The Next Wave of Goth Is Now

Goth music and culture has always been rooted firmly in the past. It often has felt this subculture awards time served in the scene and knowledge of the obscure history of the bands, clubs, and fashion of our progenitors. However in order for a culture to carry on it must evolve and strike a chord in future generations. This happened in the 90s, then again in the mid 2000’s as new waves of goth music found and audience. Each time adding to the story by paying homage to the generations before it. As time went on “Goth” has splintered into smaller subgenres which have pushed further from that original concept until a tangled and complex web reached towards the edges of other genres. I for one embrace how rich and diverse the concept of goth culture has become. In future articles I want to explore some of these subgenres and how they are impacting modern music. In this article I will be focusing on the return to the core. That first idea of guitar driven dark music, with throbbing basslines, ethereal keyboards, and haunted lyrics with romantic natures.

1st Wave: The Velvet Underground, Joy Division, Siouxsie and The Banshees, Killing Joke, Bauhaus, The Cure, Sisters of Mercy, The Birthday Party, Sisters of Mercy, Red Lorry Yellow Lorry, Fields of the Nephilim, The Mission.

2nd Wave: Rosetta Stone, Nosferatu, The Wake, Children On Stun, Dead Can Dance, Lycia

3rd Wave: Angels of Liberty, Merciful Nuns, Switchblade Symphony, O’Children, Ritual Howls, Pink Turns Blue, The Horrors, Sunshine Blind, Golden Apes, Black Tape For a Blue Girl, Razed In Black.

Finally a new slew of darklings is raising that torch and producing the next wave of goth rock. I think it is key that these are bands who came up listening to the post synthesis goth and found their way back to the root. It gets me excited for the future.

Sonsombre – Leading the charge in this next wave. A band now signed on goth mainstay label Cleopatra. Sonsombre brings back that electric tempo and graveyard theme with flickering guitar riffs that flow like a fencers duel. You can feel that early outlaw goth Fields of the Nephilim on their 4 amazing albums. With no sign of slowing down. If you are ready to jump into that next wave, this is a great place to start.

Brandon Pryus

https://sonsombre.bandcamp.com/

The Kentucky Vampires: Hailing from shockingly, Kentucky, here is another band that brings old school sinister pipe organ and fire bright guitar riffs. From Secret Sin records the tone and emotion of their 5 records is everything true fans of 80’s death rock long for. Abbas has a haunting voice full of chorus and foreboding. Brandon of Sonsombre does mastering for them and helps add a sense of continuity to this new goth sound.

https://thekentuckyvampires.bandcamp.com/album/crimson-curse

Scary Black: Another amazing new goth act from Louisville KY. What the hell is in the water out there. This is a one person band that has such electric energy and frightening tone. Singer Albie has one of those deep baritone voices that comes from the bottom of a well and fills you up with emotion. 3 albums and the napalm fire single Starlight Dancer.

https://scaryblack.bandcamp.com/album/are-you-afraid-of-the-dark

Twin Tribes: These lovely lads from Texas have taken the world by storm. Dreamy private ritual sounds that bring the beauty and heartbeat of The Cure back into the mainstream. Tender poetry and swirling texture smoldering in a cauldron on a moonlit night. Already with two breakout albums and additional singles they are setting the standard for the softer side of gothic rock.

https://twintribes.bandcamp.com/album/ceremony

Black Angel: London UK artist Black Angel is putting the bat cave rock back into death rock. I feel so much of The Mission and later Sisters dancy flow to gothic rock. Their music reminds me so much of the goth club scene, swinging arms, leather and lace. Gothic music has always been tied to expression with the body, that is something Matt Vowel’s has grasp and fused into the future.

https://blackangelmusic.bandcamp.com/album/kiss-of-death

IAMTHESHADOW: When I think of goth, I think of passion and vocals that capture a room. Lisbon Portugal’s IAMTHESHADOW does that in spades. Pedro Code has the best baritone in modern goth. It’s sexy, crooning, dangerous music that sounds like a full bodied red first touching your lips. It’s music to give yourself over and get lost in. Like the first time you heard Peter Murphy and thought this is the sound that encapsulates the image i want to see in the mirror. Now on Cold Transmission Music.

https://iamtheshadow.bandcamp.com/album/pitchblack-2

Cliff and Ivy: Alaska’s favorite goth couple Cliff and Ivy have brought back the isolated howling wolf tooth and nail of goth. The punk blend of The Damned and Alien Sex Fiend. It’s raw, fierce, and unapologetic. Ivy takes the back of your head with her beautiful prose, then smashes your nose with a headbutt of power. Cliffs thick guitar riffs are a growling beast let off the chain. Iron Gauntlet in a velvet glove.

https://cliffandivy.bandcamp.com/album/the-best-of-cliff-and-ivy

Crying Vessel: Slade and Basil also bringing that softer dark edge to gothic rock. Horror author Slade is integrating imagery of the macabre an sinister with a glam razamtaz feel. Gorgeous layered production and flange rich echo’s that simmer with Bowie and Love and Rockets. That special darkness you find on the edge of a rainbow after a storm. Available on Cleopatra Records.

https://cryingvessel.bandcamp.com/album/pleasures-for-the-wicked

Mary: My newest goth obsession from Toronto. It is fast paced, spicy, with an old school New York feel. Strong sweeping vocals with a lot of depth and meaning. It also has a complete album feel with the sweeping tempo and dynamic shifts. Take me through the full range of emotions in one record. Another Cold Transmission signing. I expect big things in the future from him.

https://maryofficial.bandcamp.com/album/die-before-death

Death Loves Veronica: This lovely lady from Texas brings that same Souxie dripping soul and witchcraft elegance to modern goth. It’s smoky and pours straight from the vein into your ears. Really nice use of guitar to add weight in the right moments. Goth needs to echo through the listener on a personal level. You need to feel what they feel and that is what Veronica captures so elegantly.

https://deathlovesveronica.bandcamp.com/album/in-the-silence

Sounds Like Winter: All the way from Australia Art Banister’s popping sharp edge retro feel goth rock has a lot of that true early Joy Division/Warsaw vibe in the drum and tempo. The vocals are forceful and ringing in a hopeless monotone. All that fuzz and emptiness given flesh.

https://sounds-like-winter.bandcamp.com/album/no-interest-single

Adoration Destroyed: Also from Texas this band is leather pants sexy in musical form. Masters of blending modern pop and old school shadow shock. It’s animalistic and winding with crackling electric dance destruction. Erik has a voice that calls to you come hither and has a 10/10 on the shake that ass factor.

https://adorationdestroyed.bandcamp.com/

Orcus Nullify: The doom and shattering gothic rock sound and poetry unafraid to lean into the cheese and imagery of early goth. Thunderous bass driven rock about bog witches and grave dirt. I love the courage and delivery of this South Carolina sensation

Witchhands: Colorado doom metal with raw open wound sounds full of decay and ritual. That place where early goth rock stayed into metal and pain. Spewing forth a filth and blood soaked pageantry with blistering guitars mashed with organs and echos.

Redwing Blackbird: Another Colorado band with blistering speed and The Damned edge punk feel mixed with true goth sensibility. This album picked me up when i am feeling low…and then sends me low again. Great production and electric tempo.

https://redwingblackbird1.bandcamp.com/album/too-klaus-for-comfort

Amaranth: Ken, do you have the strength of character to not engage in shameless self promotion and include yourself with this wave of goth bands? Fuck No! I feel good about the music we have made coming back. It veers from old school to proggoth/ to industrial but fuck it, it’s good. Give it a listen 🙂

https://theamaranth.bandcamp.com/album/spreading-the-charred-remains-of-hope

I also wanted to call out a few bands that rose from the grave to join the modern scene but have been making music all along 🙂

Caroline Blind: The stunning voice from Sunshine Blind has returned to cut an amazing solo album. Bringing in a who’s who from third wave goth to accompany her on this soulful and rich goth endeavor with a more organic feel. Her voice grabs hold of the heart strings and rides your into the ground. Breathtaking music contributions from Rich W. (The Wake), David Wolfenden (Red Lorry Yellow Lorry), Dave (The Dramedy), Ashe Ruppe (Delphine Coma), George Earth (Switchblade Symphony), Gordon Young (Pretentious Moi, Dream Disciples, Children on Stun), CWHK (Sunshine Blind), William Faith (Bellwether Syndicate, Faith and the Muse) and Geoff Bruce (Sunshine Blind, Faith and the Muse). Everyone who shows up hear really shows the impact of this artist on the scene and how much power this newest release packs.

https://carolineblind.bandcamp.com/album/the-spell-between

The Wake: Speaking of The Wake, they have just unleashed a new album in 2020 and it is game changing outstanding. This record is going to get it’s own review but to not mention the power of this release would be an oversight. Such a sky opening laser of guitar beams interlaced with velvet smooth vocals and a canopy of bass to hold it inside. My breath is taken.

The Cassandra Complex: Rodney Orpheus of London’s Cassandra Complex has been keeping the goth sound alive for years. A tantalizing and sinister painting of sound with the history of human experience brought shining and new with each release. Recently on bandcamp he put out some remasters of those lovely goth anthems back into the light. A true crooner of the poetic experience of early goth music who actually toured with the early progenitors.

https://thecassandracomplex.bandcamp.com/album/wetware-2019-remaster

I didn’t come close to hitting everything, and with facebook now stopping videos, lists like this on our page might be the best bet for a full playlist of new music. So If I missed something you feel meets the requirement of guitar based goth made in the last 4 years. Please add in the comments and I will try and get it included. Much love, Precious Ken.

Before The Internet There Was The Label Compilation.

I am not a baby bat, nor am I the most eldest goth in the crypt. I started discovering myself musically at the end of the 80’s. It was a glorious time to find dark music. However we didn’t have all the tools we have today. The internet was around (I’m not that old) but the BBS/AOL world was not the endless ocean of bands we have at our finger tips today. You really had three main options for discovering your next favorite band. 1) Have a cool older relative/friend. 2) Go to the club and ask annoying questions to the DJ (Hard when you are a teenager) 3) Buy the latest compilation from your favorite label and hope for the best. For me this meant A LOT of Cleopatra samplers.

I started wondering in this world of Spotify and ITunes hitting you with a fire hose of what you need to listen to next, where does the label sampler fit? Most of you that read this page know I recently put out a compilation myself called “Tiny Gods Who Walk Beside Us“. It really gave me an appreciation for both the power and effort it takes to put one together. So I thought I would share some of my favorite new compilations for a new generation of dark music fans.

Blood and Dust – Released on Venus Aeon 5/1/20 goth rock label of TG Mondalf. They do quite a few compilation as they seem to be one of those glorious outfits that really cares about sharing new music with the world above their bottom line. This compilation has a really special concept and drew in some of the hottest names in next wave gothic. I had a discussion with Brandon Pybus (Sonsombre) on our podcast about the close connection between southern outlaw county and Traditional goth. Johnny Cash, Waylon Jennings, Kris Kristofferson, had a darkness, a mystery, a danger to their sound and aesthetic which carried into early goth lords like Fields of the Nephilim. Here at the crossroads of those genres where devil deals are stuck this huge assortment of talent pays homage.

1.October Burns Black – Arrowhead 03:50info
2.Sonsombre – Slow Kill (Fields of the Nephilim Cover) ◊ 03:44
3.Black Angel – She (Deluxe Version) 05:24
4.Amautica – Estos Abismos (Silas J. Dirge Mix) ◊ 03:34
5.Raven Said – Shadows On The Ceiling, Shadows On The Floor 04:00
6.Dark Side Cowboys – Signs of Life 12:54
7.Cliff and Ivy – EightStar * 04:14
8.Caligulust – Drifter Δ 03:29
9.The Dust Ryde – Gunslinger 03:32
10.Guillotine Dream – Code 04:13
11.Silas J. Dirge – Ghost Town * 04:12
12.Tidal Baby – The Visitor * 04:56

https://venusaeon.bandcamp.com/album/blood-dust-a-gothic-western

Some Favorite Tracks:

October Burns Black – Ed Shorrock and company have stayed tried and true to purist gothic rock and bring that sizzle and lariat spinning overlapping guitar riffs. Organic snap and haunted vocal lines. This is the opening track for a reason, it grabs you and holds you in awe.

Sonsombre – (Slow Kill) Probably the hottest new name in Gothic Rock on Cleopatra records absolutely unloads on the scorched earth cover of Fields of the Nephilim. This track is so full of reverence for the source material, you can really hear they are true fans. It still manages to burn it’s own trail and have that unmistakable Sonsombre sound.

Raven Said – (Shadows on the Ceiling Shadows on the Floor) This Russian goth duo has a true wild sound. That ever present sense of a starving wolf just outside the view of your fire. I love the menace and venom.

Cliff and Ivy – (Eightstar) Alaska’s favorite goth couple brings the fury to this lawless land. I love the whip snaps and border war ferocity. The distorted guitar gallop at full tilt like a run away stallion.

Rainbow Goth Volume II – So lately compilations often come in the form of charity releases. This one which Amaranth took part in the last two years is put together by Cliff and Ivy for  Identity Inc, an all-volunteer nonprofit organization which provides vital services to LGBTQ+ youth, elders, families and the community in Alaska. A great cause which has always been intricately laced with the goth community. 31 tracks that cover a lot of genre ground and highlights new talent.

https://rainbowgoth.bandcamp.com/album/rainbowgoth-2

1.Sky Lee Vague – Vampire Winter 05:28
2.New Zero God – Hell Bet On Me To Lose 03:34 video
3.Ravens Moreland – Comes The Bite 04:41
4.The Dirty Horror – Twenty Three 05:10
5.Scarlet Fever – Sea of Mercury 04:42 video
6.Amaranth – Deliverance (A Covenant of Thorns Remix) 04:52
7.Burn The Earth – Resurrection 05:37
8.Sombre – Linsay 04:23
9.Count Vaseline – Texas Band 01:26
10.Lisafer’s Screech of Death – Candy Necklace 03:07
11.Swansect – Kaldt Kappell 03:46
12.Fudge Bubble – A Prayer to Fudge Bubble (Confessional Mix) 04:16
13.Frozen Charlottes – Residue 06:22
14.Burn The Earth – Lockdown 02:45
15.Das Funus – My Dark Shadows 04:11
16.Count Vaseline – What’s Your Name, Where Are You From, What Are You On? 01:42
17.Burn The Earth – This Broken Land Will Rise 05:33
18.Full Of Grace – If God Should Ask 04:53
19.Prague Dead Souls – Terminal Souls 04:58
20.Jexx Livzin – Petrified 03:13
21.Fatigue – Heresy 05:18
22.Vanessa Rowan – Voce Di Strega 03:49
23.Jay Draper and the Subterraneans – Land of Anxiety 04:32
24.Ascent – Starlet 03:57 video
25.Planet Glee – Prayer of The Elementals 03:48
26.Rob Byrd – Whisper Lake 05:19
27.The Gay Sportscasters – Cleo’s Gone 02:29
28.TUNNELMENTAL – Falling Up 03:22 video
29.Stardust Heroes – Bloodguilt 06:56
30.Caligulust – Depressor 04:01infobuy track
31.Cliff and Ivy – Velocity Drift 04:35

Some Favorite Tracks:

The Dirty Horror – (23) LA death punk full of gnashed teeth and inky darkness. Danna Marie is a seething powerhouse of intensity and expression. Chunky machine gun guitar riffs firing out in circles.

Sombre(Lindsey) – French ShadowWave with this beautiful melodic duet really breaks up the batcave intensity of the rest of the compilation. Flowing and warm the melting watercolor sound is lovely to the eye, heavy to the heart.

https://thebandsombre.bandcamp.com/album/linsay

Burn The Earth(Lockdown) – This LA/Melbourne team up has two tracks on the compilation. Really cool slushy delayed guitar sounds set the stage for Jeremy Bornstein clear ringing spoken word style melodies. Beautifully crafted songs which flow together in perfect measure to build towers of sound.

Look I hate to do this, but A Covenant of Thorns did an amazing remix of Amaranth‘s Deliverance and you really need to hear it. Scott David Allen absolutely killed it.

Electronic Saviors VI – So when it comes to compilations that give back to charity, this is the gold standard. Jim Semonik of Distortion Productions started this compilation several years ago while battling cancer to raise money and awareness for research. This 68 song Goliath of the biggest names in Goth/Industrial is the final addition of the project and a must have for anyone with an ounce of rivethead in your heart. The artist list is downright staggering. I wouldn’t begin to know how to choose favorite tracks. Other than Steven Archer who assures me always has the best tracks. Honestly I probably need a separate review just for this compilation and it would take me 6 hours to do it justice. In the meantime just trust me, go to the link, pick a random name, and leap into the chasm.

https://metropolisrecords.bandcamp.com/album/electronic-saviors-electronic-music-to-cure-cancer-vol-vi-reflection

Cold Transmission (Spotlight) – Ok I might be jumping the gun here. This release is not available until 6/25/20. However the amount of talent, diversity, and creative freedom that CTM has built into their stable has made them one of the most respected voices in darkwave/post punk/cold wave. They have earned a level of trust from me like those old Cleopatra compilations of the 90’s. When they tell me I need to hear a new band, I need to hear that new band. You need to hear that new band.

https://coldtransmissionmusic.bandcamp.com/merch/spotlight-a-cold-transmission-label-compilation-double-cd?fbclid=IwAR0JSsmZ4_8tj9ZhMKeFUb39f9uDZR_HkvKHop8ouq76S1enBAIkfpPc94Y

CD 1:
1. S Y Z Y G Y X – Kill the Pain
2. ELZ and the CULT – HORRIFIED
3. Kiss of the Whip – Put You In The Past (exclusive)
4. HALLOWS – Subtle
5. Bedless Bones – Split
6. La Mécanique – Dernier Voyage
7. DILK – Pluto
8. iamnoone – Stranger (exclusive)
9. ICY MEN – Полупустые автобусы (Uninhabited Buses)
10. White Mansion – Clear Your Head
11. Iamtheshadow – Off My Hands (exclusive)
12. Clone Culture – You Are The One
13. Control Room – Are We All Alone (exclusive)

CD 2:
1. The Gathering – Trying To Call (Colibri Mix)
2. Palais Ideal – Erase (Original Mix)
3. Mark E Moon – Dancing (With The Lights On) (exclusive)
4. MARY – Frantic
5. The Bluebeard’s Castle – Plunge
6. The Secret French Postcards – Out Of You
7. Vestron Vulture – Hair On Fire
8. Silent Runners – Forgotten
9. Push Button Press – Mire And The Sea
10. Carlo Onda – Kopf oder Zahl
11. ROSI – Tanzen
12. Monographic – Addicted
13. Paradise Cove – Lost
14. Reconverb – Hem 

Who are the compilations you are currently trusting to bring you that next band you are in love with that you didn’t know about yet? Comment below

Bandcamp Day was a smashing success. What was hot?

So during the current pandemic when artists are taking a hit from an inability to tour and play out, Bandcamp the music distribution platform that seems to actually care about artists waived their fees for a day. Honestly the fees they charge are pretty fair but anything to get people excited to support bands. So here is some of what caught my fancy on the first day of May.

Panic Priest (Second Seduction) what a strong second offering from Jack. This album really took the sound in a sleeker, stronger, synth driven new direction. His voice remains one of the strongest baritones in the scene but here it is piled on layer after layer of textural experience and the experience is amazing. Extra Credit for the cool fan sourced music video on the single Lonely City.

https://panicpriestngp.bandcamp.com/

Blood and Dust – (Compilation) This is such an awesome comp put out by out by TG Mondalf of Venus Aeon. I was just talking to Brandon of Sonsombre on the podcast about the connection of southern sound and goth…which i call Outlaw Goth. This comp is absolutely jam packed with fire tracks of some of the hottest names in new goth rock doing southern style. October Burns Black/Sonsombre/Black Angel/Raven Said/Cliff and Ivy/Guillotine Dream and many more. A cool concept and great execution.

https://venusaeon.bandcamp.com/album/blood-dust-a-gothic-western

Delphine Coma(Secondary Eyes) Long awaited EP from Ashe Ruppe. Two tracks and two remixes with that true deep darkwave sound. Rolling baselines and Ashe’s deeper than then earths core voice ringing icy and clear. Yes please.

https://swissdarknights.bandcamp.com/album/secondary-eyes

Orcus Nullify – (Pandemonic ) A poignant track for the current situation. Much more stripped down and electronic feel for doom rocker Bruce Nullify yet holding true to that buzzing noise sword guitar. This one strikes hard and takes no prisoners.

https://orcusnullify.bandcamp.com/track/pandemonic

Vlimmer(Pulmo) Shadow Sound architect Alexander Donat continues to spew forth such a steady stream of quality material at a rate that defies imagination. Here he stays between tighter lines than some of his more psychedelic offerings. The drum beats are tight and the guitars are cold vibrating lasers cutting through the dark din. I really like how the bass walks in track two Sonnenspeer.

https://blackjackilluministrecords.bandcamp.com/album/pulmo

The Black Capes – (Lullabies For The Dead) Old school gothic rock from the land of history Athens Greece. Like a big black wolf snarling and writhing these crushing beats and vicious growling vocal delivery is the sound of night creatures baying. It has tender moments of light strings and contrast. Another band embracing the glory of the past to create a dark future. The sound put me in mind of the wild rural parts of my home in Michigan. The land of Iggy Pop.

https://theblackcapes.bandcamp.com/album/lullabies-for-the-dead

Ashes Fallen(Thy Will Be Done) Sinister guitar lord James Perry put out a new single today full of a lot more menace than the last album. I feel like Michelle and Jason have really had an effect on the tone for this single. The guitar and baselines still include a lot of movement and technique. The keyboards fill the space to give those hard down strokes more accent. The vocals are not a clean alternative romanticism I heard and enjoyed on the last record.. They are dark, full, gritty, and not what you want to meet in a dark alley. Love the direction.

https://ashesfallenmusic.bandcamp.com/track/thy-will-be-done?fbclid=IwAR3BuaA3tjcyuKJLP42cPJspG6gQeMmdYw3vbS_lY30355dxCup4ZqGT5uo

Pilgrims of Yearning(Forsaken Land) – Pre release of the June 5th album offers a first track and single The Visitor. Juls Garat has a clear and slicing voice which knows how to shine light through every crack in the dark and driving bass wall. This was a taste that gets me excited for the whole meal and the future of an exciting sound.

https://pilgrimsofyearning.bandcamp.com/album/forsaken-lands

Plague Garden – (Left in The Grave ) – Ok important question, how the fuck did I not know about Plague Garden? Paul Barker of Redwing Blackbird (who i love) is involved in this project. This is gorgeous, sinister, old school artistic almost Tones on Tail lo fi drone goth. Great use of changes and making every sound count. Goth with clinical efficient effect.

https://plaguegarden.bandcamp.com/releases

Caustic(The King of EBM) So if Matt Fanale has a new EP and the title sounds like a play on Run DMC best believe I am here for this. Of course it is just what you would think. Look it is not an overstated boast to say The King. Infectious beats drive your body like a bolt of electricity from the sky awakening dead flesh. It’s Alive! It’s Alive! It’s blue collar, it’s high ideal, it’s everything I love about punk, and EDM and nothing I hate about either.

https://caustic.bandcamp.com/album/the-king-of-ebm

A Cloud of Ravens(The Earthen Call) New York darkwave duo with a new single out. I really want to listen to this while doing ritualistic magic in a secret underground lair. Not that doing that doesn’t sound cool all the time, but to this song in particular. Love the walls closing in guitar for an otherwise traditional darkwave song. Gave the whole feel flaming wheels.

https://acloudofravens.bandcamp.com/track/the-earthen-call

Raven Said(Beyond the Darkest Hour) Ok, I have a confession/moment of self reflection on Raven Said from Russia. I have had 3 reliable people all tell me to listen to this record and just hadn’t gotten to it. I get a little full of myself sometimes from writing this page and start to think if it was really that good I would have found it right? Holy shit this is good. I hate myself for the moments I wasted not knowing about it. It’s driving through haunted woods chased by a ghost luxury automobile full of specters and demons on a foggy night. It bounces on tight coils like post punk but it has the soul of really spooky quirky bat cave. So don’t be dumb like me, buy this immediately.

https://ravensaid.bandcamp.com/album/beyond-the-darkest-hour

From The Mouth Öv Belial(Defied and Devoured) Have you ever wondered where modular synths go after they die if they have not lived a good and pure life? Adrian can show you. This is disturbing sonic nightmares given flesh. In fact I might have to write one more review just so this isn’t the last thing I hear before I pass out. Honestly he should have wrote the soundtrack for the Suspiria remake instead of Thom York.

https://fromthemouthovbelial.bandcamp.com/track/defied-devoured

Mindless Faith(Insectual) Washington DC based electronic robot invasion music that makes me long for humanities inevitable collapse at the hands of our metallic superiors. I suppose it is easy for me to think of Rick Furr as part of Steven Archer’s posse. Here with Jason Sevanick, Paul Green and Chris Sevanick they have unleashed soulful energon cube filled landscape of precise mixing and slapping beats. I got half way through writing this and realized it came out last year, but somehow skipped past my notice. An endless tide of automation integrating your mind.

https://alterculture.bandcamp.com/album/insectual

Well I didn’t come close to writing about everything I listened to this Bandcamp day (My new favorite holiday) I wrote a lot though. It’s a strange and scary world full of uncertainty. Listen to new music. Support the artists who make it. I suppose it is time for a little shameless self promotion.

Tiny Gods Who Walk Beside Us – I made a compilation, to save my cat. Beyond that it is really good. I honestly astounded how good. If you like Goth/Industrial/Post Punk/Darkwave/Coldwave A lot of the hottest new talent is here. $10 for 25 songs.

https://theamaranth.bandcamp.com/album/tiny-gods-who-walk-beside-us

Tiny Gods Who Walk Beside Us

These tiny beings that we let into our lives change us in ways we cannot imagine. The relationships we build are the supporting blocks of our existence. That which gives it perspective and texture. When my three year old cat Freyja was diagnosed with a very aggressive cancer in her leg the full power of how much we invest in our tiny companions really struck me. My fear of a future without her and the big questions of how to proceed. What that would mean weighed heavy on my soul. Cats were once worshiped by the Egyptians and many cultures as deities. There is no other creature save humans that truly embodies the idea of pride and love. When I created the review page Sounds and Shadows I found in my love for new music the power in hearing and understanding the lives of the artists who make it and shared that with people around the world. In these dark moments with Freja’s life hanging on a knife edge these artists who I had woven a connection with reached out to me and ask “How can I help?” This was an affirmation which touched me to my core at a time I needed most to believe in the importance of those around me. From around the world they came together in collaboration and kindness to offer their time, their art, and their charity. Freyja required an amputation of her leg which was successful and I am happy to announce saved her and left her the same glorious, loving ball of warm energy as she was before, albeit on three legs. The cost of her operation was quite substantial but it was a sacrifice worth making for my tiny goddess. Buying this compilation of songs contributed by dear friends is directly funding Freja’s care and operation. Any additional funds beyond direct medical costs will be donated to a non kill shelter charity to help other animals in need. A special thank you to Pete Burns for the immense task of mastering the compilation. Cate McFarland for the wonderful cover art which I feel really captures the concept. Slade Templeton for releasing it. Collin Schipper for being my rock and helping me put it together. As well as William Zimmerman for helping me promote. To anyone who has ever written a song, recorded it, and released it, you know how much effort goes into each one. How much love I have for all the artists below is hard to put into words. I never could have imagined something so beautiful and powerful could arise from this dark event. I hope it’s power touches you and reminds you to pay a special homage to your tiny God today.

Much love,

Ken Magerman

https://theamaranth.bandcamp.com/album/tiny-gods-who-walk-beside-us

Order Here 🙂

Also Here is the podcast Part 1 where we discuss the first 8 tracks

I wanted to do a quick breakdown of all the artists who contributed a song to save my baby. When I look at the list of the amount of talent here it is a bit staggering. We had submissions from all over the world and quite a few collaborations of people who never knew each other before this project.

  1. Lorelei Dreaming – (Edge of the World Dj Senseless mix) Chicago based dystopian electro dance. Comprised of Laura and AJ remixed by Madison WI’s Dj Senseless. This song is such a different sound for Lorelei Dreaming, it was the perfect opener with it’s emotional swell.

https://loreleidreaming.bandcamp.com/

2. Amaranth – (For Freyja) Goth/Industrial/Synth Rock from Kalamazoo MI. That’s us 🙂 I had some really deep emotions that needed uncorking with this song. Collin wrote a great song way out of our normal wheelhouse including Derick on a mandolin and Kam with some very delicate brushwork. It’s the loudest I ever screamed in anguish on a song. Hope you enjoy it.

https://theamaranth.bandcamp.com/

3. A Covenant of Thorns the lovely sweeping romantic goth synth from near Chicago. What an amazing voice with this song remixed by Chicago Rock/Industrial super group The Joy Thieves. This is my favorite ACOT song and I don’t know how I could have liked it more. Enter Dan Milligan, this remix found another level of what I already loved in beauty and clarity.

https://acot.bandcamp.com/

https://armalyte.bandcamp.com/album/the-joy-thieves-a-blue-girl

4. Corlyx – England by way of LA and Berlin glitter grunge electronic duo remixed by EDM Industrial noise mechanics Electronic Substance Abuse (ESA). This song Deform is such a wonderful combination of both styles. Caitlin’s voice is ethereal and airy, floating through the void when the creeping digital build starts burrowing into your mind.

https://corlyx.bandcamp.com/

https://esangp.bandcamp.com/

5. Antipole – Norwegian post punk revivalist of Karl Morten Dahl. Ft Paris Alexander and Eirene are experts of taking what is glorious of the past and making it rise again into the present. They are the most reviewed band in Sounds and Shadows history and true masters of the music craft. This song is such a different flavor for them and one I immediately fell in love with. That same signature Karl guitar but with this crisp sizzling dance beat. Together with Eirene’s smokey sultry voice it’s a real burner.

https://antipole.bandcamp.com/

6. Ego Likeness – Maryland dark rock industrial duo of Steven and Donna have been such an important part of this scene for decades. This Dräcos Deep remix by Sombre‘ of the song Darkness really places a cool highlight on Donna’s voice and a crisp dance beat.

https://egolikeness.bandcamp.com/

7. Machinery of Desire – Traditional goth rock of Adrian Auchrome. I trade music back and forth with Adrian often. I say as no light sentence I think this is the best song I ever heard from them. I was touched beyond belief that they shared it with me for the compilation. The vocals really cut loose and highlighted their unique and romantic darkness. Gentle crawling guitar lines of piercing intensity.

https://machineryofdesire.bandcamp.com/

8. Adoration Destroyed – The glamour gloom stars of Austin TX remixed by Philly’s Authentic Impulse. I really liked the way Erik’s voice sits on the bouncing glitchy effects and pounding drum beats. AD does such a great job on remixes themselves it was really cool to see what William was able to do with their song.

https://adorationdestroyed.bandcamp.com/

https://authenticimpulse.bandcamp.com/releases

9. Crying Vessel – Swiss dark glam star Slade Templeton gets a double credit here. Both for this amazing song remixed by Dead Agent, but also for helping me release the compilation. Ed Finkler (Dead Agent) did a sizzling breakneck dance song and let Slade’s voice ride on top like the crest of a wave. Such wonderful movement and balance. This was a beautiful team up that happened for the first time on this compilation.

https://cryingvessel.bandcamp.com/

https://deadagent.bandcamp.com/

10. I Ya Toyah – Chicago’s one woman sonic explosion Ania has been remixed here by Arcontas Blank for her single Code Blue. This sizzles with her intense soul and some intricate and beautiful synth pad work. I really love how varied and dynamic the different sounds used here are.

https://iyatoyah.bandcamp.com/

11. Twin Tribes – (Dark Crystal) The lovely princes of Texas darkwave. Twin Tribes was the first band we reviewed for Sounds and Shadows and they remain one of the bands that inspires me in the modern scene. This track is a beautiful, swirling ritual of emotion and pageant. The future is so bright for this band.

https://twintribes.bandcamp.com/

12. Radiograph – (Catnipped) This is the solo project of John Edwards Palais Ideal in the Netherlands. I love this sizzling disco prog synth with a early New Order guitar line. Palais Ideal is always finding ways to step outside the box of what post punk could be.

https://palaisideal.bandcamp.com/

13. Caustic – (Fuck that Fascist Beat) Silverwalks Remix – Madison WI old school Industrial/EDM brings an intense shoulder tackle political hailstorm. Remixed in a smoother synth slither dance style by Pennsylvania based Silver Walks. This track slams so hard both in your mind, and in dat ass.

https://caustic.bandcamp.com/

https://silverwalk.bandcamp.com/

14. Seven Federations – (Syzygy) – North Dakota based goth Industrial full of rolling bluesy soul and electronic glitch. I love how hard it is to classify what I am hearing. This song has a really cool sample/spoken word effect that reminds me of 90’s VAST.

https://sevenfederations.bandcamp.com/

15. Vlimmer – (Schnittstelle) – Alexander’s Berlin based ambiant darkwave project is a masterclass in structure and sound creation. The rate and quality of the music he puts out never ceases to amaze me. This song is a intense and terrifying well of emotion and abstract prism to twist the mind.

https://repartiseraren.bandcamp.com/album/angststand

16. Dogtablet – (Showtime Melodywhore Slave Remix) – The project of industrial titans Jared Louche (Chemlab) and Martin King (Test Dept) created this wondrous album based on the concept of totemism. Every track feels like a different creature embodied. This track is a sultry triphop prancing creature of grace and agility. It has a very feline quick quality.

https://dogtablet.bandcamp.com/album/feathers-skin

17. Kiss of the Whip – ( The Pain is Ours) – I have been a fan of the Baltimore based retro synth weavers on Cold Transmission for a while now. Beautiful familiar feels with modern edge and a layered beauty. This track is a roller coaster of peaks and valleys gliding though a rainbow landscape of color.

https://kissofthewhip.bandcamp.com/

18. Steven Archer – (The Showroom) – The amazing artist of (Ego Likeness and Stoneburner) appear once again showing his range in this synth prog builder. I really love how different his vocals come across in this song. Theatrical and with a Nick Cave flare. What is it he can’t do?

https://stoneburnerofficial.bandcamp.com/

19. Cliff and Ivy – (Will to the Power) – Alaska’s darkest couple have been creating batcave punk fueled witchcraft for over a decade. It is raw, fierce, and intelligent. I love the drive and bloody claws of this track. Ivy and Cliff really show the power of two people in perfect lockstep making eachothers art stronger.

https://cliffandivy.bandcamp.com/album/the-best-of-cliff-and-ivy

20. Orcus Nullify – (March of the Lost) – South Carolina’s Bruce Nullify creates a brand of unapologetic terrifying rumble of old school death rock. I love the over the top imagery and slashing guitars. I feel like this track perfectly captured that style but with a focused clarity which added extra weight and power.

https://orcusnullify.bandcamp.com/

21. Ritchual – (You Lied) – Austin TX based Ritch Napierkowski of Adoration Destroyed and Nimbus has done this synthwave solo project and it is absolutely lights out. This song could have been a missing track on Depeche Mode “Sounds of Faith and Devotion” Just a delicious dark ear candy jam.

https://ritchual.bandcamp.com/

22. Sister Sarin(Split) – Baltimore Percussion specialist Hemlock has done this solo project where she weaves intricate texture and pulsing drum beats to create lovely isolated sonic paintings. This song has a driving dance beat and saber slash keyboard melodies to create an instrumental full of movement and dynamics.

https://www.facebook.com/SisterSarin/

23. Swansect – (Clovermouth) – Norwegian noise artists Adrian Kjosnes of Missfit Toys and writer for Sounds and Shadows unleashes this terrifying and avant garde solo project. It has this brimming intense Goblins feel of sinister noise and stealthy builds. This track is a haunting horror movie soundtrack to grab your nightmares with it’s claws and leave you screaming for more.

https://swansect.bandcamp.com/

11 Grams – (DNA) Half Washington DC half Australia the industrial electronica dance floor lords have been a part of this scene for a long time and always bring the highest level of precision and technique. This track is a slow dark builder that crackles with life and a whisper that draws you in.

https://11grams.bandcamp.com/

Sombre’ – French post punk with a very cool organic world beat feel. They always remind me a bit of the Happy Mondays. Cedric has a resonant and soothing voice and the baselines always really drive. Here he does a wonderful remix of Ego Likeness. I really love how Donna’s vocals are highlighted here.

http://www.sombre-official.com/?fbclid=IwAR1a_8Enr6qCrdl7VbWjx5hnHqKXgNJVtY7ETw5-HtOqJUa0rWtZIaafzsk

This entire compilation was mastered artfully by Pete Burns of (Kill Shelter) with cover art by Cate Mcfarland. Released by Slade Templeton.

https://killshelter.bandcamp.com/

Unsigned Underground things you need to hear

So I am locked in my bedroom on kitten nurse duty. Bottle of whiskey and cup of tea. Obviously 2020 has been a tough year to find time to write with the my kitties surgery. So lets fire through all the new stuff I am listening to right now and get a few thoughts 🙂

Band: Redwing Blackbird

Written by : Paul Baker

Lets start out with Colorado band Redwing Blackbird and their album “Too Klaus For Comfort”. So I’m not sure what is happening in Colorado but everything I hear from that state is blowing me away. Paul Baker has put together this self aware album full of camp, and spiraling darkness. Almost a batcave goth meets 90’s britpop. The guitars are thick and lofi in the best possible way. The vocals and lyrics are diverse in scope and never settle into a rut. It has a lot of progish complexity to the song writing with a lot of piss and vinegar to keep it real. I think the biggest compliment I can give this record is I can’t quite seem to put my finger on it no matter how many times i listen. Everytime I think the words to describe it are on my tongue it turns into a thousand spiders and slips through my fingers. It’s not clean or overproduced but in this case that works to advantage not defeat.

https://redwingblackbird1.bandcamp.com/album/too-klaus-for-comfort?fbclid=IwAR3_O28e_hY_OEMifpkAq6hmWiSYRG2rowBxTnk63ItFRwGnsHhJiYE7NoI

Favorite Tracks: The Spectacular Death of Margaret Fuller ; Too Klaus for Comfort; Devils Horns.

Band: Bring Her

Hometown: Pittsburgh

Next up is an album I should have already written about by now but have been in love with a while Pittsburgh’s Bring Her. Self titled album is out on digital and LP. The record has a very dark-electro disco feel. Nadine J has this lovely waterfall chant voice. It cuts through the synth waves like a knife and strikes and parries like a fencer. Puts me in mind of Kim Gordan from Sonic Youth. They really succeed in finding the place between obscure pretension and ear catching dance beats. I think it is a record that adds to every party and takes nothing away. It knows just how to fit in it’s own pocket. I love this is another self release underground gem.

Favorite Tracks : Curses Not Promises; Choose Me Move Me; Unholy Awake

Band: Shadows Beloved

Album: The Quiet Machines

Hometown: Maine

https://shadowsbeloved.bandcamp.com/releases?fbclid=IwAR13o8hI_ybB1XA1oZgWcTD8sG-gvxAt4NE2G9zJkC-BWs1MybsxcvNn5Os

Next up is The Quiet Machines from Maine. This one is personal, a dear friend Adrian Auchrome who I learned of as a Dj but was blown away by their original offerings. I love when a vocalist really finds their own path among the standard definition of what is suppose to be goth/industrial. Adrian has this wonderful over the top cabaret feel to the sinister dance vibe and old school goth. Their slushy meandering phrasing lines really carry you through ideas with a lot of emotion and grab hold of your heart strings like a horses reins. This was another 2018 release which I am just writing about now but I have had the chance to hear some of the new releases and they are a amazing progression from this already great concept. I love an artist that leaves everything on the floor and crawls towards you with reckless abandon and that is what Adrian has achieved.

Favorite Tracks: Chemistry (All I need); The Quiet Machines; The Formula

Band: Cliff and Ivy

Album: The Best of Cliff and Ivy

https://cliffandivy.bandcamp.com/album/the-best-of-cliff-and-ivy

Cliff and Ivy from Alaska have been such an essential part of the Goth scene this decade. We have review two of their albums and come to appreciate the way they lift everyone in the scene around them. This latest offering is a compilation of their albums in one steam lined offering of horror punk, goth, poetic glory. I really can’t think of an example of anyone who keeps in as real. They are authentic, brash, fierce, and always 100% in sync. This album really touches on all of their diverse styles and emotional intensity. Ivy is a poet of abstract imagery with her lyrics. This is a great way to experience all of their many masks and hardcore glory.

Favorite tracks: Superclass; Fossil Fuel; In Your Hands

Band: JH-X9

Album: Crime of Science

Hometown: Detroit (represent)

https://jh-x9.bandcamp.com/album/crime-of-science?fbclid=IwAR2A94xfVLu4h4ZRUbh779F3XF0TTlRowywAZ5DiE9E7hj4V1ae6RQvQDNA

Well this is awkward. My friend Victor Montes from Arizona sent me the EP from JH-X9 called “Crime of Science” and they are from my home state MI. This is some first rate dark digital snake slither darkwave. I love the confident spoken word chant vocals and static progression keyboards. Lots of sinister trip hop flow here. Only two songs on the EP but this is full of potential and all over my radar now.

Favorite Track : Crime of Science

In 2020 the music game is changing. We are lucky to have many great labels embracing and supporting bands. Lots of bands choose to go their own way and often it is these that push the boundaries and find new ground. Give a spin to these records and discover some today.