A Guide To Cold Waves 2021 Day 1

What is it all about ?

In the summer of 2012, Chicago lost one of its most loved and respected sound engineers and musicians, Jamie Duffy. His work ethic and ingenuity in the local music scene was a gift to many musicians. His abrupt passing had a profound effect on the electronic and metal music communities he meant so much to. In need of healing and hope, we brought 14 bands together for one magical night that year to raise money for Jamie’s family and say goodbye. But in the end, it was more of an awakening… a rebirth… a breaking wave. The success of the show pushed us to build it into an annual event, stretching over a weekend and moving it to Chicago’s iconic Metro.

Cold Waves means a lot. It is a true culmination of everything great about this scene. People from all over the world coming together to meet and celebrate music, art, unity, and holding each other up through the darkest times. To remember Jamie and everyone who felt lost and alone. A hope that the scene will be there to lend strength to someone else in trauma tomorrow. It’s first and foremost a celebration of what makes life worth living. Music, art, friendship, and empathy. I will be returning for Saturday and Sunday. To see old friends and new. To hear music that will lift my heart at a time I need it most. Lets talk a bit about some of the bands and DJs preforming and think on friends both here and gone.

ALL COLD WAVES ATTENDEES MUST SHOW PROOF OF VACCINATION AT THE DOOR TO ATTEND THIS EVENT, NO EXCEPTIONS.
2. MASKS WILL BE MANDATORY TO ENTER, EXCEPTIONS WHILE IN OUTDOOR SIDE-LOT OR WHILE EATING/DRINKING
3. FINAL LINEUP NOW LISTED ABOVE!

9/23/21 Thursday at Smart Bar doors open at 8pm:

https://www.etix.com/ticket/p/2678031

Tickets still available

The Pirate Twins: Chicago goths legendary couple William Faith and Dj Scary Lady Sarah of The Bellwether Syndicate. They have one of the best followed Twitch stream shows of the pandemic. Offering a blend of old school and new goth/post punk/synthwave. I don’t know if there is a finger more firmly planted on the pulse of the dark scene. The Pirate Twins are as much a part of Chicago as nuclear green relish on hot dogs.

https://thebellwethersyndicate.bandcamp.com/

https://www.twitch.tv/scaryladysarah?fbclid=IwAR1_1e7JE1KhBVCQjDmFr5e_e1jVZNKFbTW4OWZuHnP1ZHGpytJFJgVRp7A

When I think of rock star charisma, I think of William and Sarah

Choke Chain : Milwaukee, Wisconsin razor edge EDM band who has been launching to notoriety with their new album ” Invoking Shadows“. Mark Trueman spews body shocking dance beats and venom charged vocals that infuse the audience with energy like a loa possession. This new EP is mastered by Eric Oehler of (Null Device and Klack) which bursts with a chaotic light and menacing intensity. A great way to set the tone for the festival. Choke Chain came on my radar from fellow Wisconsonite Benny Sweat of Sweat Boys, and has continued to be a rising star for this scene.

Mark Trueman of Choke Chain

I ask Mark what playing Cold Waves meant to him: “Its a great opportunity and Its something I’ve wanted to do for a very long time. Finally being able to do it is very exciting”

https://chokechain.bandcamp.com/album/invoking-shadows

Morgue VVitch – Kansas based haunting terror synth from artist Tara Saavedra. A wispy tendril of vocals rises from the metallic cauldron of rising synth sounds. Bubbling percussion pops and crackles from this heady brew and brings the energy to life. I continue to be impressed by their sound, as well as the industry greats who see such promise in Tara and offer remixes for this first single. Names like Ghost Youth, Slighter, Caustic, Stoneburner. When great artists see your value it should be a sign to fans of the genre.

https://morguevvitch.bandcamp.com/

The festival has a long journey ahead. Save some energy. Get a Lou Malnati’s pizza to build a carb base for the energy you will need ahead. Check in with us tomorrow for more tips and tricks for Fridays stacked lineup.

Jim Marcus (GoFight/Die Warsaw) Advice For Writing Songs

I’ve been writing songs for 40 years and have written or co-written over 500 songs that have been released in some way. I don’t consider myself, really, a great musician, a great drummer, a great singer, but I do cling to the idea that songwriting is the core of who I am. even if it doesn’t love me, I love it.

I wanted to maybe list 5 super simple tips for songwriters. I know there are a lot of musicians here and I hope there is value here for some of you:

1. Write at least one song every day. Even if you think it is terrible. The only way to get good at this is to get crazy at this and do it a lot. You can start thinking of songs as throwaways, as ideas that sometimes stick and sometimes get thrown away. Once we stop getting so protective of them, we can let them die, change, grow, or be replaced by something better. I like to write new theme songs for tv shows, local colleges, superheroes, anything. Most of the songs I write are just for cannibalizing for pieces. “Cause I’m the Spiderman, I like to swing, impossibly high cause that’s my thing, Got spider bulge and 6 pack abs, realistic webs come out of my ass” had 14 verses and I have actually used some of them.

2. Conversely, Record everything you do. Writing down notes is helpful. Having a voice recording app on your phone you use constantly is better. Every idea, every riff, every bassline, every small chunk of vocal. Keeping a google doc open ton your phone, too, where you write words you like is great. I refer back to mine all the time. It’s now hundreds of pages and full of lines, rhymes, chorus ideas, etc. Entire verses that I liked have come from it. I wrote a song in the 90s called “Pussy Maybelline” for a friend of mine who admitted she put lipstick on her genitals for a date once. I wrote literally hundreds of verses about what other insane things she could do. That song has really delivered, even though it never came out. If you like a meter, write as much as you can in it. Many songs I’ve put out have had 12 verses written for them. I used the best ones.

3. Find different parts of you I have a habit of splitting myself into different people when I write. I have a person inside who writes dirty songs, one who does mean, angry ones, one who is super political, etc. They have names. It helps when you imagine how someone else would say something. Talk in funny voices, mispronounce words. Try to do something at the top and bottom of your range. Sing at different times of day, find every weirdness. I sometimes walk around talking like a different person, looking for a voice. I wrote a song called “Light it up” trying to channel this guy who comments on my feed who made an allusion to blowing up the middle east. I couldn’t sing that as me. (Maybe you can see | how hard it is for me | to be one voice in a system when it used to be all me | I want the same thing everyone | wants and will not say | to be in the majority, but that just slipped away, so I say Light it up.)

4. But Don’t wait for words and melodies are different. I hum simple melodies all the time and then sometimes match them with words. I sing to things. It would be embarrassing to explain which song I released started as “I love you, spaghetti” Remember that some of the greatest songs ever don’t have words that make sense. Phl Collins was going to replace Susudio, but couldn’t find a word he liked, Maurice White left “Bah-de-dah-de-dah” in “September” by Earth, Wind, and Fire, because that’s just how he liked it.

5. Write over other people’s songs and rhythms. I worked with a really good songwriter once who used to just sample other grooves from songs she liked, loop it, tape the key down, and sing her own songs over it. When you listen to music you like, sing your own song ideas over the songs. I mean, not at the show or anything. But when you are alone. Once you have a good song, you can replace the music under it with anything. The world is full of rhythm, chord progression, etc. And all of it is there to inspire you.

Jim’s newest single in case you had any doubts of his stellar credentials 🙂

I Missed Posting For Bandcamp Day :( Yet here is some reviews.

It’s October my darklings, the month of spook, where goths can be goths. So I need to start thinking about my Halloween soundtrack. I’ll fire through the latest batwings and eye lashes of newt falling into my cauldron.

Swansect: Kill Pop Goth – Adrian is always thrashing like a madman in a new direction. Always producing something he hasn’t done and something I hadn’t heard a million times before. Track #1 Horse of Grass has this cool percussion driven guitar strike. Almost a folk goth tempo with vibrating underwater vocals. Track #2 Kain is my favorite and has this sinister Tones on Tail Daniel Ash sex appeal. The words are in Norwegian telling the story of Cain. I love the old school batcave rockabilly riff. Swansect always takes you to a place in your mind with the music, and usually that place is a nightmare.

https://swansect.bandcamp.com/album/kill-pop-goth

SpankTheNun: The Bunker Tapes II – This album is mixed by the legendary Claus Larson (LeatherStrip). Out of Texas Eric Hanes does a hard and nasty industrial, full of chant and eye beam precision. Track 2 Fight and Breed is a building whisper that holds aggression on a greasy chain to make a tension build you can feel on the back your neck. I think what really sets this above the bar are how clearly the vocals ring for industrial music. It has a bit of effect, but you can savor every growled line. Some amazing remixes here from Melodywhore, Sapphirra Vee, and Assemblage 23. My favorite track was Lies and Hate which unleashes a real Nitzer Ebb feel. I think what impressed me most of this album is how it never has to turn the volume up to 11 to hit you in the fucking teeth with it’s power. It’s a real skill to project that much rage without screaming.

https://spankthenun.bandcamp.com/album/the-bunker-tapes-vol-i

Vazum: Rated V – Ok I know I recently reviewed the Detroit band Vazum, but they did this new release specifically for Halloween with a monster/ghoul theme. It’s stalking creature abomination horror full of heavy guitars and sinister keys. Zach unleashes and inner demon from behind his usually lovely lilting vocals to send a shiver up the spine. I said the same about the previous album Vampyre Villa but I love the use of 90’s alternative mixed into the horror. Emily has a soulful Concrete Blonde vocal style that is the perfect offset in every song. Each monster has it’s own tone and flavor, my favorite was Werewolf . This one really let Emily shine on vocals and truly laid out the primal transformation. Cool lyrical poetry, “Copper turns to gold, sell our gold for silver”. There is so much going on here stylistically. We had an interview with them last week (which will post soon) I am really bummed I hadn’t heard this to discuss before hand.

https://vazum.bandcamp.com/

Vanity Kills : Chapter 2 Enemy – Hard rocking cyberpunk from Cardiff UK. The real beauty captured here is the driving rock 90’s aggression of Helmet phase shifting into pixilated time dilation of club smashing electro-core. The intensity almost rides the line of metal. Yet the distinctive dance stomp is catchy and clean. For personal preference I wish I could hear more of the lyrics and feel the melody lines. The music really placed me in an empty room of drywall I found myself smashing out of, I wanted to know more about why. Favorite track was “This is Gonna Hurt”, it had such a punch it made me picture Clutch smashing synthesizers on a flaming stage. This one shows great promise for the future.

https://officialvanitykills.bandcamp.com/album/chapter-2-enemy

UnderTheSkin: End This Summer – New single complete with some outstanding remixes from Poland. This one is a Cure heavy darkwave bird of prey soaring on a night sky. Mariusz has a beautiful and captivating voice. The bassline of the song is everywhere beneath the soaring wings. A powerful track in crafting and execution. So who could successfully remix such a track? Ash Code, Shad Shadows, Kill Shelter, and Antipole with Paris. Now that is a heavy weight endorsement of some of the great production tunesmiths of our scene. A lot of individual flavor here for each remix on an absolute scorcher of a track.

https://underskin.bandcamp.com/album/end-this-summer-ep

Razor Hawt video with this one too.

Twin Tribes: Shadows(Matte Black remix) – Holy shit how did I not know this was coming out? Also why does Matte Black get to remix Twin Tribes and I don’t? Ok now that petty jealousy is out of the way, this is my favorite Twin Tribes song. The song I discovered them from. I didn’t even recognize it at first in the best possible way. This is everything I want from a remix. It has taken their glorious violet energy and fired it through a prism to create something new and beautiful. I am jaw dropped on the floor right now. Buy this immediately.

https://twintribes.bandcamp.com/

Panic Priest: When Daylight Disappears – Brand new single from Jack, and it’s another burner. Such a master of blending sizzling guitar licks and neon streaming synths. His bellowing baritone voice is an trap I can’t stop falling into. This song is a prayer to the darkness that surrounds us. I want to sit on a Chicago roof staring at the moon as the city sleeps below.

https://panicpriestngp.bandcamp.com/track/when-daylight-disappears-demo

Klack: Two Minute Warning (Depeche Mode Cover) – This is a beautiful cover with a beautiful and tragic story behind it. Claus Larsen (Leatherstrip) recently lost his husband Kurt after a long battle with sickness. It left a lot of medical bills and the community really rallied around him in this tough time. All proceeds go to assist their family. I’ve always loved this song and Klack of course didn’t disappoint to capture it’s energy and majesty.

https://klack.bandcamp.com/album/two-minute-warning

It’s Bandcamp Day and times are dark. So I am looking for ass shaking darkness.

Today is the day when Bandcamp (The one music streaming and distribution company that seems to care an iota for musician’s) waives it’s fees and gives everything spent, to those making the music. It’s been a tough few months in particular and I am in the middle of Sotember (The month each year where I recharge and drink nothing stronger than Earl Grey tea)

Death Loves Veronica : In The Silence

Newest single from Texas darkwave sultry star Veronica Campbell. This song has a brighter more open tone than previous offerings. It really highlights the elegant purity of her voice. Also included is a beautiful synth rich remix of “In The Silence”. A cascading waterfall of cool crystal sound.

https://deathlovesveronica.bandcamp.com/album/in-the-silence

Danny BluThe Pale Horse

I have been waiting for someone to put raw emotion and sass back into the darkpop genre. This album crackles with mid tempo dance beats to fill the back walls of the club. The lyrics are an inward journey with an 80’s Madonna soul. Beautiful modern layered vocals to create movement and build. It’s one of those sounds that flows through your earbuds and into your nervous system and flexes attitude through your body. I feel like other people can hear these songs through my movements when I listen.

Fav Tracks: Paradise City/White Knight

https://dannyblu.bandcamp.com/album/the-pale-horse

Wingtips: Tears of Pearl

Chicago retro-synth dreamboats Wingtips have done this fitting tribute to criminally underrated 90’s Aussie pop band Savage Garden. I love the interlocking vocal duet here. The frosting sweet swirl of keyboards and chimes on this song make my heart dance with delight.

https://wingtips.bandcamp.com/track/tears-of-pearls-2

DJ Version 666Dance of the Profane

Firebrand driving doom dance with a nice sprinkle of Industrial guitar and finger firework keyboard work. I really like the effective chanting vocals which hit right on the needle of what I want from a club jam. Extra bonus remix layers on some teeth and glitch for a aggro feel. Stomp your feet and scream obscenity.

https://djversion666.bandcamp.com/album/dance-of-the-profane-single-and-remix

KlackProbably

Listen to Klack or I will attack, and you don’t want that. A fresh new feel here from Matt and Eric. I really have enjoyed every evolution of this project. This has a Construction Time Again DM flavor. It has clever carefully placed samples. The beats have a real shake that ass groove. The keyboard melody lines are beautiful retro hooks. I really fell hard for these breathy cleanly delivered vocals. It’s something I hadn’t heard from them before and immediately wanted more of. The lyrics really became a strong suit here. This is an album plucked out of the timestream and dropped hard in 2020.

https://klack.bandcamp.com/album/probably

Broken Nails: Control the Delusion

Kim Bell and company have released this lovely shadowpop with misty daybreak darkness. It has a dreamlike quality, with a Til Tuesday retro flow. I really like the front edge of Kim’s delivery on the vocals. This really gets me excited for the future direction of the project. Now on Swiss Dark Nights

https://swissdarknights.bandcamp.com/album/control-the-delusion

GoFight: Freestate

I will always buy every GoFight release. I will never regret my decision. Jim Marcus understands the blending of body gyrating dance music in the way an Indian executive chef understands the blending of spice. The layering of elements allows you to get lost in what kind of a song you are listening to. His voice is that perfect growling beauty snapping at your heart with desire and terror. Another single, another home run.

https://gofight.bandcamp.com/album/freestate

Mary: Die Before Death

I think this band from Toronto now on Cold Transmission takes the award of the day for something I had no idea I needed and now can’t live without. The scope of tempos here run from blistering car chase to lullaby shouting fuck. Gorgeous dreamy vocals that would make Robert Smith raise an eyebrow. I’m not sure where this was hiding but it just took my 2020 by storm.

https://maryofficial.bandcamp.com/album/die-before-death

Review of Joy Thieves “Cities In Dust”

Artist: Joy Thieves

Album: Cities in Dust

Label: Armalyte

Hometown: Chicago IL

Members: Holy Shit too many to count 🙂 Please see Facebook link below Chris Connelly , Dave Suycott , Louis Svitek , Ania Tarnowska , Eric Liljehorn , Mike Reidy , Matthew Clark , James Scott , Dan Milligan , Michael Allen , John Fryer , Lana Guerra , Gordon Young , Howie Beno , Mike Czarnik

https://www.facebook.com/pg/TheJoyThieves/about/?ref=page_int

https://armalyte.bandcamp.com/album/the-joy-thieves-cities-in-dust

The Joy Thieves are a massive collaboration with over thirty contributors gathered together by Dan Milligan. When i first heard this EP my initial description was “This is what it would sound like if Clutch beat the shit out of Stabbing Westward with a baseball bat” I still stand by that. This record has a ton of big name Industrial contributors and the Pigface, Ministry, Chicago Industrial sound is prevalent. To me what really made this record shine was the hard rock aspects charging forward which included aspects of industrial. Not the other way around. Dan is a drummer by trade and this percussion fills every inch of space and creates such electric movement. These tracks have melody and catchy hooks, but it’s the teeth that sets them apart. It bites hard, visceral, and does not let you go.

This EP includes remixes and a cover of “Siouxsie and the Banshees” sung by the amazing Ania Tarowska of I Ya Toyah. Her vocals are a fierce guttural homage to the queen of goth punk and pulls off something I had lost hope for. Making a song that was so incredible it had been overplayed into the ground, sound fresh and crackling with energy once again. The musicianship on the guitars make every song sizzle with true foot stomping ferocity of rabid wolves attacking in unison. Every song finds a way to build in succession and find a new voice.

Lets talk about favorite tracks. It is an EP so I will limit to two.

Honeycomb and Silk – This song is a freaking master class in percussion and drive. Thick slashing guitars are chased like wild horses by whip crack snare snaps. The vocals are a driving chant with range and intensity. I just want to play this song and break shit.

Cities in Dust – I hate to use a cover for best tracks but this one is a show stopper. There was so much potential to go wrong covering this song. Cities in Dust has been played at every goth night since the Vandals sacked Rome. Although I love it I almost dread hearing it at this point. Then Dan and company found a way to turn it up to 11. Ania attacks it with a ferocity I think Siouxsie herself would be proud of. Plus the humming guitar lead really cuts through the mix to give a blistering hard rock feel. They made me give a shit about Cities in Dust again.

Overall this EP was a blistering fresh romp through the wild west of hard rock on an mechanical horse. The lineup is so chocked full of talent it couldn’t help but obliterate every target it set sights on. Sometimes you just need to flay with reckless abandon and swing your arms to intense perfect precision drum beats. This is the album to do that to. Turn it on, max your volume, and scream until your neighbors know just who they are fucking with.