Review of ELZ and the Cult: Psychodrama

Review by Ivan Delint

Band: ELZ and the Cult

Album: Psychodrama

Label: Ampirik Records

Members: ELZ

Eylul Deniz on synths

Efe Akincioglu on the bass

https://www.facebook.com/pg/ELZANDTHECULT/about/?ref=page_internal

https://elzandthecult.bandcamp.com/album/psychodrama-cold-transmission-edition

I walked into this review not knowing what I was really getting into, I heard a little bit from Ken, whom only said “try this one, I think you’ll really like this”. I dug it and I said sure why not. Was I in for a SURPRISE!

I like to dive into my reviews without knowing ANYTHING about the artist, as I listen to their music I hope that they invoke a sense of wonder from me, wonder that’ll ultimately will lead me to become obsessive with knowing everything I can about them. With ELZ, It was that but in a different way, I didn’t expect myself to hold off on knowing more about them, until after the listening. I found myself so lost in their sound and only their sound that I didn’t want any other information to possibly ruin that experience for me.

Here is my journey through ‘PSYCHODRAMA’ :

Invention of Faith – Faith is a recurring word in this album, as stated before I didn’t know much about ELZ and the Cult during this listen and as I write this I really wish I had lyric book of sorts to decipher what this space journey of delicious horror was all about. Great opening track, very Mass Effect, very Muse (if you’ve heard their new album you’ll know what I mean), very She Wants Revenge.

Faith in Me -A sort of continuation from the intro track, this cyber-punk/cyber-goth, vampires in a Ridley Scott space film sound is just a perfect kind of dark. The chorus is lovely. “I have lost faith in me”… preach!

Cold War – ELZ and the Cult, keeping with the persistence of that bass synth, moves more into an aggressive industrial beat with track two. The dirty vocals that become prominent throughout the ‘PSYCHODRAMA’ make their first appearance here. The track maintains a steady darkness while still being dance floor friendly, a nice mix that’ll fit any gothic DJ’s playlists. Goth Pop indeed.

Growing Pains -Wake up! The gunshot New Order-esque drum intro coming at you from a very very dark chord progression should keep you on your feet. The vocals maintain the grime, the style however moves into a Lebanonn Hannover with Russian Utro behind the mic area. I’m loving it. This song is ready for International goth floors. Dj’s, remix this, GET AT THIS.

Die Once More – With ‘Die Once More’ ELZ and the Cult give us a break. A brief of a lull in the aggression. (As if one could say that about this album). The entire release is very industrial and literally any track could be mixed/remixed into a club banger. Creating an accessible album like that is really difficult.

Last Family Supper – The intro here is something out of a 90’s cyberpunk video game and the album, when it decides to chill, is really just sci-fi/horror space ambient suspense music. Prepping us for something killer, no doubt. The vocals once again evoke a Lebanon Hannover vibe while the drums beat like a march. The lead synth keeping it all a touch away from depressing and into real of wonder and excitement. ELZ and the Cult spoke about dying once more and again and again in ‘Die Once More’ but here he speaks about not giving up, he cannot die, he will not die and he doesn’t know why. This person is conflicted and all this conflict is fighting a cold war within his heart and mind. ELZ is the fallout. This soul is burning hot and bright within the darkness that it expresses. My favorite track thus far.

We Never Met – Moving deeper into the record, ‘We Never Met’ gives us joyful, maybe hopeful, feelings and honestly everything about this album just bleeds a sense of happy sadness. I call that life. The vocals are now touching a The Horrors vibe, something I hadn’t thought about the first couple of listens. This is a really cool track that flowed and evolved beautifully. I feel that ELZ and the Cult got the bangers that they thought everyone would like out of the way and are now exposing their true self. This is what i wanted all along and I love it. If you’ve made it this far, they reward you and it’s that journey that we as the listeners must make and upon catharsis we land a very important connection with the artist. We are no longer just listening to ELZ and the Cult, we are now experiencing ELZ and the Cult.

Dreams in Their Darkest Moments – (Interlude) Interludes are amazing, they can do so much to an album in such a short amount of time. Refresh your pallets, friends. I feel a sense of movie soundtrack from this. This band not only makes banger club hits but can, and I’d put money on this, easily find themselves soundtracking the next block buster sci-fi/cyber noir.

Gremlins – Excellent transition into Gremlins, seamless. This song gets me moving, the lyrical melody is also great. I wish for more clarity in the voice, less grime, nevertheless he’s hitting all the right spots. This track is also the best example we have of EZL and the Cults melodic range.


Manipulation – Cool drum work on track ten. It seems that every song has some new sound, tone, synth sound in it. Keeps for very interesting listening the most minimal song in the album, for sure.

The Witching Hour -We are now at song eleven and I must say the beat behind this, easily the most danceable song on this record. “In the witching hour the monsters come to play” So damn good. I have to be honest here, I started listening to ‘Psychodrama’ early in the morning here in Los Angeles. I had a nice cold dark brew. ELZ and the Cult, during the process of listening, have helped me upgrade from a dark roast coffee to a Dark Seas Mission Brewery Imperial Stout, ready to keep the death dance party going. Thanks!?

Dystopian Prayer – NIN all the way, with a tad of Vazquez’s The Soft Moon in it, the most different and experimental of all the tracks in my opinion. ‘Dystopian Prayer’ is a nice “near the finish line” song showing us what this project is capable of and perhaps what is yet to come.

Funeral of Queen Mary -Everything about this says the end. Finish line. Operatic! A Clockwork Orange! It’s epic and it’s majestic. Dark, evocative, dark pop at it’s finest. ’Psychodrama’ was a hell of an experience.

Overall this album was a powerful and diverse journey., in the way a film maker creates a story with a variety of shots and perspective ELZ and the Cult have created a musical journey that takes accessible dark pop and combines it with the challenge of raw emotion and dark sensual beauty.. It’s a broken roller coaster traversing a shattered futuristic city.. It builds, it fills, and it does not disapoint.. You need a ticket for this ride.

Post word by Ken Magerman

Review of Monographic: Structures

and: Monographic

Album: Structures

Lable: Cold Transmission Records

Release Date: Oct 12 2018

Members: Björn Ullmann (vocals/Guitar) Ric Freymann (Guitar)

Recorded 2017 by Javier Ortiz at Brazil Studios (Madrid, Spain) 
Mixed and mastered by Timo Höcke at Wellenschmiede (Hamburg

https://monographic.bandcamp.com/album/structures


So my newest review is for a German band off of Cold Transmission records called Monographic. Since I have been listening to a lot of post punk music you definitely start to get lost in the landscape of this standard post punk sound. So when I hear a new one I am really looking for something that sets them apart from the pack. I also need a level of quality that pays homage to the predecessors of the genre. I know a tall order but Monographic checks those boxes. Lets first talk about where they break new ground. The singer Bjorn Ulmann croons in a beautiful baritone which is so missing in this style. He slips from highs to lows to change tone and build emotion. You can hear his hint of an accent in his well delivered English lyrics that reminded me of Marc Burgess of the Chameleons. He also has enough razor in his voice to cut past the monotone drone of his contemporaries. He sings in a lilting and energetic singing volley with the dancing guitar rifts. I found myself drawn to the straight forward truth of the lyrics. Lets talk drums, my heart was pounding from the use of driving and prominent toms that reminded me of the Happy Mondays. For being dark post punk music the drive and energy had a bright flavor that I found captivating.

The songs are extremely well played with the faithful quality you are looking for in a retrospective post punk sound. This is a very city scape feeling sound. Movement and dark streets at 2am bustling home with pretty people going exciting places. It has that heartbeat thrum of life that can be captured in the sound of a band that has lived and breathed the face of an urban landscape. The guitars are full of motion and Ulmann’s chanting vocals give a blue collar punk edge that offsets the technical complexity of the guitars and music. It’s stripped down and driving in a scene full of synthesizers and texture. Monographic focuses on the driving bassline of the roots. Taking this step back in time I feel added further originality to the sound.

Stand out tracks include:

Addicted – This is a straight forward post punk driver that definitely had a feel of the Chameleons. It was sharp and edgy just to this side of post punk without crossing into a punk level of snarl. It’s a topic easy to relate to. The guitars are thick and Ulmann’s cadence keeps motion and blood flowing through the song until it’s end.

The Old Ones – Not sure if this was an HP Lovecraft shout out but it definitely had a dark and frightening elder tension. This makes excellent use of those toms to create a driving tension. I love the breakdown which drops everything away then allows the scalpel precision guitar to cut through the darkness.

Out of Time – I love when an album builds you into what you think of as the sound of this band and then flips the script on it’s head with a totally different tone and sound. This was that track. It has a bright vibrant energy that has flavors of The Church and other New wave progressive sensibility. It has an edge on the front of the beat to create urgency and is a wonderful lift in the middle of the album.

Overall this album is very familiar. It is building on concepts I know and love, but rather than re inventing the wheel it changes and blends just enough of these familiar themes to find it’s own voice. The production is first rate and the fast medium tempo keeps your foot tapping through the end. I wanted to hear more chances taken, to push further to the edge. At the same time I bask in the warm glow of a tone and sounds I love done with a unique twist that kept my attention. Listening to this album is like seeing an old friend with an exciting new story about where life is today. Hear that story for yourself.

Sounds and Shadows Favorite Dj’s Shows List

So running this review page we end up sifting through a lot of music. Some that a band or label reaches out and sends to me. Some that I just find in the endless traversing of the internet. However another often overlooked source are the hard working Dj’s doing broadcast and mixcloud shows which help sift through the vast abyss of musical darkness and highlight those burning gems that set my heart aflame. I thought it would be fun to give a shout out to some of the shows I listen to regularly. These are people doing the dark lords work out here and following and liking their pages really helps them continue to find the best new music. These are in no particular order and are by no means the end of the list, but I have to start somewhere.

This Handsome Devil is Sunil Khanna

Sunil does a live radio show in Austin TX, one of the world hubs for hot new goth/Industrial music. He has a finger firmly planted on the pulse of the scene. He does a Mixcloud every Sunday called Dj AsuraSunil’s Sunday Seven where he highlights 7 songs from different artists in a wide range of genre. Usually with some theme and no discussion just music. However he is also one of the friendliest easy to know gentlemen you could hope to meet. His show is always a source of sparkling jewels.
Next up is Pat 626 and their show SubCulture Shock. They are out of Charlottesville VA which has a really thriving goth scene. They do club Djing as well as this show every Sunday and I rarely miss it. Pat always finds incredible balance of new music and classics with just the right touch of discussion and background on some of the bands played. Pat also does a nightly feature called “So bad it’s good” where they find the cheesiest over the top song possible. We share this guilty pleasure to the point neither of us is even guilty about it. I also love this show for the live group chat which often has a lively discussion from dark music lovers (often including great musicians in the genre)
DJ Dark Dave does one of my all time favorite shows out of Toronto. However it is also live broadcast on radio-dark-tunnel.net. Dave is always finding and spinning new great music and supporting bands all over the world. He also does a fair amount of discussion and background between sets. Which I love because he is freaking hilarious. Definitely a very light hearted show but his music finds are always spot on.

https://www.facebook.com/theeleventhhourwidr/

Here we have my hometown of Kalamazoo MI’s very own Dj Shadowplay. She does a wonderful show at Wednesdays from 11 PM-12 AM ET on the local college radio station WIDR called The 11th Hour. Lots of great Post Punk/Darkwave/Coldwave and a good mix of backgound and discussion.

The Cold Transmission show put out by the German record label is a standard setter in terms of consistent brilliant playlists from the entire world stage. The genre tends towards mostly Post Punk/Cold Wave/Dark Wave but definitely not as a rule. They also set up a lot of specials such as mixcloud lists picked together with members of popular bands. I actually had the honor of doing a Sounds and Shadows/Cold Transmissions mixcloud list
DJ Kelly A from Pittsburgh PA does this wonderful show. She has been a part of the scene forever and although not exclusively I think does a great job of highlighting great female performers in the goth/post punk/darkwave genre. She has wonderful insight between sets and a warm and pleasant voice.
The lovely and insightful DJ Kelly A
The amazing Highway 7 show by Galit Korni on Ze Rock Radio in Tel Aviv Israel. This show is always on point in both the music played and the wide variety and world wide scope. She also has the most wonderful voice and although the show is in Hebrew and I can understand little of it, I find listening to it quite relaxing.

DJ Sonic Szilvi does Radio Dark Noise out of Portland Oregon. This great show has a wide range to the genre and best of all Szilvi is the most fired up energetic goth Dj I have ever heard. She is on in the morning on Sundays and sounds like she just crushed a vegan smoothie and ran five miles to the studio just be be fired up to spin great music for you.
Dj Subbababa from Rosenheim Germany manages LautFly FM. His new Music Hot but Dark shows are always on point and where I find a lot of the European bands that don’t always get picked up on other American Shows.

Dj Scott Durand does this great show great show from Lafayette LO. It’s all music and more EBM/Industrial based but he does a ton of new Music. He has a lot of personal contact with big name goth industrial bands and has done wonderful remixes for bands like Adoration Destroyed and Leather strip. He is usually one of the top mixcloud shows every week so that should tell you something
Dead Sound show is another I love by Victor Sevillano. Victor does an all music show as well but has such a vast variety of Goth/Industrial/Electronic. He really does a great job of finding new bands with old school flavor and is just an all around great guy. when I needed help putting together a playlist for Cold Transmission Victor helped me get my order right.
Victor Sevillano Eterna Obscuridad

Dark Nation Radio is a wonderful show with DJ Cypher (Jeff Weinstock). Great blend of discussion and background with new music. He really scours the web to find exciting new hits and is pretty broad with genre

Scary Lady Sarah (Sara Rose) has been the lifeblood of Chicago Darkwave for decades. She is in the amazing band Bellwether Syndicate and runs the local goth night. A huge promoter of the new music scene and all around amazing human.

Out ov the Coffin is an amazing show that has this wonderful campy vampire vibe. Blending cinema and music for a great immersive experience .

Much ado about Bugger All – This great show has a raunchy feel with a blend of old and new goth music. I really like the total lack of genre for this show and the DJ is funny and in your face.

DJ Reverend 23 out of Utah – This show is done by Aaron Shea a true journeyman of the scene with a finger on the pulse who promotes and understands new music. Love this show.

https://www.facebook.com/pg/Reverend23/about/?ref=page_internal

https://ultramichigan.com/podcast/episode-5-chat-about-local-music-community?fbclid=IwAR16qtWK5eJ0al7ILvKRdBid3E736VQGTPx3d3aI1O3R42eDXcyRz467k40

https://www.facebook.com/UltraMichigan/

Ultra Michigan Podcast are a group that specializes in local Michigan music of every genre. Really knowledgeable about history and the scene and a great way to hear about a wide pallet of local bands.
MK Ultra magazine does an awesome podcast that tackles lots of topics in the scene but a lot about Industrial music. They do wonderful interviews with a wide variety of guests.

https://www.facebook.com/pg/mkultramagazine/posts/?ref=page_internal

Post everything is a great show that somewhat focusing on post punk but touches on everything dark. Not much discussion most right to the music. Great mix and really does their homework on what is fresh

Communion After Dark is a burner of a show for fresh new Goth/Post Punk/Darkwave. Mark Paradise and crew are what make the Tampa scene special. This one is a must listen to.

Radio Arcane featuring several great Djs from the Louisville KY scene. Great mix of different darkness. Plus they are doing Convergence this year 🙂

Post Everything – Dj Eternal – I really love this one. Great mixes of old school and new finds. Also does a wonderful review page. This is a must follow

Melodywhore and Sapphira Vee do this Situation 47 every Monday night. It’s always a great mix of music and interviews with top bands in electronic and Industrial. They have wonderful chemistry and discussion to go with the latest music.

http://radio-dark-tunnel.net/?fbclid=IwAR0dt4TFaEOumSDaKndJ5cnXMV6TYKYGlHYqOs_quAD8A1XVivNOtFyMa9U

Cold Memories Post Punk & Gothic Stuff – With Jonas IH – Really cold blend of old school and modern hits in the genre with the focus on music.

Kate Mior – Amazingly fun shows including the Day Drunk with is always such a quirky mix and full of her dry wit and antics. So make up a pitcher of Margaritas and join in the fun.

http://hatemior.com/?fbclid=IwAR14bLPwwr1cI_supO6G9He2v1km9VPNSD1kjtMoMZ3cVYg6Sl_To9p0ptk

An interview with: Cold Transmission Records

So since we have started doing interviews with bands to add another layer of content to Sound and Shadows it got me thinking about all the other pieces that go into creating a vibrant and exciting music scene. Djs, promoters, and record labels. At the moment the world of music is changing to a focus on global reach and grass roots distribution. No one is doing more to build a base and put out great music for Post Punk/Dark wave/ Cold wave/ Shoegaze genre than Frankfurt Germany based label Cold Transmission Music. Run by Andreas and Suzy Herrmann with Yvonne Kiel as graphic designer, this label is on the forefront of the multimedia movement happening in dark music. They aren’t just a record company, they are music lovers that are looking to lift all ships and find exciting new ways to share the music they love with the world. They have made the idea of musical distribution into a family with a caring touch to foster the people on their label as much as putting out albums and compilations. The Cold Transmission playlists have come to set a standard for support of what is cutting edge. I had the opportunity of getting to know the people behind Cold Transmission a little better and want to share that experience with our readers. 
Bands currently on Cold Transmission Music: Elz and the Cult, White Mansion, Push Button Press, Carlo Onda, Rosi, Monographic, La Mécanique, Reconverb, S Y Z Y G Y X, Silent Runners, The Blue Beard’s Castle, Icy Men , Palais Ideal, Bedless Bones, Closed Mouth.
We have reviewed some of these bands and the more I hear from them the more I like, I can’t wait to continue working my way through their catalog.

https://www.facebook.com/coldtransmissionmusic/

https://coldtransmissionmusic.bandcamp.com

This was a Cold Transmission/Sound and Shadows joint effort which includes some of our favorite new music for your listening pleasure. I think we had a wonderful mixture of bands from all over the globe. This show was 1st in the global post-punk chart, 1st in the global punk chart, 1st in the global indie dance chart, 4th in the global alternative chart and 5th in the global new wave chart.

(Ken) When did you start the label and what was your goal starting out with Cold Transmission?

(CT) In 2017 Cold Transmission began as a Mixcloud show because we had the burning desire to make more people aware of the new music and bands that were coming up in our scene. The shows were very well received on Mixcloud and the number of followers grew steadily so we created the name „Cold Transmission“ and launched the Facebook page. The next idea was to create a digital compilation, so our ZEITGEIST series was born. Although Andreas always thought about starting a label from the beginning, it was a spontaneous idea that evolved over time, a next logical step. We are still growing into it, learning new things every day about what it takes to be a label and it makes us very happy to support up-and-coming bands and help them grow. So our greatest respect goes out to all other independent labels that are doing this for many years now with enthusiasm and passion. It’s a lot of work especially when doing this next to your normal jobs. The music is our true satisfaction.

(Ken) I feel like goth music has always been a genre focused on the past, in the last couple years this style of music is seeing a huge resurgence with fresh new talent in unprecedented levels since the 80s/90s. What do you think is leading this? What do you see as Cold Transmissions role?

(CT) Yes, we have the same feeling about the scene. You can hardly find a band that is not referencing one of the 80s bands like Joy Division etc. Even our name is inspired by a Joy Division song! Those are all icons we really love but time doesn’t stand still and music is developing further with fresh impulses, techniques and sounds combined with the classic Post-Punk influences. Jason Corbett of ACTORS once called it Post-Punk 2.0 which is an apt description. When you go to parties or festivals a lot such as we have since the 80s we had the feeling of hearing the same music all the time in the last 10 years. We talked to many people from all over the world who had the same experience. Maybe people had gotten a bit fed up with this. We created Cold Transmission to show people from the scene what great new music is out there and what great new bands are surfacing from all parts of the world – through our Mixcloud shows, social media accounts and our label. We’re going to concerts and festivals, sometimes hosting them ourselves. We did a Cold Transmission party, re-invested the money we earned with it to buy new music to support the bands. We also see Cold Transmission not just as a label but as a platform to connect bands and supporters from all over the world. There is a great community of artists, labels, blogs, radio stations, growing up around us and we’re proud to be part of it and support it with all our energy. There also have been great collaborations between the bands already doing remixes of each others songs which is great to see. We created our t-shirts and sent them to supporters, bands and friends around the globe – for us it’s a statement of being part of a wonderful and growing community in our scene.

(Ken)You had a lot of success in 2018, I have watched your support base grow. What are you excited for on the horizon in 2019? What new albums are you looking to release this year?

(CT) In 2019 we’re looking forward to growing our label further – we will release the new albums by La Mécanique, White Mansion, The Blue Beard’s Castle and many more in the future. (Since this interview they had a very exciting release from Palais Ideal currently available) Also we will release four new ZEITGEIST compilations this year. And of course there will be our first little Cold Transmission Festival in Cologne, Germany in July. Still there is no 5-years-plan or anything for Cold Transmission. We love to see things develop organically – we have amazing friends around who are supporting us in so many ways, bands that became friends, interesting people that we are discussing partnerships with to allow us all new opportunities. We have hundreds of ideas in our minds and the day only has 24 hours so let’s see what happens!

(Ken) Recently I interviewed Jim Walker of Push Button Press (amazing new album) and Ashe Ruppe of Delphine Coma. Both are American bands that spoke of how happy they are signing with European labels. What do you think is drawing American bands to think of European labels for the dark music scene?

(CT) Since we are very new to that business we don’t really know about the major differences between European and American labels yet to be honest. We as Cold Transmission try to be as professional and committed as we can when signing bands to our label – a typical German attitude maybe. We are still a small label and the personal contact is very important to us and also to our bands. We want them to feel like they are part of a little family that believes in them and motivates them. A way of working that is maybe difficult when you are a bigger label with many bands. The scene in Europe is very old, still vibrant and much more concentrated simply because of the size of the continent compared to America. Maybe that is also a reason why so many bands are looking to Europe and has nothing to do with the differences between European and American labels in particular.

(Ken) What inspired you to become a part of this music scene? Was there a band in particular that let you know this was your chosen path in life?

(CT) We have to distinguish here between us due to our age difference of nearly ten years. Andreas was more into electronic music since 1980 starting with bands like Kraftwerk, Ultravox, Gary Numan, Cabaret Voltaire etc. In 1986 he was really convinced to be part of the scene through bands like Click Click, The Klinik, Skinny Puppy and Front 242. Suzy was more into guitar music, and a real 90s Dark Wave girl – so was Yvonne. Starting with Depeche Mode, The Smiths and Sisters of Mercy in the late 80’s her first „dark love“ was Deine Lakaien in the early 90’s

(Ken) Talk to me about the Post Punk/Darkwave scene in Germany, what is it like today and how has it changed in the last 20 years?

Cold Transmission with Antipole

(CT) The scene was always great in Germany from our point of view. You have so many huge festivals, concerts and parties in nearly every part of Germany. In particular the Wave Gotik Treffen in Leipzig that has become the largest Gothic festivals in the world. As said before, from a music standpoint you had the feeling that nothing really changed in the last 20 years. Sure there were new bands surfacing all the time but not many people seemed to be really interested. Especially in the last few years there are new artists emerging and we get the feeling that more people are now open to finding new music. There are more small festivals coming up in Germany next to the big ones that give you a more traditional feeling. The Wave Gotik Treffen took notice of a lot of those bands and presented many of the newer acts in 2018. This is a trend we really hope to see continue.

Cold Transmission with Crying Vessel

(Ken) Along with putting out music you got your start in creating playlists and sharing music for bands in the genre. You even had Amaranth on a few, so thank you for that. What lead you to this idea and what role do you think it will play in the future of music?

(CT) The Mixcloud shows were the starting point of Cold Transmission. Andreas is a passionate music collector and spends a lot of time searching for interesting new music on the internet. The desire behind the playlists was to make people aware of that new music – Hey guys, listen, there is more to our scene than our beloved classics! A sort of modern mixtapes we did in the 80’s. Many people don’t have the time anymore to spend hours searching for music on the internet or in record stores – they have their music players and mobile phones, listening to playlists on Spotify or other platforms. This form of listening to music will continue to play an important role in the future.

Cold Transmission with Silent Runners

(Ken) You have a festival in Cologne this July featuring some amazing acts. I’m beyond excited that Rachel and I will be going to witness it. Tell me about it, who will be there, and what are you celebrating?

(CT) The festival will be our first Cold Transmission festival. We are celebrating Andreas’s 50th birthday bash. We chose the Blue Shell in Cologne since we have very strong connections to that club and also close friends in Cologne since Suzy lived there for 20 years. The club has a storied history going back to the 80’s so they are quite experienced and passionate. Some really great bands which we also call our friends are playing live that night: Crying Vessel, IAMTHESHADOW, featuring members of Antipole, Joy/Disaster and Silent Runners. The after show party is hosted by our close friends of Disorder Cologne (Holger and Chantal) who have been successfully running that party for nearly 10 years now. We are also very proud and overjoyed to have a special DJ set by Pete Burns and Christian Schaefer of Rule of Three. A music blog that inspired us from the beginning. Pete recently garnered critical acclaim with his project Kill Shelter! Pete has also became very important to us personally at Cold Transmission through his friendship and guidance from our beginning. We have the feeling that this is not only a festival but also a way of connecting people with a common love of darkwave/postpunk music. People from all over the world are planning to come to Cologne to meet with bands and friends. For example Jim Walker from Push Button Press traveling all the way from Florida. It will be a great event and we are really looking forward to that! Glad that Rachel and you will also be part of it. Let’s make this a night to remember!

Andy with IAMTHESHADOW

(Ken) What do you look for in a potential band to sign to Cold Transmission?

(CT) Since we like to call our label our “Cold Transmission family” We are currently signing bands whose music we really like and believe in. People that are as passionate with their music as we are. We have close contacts to all bands signed to our label and support them in any way we can in a variety of ways. Every success the bands have makes us very happy and proud. We want to grow up together with our bands so it’s symbiotic in a sense. We also aim for long-term partnerships to achieve that. Of course we also want to have a good mixture of different music styles from different countries on our label especially in the Post-Punk and Coldwave genre. In nearly every country of the world you can find bands and artists from our scene and we are happy to have some of them on our label to show the variety that is out there.

Cold Transmission with Jot Disaster

(Ken) If you could travel back in time and see any show ever in recorded history, what would it be and why?

(CT) That would be shows of today’s Post-Punks icons like Joy Division in the late 70’s and early 80’s. To see such a show in a small club with around 20 people, listening to the music and having the feeling that something great is happening. That would have been awesome.

Since this was our first interview with someone who wasn’t a band I thought it was important to share some perspective of some of the people who surround Cold Transmission. Musicians, artists, producers about what this label means to them. Here are some of those thoughts.

Andy and Monographic

Jim Walker (Push Button Press) “I will let a big secret about the label out of the bag, Suzy is the secret special sauce that makes everything fall into place.

(SYZYGYX) “Suzy’s and Andy’s passion for music shows in the way they treat their artists, we’ve been lucky to work with such amazing people and label, and look forward to continue working with them. They know the scene, they’re knowledgeable on how to target the audience and promote! Love Cold Transmission”

Pedro Code (IAMTHESHADOW) “They are great enthusiasts of the dark Scene, wonderfull people and my friends. I knew them long before they started Cold Transmission, in WGT, Leipzig, 2017 but now its another level. They are growing and its a great thing for the dark scene in Europe hey are very passionate about the music being made. Its great for all the bands what they are doing, They once told me they had the idea of Cold Transmission, after we meet in WGT, 2017. :)”

Silent Runners “Like many people in the scene we met Andy and Suzy online, enthusiastically spreading our music on forums and groups within the scene. From the start they were the greatest supporters a band can hope for! They really have a personal love for music and the scene and want to spread it so other people can enjoy it as well. Since we met personally on WGT2018 we’ve been in touch weekly. Seems only logical that we recently took the next step and joined their great label family as band. We hope to do great stuff together in the future.”

Monographic “Cold Transmission is not a “normal ” record label! For us, its more a collaboration between friends for the most important thing… music!!! They’re doing a lot for new bands and for the underground scene. You can feel, its not about the money compared to other labels, its more about spreading the love … Suzy and Andreas are doing everything, for the bands to keep moving forward and you can see they are doing it right. We hope to be part of it in the many years to come and we look forward to the bright future of their label”

Pete Burns (Kill Shelter) “Andy and Suzy have been great supporters of both Rule of Three (which I run with my partner in crime Christian Schaefer) and also my personal Kill Shelter project so I can’t thank them enough for that really. They are extremely passionate, kind and energetic people and are always incredibly positive – you need unbridled enthusiasm and optimism to work in this industry and they have that in spades. I’ve been lucky enough to help them with engineering and mastering of some of their releases and that’s just been an absolute joy. I’m hoping we’ll do more of that in 2019. I’ll be heading to Germany in July for the Cold Transmission Festival & Disorder Party where Christian and I will be doing a special audio/visual DJ set and we have some surprises lined up for that. It will be an honor to be part of that event and I really hope they have a magical time – they deserve it.”

Interview of Palais Ideal

Band: Palais Ideal
Album: No Signal


Label: Dark Vinyl Records – Now on Cold Transmission Records
JOHN EDWARDS:  VOCALS, GUITARS, SYNTHESIZERS, PROGRAMMING 
RICHARD VAN KRUYSDIJK: BASS, SYNTHESIZERS, BACKING VOCALS, BARITONE GUITAR, PROGRAMMING 
Produced, Mixed and Mastered by: Uwe Teichert At Electropolis

https://palaisideal.bandcamp.com/album/no-signal

https://www.facebook.com/palaisideal/

https://palaisideal.bandcamp.com/album/pressure-points

Palais Ideal means the Ideal Palace. A concept of building a home or place from the things you find in everyday life. This is an album that achieves something I think is so lost in the modern music scene. Each song is so unique in it’s sound and style. All the ideas tie together but the songs themselves have such an individual sound and aesthetic. This is a intellectual thinking album that has a calculated scientific arc. The songs are poppy and engaging but the words behind each song are a challenge and inspiration. This band from Netherlands attacks themes of politics and technology in the modern world. Lofty ideas that go beyond the standard party themes you could expect from club beats and hook melodies. I found myself lost and found following this story laid out about the hardship and pitfalls which face the modern person. I think the true genius on display was how easy it was to set aside these thoughts and get lost in how fun and energetic the songs sounded.

John Edwards vocals are a master class in range and engagement. From driving chants, beautiful croons, spirited edge, along with playful tongue and cheek. The theme and sound changes within each song and from one to the next. The synths are masterfully sculpted to create a rising falling tide of emotion. Van Kruysdijk’s guitars and bass lines are a driving cacophony of sound and style that build an express train for Edward’s vocals to ride upon. I hear New Order, Joy Division, Information Society, Pet Shop Boys, Japan. All are blending together but the fusion creates something unique that finds it’s own path. From a technical standpoint the music is as precise as the lyrics. No sound is wasted or lost. This is purposeful production that has a journey and a destination. I love when a true professional enhances their vision with craft and that is what Palais Ideal has achieved. I listened to this album 4 times before attempting to review it and I feel like I am just scratching the surface.

Having trouble choosing standout tracks because the flavor is so different with each but here goes
Standout tracks:

Crossfade/Dissolve – Here is that beautiful New Order chanting anthem sound right off the bat. It’s catchy, it’s evolved, the lyrics are delivered with just enough sharp edges to enhance the emotion while having this beautiful calculation of an architect building a better world. I played this track 7 times and regretted none of them.

Deity – Beautiful sped up cut time drums. Textural open voice lyrics delivered with a driving cadence. Again this song has such a science fiction story delivered with a build that opens up with a wonderful guitar line. This is the soundtrack of a future I fear that strikes a logical chord.

A Black Noise – This one gets dark, really dark. A droning Bauhaus drum beat with sinister guitar riffs. Edwards drops his voice to the low register to paint a frightening picture of fear and loss. “Every secret sight and sound, where are they now. A million voices underground, where did they go.” This bassline has a Sisters of Mercy Floodland drive. It’s a fierce and frightening emotion that captures and grasps.

Overall this album is just well done. The highs are high the lows are low. It’s an album you can dance in the club to but take home and really listen for the deeper meaning. I found myself falling into it like a pit that had no bottom. What an experience, what a record. You need this, if you are up for the challenge.

After spending a lot of time with the album I got the chance to talk with John and Richard a bit about what went into the construction and vision of the record. As well as get to know the artists who created it.

(Ken) – I did a bit of research about your name Palais Ideal and found there was a lot more to it then I originally suspected. Why did you choose it and what did it mean to you?

(Palais Ideal) – The Palais Ideal – “Ideal Palace” in French – is a strange and eccentric 19thcentury building that was created by Ferdinand Fernando Cheval, a postman from Southeastern France. He had no formal training as an architect, but collected stones while he delivered letters and built his very odd palace. A perfect metaphor for the desire to create something purely because it ought to be created – which is the foundation of all great art! We love austerity and starkness, but are also heavily into romanticism and bizarre ideas – like building your own private palace!

(Ken) – You have plenty of experience which I feel brought richness and depth to the album. Tell me what you have coming out down the road and what led into it?

(John) – Palais Ideal has only been around for two years, but Richard and I formed our very first band together ages ago, playing a mix of prog rock and goth. Over the years, I’ve been in bands performing everything from latin music to technical death metal. The fact that we both play different instruments and have experience arranging, recording and producing has also helped us to get where we wanted to be. The next big thing for us is the upcoming release of our second album, on which we’ve brought together a wider range of influences than before – from Low-era Bowie and classical music to funk pop and krautrock. We kept pushing each other in interesting new directions and wanted to see how much we could expand, while still staying more or less within the post-punk and new wave genres.

(Richard) – I have been exploring many different musical styles, albeit all of the darker, melancholic variety. Early new wave and post-punk are my roots, and to create something that references this musical era feels very natural to me. We are trying to keep our musical direction and style very clear, and at the same time looking for ways to find our personal ‘signature’ within the genre. A very interesting journey!

(Ken) – Music is usually not all glitz and glamour. You need to pick moments to fuel you into the next. What is the moment you are most proud of in your career?

(John) – For me, touring in Germany with Clan of Xymox was a big occasion – if I’d have known that would happen when I was a teenager listening to their albums, my head would presumably have exploded. We toured the UK last year, which was another wonderful experience. Of course, working with the legendary John Fryer, who produced many of our favorite albums, has been incredible – he’s brought a whole new perspective and has been delightful to work with. We’ve had a lot of great reviews and met some wonderful people through our music, which is highly inspiring. In May, we’re releasing our new album at an event featuring some of our favorite bands – She Past Away, Selofan and Auger – and we’re looking forward to that!

(Richard) – I am fortunate to be able to say that there are so many moments that come to mind! For instance: watching Gitane Demone delivering spine-tingling vocals in the studio on a track by another band that I am involved in: Phallus Dei. To have co-written songs with heroes such as Graham Lewis (Wire), David J (Bauhaus), Winston Tong and Blaine L. Reininger (Tuxedomoon), Peter Christopherson (Coil), Edward Ka-Spel (Legendary Pink Dots) and Larboe (Swans). Also memorable is the tour I did with Daniel Johnston, for whom I arranged three songs for big band. A very special programme! As for Palais Ideal: There have already been so many highlights in our short existence! I’m proud of our videos, our releases, and especially our upcoming album.

(Ken) – So one of the things that enamored me with this record was its eclectic nature. Every song has it’s own flavor. Who was your inspiration and how did you make the styles fit together?

(John) – I’m a big prog rock fan, especially the early 1970s stuff, such as Pink Floyd, Genesis, Van Der Graaf Generator and King Crimson. On many of the albums from that period, each song would be clearly built around a specific concept, which could be a musical theme or lyric, yet all tracks would be tied together. It made sense to try this approach within a post-punk concept: creating a self-contained little world around the musical and lyrical concept of each song.

(Richard)Before we started, we defined a very clear sound for our music: what kind of drum sounds, synths, bass and guitars we were going to use. The fact that there is a logical connection between these sound elements, allows us to go to the heart of each song without the album becoming incoherent. We are always looking for clarity in our musical ideas and arrangement. Every track should be a strong statement in itself.

(Ken) – So “Seen Missing” was a song that has been playing over and over on my phone all week. The lyrics has such a mystery of a secret message. Maybe it is the double entendre in the name 🙂 What was going on when you wrote this, tell me the secret?

(John) – Basically, it’s about the fact that, thanks to the internet, we currently have access to a huge amount of art, music, writing and more. We can access all of this at any time, from anywhere. Countless great ideas and creations that might have been forgotten forever are available to us. It’s important that we look back and remember all of the people that came before us, re-evaluate what they’ve created, and share our discoveries. A lot of our lyrics are a bit bleak, kind of techno-paranoia “Black Mirror” stuff, but technology can also have a huge positive influence on our lives.

(Ken) – To me seeing a great band live needs to be a different experience than hearing the record. Tell me what you do live that makes it different?

(John) – Personally, I’d rather see a band like Motorhead playing than watch some dude behind a laptop. We like to get carried away and focus on getting across as much energy as we can and involve the audience. It’s fun to goad each other on a bit on stage. One of the greatest gigs I’ve ever seen was The Fall, who were completely serious and totally entertaining at the same time. Why shouldn’t post-punk be fun?

(Richard) – Whereas in the studio one can zoom in on the details, on stage it’s about the right energy. A live performance is, first and foremost, about communication. To feel connected with the audience is a great sensation that can take you to great heights on stage. Most important thing is to be fully authentic and really go into the feeling of a song. We dive in head first into our shows and people feel that. A live show is about celebrating the moment. We have played quite a lot, hitting the stage just a few months after we started, and we have taken that experience back into the studio and into song writing.

(Ken) – We have talked about something happening lately in dark music. A Renaissance, what do you hear and what does it mean for you?

(John) – There are quite a few contemporary bands that are making music that is strongly inspired by the “golden age” of post-punk, new wave and goth, but with a contemporary spin and new energy. At the same time, a lot of the 80’s generation of musicians are reappearing, or still going strong. I think people are pretty sick of the generally pathetic, bland and whimsical nonsense that the music industry is forcing on them, and looking for something that dares to ask relevant questions and tackle difficult themes. There’s a kind of grassroots movement happening across different countries, with new labels, blogs and bands that are just ignoring the status quo. Something similar has been happening in the Synthwave scene, and it’s great to see how so many people have picked up on that.

(Ken) – If you could play with one band current or gone who would it be and why?

(John) – I think being on the same bill as Killing Joke would be pretty awesome. We have a lot of respect for them, musically, and also because they’ve been doing their own thing for decades. I’d also love to perform with Joy Division, The Sound or one of the Rozz Williams incarnations of Christian Death, although that’ll never happen for obvious reasons. If I could join someone else’s band for a day, it would be early Genesis or Van Der Graaf Generator 😉

(Ken) – This one is for the gear heads. What is one piece of equipment you couldn’t make your sound without?

(John) – I bought some late 90s USA-built PRS guitars last year and couldn’t do without them! My Roland Jazz Chorus 120 amp and my Juno and Oberheim synths are pretty inspirational, too. Although we use a lot of hardware and tube gear, we’re both big fans of the UAD hardware and software platforms. However, I like to think that we’d still sound like us if we were limited to a pair of banjos

(Richard)My ’62 Fender Jazz bass is totally the sound that I love! As for synths: My Prophet 5 features in every song we make. The most beautiful synth for me.

(Ken) If you could use dark magic to span time and steal one dead musician from history to join your band, who would you summon forth?

(John) Bowie! We’d let him do anything he wanted to, obviously… Johann Sebastian Bach on keys would be quite good, too.