and shakes me. Something where I don’t focus on the words or melody but drown myself in the image from 1000 miles away. Trying to see it all. Here is some of what is taking me there.

Stoneburner – (Beauty Is Terror) I feel like watching this project from Steven Archer is like seeing a blacksmith always sharpening a blade with a whetstone. Each album just keeps getting cleaner and sharper. You really can see the sound itself gain more technique and mastery with every release. It builds on itself and takes new shapes. In particular the vocals on this album are both more of an instrument but also crisper and more distinct.

Beauty Is Terror – Title track slams hard out the gate. I’m hit first by the construction. The efficiency of every sound there. Nothing overpowers or takes away. Keep yourself from fucking up. The cymbal crash sounds seem to strike at just the right moment to feel like the sound is cooking but the tempo is in reality a steady medium groove. This song feels like the early moments of an origin story. Someone just coming into their power in defiance.

Are You There The Way I’m Here – This his me like a concrete brick sledge hammer. It’s so different from everything Stoneburner. It’s smooth, sleek, sexy, it’s almost like Peter Gabriel doing triphop industrial. Again I love the connected story of this record. It isn’t so much the lyrics as the natural progression of each songs sound. Two stars synchronized across the black.

London – I love when songs are places. When you hear a song and are immediately been to a place you have been. Wet old brick walkways in a dark city full of tight alleys. The doubled vocals here, one electric and buzzing. Another chanting and organic to make a glorious effect. This song is a reflection, both the puddles on the street and the way it leaves you thinking about actions.

I know I often gush about Steven’s work, but I really believe this is the best music I have ever heard him produce to date. Take my recommendation and buy it. You won’t be sorry.

https://stoneburnerofficial.bandcamp.com/

Carrion – (Testament Ov The Exiled) If Stoneburner was a hero’s journey rising then Testament ov The Exiled is the hidden horror lurking in that alley. It drones and stalks, but with the smoothness of a predator you never see. Whispering to you. Just the quick glimpses of Flashing yellow eyes in slashing distortion. It’s the atmosphere that builds the horror here. Like an old Vincent Price movie that never needed to show you the monster to scare you. This is music to test your bravery against. Light a single candle. step outside the comfort of your door, and test the strength of your courage.

https://officialcarrion.bandcamp.com/

eHpH – (Infrared) – This is a turbulent time, you can taste it in the air. Division and fear are everywhere in the soul of America. This album takes that tension and spins it into thread. Weaving a tapestry. Heavy use of samples and thick pad sounds. Who says you can’t dance and think at the same time. This is a sound hungry for revolution. Fernando’s vocals come from behind a distorted shadow but ring clear. The fighters of freedom wear masks and carry an axe. I love challenge and FLA dance beats.

https://ehph.bandcamp.com/album/infrared

I’ll Give You Something To Cry About

It’s been a really tough week for me. It’s been hard to find the motivation to write or do much of anything. Today was a little better. I haven’t found myself listening to less music, just finding it harder to hear the words to describe it in my mind. Today was the first time I had felt like I could talk again. So I have an enormous backlog of music to write about. Lets get some of that out now.

ESA (Electronic Substance Abuse) – “Eat Their Young” If ESA’s latest album Burial 10 was a barb wire wrapped bat beating the shit out of you with electronic destruction. The new EP Eat Their Young is the same effect with a razor sharp sword. It has a purpose and intent with it’s execution. Back again is Corlyx Caitlin Stokes adding a sensuality and velvet glove to the relentless destruction. Power and Beauty in equal measure in this must have EP from London England. Also the video for the single is a masterclass in modern music/image synthesis

https://esangp.bandcamp.com/album/eat-their-young-the-scorn-ep

Corlyx – “Together Apart” – Speaking of Caitlin, her and band mate Brandon Ashley are back for a follow up to their album “In2 The Skin” 1st single is out now for a Sept 15th release. It’s another burner. Porcelain Skin brings that same darkpop flavor of broken glass candy and ghostly light. Caitlin has a beauty and truth with crawls under your skin and infects you with a cracked mirror of perception. Can’t wait to hear how the rest shakes out.

https://corlyxngp.bandcamp.com/

MelodyWhore – “This Is How We Were Taught To Pray” New single release from electronic sin wizard MelodyWhore out of Texas. This single was written as a charity donation for BLM. Jimmy called in some of the top names in the scene to contribute with remixes and vocals. The song is a powerful hymn of equality in a call to take down an unfair establishment. This one gives me chills with it’s intensity and soul shaking faith. I was lucky enough to contribute myself on the Gothic Tabernacle Choir remix. A Great cause and outpouring of talent forged together into one of the most spine tingling singles of the year.

https://melodywhore.bandcamp.com/

Carrion – “The Tempest” Swirling ash and oblivion from Norway’s Carrion. A new single of slow fuse creeping doom that shows you the horror to come and leaves you chained waiting for the inevitable destruction.

https://officialcarrion.bandcamp.com/

Hallowed HeartsInto The Fire” I really like the way this album bends the line between goth and post punk with a slight lean towards goth. It’s emotional and flows like a rippling black ribbon. The melody lines are captivating and seamless. Some beautiful guitar rock elements with gentle curves to match the tight post punk base lines. Impressive.

https://hallowedhearts.bandcamp.com/

Stoneburner – “Dark Ambient Album” Steven Archer is always twisting the joint to find a new position. Never comfortable in one concept he is an ever moving force. This new 6 song EP steers away from the vocal driven industrial of the last few albums into texture sonic painting. Full of strong effects and video game soundtrack pastels. From one mountain many rivers may flow.

https://stoneburnerofficial.bandcamp.com/

EchoBeryl – “The Awakening Of The Mutant” From Cold Transmission this French synthtrance retro dance dream keeps the imagination flowing. The album is an homage to 50’s and 60’s sci-fi drama. It’s a modern concept through a retro lens. Set to release Aug 21st currently 2 tracks are available for pre order and both are a teleport beam to both the past and the future.

“Fucking Visceral” An Interview w/ Carrion

The definition of Carrion is “the decaying flesh of dead animals” and morbid as I am that immediately peaks my interest. Enter the world of Carrion and subsequently the worlds of Swansect, FTMOB, and Missfit Toys.


HH: First off, feel free to introduce yourself and give us a quick summary of your artistic work and vision.

C: While names are inherently meaningless for this instance we can use the moniker Hide Beliya`al. My work and vision is one and the same as, in my opinion at least, is of absolute necessity. In more direct terms however I could describe it as an expression of my experience on earth in every which way.

HH: So you’re an extremely prolific artist with 4 active projects currently: Carrion, Swansect, From The Mouth Ov Belial, and Missfit Toys. Do you ever experience burn out? What keeps you inspired?

C: I guess I do in short bursts but I usually don`t let it stop me if there is work to be done. As for what keeps me inspired, this is what I`ve done my entire adult and teenage existence, it`s literally the only way of life I know so it`s quite a natural state of being at this point in time. I suppose I have a wound overflowing with various substances, I can`t stop it as I`m not in control here. As far as MissFit Toys goes it`s my first time being in a full on band with other people in a long while and it`s not something I would do if it wasn`t for me finding some sense of value in both the outcome of it as well as the people I surround myself with. I also like that it enables me to take a small step back and not have to be the one leading it at all times, I originally started out as a bass player so I never purposely went for the frontman role but through the years found myself there regardless. MissFit Toys also lets me explore a side of industrial I generally have very little interest in beyond that band in particular. It`s the only band I currently perform shows with, at least that was the plan until the horsemen arrived.

Missfit Toys

HH: What first compelled you to dedicate yourself so fully to your art? Can you talk a little bit about your song writing process?

C: I never quite understood how some people could take something so fucking visceral as art and the creation of something out of nothing as merely a hobby. I suppose it`s a sign of the times we live in but I digress..There was never a moment where I made that concious decision, I always approached this with a sense of seriousness to it. Even way back when I started my first few bands I`d find myself in a situation where I took it “too seriously”. While others may not mind skipping a rehearsal in favour of some other activity I saw this as lack of dedication which eventually led me to abandoning the idea of working with others for a long time. My songwriting process is quite abstract as most creative processes tend to be. Lyrically I don`t feel like I`m writing them as much as I`m simply dictating, taking notes of the things I`m told and shown by something I couldn`t possibly pretend to understand. There`s definitely a spiritual element to the process.

HH: Does it hurt your vocal chords to scream like that?

C: Haha, not at all. Of course if it`s been a while I might need a few minutes before I`m there so to speak but it`s not a matter of pain. I have however ended up vomiting after recording but that`s more due to pushing it as much as possible for a prolonged period of time.

HH: When I think of Norway I cant help but think of corpse paint, music videos recorded in the dark forest, and indecipherable logos. Do you draw any influence from black metal in your work? Do the goth, metal, and other scenes overlap at all?

C: Where I currently live is what I imagine people see in their minds when they think of this place. I live in kind of a middle of nowhere place surrounded by trees. I do take alot from black metal yeah, I`m more inclined to listen to rock and metal than any industrial honestly. As far as scenes overlapping that would require a scene to exist in the first place which it doesn`t really in that sense although just in terms of the people I personally know who are, let`s say darkly inclined, yes that seems to be the case.

HH: Your work very often references Christian themes, e.g. heaven, crosses, salvation, sanctity, and fire. Were you raised religious? How do these themes play into your work?

C: I wasn`t raised as anything in particular but I`ve always had a natural pull towards the more spiritual aspects of existence. I grew up in a house I`ve later been told is built upon a viking graveyard in a tiny place just 20 minutes from where it`s said Christianity first came when arriving to Norway so perhaps that`s to blame? Religion, or spirituality rather does play a big part. Carrion is in its simplest form to be seen as a diary where each entry is a retelling of a direct experience or thoughts and feelings related to the topic at hand. I tend to prefer using a highly symbolic language, if one was to dive deep one might discover a thing or two, the veil is thin once you take a proper look. On a more mundane level however I`d like the listener to not be forced into thinking what the song is about, preferably you can find your own meaning, maybe something you could even relate to on some level. I am human after all and with that it`s no surprise things sneak in there, things we all experience such as heartbreak, joy etc

HH: You split time in between an isolated village in Norway and Southern Florida. Do the contradicting landscapes inform your work at all?

C: Not necesarilly in the way you might think. I`m not one of those people who needs a certain setting to write a certain kind of music. I`m perfectly able to write a Carrion song under the scorching Florida sun as I am in the foggy Norwegian woodlands.

HH: What does the future hold as far as your music goes and what can we expect from you in the near future?

C: The most recent event would be the release of the Carrion single “The Blood Ov Saints”. I do plan to follow it up with a second single called “Until The Reaper Comes”, which is one of the heaviest songs I`ve written and it feels like a good snapshot of how I feel regarding the current apocalypse. There is also an all modular album created under the moniker of From The Mouth Öv Belial, it`s mostly improvised instrumental pieces except for two tracks which has vocals done by the entity known as AGGRESS. I may or may not gather the results of the current writing sessions and release as an EP [or an album if there is enough material] though I`m rather hesitant about making any definite statements about it as I`d rather not say something now only to have it not happen. Fans of MissFit Toys may know this already but we do have a new album in works as well as a single”Blithe Din” which will hopefully be released soon along with remixes by variety of great artists.

Stream Carrion’s “The Blood Ov Saints” here:

Artist Links:

facebook.com/officalcarrion instagram: @carrionkvlt personal IG: @Mordsengel officialcarrion.bandcamp.com fromthemouthovbelial.bandcamp.com