Sing Me Songs That Make Me Feel Something

Red wine and a shining moon. Here I sit once again after a long and chaotic week. I reach out for the solace of other peoples dreams and thoughts in music. The world is waking up from a long nightmare. The scene is wonderfully awash with exciting new talent and ideas. Here are some of the glorious sounds I am hauling into my boat.

ChiasmMissed The Noise – Always excited to see amazing art created by a fellow Michigander like Emileigh Rohn. This album is arranged by legendary producer John Fryer. There is nothing better than two top talents forming a bond and producing something better than the sum of the parts. Emileigh has a voice that gives you a gut punch of energy with every phrase. This feels like the montage scene in a film where our heroine levels up her power. It feels like actualization with every electric build and feint. The music is so finely honed, each song a story that digs it’s hooks in and allows the charisma of the vocals to shine like a beacon.

Top Tracks:

Noise – The glorious workout of crackling electric light. This song just blasts in wave right out of the gate. The vocals are power animal bright light. If I had to pick one word to describe, inspiring.

Missed – A total shift to darkpop drifting glory. The opening chimes and quacky sounds. I think you strangled my sweet mind. This is such a dynamic and visual sound. Windblown flowing silk in a posh apartment watching the worlds spin past. This song really puts on display the powerful teamwork of these musicians. Again with the powerful mantra of self actualization. Those deep vocal contrasts really add a noticeable line between the experience and viewpoint.

https://chiasm.bandcamp.com/album/missed-the-noise

Overall appeal: This is a album for everyone. It has lots of delicious pop and feminine power with an expert craft and emotional energy. Highly recommend.

Hide Tepes/ BlakmothFilther – The back and forth rocking sonic duel of our own Hide Tepes and Maryland’s Blakmoth. A wonderful collaboration of oily sonic darkness. There is a wisdom achieved at a certain point in life where you realize you can no longer walk the journey of those making music at the absolute cutting edge of modern music. If you listen though, you still know when you hear it. That difference when someone is truly taking the adventure for you and exploring new and terrifying ground. That’s the feeling inspired by this subtitle and and creeping Synth driven psychological terror. It’s music that grabs your hair and smashes your face in a mirror. Leaving you exposed to gasp at the bloody mess and the terror in your own eyes. This is not a casual listening album. It’s a test of your empathy and fortitude.

https://blakmoth.bandcamp.com/album/filther

Overall Appeal: This is not a pop album for easy listening. It’s a blending introspection of abstract thought and feeling. Enter at your own risk. If you do find yourself of a courageous heart and an open mind. This is the cutting edge music of tomorrow.

Nuclear*SunCouldn’t Have Said It Better Myself – So cover albums are a tricky thing, often you are getting someone at a lower experience level trying to find new space in an established song that meant something to them. Tal Kliger has brought a talent and hungry energy to covers of friends as well as inspiration. The overall sound razor skates that place between EBM and Industrial with a highspeed light footed agility. Bouncing vocals skipping between a growl and a ringing clarity. You can really hear the love and devotion to the musical process in these tracks. it’s blazing heat and energy that captured me and left me hungry.

https://nuclearsun.net/album/couldnt-have-said-it-better-vol-1

Top Tracks:

February War – A cover of Rabbit Junk. This was driving punk rock stinging beats and glitchy vocals. Stabbing and edge of control flavor. I love the guitar bends and smashing drums. A poignant assault on the senses and emotions.

Insurgence – A cover of Sean Payne but with smashing and razor sharp execution. Grab a bat and start smashing. Hard leaning Front Line Assembly vibes full of high concept and obliteration. I loved the parking lot fist fall energy and dark streetlight tone.

Overall Appeal: If you like it hard and nasty with a familiar feel this is your jam. Fans of Industrial/EBM/ Metal edge will find red burning glory here.

Bow Ever Down Lost In The Woods Kimberly Kornmeier sizzling darkpop from 2020 which left me swaying and captivated. The synthy star sparkle spins are a wonderful atmospheric journey. Their voice is an icy and bracing powerful clarity. They have a honesty and power that rings forth with every delivered line. It’s vulnerable and indomitable at the same fine. The music has a soulful and serious tone. A shattering crystal castle of faced disillusionment growth and regret. I also love the use of samples to set stories that allow the vocals to show the emotional range of the story portrayed.

https://boweverdown.bandcamp.com/album/lost-in-the-woods

Top Tracks:

Bury my Body – This song is full of that glorious smashing glass effect. It’s as beautiful as it is cruel. A challenge with sharpened blade to anyone that would dare step inside this protected circle. Kimberly’s voice is emotive and clear as ice.

Grey – More raw wound self introspection. Intense and powerful vocals delivered with beauty and subtilty. The concepts are timeless and modern. “I’m a monster and I’ll kill you from the inside out”

Overall Appeal: Definitely pop hook appeal. Definitely has soul. A nice organic quality added by the vocals. If you like darkpop with a strong female protagonist these are stories you can relate to and drive down a dark road summoning your strength.

A Cloud of Ravens Another Kind of Midnight – New album from Brookland band ACOR, which has left me immediately captured and ready to dive into this deep pool. This record is a perfect blend of the homage to the past and the modern construction of the future. Well deep power and resonant vocals carry these stalking shadow woven songs. It’s concrete wilderness and Peter Murphy poetry. Ringing guitars and driving basslines carry a heroic journey through a desolate land. The power of this story is to make the situation always seem so bleak but leaves a glimmer of hope in every song. We have an interview coming out soon that provides a glimpse behind the curtain to this emotional hand quivering delivery.

https://acloudofravens.bandcamp.com/album/another-kind-of-midnight

Favorite Tracks: All of them

Overall Appeal: Fans of old and new school goth will find a beautiful blend in this release. I feel into it’s grasp deeply and had a huge replay factor.

Mark E MoonOld Blood – Old and sinister music and vocals from Cold Transmission and the Isle of Man. I have been a fan or Mark E Moon for a while but this new record is a huge step forward in shadowy transmission and feeling that rips open your skull and pours raw unhinged emotion directly to your mind. It’s stomping, unforgiving and full of truth. I picked this record up and couldn’t find a way to put it down. Released on April 2nd you can get two tracks now with preorder. It has a sense of poetry and theater that has been lacking in the modern goth scene. It rides the line between beauty and grit. I can’t remember the last time I heard a band take such a monumental step forward from a previous album I enjoyed.

https://markemoon1.bandcamp.com/album/old-blood

Overall Appeal: Huge, if you love goth and darkwave this is exceptional execution with poetic and romantic lyrics. It’s fresh and furious with driving guitar lines that set a standard for future genre releases.

Ash CodeFear – Dark and dangerous new EP from the always impressive Italian act Ash Code. More racecar raw energy and city slick metro tone. I also feel a lot more edge in these tracks that the warmer synthesized last release. This just dropped yesterday and already is calling to me for constant playtime. Wonderful blending of vocals and sound. I hate to use another car metaphor but when you have a perfectly tuned engine and everything is humming just right. That is the sense of craftsmanship and streamlined beauty of Ash Code. The movement and transitions are effortless and graceful. It’s an effect that feels perfect in a club or at home over a bottle of wine. On top of that they pulled out all the stops having the songs remixed by top name artists like Clan of Xymox, Molchat Doma, and Forever Grey.

https://ashcode.bandcamp.com/album/fear

Favorite Track:

Indifference – Beautiful whispered vocals behind rapid fire heavy bass line. The rising synths are walls of color on a grey ground. I find myself getting lost in the beauty of construction. Listening to Ash Code makes me feel cooler than I am. That’s the true power of this band. To transfer some of their effortless appeal just by listening.

Overall Appeal: Immense, this is for fans of Post Punk/Darkwave/Synth but really has a relatability to fans of any dark music. It’s just well done. This is a band at the top of the game in their genre.

Sounds and Shadows Podcast

Our podcasts have been really improving. Having interviews that are a real conversation with some of the artists I love and give all their fans a feeling of knowing them on a personal level. I wanted to compile them all in one place that give you the opportunity to find and enjoy them.

2/25/21 Grabyourface – Talented French artists Marie Dragontown on Negative Gain. Talking about their breakthrough album Sea, France, and their favorite pizza.

https://grabyourfacengp.bandcamp.com/

2/19/21 Tear Down The Wall discussion with Russ Robinson (Infectious Groves Podcast) and Dan Milligan (The Joy Thieves). Here we discuss the charity compilation of Industrial artists put out by Riveting Records in Colorado that has a cover version of every song on Pink Floyd‘s iconic album “The Wall

https://rivetingmusic4u.bandcamp.com/album/tear-down-the-walls

2/5/21 Programable Animal – Here we talk with Dropsea of the Chicago based industrial band. We talk about their vision and experience creating One Step to Hell on Negative Gain.

https://programmableanimalngp.bandcamp.com/album/one-step-to-hell

1/29/21 The Blue Hour – Video Premier of their song “Cold Bare” Also how they met and found love in the most amazing meet cute story of Sounds and Shadows history.

https://thebluehour.bandcamp.com/album/cold-bare

1/27/21 Matt Fanale of Caustic/ Klack – Talking about his projects, history, and balancing home life, Industrial Gossip, and rock stardom.

https://klack.bandcamp.com/album/deklacked-vol-1

12/22/2020 Rodney Orpheus from The Cassandra Complex – Amazing interview with one of the godfathers of goth. Telling stories of meeting Andrew Eldrich, their new album, predicting the attack on our Capital, and the past and present of Goth.

https://thecassandracomplex.bandcamp.com/track/the-crown-lies-heavy-on-the-king

12/14/20 Interview with Der Prosector – Talking about punk rock, Armilyte Records, British Premier League, and the power of curry.

https://derprosector.bandcamp.com/

12/7/20 Reaction to “Love U More” video by Actors

https://actors.bandcamp.com/track/love-u-more

12/2/20 Reaction Video to My Chemical Romance – We tried catching up on the emo classic and give thoughts as elder goths hearing MCR for the first time.

11/18/20 Raymond Watts <PIG> – Talks about his newest album Pain is God, his history, addition, and production techniques.

https://pigindustries.bandcamp.com/

10/17/20 Interview with Vazum – Talk about the Detroit scene, their Halloween album, influences, and collecting dead things.

https://vazum.bandcamp.com/

9/28/20 Interview with Caroline Blind of Sunshine Blind – Amazing interview discussing goth history, family, her new album, and breaking ground in the goth scene.

https://carolineblind.bandcamp.com/album/the-spell-between

8/14/20 Interview with Bootblacks – Talking about their new album, where Panthers name came from, touring, and working with Jason Corbet.

https://bootblacks.bandcamp.com/album/thin-skies

7/23/20 Interview with Crying Vessel – Talk about the new album, video production, horror movies, and working with Dean Garcia of Curve.

https://cryingvessel.bandcamp.com/album/pleasures-for-the-wicked

6/25/20 Interview with Dogtablet Martin King (Test Dept) and Jared Louche (Chemlab) – Where they discuss history on the road, their song writing, snowball fights with Trent Reznor, Jared’s Shoes, and rescuing dogs.

https://dogtablet.bandcamp.com/album/feathers-skin

5/25/20 Interview with Empathy Test feat. Isaac Howlett, Chrisy Lopez, and Oliver Marson – We discuss films, their groundbreaking album Monsters, futbal, how Ollie is a stalker and potential murderer.

https://empathy-test.bandcamp.com/album/monsters-expanded

5/20/20 Interview with Suzy and Andy of Cold Transmission records – About building the label and being a family in the modern music scene.

5/17/20 Interview with Pedro Code of IAMTHESHADOW – Our first video interview to discuss Pitchblack, song writing, Love, passion, and life in Portugal.

https://iamtheshadow.bandcamp.com/album/pitchblack-2

Enter Camlann – review by Victoria Spungen

The most invaluable attribute of an increasingly global community is the discovery of our shared – and often, surprisingly unified – experience of the world.  Even as we languish through the isolation imposed on us via a global crisis, we can reach across vast expanses, foreign borders, and cultural divisions to find that, ultimately, we have more to connect us than we have to separate us.

Hence, the uniquely relatable Indonesian three-piece, Camlann, and their 2020 studio album, the aptly titled The Forgotten Lost Fragments. Listeners will find themselves immediately transported to the soundscapes of their misspent youths, with authentic, vintage-feeling grooves that harken back to the New Romantic golden age of the genre.  The songs feel familiar and oddly comforting, yet spiked with a dose of the unexpected, an added ingredient that lifts the recipe.  

https://camlannmusic.bandcamp.com/album/the-forgotten-lost-fragments

Namely, the most novel feature of Camlann’s sound is vocalist Ony Godfrey’s haunting tone.  Often acting as a rhythm instrument, the vocals will then suddenly take flight and soar above the surrounding backdrop, calling to mind the heady, bright tone of crooners like Jeff Buckley and Rufus Wainwright – but stripped of pretense and glamour, and flooded with simple, refreshing sincerity and a distinctly feminine nobility.  One feels less that they are merely listening to an artificially-cultivated performance, and more that they are sneaking a peek into a carefully-guarded diary.

Hummable tunes are augmented with classic, almost Santo and Johnny ‘Sleepwalk’-style guitar melodies – also Godfrey’s contributions, creating a dreamy lightness over the solid fabric of the drum-and-bass combo.  The arrangements are straightforward, but layered and colorful, employing unique effects and pleasantly disorienting quirks, provided by bassist Bayu Triyudanto and synth/keyboardist Fauzan Pratama.  

The 10-track album is a much-needed lesson in brevity; Camlann has a knack for knowing what they want to say, and being cleverly succinct in their approach.  There is no wallowing or luxuriating in the mire here; the songs are considerably brief, most of them having gotten their point across in less than four minutes, with no need for further embroidery or gilding the lily.    The charming, palate-cleansing sorbet of ‘Il Prologo’ clocks in at just 45 seconds, but its impact is effectively made, and the album wouldn’t be the same without it.  

Standout tracks include the title track, which artfully drops the listener into Camlann’s world and sets the stage for an introspective, intimate drama.  ‘What’s The Worth Of Living’ employs a lilting, rolling guitar theme that brings Camlann’s genuinely skilled musicianship into sharp focus.   ‘Father Johannes’ sails in on the wings of a sweeping, cinematic theme to introduce the album’s eponymous central character, a mysterious figure whose headstone graces the memorable cover art.  ‘The Ballad of Us’ provides a subversive twist on the notion of a conventional love song, with Godfrey’s vocal prowess on full display, grounded by the staccato heartbeat of a string quartet.  ‘New City, New Hope’ positively shimmers with its many layers and sophisticated arrangements, peppered with an exuberant horn section that feels right at home among the album’s vintage-seeming accessories. 

Formed in early 2019 by a trio of Jakarta middle-school students, this often surprising outfit also includes their own producer, Chariszan, and a co-songwriter, Arachne – both of whom share the distinction of their bandmates of being under the age of 17.  Rare as it seems to encounter a young band with such a direct focus and clear intention, Camlann are proving that the upcoming generation has their own perspective, and plenty to say.  I had the fortune of speaking via email to vocalist/lyricist Ony Godfrey about the band’s history, inspiration, and point of view.

Sounds and Shadows: Your enigmatic name is both mysterious and memorable.  How did you arrive on ‘Camlann’?

Ony Godfrey:  Camlann’s name comes from the well-known Arthurian legend, specifically from King Arthur’s final battle, “The Battle of Camlann”. I and Chariszan thought that we wanted to find a name that is easy to remember by people, and has a connection with legend or myth, so we chose the name Camlann.

S&S:  How did you find one another?

Godfrey:  In early 2019, I started posting covers of my favorite songs from my favorite artists (mostly The Smiths and  Joy Division) on my old Instagram account.  Somehow, this attracts Chariszan’s attention, and she asked me if I wanted to make a Post-Punk/New Wave band with her.  So I said yes, and that’s how Camlann was born.  It was never really taken seriously by Chariszan and I, before I graduated from middle school and moved to a public school in Jakarta, and met these two boys who later will be my closest best friends.

Around September 2019, my classmate, which is Fauzan, asked me if he could join the band as the synth player and composer.  He told me that he’s a massive 80s New Wave/synthpop enthusiast and wanted to play in an 80s synth-dominated band.  So I said yes, because we have the same interest in music and because he’s a very gifted synth player and composer.  After that, Fauzan asked his friend, which is Bayu, if he wanted to join the band to play bass.  So there you go, that’s how it all started.

S&S:  What inspires you, and your sound?

Godfrey: I got inspired by a lot of things, but mostly by some real events that [are] happening in my life and some important events that happened in this world in general.  I got influenced a lot by Morrissey’s songwriting since the very beginning of Camlann until this day.  It’s funny to see that some people thought that these dark, depressing, and melancholic lyrics are based on my life, when in fact it’s all fictional and based on my imaginations.  Well, most of them are inspired by some real events in my life, but I twisted those actual, real events into something fictional and mostly dramatic.  I took these realities as a ‘host’ for these lyrics, and [I] twist these events into something fictional, dramatic, and definitely not personal.  I love using real events in my life as a ‘host’ for these melancholic and gloomy lyrics, haha!

S&S:  What turns you on, and puts you in your creative mindset?

Godfrey:  I really love to add some religious and historical elements in my music.  I was born from a non-religious family; my parents are Protestant, but not religious at all.  But then one day, a life-changing experience happened in my life.  I felt the presence of God, and I started to buy a bible from a local bookstore near my house and learn Catholicism all by myself.  A year later, I got baptized as a Catholic and I’ve never been happier in my life.  Since then, I’ve decided to include some Catholic references in my lyrics.

All of us are massive lovers of the 80s, especially Fauzan.  So then we decided to create our own universe for our music, where in that universe, we’re living in the early 1980s.  That’s also the main reason we take a lot of influences from 80s popular culture and sounds for our music.  Fauzan’s presence and contribution in this band is very, very influential and basically, without him, Camlann would never have this current sound.  So we owe him A LOT, and I feel like he’s very, very underappreciated when in fact, he’s the main composer of this band.

S&S:  What turns you off, and how do you reinspire yourselves?

Godfrey:  The struggle of mixing our influences into our music would be the main reason.  I got influenced mostly by The Velvet Underground, The Smiths, Stevie Nicks, Fleetwood Mac, Emma Ruth Rundle, Russya, and Xmal Deutschland.  Fauzan was influenced mainly by Alphaphile, Depeche Mode, Soft Cell, Suicide, Donna Summer, and Molchat Doma.  Meanwhile, Bayu was influenced mostly by The Cranberries, Hole, The Doors, and Joy Division.  Sometimes, we struggle on mixing these various influences to Camlann’s typical sound, and it took us almost a year to find our own sound.

We usually reinspire ourselves by brainstorming our different influences together and sharing new music that we have just discovered lately, and then starting on gathering these new ideas into one unity.  You will definitely hear this new sound of Camlann in our upcoming album, ‘Circa 1983’; this album is a fresh start of Camlann’s sound and image as a band.  We will definitely go in this direction from now on – a ‘Dark Disco’ band, a mixture between classic disco and 80s synthpop/New Wave sounds with modern Darkwave sounds.

S&S:  What would your listeners be surprised to learn about you?

Godfrey:  We’re definitely just some random high school students with their own life interests and their own dreams.  We are definitely not ‘dark’ or ‘gloomy’ when we’re not being these images we play in Camlann.  We just happened to play in a dark disco band – that’s why we look gloomy and dark in our band pictures, haha!

Also, I’ve heard many people think that I have a deep voice.  But actually, my talking voice is quite high-pitched.  That’s why my father got really shocked when he heard me singing for the first time!

* * *

It may seem counterintuitive to imagine steel-gray, 1983 Sheffield skies scattered over wet cobblestones when one is listening to an Indonesian synthpop trio, but it is exactly Camlann’s relatability and reverence for their influences that makes the music feel mature and expertly crafted.    There is common ground to be found here, freshly updated and uniquely flavored with subtlety and precision.  Encapsulating a wide spectrum of genres and techniques, Camlann are proving themselves to be one to watch as they continue to develop their sound.  The Forgotten Lost Fragments feels like poring through the memory box of an intriguing stranger, where one finds  treasures that reach across time and borders to become cherished once again.

It’s a small world, after all.

– Victoria Spungen

Old Scotch and New Sounds That Leave A Smokey Taste In My Throat

Sitting down to write and absorb for the first time in a few weeks. I love the way my boundaries keep getting stretched further by the sounds I am hearing. I feel like the Goth/Industrial genres are a buffet of ever widening flavors to test that adventurous streak in my heart.

SYZYGYX and ELZ AND THE CULTANXXX – Two of the sexiest bands on Cold Transmission team up for this razor hot single. Trying to put this in a box of genre or previous sound is a herculean task beyond me. This is found metal sculpture sounds, wet leather, and heavy breath. Static glitch dance beats are a 3D computer image of horror pop fingers on the back of your spine. Elz’s voice is captivating and sensual. Luna steps outside her breathy whisper to scream out with terrifying demonic exultation. The result is a horror film spectacle that leaves you frozen to the floor. Elz spoken word poetry shows a William Burroughs raw creativity and free form emotional overcharge. Everything these bands do is glorious art. Working together it is a powerful and un nerving statement.

https://syzygy-x.bandcamp.com/album/anxxx

ActorsStrangers – Another single, another amazing slow tease from Actors. This song has a synth heavy influence with wonderful understated staircase guitar. The energy is star crossed and introspective. That kind of infatuation that rattles your DNA and leaves you be lost in the journey of knowing someone that first time. The change in bass players really adds a bright bursting color to the tone. Jason takes the reins on the vocals here and every phrase is a come hither lilting rise. The way he sits in the mix like it is the scenery of this story. This album can’t come soon enough.

https://actors.bandcamp.com/track/strangers

Echo HausDeth Werk – New single from Echo Haus, one half of Chicago based Lorelei Dreaming. AJ does a focus on electronic imagery and scenery in their music. This one instills a picture of a hospital intensive care unit. The thrumming heart beat blips and tension. The journey seems to dive into the patient around 1:27 and becomes a part of the blood stream. Twisting and turning past organ and system. I love their ability to transport you with frequency and modular shift. Sometimes I want to focus on the words and energy of music. Sometimes I want to to hide behind my eyes and drift through the world. Echo Haus is the latter.

https://echohaus.bandcamp.com/track/dethwerk

aliasynesthesiamusicStop Go – Beautiful twisting tension track. I feel that sense of Bjork surrealism pop with shadowy edges. As though she is a character in a Mario Brothers adventure. City hopping on angel wings from one cloud to another and never able to escape this digital prison. One of those solo ritual dance songs made for your alone time in your room. A true imagination fuel mind gripper. This really gets me excited for the future releases. Beautifully produced and expertly crafted.

https://aliasynesthesiamusic.bandcamp.com/track/stop-go

Burnt SoulsDesolation – An Australian recommendation from Ant Banister (Sounds Like Winter) who is always a spot on source of great music. I love the complexity of emotion and overlapping sound. They have some flavor of The Church and even The Smiths but Colin Gallagher has a unique and delicate voice that really slips through the cracks of it’s own ground. It definitely rides that lo-fi throwback tone which sits perfectly within itself. The drum transitions flow like water through a rocky path. Every emotion seems to find it’s focus without screaming out. I love the steady control and thoughtful precision. This is one of those albums you can throw on and feel something different each time. Be drawn to a new aspect every time. This isn’t a record of bangers, it’s one that needs to be absorbed.

Favorite Tracks: Sacrifice, Hate, I Used To Love

https://burntsouls.bandcamp.com/releases

The Ghost Of Bela Lugosi No Way Home – I can’t take a trip to Australia without visiting my good friend Vin Price. Every single he puts out is a master class in song writing and creativity. I know I say this every time I review him but he is staggeringly underrated. This track is a beautiful synthesis of the past and future with barbed hook guitar riffs, cascading tempo shifts, and ensemble cast vocals (even though it is all him). It’s a wobbling stumble through streets with broken lights. Following the voice of the one you love to certain danger. A power your can’t ignore. Every time I hear a new TGOBL track it instantly becomes my favorite.

https://ghostoflugosi.bandcamp.com/album/no-way-home-remix-remaster

Klack Deklacked V1 – Matt and Eric are back at it once again. This time they have brought all their friends to share in the power of the Klack. To understand the power of Klack you need to grasp the friendship of the members. This in turn becomes a contagious connection which draws in the artists in this scene like moths to a flame. You can feel the affection of all these artists to these songs as they lovingly craft new lights and blips to make them their own. Assemblage 23 , Sweat Boys , Null Device, Caustic, and many more put the tender heart in a blender and spew forth visceral blood and guts to fling at the walls of your dance hall. If you love EDM/EBM no one is doing it at a level higher than Klack.

https://klack.bandcamp.com/album/deklacked-vol-1

Music I Found While Drowning In A Sea Of Bernie Sanders Memes.

It was a tough week for me. I think for a lot of people. It was also a time of hope and possibility. As so often I found myself taking refuge in the sounds of others, trying to feel something outside my own head. I have some releases here, some old, some new. May they offer you some comfort as they did to me at times I needed it most. I also wanted to say what a beautiful refuge our new Sounds and Shadows Facebook community has been to me. Many of these reviews were suggestions or submissions from new friends there. Keep sharing music and lifting each other up my friends.

https://deadastronauts.bandcamp.com/album/silhouettes

Dead Astronauts : Silhouettes– A new release from our friends at Cold Transmission from Seattle WA. This record was a articulate and purposeful release that had a craftsmanship that placed it in the upper echelons. That made a lot of sense once I heard Slade Templeton (Crying Vessel) had a guiding hand involved. Florence, and Jared seem to have an instinct for where a song needs to go. Melody to melody, song to song, everything seems to flow in it’s perfect natural direction. It makes it so easy to fade away and become lost in the futuristic textures. They each have such a distinct and soothing voice. Made stronger by their combination and ability to hold the depth of a conversation instead of a monologue. The music has a lot of subtle dissonance and complex themes. What really makes it effective though is how these details are woven around straight forward pop hooks that remind me of Peter Hook’s Revenge , or Pet Shop Boys. This is a record that doesn’t need to scream to get your attention or convey emotion. It tells you everything without ever having to raise it’s voice.

Favorite Tracks:

Strangers In A Room – I feel in love with this very funky dance beat. Jared’s voice is a sensual croon with muted horn synths behind. It sets a scene of adventure and tension. Florence is the low lights which create his shadows. Just expert construction and a hook that grabs you by the waist.

She Haunts Me – Holy fuk this is gorgeous. Dark synth driven ghostly introspection. This beautiful sense of ownership of action and the feeling of someone who is gone but still shapes you. The things you have acknowledged and learned to late. This idea hits so hard. The chorus highlights the depth of Jared’s voice which swells without ever losing it’s smooth contours.

Pain, I Know – The cadence of this song make amazing movement. Florence is a haunting presence that lifts this song on her airy ever shifting melodies. This one really tugs the heartstrings.

Overall this album is a total concept and a much needed blast of poetry and expression in the darkwave genre. It’s a great example of what you can create when you understand harmony and synthesis. I just keep coming back again and again.

Chant HYDRA – New album from Bradley Bills who’s pedigree is well known in the industrial scene as a drummer. This release is a venture deeply of his own device. It still starts with the power of of percussion. Just amazing and varied rhythms and mathematical constructs. The sound is massive. I picture a powerful sorcerer standing on a cliff face raising and lowering his hands while crystal shafts shoot forth tot he sky or crash back beneath the sea. The vocals are a raspy and passionate chant. I kept finding myself drawn and isolated on individual sounds and lines. Bills is a real magician when it comes to directing your focus while he is moving the next phrase behind your view. Some nice hard smashing guitars that hit and decay quickly. I think one of the most interesting aspects here is how the drums feel like melody and the guitars feel like percussion. The lyrics are very clever and poignant to the political and human issues of the moment from demagogues to media saturation.

https://chantproject.bandcamp.com/album/hydra

Favorite Tracks

President God – Powerful and lockstep. Again I can’t stress enough how much the drums take a front seat here in the best way possible. This paints a picture we are all familiar with in the last 4 years. A politician trying to move from elected official to dictator. Very cool old KMFDM feel with a stripped down clarity I found refreshing.

Primetime Annihilation – I’m loving this concept album story of this corrupt politician in the modern era. “The more you watch and the more you hate, the more that I get paid”. This song is such a bag of broken glass swung at your head like a mace. The edges hit hard but the melody is a beautiful hook that leaves you stomping your feet while it lives in your head.

Overall it is a politically charged chaos party of blasting beats and witty scathing one liners. I am here for it.

https://swissdarknights.bandcamp.com/album/overcome

Broken NailsOvercome – New full album release from Swiss Dark Nights, a label I should really be talking about more. Great minimal old school synth sound here. Singer Kim Bell has this smoky throwback Missing Person vibe happening. I’m loving the collision of the very dungeon crawl obscure sound of the music splashed against her focused soulful pop voice. The result is a sound you can weave your arms to in the club. A club you need to travel down a flight of stairs and give a password to get into. I feel like this entire album is shrouded in mist. It’s dark, swirling, and always on the move.

Mirror – Opening track starting strong with a nice build and snapping snare. This song really puts Kim’s voice front and center which is when this band shines best. I really like the transitions and the strange millionth of a beat behind delivery on the phrases. It feels like a bizarre carnival house of mirrors you become lost in.

Control The Delusion – Wonderful 80’s throwback. Here Kim does her dreamy Terri Nunn sound. Then the music does a well executed phase shift and she goes into a chanted affirmation.

I feel like this band is yet to hit their ceiling, that leaves me excited for the future.

https://nu-n.bandcamp.com/album/remember-me-ep

NU:NRemember Me – I knew there was some beautiful goth music coming out of Portugal that was not IAMTHESHADOW. Right off the bat what I love is that this is powerful unapologetic old school gothic rock. Precision striking bass and teardrop razor guitar lines. Oliver Heuer has a voice that is captivating and romantic. The whole sound has a beautiful throwback of early 90s Rosetta Stone An Eye for the Main Chance era. This EP only contains 2 songs and remixes but it left me hungry for more. I could have devoured 8 more tracks of these lush sorrow dripping cemetery jams. The great power is in the authenticity. They are on the serious side of the emotional gothic line. Hungry and longing with a sinister edge.

https://cherimondisj.bandcamp.com/album/cherimondis-unleashed

CherimondisUnleashed – Ok is this a little outside our usual wheelhouse? Yes. Is it absolutely brilliant and I can’t stop listening to it? Also yes. Gorgeous soulful beyond their young years cabaret trip hop sounds with poetic lyrics and an angels voice. I dare you to listen to this and not feel immediately moved and connected to it’s power. Derek Christopher (The Joy Thieves) does the mastering and leaves the edges sharp and jazz chaotic letting the immense power of Cherimondis voice shine like a glorious beacon in the tempest. I hear enough music to know a future star when i hear one and this is a star.

Wolf – A skipping quirky Dresden Dolls husky jerky glory. The pixie light vocals grow into a stalking beast. I love the dancing piano and flowing bassline. I could play this 1 million times and never regret it.

Mind Over Matter – Strutting backbeat and a affirming optimism. The lyrics are delivered in a rhythmic hurricane in a bottle of control behind a thin layer of glass. This song is a perfect portrait of the artists and makes a spiritual connection with all who listen.

I except we will also be hearing big things from this 21 year old future star.