Bandcamp Day is Friday! What are some of the great New Releases that are fueling my Jets in these Cold Days?

Friday 11/5 marks another Bandcamp day and I get to pour through a slew of amazing releases. Remember tomorrow all proceeds from sales on Bandcamp go directly to the artists who are in desperate need. We all need songs to fill our hearts in these days. Here are the ones filling mine.

MAN1K1NDon’t Let Me Try – Brand new single from Boston shadowcrawl duo Man1K1n. Two ones to represent each of them. We have an upcoming webcast post with the act. This is a powerful song about personal loss Johnny E. Veil turned sonic and it really stirs the tendrils of emotion that suicide and mental health conjures for all of our lives. The percussion laid down by Cristian Carver is driving and precise, washing over in hurky jerky horror film atmosphere. Johnny’s vocals growl like a demon voice from within. I love the concept and how much genuine blood was poured into every word. This was an independent release but we have heard promise of an upcoming album ready to throw a match on this pooling shimmering gasoline.

https://man1k1n.bandcamp.com/track/dont-let-me-try

Stabbing WestwardI Am Nothing – Brand new single from rockdustrial legends Stabbing Westward. I just saw them at Cold Waves in Chicago, not only have they not lost a step. This new material seems to add a layer of complexity and depth to everything they have been doing for decades. Chris Halls voice grows more powerful and bristling with clarity and violet laser focus. Add in production from the legendary John Fryer and a remix from Jim Marcus. I love the flurry of katana guitar slashes and cyborg samurai cadence. Stabbing Westward still finds a way to transport me back to my 16 year old bedroom and awash with emotions and glorious vampiric dark tones. COP continues to release the cutting edge of the growing Industrial Rock genre. SW is their flagship.

https://stabbingwestward.bandcamp.com/album/i-am-nothing

Carrion – Revenant – If you didn’t know S & S contributor Hide Tepes was a huge LA hard rock Motley Crue fan in addition to making experimental textural noise you will after this track. The hard and high energy strikes of the drums, the crunching metal intensity of the guitar riffs have a very Psalm 69 recklessness. The lyrics are delivered with a harsh chaos demon venom. There is something so powerful about hearing an artist get lost in the moment. This is not a performance, it is a summoning. Further energized with a remix by Texas band Dread Risks who add a further layer of tribal intensity. I will be deep diving this entire album as it unfolds. Hide lays out a track by track explanation below of this decent into ego destruction.

The whole album is going to be available to pre-order tomorrow for both CD and digital + doing a limited edition bundle where you get the CD of the new album, the cassette of the previous one as well as two patches.

Lyrics: Maggots crawl to kiss the feet of a new God Used and abused, to be disposed in the dark Sucked dry by the hordes of the revenants Another body in the grave of their shallow praise Die the death just to come back hollow Feral angels rise, ripe with decay. Pray to me, what you sow I will reap, Pray to me.

https://officialcarrion.bandcamp.com/album/revenant-2

I Ya ToyahPray ( Stabbing Westward Remix ) – Chicago’s one woman army is back with a new remix from the previously discussed Stabbing Westward and their is nothing I don’t love about this song. The rises and falls of this high speed car chase give space and pacing for Ania to shine through city streets. her energy is a beacon that draws you in and fills you up every time you are near. Walter Flakus is a proven master of taking great vocal talent to it’s height. This remix makes me long for an Ania/Chris Hall duet. Make it happen.

https://iyatoyah.bandcamp.com/album/pray-stabbing-westward-remix

WHITE NOISE TVGENERATOR – Berlin band I have never reviewed before featuring: Oliver Staats, Bernd Abromeit, Lars Goehring. I really like the expansive opening salvo of high energy electronic sound. As the vocals come in they have a daring Peter Hook Revenge flavor. Melodic with a lashing edge. Production is top rate which is essential when blending the post punk vocal style and cascading EDM music. Great breakdown at the 2 minute mark to let the bottom drop out and stand on the hill in defiance. In general an impressive job of taking familiar ideas and stitching them into a fresh concept. I think the most ringing endorsement I can give this is I was three minutes into the first track and they had already won me over as a fan. Get ready to hear more about White Noise TV.

https://alicesitski.bandcamp.com/album/generator?fbclid=IwAR1pq27lCebavvQ8pi9HN1Y5BjL_Vn4wWJtOdSfJLcw5VkHuNQrikn5zukA

Bedless BonesThe Iron Bough – We already have a review posted of this album on Sounds and Shadows. My favorite band from Estonia on Cold Transmission. Set to release 11/25/21. Every time I take a moment to listen to BB I am always surprised I don’t think of them more. They have such a powerful and spiritual infused sound or organic soul with a lost age feeling. Kadri Sammel has one of those truly unique voices that stands out in a sea of similar postpunk/darkwave vocalists for their cadence and range. If you held a live wire up to Dead Can Dance or This Mortal Coil and shocked them with electric intensity, that would be the majesty of Bedless Bones. Cool green leaves dripping with rolling drops of water.

Bending The Iron Bough | Bedless Bones (bandcamp.com)

The Cult Sounds – Now i can say I was officially surprised by this cover. I think of St Louis The Cult Sounds of an edgy dangerous take on the post punk concept. The Moody Blues are a definite guilty pleasure of mine. This holds so true to the psychedelia beauty and romantic nature of the original. It also really shows off the talent and chops of the band in such a different vein than their amazing progressive album “Death Of A Star

https://thecultsounds.bandcamp.com/track/nights-in-white-satin

kid.saint.nothingDisgust – Ok I know this is a friend from Kalamazoo, but I am always astounded by the truth and delivery of Reggie. An exceptional talent in the scene returning once again with a passionate fury of raw veined exposure. It’s music that has that fearless, nothing to lose realness that can’t be faked. Pounding low fi metal edge with poetic soulful lyrics that ring clear beyond the crunching chaotic distortion of the music. I love the drum transition from a backbeat hip hop into throbbing metal. Reggie’s ability to flow seamlessly between styles while exposing their truth of being always reveals a new aspect with every album. More people need to know about this. The Pixies cover sounds more like the original plot of the Pixies than the Pixies do .

https://kidsaintnothing.bandcamp.com/album/disgust-ep-2

The WakeEmily Closer (Kill Shelter Remix) – New remix of legendary Ohio goth band The Wake by our dear friend Pete Burns (Kill Shelter). This song is such a driving dark jam, and Pete drives the car right into a crystal palace of reflections and crashes a dark fairytale ball. Splashes of keyboard color shine light on a dark canvas of surrealism. This track is welcome at my goth prom anytime.

https://thewakeus.bandcamp.com/track/emily-closer-kill-shelter-remix?fbclid=IwAR2pJF824VeY6K9tQZhBShw5ILrpaz6PJbppODJZCVIV9dhVmZ-0pHvWf5g

Aesthetic Perfection Feat: Isaac HowlettSave Myself – Here we have two of the top vocal talents in the modern scene teaming up to create something of staggering beauty. Empathy Test and Aesthetic Perfection share a lot of mutual space, both blending the lovely and pleasing with intense emotion to create a full pallet of human experience in song writing. They also couldn’t be more different stylistically in how they achieve this effect. This song really told a story to me, not just in the music and lyrics present. In the delivery, tone, and cadence that they volleyed then harmonized. Almost as though the perspective of what they were singing was shown through a alternate refraction. Plus it is so earth shattering pretty it made me warm inside. Musically I felt it swung more to the AP perfection side of the spectrum, but the vocal performance highlighted the contrast of two top level artists. I hope this is just the start of possible collaborations. I fully expect this will rocket to the top of the dark scene.

https://aestheticperfection.bandcamp.com/track/save-myself-feat-isaac-howlett?fbclid=IwAR1amkMPNKfSy4V0P6L3j4fOBPDKVNoVgIyBCKopnVm08ST3nFH1gU0fPiI

Bending The Iron Bough by Bedless Bones

Hearing a band from Estonia doesn’t happen every day around here. So I was intrigued by a band that hails from Tallinn, Estonia and what this Baltic region band has to offer. ‘Ashes Indigo’ is the first single from the forthcoming release, scheduled for mid-November. An ethereal and ambient aesthetic permeates this track with an 808 kick holding down the rhythm. The dreamy female vocals compliment it well, giving the song a pop sensibility without being trite. Interesting layers and textures are at work along with tranquil melodies. It’s easy on the nerves but with a subtle edginess to it.

https://bedlessbones.bandcamp.com/album/bending-the-iron-bough

It’s been a long time since I had the spoons to write reviews. Friday, is Bandcamp day. So this is what I’m listening to.

It’s been a tough few months. Finding the spoons to write with my voice has been a challenge. So I have a lot of albums stacked up in my Bandcamp list. I’m feeling hopeful tonight. Going to try and summon that spark and share some of what is making these dark days bearable. As always if you have something you want to see reviewed put it in the comments below.

Manticore KissIntertwined – I am genuinely upset this EP has not gotten more attention. The Vancouver duo was recorded by Jackknife studios. As we all know everything Jason touches is gold. The band features Kat Bastow – Vocals, Keyboard, Electronics and Ari Mansell – Vocals, Cello, Violin. It has a unique and expansive electronic sound of world beat synthpop somewhere between the soulful depth of Dead Can Dance and shimmering beauty of Erasure. Both vocalists are talented and inspired. A crystal ballroom waltz in perfect syncopation. This album was a magical pool to dive into and transport you to a fantasy world of beauty and lost romanticism. I was staggered by how immersed in a dream every song left me. These are dark and challenging times. To create music so easy to get lost in is a balm I didn’t realize how much I was longing for until I was lost in it. The harmonies were a true dialog that added depth and perspective to the story. A captivating surprise that made an instant fan of me.

Favorite Track: Forever – This dark tone and winding melody was absolutely mesmerizing. The synth pads were full of movement and gorgeous refracted light. The lyrics are imagery rich poetry and painted by perfectly synched harmony. This is like a Tolkien prose in musical form. The chorus is a spiritual hymn that makes your heart thump in your chest.

https://manticorekiss.bandcamp.com/album/intertwined-full-ep

Jean-Marc LedermanThe Bad Tempered Synthesizer – It can be so difficult to review Belgium composer Jean Marc Lederman, it seems everything new he does pushes hard against the caul of artistic boundaries as to what I think of as “songs” in the traditional sense. Every new release is such a dynamic experience that teaches me something as a songwriter as well as about my own human journey. This 12 song album was is an homage to Wendy Carlos an American composer who helped develop the original Moog. A true pioneer who changed the face of modern electronic music in so many ways. Jean Marc spins a bleep bloop tale of expression and change without ever uttering a word. It feels like a racecar driver putting a prototype car through it’s paces, taking what the engineer had made and conducting a series of tests that showed the absolute limitations of sound and emotions capable by a single instrument. I feel like every new release is a challenge to what is possible to create within the concept of being a musician. An unfettered freedom of firing a rocket towards the sky not caring where it comes down. It makes me hopeful that this kind of courage and ambition can still be celebrated in the modern era. Where it feels everything has been done. The past, the future, the respect to those who came before, and the brazen chaos. All here in a glass bubble, frozen in a moment in time. This record is not pop hits, not hooks, even though the songs are pleasing. This is high art, designed to set you on the road, and allowing you to take your own journey.

https://jmlederman.bandcamp.com/album/the-bad-tempered-synthesizer

Abbey DeathDeath is For the Living – July 2021 single from Darktonica independent couple Abbey Death. I really love the lofi minimalist tone for how much is going on. Valarie is a tempting whispery invitation luring you towards deaths sweet embrace. Nex descends on the chorus with a harsh jagged glass terrifying tone. The blend is a culmination of the romanticism and fear or the unknown in one. The late 90s flavor guitar lead builds the tension for the layered vocal choir at the end. It’s nostalgic in a way seldom seen, a throwback to the late 90s’s early 2000s. A Steel teeth and silk cloth style that flows and leaves me excited for what is next.

https://projektrecords.bandcamp.com/track/death-is-for-the-living-featuring-addam-robert-paul-name-your-price-download

Armalyte Industries – This is an amazing celebration at an outstanding price. Armalyte is setting a standard for boutique labels and celebrating 20 years of putting out music that carves the line between rock/metal/industrial. 24 tracks with some of the biggest names in the genre, and some of the hungriest new sounds for the future. The online live stream highlighted the best aspects of the current industrial scene, lifting each other up. This compilation is sawblade sharp and electrically charged. An old school exhibition that puts on display all the label has to offer. A chance to hear collaborations by the likes of <PIG> and The Joy Thieves, Industrial mainstays like Spankthenun, and exciting new trend setters like Der Prosector. This is a must have to find 5 new bands you didn’t know were your future favorites. I love the quality, the execution, and what a compilation like this represents. Mastered by Jules Seifert at Epic Audio Media.

1.DROWND – Lust (Demo) 02:43
2.Cubanate – Transit (2021 Remaster) 05:50
3.Chemlab – Exile On Mainline (Demo) 04:05
4.PIG X The Joy Thieves – Badland(er) (Blowtorch Blues Remix) 05:24
5.Jim Davies – In Shadows 04:15
6.Seething Akira – Paralysed Algorithms (The Algorithm Remix) 04:03
7.Der Prosector – No Amnesty / Car Bomb 2021 09:00
8.i! – Kingdom Of The Snake 07:32
9.Haloblack ft. PIG – Punch The Deck (Dirty) (2021 Remaster) 03:38
10.Skatenigs – Hell; And Back (Ten Feet Tall Remix by The Joy Thieves) 04:54
11.Dead Animal Assembly Plant – Colors Under Attack (Live @ Primal Recording Studios) 04:14
12.Concrete Lung – Destructive (Live from Lockdown) 03:49
13.Tayne – Coherent (Live @ SS2) 02:02
14.Featured – Shelter 04:07
15.Paresis – Higher Plane 2021 05:20
16.Khaidian – Evasion (Khadian’s Star Chamber Remix) 04:17
17.Je$us Loves Amerika ft. Chris Connelly & Gord Young – The Great Pretender 05:01
18.Be My Enemy – Metalhead 04:21
19.K-Nitrate – C-Resistor 04:28
20.Needleye – Cut Myself (Punish Remix by Marc Heal) 03:44
21.Digicore – No You Don’t 03:10
22.Flesh Eating Foundation – Words Without Echo (First Echo Version) 03:32
23.SPANKTHENUN – Right Father 05:43
24.Chris Connelly – Teddy Bear’s Picnic

https://armalyte.bandcamp.com/album/armalyte-xx

Monsieur Pompier’s Travelling FreakshowTeatime Terrors – Wow what a fresh fun take. The fever dream carnival cacophony of sound. Elements of of Zappa, Man Man, synthwave, and Syd Barrett. The lyrics are a clever, humorous, psychedelia space opera. It’s so exciting to see a band throw caution to the wind and create something truly strange and beautiful. I think the greatest power of this record is the creativity of the characters. Each song is a page from a vibrant comic book concept transported into pixilated retro mono synth songs. I really hope to see this album played live someday, because it sounds like a magical party brought to life. On Cleopatra records.

https://monsieurpompier.bandcamp.com/album/teatime-terrors

nino sableThe AHHH – New lofi minimalist terror trance single from Nino. This track is straight up nightmare fuel with a haunting growl and skin crawling poetic lyrics. You need to listen to this track, not right before you go to bed, but you need to listen to it.

https://ninosable.bandcamp.com/track/the-ahhh

Rohn – LedermanWatch Out – I know, I have already talked about Jean Marc in this review. Michigan native Emileigh Rohn has an uplifting electricity in her voice that fills me with hope and energy. Her recent tracks with John Fryer’s my new favorite get stuff done music. Now she teams with another living legend in Lederman to focus that fire into a swirling slow motion golden whip. Add in top tier remixes from Assemblage 23, Mark Hokings, and Leatherstrip and COP has put out another home run single. After working with electrosynphonic masters to create emotive sonic paintings like this, the only question that remains is. What will she do next?

https://rohn-lederman.bandcamp.com/album/watch-out

Cult Of AliaOfferings – New grinding mist rolling future sounds from David Wright on Cold Transmission. I love the fusion of darkscene genres here. The vocals drip from the microphone with sensuality. The songs all hold this enveloping mist quality filling the city streets and holding it’s listeners hostage in the darkness. The creative use of digital sounds add a deliciously unplaceable flavor and build the tension. Split Seconds in particular is such a cerebral thriller of fear and longing. This makes me want to slow goth wave my arms on a dancefloor.

https://cultofalia.bandcamp.com/

C Z A R I N AWonderland – I love a good dark pop as much as anyone. This new single from Czarzina is a napalm fire burst. Perfectly crafted, full of soul, and a hook that releases technovirus tendrils and plants itself in your head. We talked recently with her in a podcast that will come out Friday 8/7/21 about how this song was based on her experience of moving to Spain where she learned the spiritual history of the region. Easy on the ears, piercing to the mind. <chefs kiss>

https://czarinaofficial.bandcamp.com/album/wonderland

Red Meat – Manchester UK’s dancetastic hard edge industrial is a album every DJ needs to download and use to blow the walls apart of every dance club in the world. Rhys Hughes has that filthy Uncle Al sex voice which makes you want to shake your body harder and meaner than you ever have before. It’s that perfect mix of glam and grime skirting a razors edge of the danger you want to stick around for. I love hearing music that isn’t my style, but is delivered with such quality I can’t help myself being drawn in by it. This whole album is pure club magic that makes me long for sweaty bodies spasmodically jerking in time while the crumbling walls of a filthy warehouse thrum in the darkness.

https://dronemcr.bandcamp.com/album/homo-vulgaris

daddybear (Feat: Grabyourface) – Science Fiction – Wow Matt Fanale really brought it with this new single. Teaming up with Marie of Grabyourface was a perfect icing on the cake. This is a jam of hypnotic proportions and the message is you must move. Marie’s voice is a smoky sensual alien being both exotic and alluring. The single also has a really cool trance like bside and a holographic wavy Sawtooth remix. Turn the club speakers to 11 and feel it flow through you.

https://daddybear.bandcamp.com/album/science-fiction

6/18/21 Bandcamp is donating 100% of our share of sales to the NAACP Legal Defense Fund

I have been thrilled to watch as the Goth/Industrial community grows more diverse. Hats off again to Bandcamp for really putting their money where their mouth is to support both bands and the rights people of color. I will go through some of the things I am currently listening to so you can add to your list and support a great cause.

LEATHERSReckless – The long anticipated EP from Shannon of Actors. A unique departure from her other projects and really highlights her essence which is more collaborative in Actors. It’s sleek, it’s beautiful, it’s as light as an angel dancing on a pin. I love the silky billowing synths and how they flow off the shoulders of her voice. The sound is such an immersive dream which slides along the borders of reality. I spend moments dwelling on how something so beautiful manages to remain so relatable.

https://leathers.bandcamp.com/album/reckless

Favorite track: Take your pick, but I will go with Missing Scene. Something about this swooping shoegaze LUSH 4AD vibe. Her voice is reverberating like a tuning fork yet ringing so clearly. I hear this song and even on earbuds I feel like I’m in an old opera house with a towering sound system feeling wave after wave wash over.

October NoirCover Type O Negative: Love You To Death – Loving the sound of this band. Does it emulate the band they are covering in a lot of their sound. Yes. Type O is an amazing sound though. It’s ultra bass Steele vocals. It’s crunching power chords. It’s chest pounding bass guitar. This cover is rich with extra layers and complexity. It feels like a love letter to a band now beyond the veil. You can really feel the time and dedication placed on taking apart and reanimating every aspect.

https://octobernoir.bandcamp.com/track/love-you-to-death

Dea DecayMagic Lantern – This is a beautiful fun romp from Florida artist Dea Decay that came out in December 2020. A spicy club crashing electronic explosion. No vocals but instead a steady stream of adorable wicked anime samples. It’s non stop energetic explosion of adorable imagery and and surreal colors.

https://deadecay.bandcamp.com/album/magic-lantern

Favorite Track: Catronica – A little secret here, when the new netflix She-Ra came out I was blown away. It’s so wonderful and pure. This song really captures that energy and highlights my favorite character Catra. It’s sharp claws bounding around with reckless abandon.

SHIV-RKill God Ascend – Brand new album from the Australian electronic apocalypse know as SHIV-R. I love the expansive fantasy metal destruction fed into a machine brain and turned loose on an unsuspecting populous. Pete Crane is a force of nature in the industrial scene and has a glorious gift for poetic imagery in his lyrics. If you are a fan of the violent industrial power of Front 242 and shaking your body in dangerous convulsions, this is your jam. I’m also impressed by the range shown on tracks like Spark, a truly lovely brain infecting track of pop industrial glory. Or Black Turns Blue a downtempo marching chant of a ballad. This record is a journey. Crane’s voice is one of those charismatic characters that feels at home in every setting the music places it. This is the wonder of modern industrial.

https://blindmiceproductions.bandcamp.com/album/kill-god-ascend

Black AngelPrince of Darkness – I am LOVING this modern trend of returning to guitar driven true gothic rock. Matt Vowels has done it again. This is sizzling and sensual dark driving glory. I just don’t get to make this comparison enough but this album holds that emotive blistering power of Love and Rockets. Deep brooding rich vocals, whip snap percussion, but it always comes back to the V8 power of these guitars. Everything is foot to the floor speed and slides. It’s a non stop action flick of adrenochrome and dark intent.

Favorite Track: Serene – What a gorgeous highway 51 desert hard hitting ballad. The vocals croon and tantalize as the dust rolls by on an empty stretch. I love song for outlaws.

PALAIS IDEALThe Art of Crashing – I’ve been waiting for the follow up to the 2019 release Pressure Points with baited breath. I was disappointed only by the fact it was three tracks and not twenty. This release is a perfectly blended sound of quality crafting, unique flavor, and infectious hooks. It’s one of those releases I can’t imagine who I could play this for and have them not enjoy it. It really has a universal appeal. It feels kinetic, like Depeche Mode “Construction Time Again”. I always enjoy John’s voice, but this EP really highlights how many different things he can do while sounding distinctly himself. It’s the true mark of a singer who has found his themselves and are owning it. The other greatest power of PI is, like all great prog genre, the two components know each other and their instruments so intimately. It really feels like two blended minds working without barrier. It makes the guitar and bass lines dart, bend, and twine together in perfect syncopation. I will be playing this…. A LOT.

https://palaisideal.bandcamp.com/album/the-art-of-crashing

Favorite Track: You can’t go wrong but Results is damn near perfection. From the opening guitar riff, the workout routine bassline, and John’s drive and grit. This song feels like an instant classic from out of time I somehow didn’t hear. It also holds the higher concept lyrics and hope PI always wins me over with. 10/10

Death Loves Veronica “Red Leather”

The second single from Texas siren Veronica Campbell off her Cold Transmission released album “Chemical”. The video opens with shiny sinister Velvet Underground leather. Burning wire synth beats, and a bright red smile full of danger. The delivery and the distance are aggressive and enticing in a captivating duality. Veronica always brings a very personal and revealing style to her songs. I love that this is not set pieces or background. The video matches the music with it’s close up introspective feel. The shadowy ram horn character is present, but a foil not a focus. This song is tendrils of smoke always creeping around you while you fall deeper into eyes you can’t turn away from. The playfulness lends a strength. A sense of being the one in control. Red leather is the power tie that holds the authority in this room. The end is a twist I won’t spoil. This is another great example of how Death Loves Veronica is showing that strength, control, intelligence are the sexiness that captures the modern imagination.

https://deathlovesveronica.bandcamp.com/album/chemical