IAMTHESHADOW: Pitchblack

This one is special. The first album with a new label Cold Transmission. Pedro, Victor, Herr, these aren’t just a band, they are friends. IAMTHESHADOW is one of the first bands I discovered in my goth renaissance and I have a deep knowledge of their catalog. This album has a story with it. A triumph over adversity, a celebration of reaching a scarred hand up to pull yourself over the ledge. I wanted to start this review by being honest of what this album was to me before I hit play. Now that you know the magnifying power of this lens I am listening through I am going to set it aside and tell you a story about the pure passion and beauty in these 12 songs.

https://iamtheshadow.bandcamp.com/album/pitchblack-2

IAMTHESHADOW:
Pedro Code – Voices, Guitar, Synthesizers and Programming
Vitor J. Moreira – Synthesizers
Herr G – Bass

All songs produced, mixed and mastered by Pedro Code
Design & Artwork by Yvonne Kiel

Our Video Interview with IAMTHESHADOW

Music is a magical thing. Like a relationship. It has a lot of parts and means a lot of things in different moments. I want to give a little background to help you understand this moment. Portuguese band IAMTHESHADOW are a synth driven darkwave sound which builds around Pedro Code’s voice. It is one of the most expressive and passionate instruments in the current dark music scene. The type of old school crooning black silk that would be just as much at home 30’s jazz as it is today. Since 2016’s Everything Is Nothingness this band has stayed true to an immersive core of feeling driven poetry stretching skyward from rich soil of driving rhythm. Embracing the Fall from 2018 took that raw concept to a new height of exposed Nick Cave style narrative with tender dark ballads and the addition of Antipole’s Karl Morton Dahl adding guitar accents. Pedro and team then turned to other projects like The Dream Collision until signing with longtime friends Cold Transmission Music. It was in Cologne Germany for the Cold Transmission festival I witnessed IAMTHESHADOW live and fell in love. When you love an album you expect to hear a band bring it to life on stage. Those special bands find a way to play those songs with new intensity and passion. To open your eyes wide like the first time. So it was in a distant land on a small stage in Cologne.

For two years I waited to see the next place Pedro, Victor, and Herr would take me. Just as the album was nearly completed a tragedy befell with Pedro being robbed of his laptop, and more importantly the masters of the entire album. Huge sections would have to be completely re-recorded. We would all be waiting a little longer for Pitchblack. It was well worth the wait.

The change in tone from the previous offerings is apparent right away. This record does not build itself around the best baritone voice in modern goth. It uses it as an arrowhead propelled towards your heart on silky flowing movement. Part of the glory of the previous three records was using a recipe of stripped down driven passion in a world of ultra produced post punk. Here that passion is just as present but layered inside an intricate and dynamic musical backdrop that gives each concept a voice of it’s own. Additional vocalist Diego Merletto (The Frozen Autumn), Kadri Sammel (Bedless Bones) Yvette Winkler (Vaselyne) were brought on to do vocals. I can say from experience of being offered a duet with Pedro it is an intimidating feeling. Putting my voice next to his sounded panic inducing. Here it is taking something already beautiful and captivating then placing it in a rich sensual frame.

This album cooks. IAMTHESHADOW has always had the ability to move you. With swelling slow turns and blood given form. Pitchblack is striking percussion. Walking slide foot bass lines. Cascading synth sounds rippling in endless alternating progressions. Here the passion is not tender, or heart wrenching. It has teeth, gravitas, and attitude. More of a Depeche Mode Music For the Masses .These songs are for dancing. For fine red wine. For staring into the eyes of the one you love.

Lets talk about some of those tracks:

Always – Track two leans in with that slashing motion and crisp snare snap. The keys here take center stage and Pedro’s vocals lift and support them. “When you realize, don’t wait”. It’s this urgency of both lyrics and the music. Crackling energy that ignites passion and stirs longing.

Shivers – I’m not sure if this song will end up being a single but i fell in love with it from the start. It has a lot of that classic IATS feel. The train getting further from the station delayed guitar riffs. Pedro’s voice strides to the forefront and is larger than any room I could image. “I played my hand, hoping faith would last” I would dance through the rain on a street full of watery explosions while this song played forever.

Ouroboros (Feat: Kadri Sammel from Bedless Bones) – So Bedless Bones from Estonia is a criminally underrated band. As I said I can’t imagine the giant brass stones it takes to sing next to Pedro. Ouroboros is a perfect name for this track because the voices blend so perfectly it is hard to tell where one starts and the other stops. “Face down on the floor, you are my shadow” Powerful EDM flavor meets traditional darkwave. This song is a dance floor giant.

Awake & Asleep (Feat. Diego Merletto from The Frozen Autumn) – Another weaving smoke tendril that you can’t quite grab a hold of. To have a weapon like Pedro’s voice and to leave it in the background to craft a song this strong is such a bold choice. It really breaks up up flow of the album in the best way. This chorus is such a bold change and hard hook.

When you love something and it still finds a way to surprise you, that is true power. That’s what Pitchblack was for me. The anticipation of knowing something you were going to love was coming. Building the expectation beyond what could be met. Then being amazed when it passed that expectation. This is already the #1 selling darkwave album on bandcamp on day #1 and there is a really good reason for that. Take this journey. Fall in love with music that has soul. This is a record that makes you feel something. That stirs that ancient instinct inside our hearts.

Review of Elz and the Cult “Bloodline”

So this has been an eagerly awaited release for me. Due out 5/22/20 on Cold Transmission records. I have in my hot little digital hands early so I can go through and give some impressions. Elz is a dear friend and all around amazing human. This Turkish based project is breaking new ground in the abstract dark pop genre for the last few years. We had Elz on our podcast to discuss this record when it was still coming together, please enjoy at this link:

https://elzandthecult.bandcamp.com/album/bloodline

Songwriters; ELZ, Sharon Engelhardt, Nigel Strong.
Produced and performed by Taner Yücel.
Mixing by Taner Yücel.
Mastering by Görkem Karabudak.
Vocals; ELZ, Eylül Deniz, Efe Akıncıoğlu, Taner Yücel, Sharon Engelhardt, Görkem Kasal, Deniz Aksoy & Ayça Sarıönder.
Photography: Berk Çakmakçı
Art Direction by StudioPul

Recorded at Taner Yücel’s homestudio & Mayday Studios, Istanb

I feel like Bloodline was an amazing creative step forward for Elz to really explore the creative brilliance that was always inside them. It is such a beautiful amalgamation of sexy over the top 80’s pop with a soul like Madonna fused with sinister Geiger like sonic imagery. Right from the first track it is dancing with ballet dexterity on giant metal spider legs in intricate patterns while screaming the injustice of it’s existence. This record never stops moving and it drips with dark sex appeal and the blistering drum beats are a jolt of energy that make your capillaries pop in your circulatory system.

The lyrics are true Oscar Wilde style slash open a vein and spew your essence at the listener. Elz has genuine front person star power and a captivating voice that guides your hand as you apply your make up at the mirror. It’s one of those sounds that has the ability to make the listener associate with the singer and infuse their attitude on you. I genuinely believe listening to this record will make you hotter.

Lets talk favorite tracks: This 12 song album is a complete work with no throwaways. Of course i have favorites

Ultraviolence: Ok these songs are glorious on their own. The videos though are masterworks and an enormous amount of effort goes into the aesthetic concept matching the music. So always watch those. This song is bracing, it hits hard and the chorus is a razor chain lashing around the room. It also has such detailed construction and perfect pop beat. Every floor of every goth club must one day shake with it’s power.

Horrified: The husky come hither whisper of these vocals make the hair on my arms stand up. The chorus is a sky opener and it really captures the idea of something being both beautiful and horrible at the same time. It’s hard to imagine how something so shocking and intense can get stuck in your head like a pop hook but here we are.

Safe Zone: This is what I call a car chase song. That perfect mid tempo that feels like night driving through a city in decay. I really like the vibrating voice effect used here. Tight corners and slippery shadows. Lets hope we all make it home alive.

Masturbate About You: Glorious pace changer, ramps up the tension. This is a edgy concept and expressed perfectly. The chorus unleashes a raging demon of emotion which hits a new height just to be pulled away again. A real roller coaster through a dark tunnel.

I feel like this whole album is pushing the boundary that the modern dark scene needs pushed. It crackles, it frightens, and it highlights all the things beautiful about the current dark revolution. I really want to realize the dream of seeing Elz and The Cult live. This record is out for pre release now on Cold Transmission and you are going to want to snatch it up and be on the cusp of the next wave.

Dear Cold and Desolate Land, What Hot New Releases Will Spark My Joy?

This weekend I was suppose to be in Boston for the Dark Spring Festival. Enjoying the warm embrace of meeting new friends and swaying in rhythm to music. Instead here I sit in Michigan at the computer eating curried mash potatoes alone. I do have a tether to this distant world. New music to conjure dreams of adventure from the ether.

Icy Men – Low Light I’ve been taking in snippets of this album leading up to the release today. Another strong offering from Cold Transmission. This Ukrainian band gives me a tie to a world far away. It’s the perfect sound to capture the isolation I am fighting. Everything sounds so open and full of negative space. The songs resonate with grey concrete and oppressive darkness. I am in love with the striking drums and the powerful delivery of the voice. It’s the weight and power of each track that strikes your mind and demands reflection. Dedicated to the victims of medieval inquisition this is not background music. It’s a forceful reflection of the human condition. I couldn’t turn away from how I could not understand the lyrics, but I felt the meaning.

Favorite Tracks : The Captain , Uninhabited Buses, We Shall Be Together

https://icymen.bandcamp.com/album/low-light

Sawtooth – Hostile Design – Massachusetts sinister EDM Sawtooth unleashed this ferocious team up of several guest vocalists each swinging sword cut glitch sounds and boot stomping snare beats. The most challenging aspect of EDM music can be finding range of sound and emotion when releasing an album of 13 tracks. I really enjoyed the different cadence to the poetry spoken lyrics. A real roller coaster of rises and falls.

Favorite Tracks: Devoured, Venomous Whispers, Miss America (Echo Haus remix)

https://djsawtooth.bandcamp.com/album/hostile-design

Iza Grau Vastness Hurts – Italian Post punk full of sharp edges and driving precision from Cleopatra Records. The growl and burning anger just beneath the surface of these vocals really give a fresh feeling among the mellow and blending style of most Darkwave Postpunk. Not that they didn’t find a shade of beauty with tracks like Burn Everything. This was an album I stumbled on but I am really glad I did. It’s ability to twist, turn, and surprise me has left me hungry for more.

Favorite Tracks : Burn Everything , The Grace within Nocturnal Animals, Inviolate.

https://izagrau.bandcamp.com/album/vastness-hurts

FIRES – BitchCorona – Aedra has done it again. It’s a huge swing from her previous album. Complete chaos incineration that really taps into my feelings of frustration of being home bound. It’s just one track, but it’s fun, it’s fierce, and it makes me want to run outside and scream while I spin in circles in my backyard.

https://firesnashville.bandcamp.com/track/bitchcorona

UIU – Acid Joe DavolaSo I am a long time fan of Perth Austrailia’s synth wave wizard Greg Weir. However nothing could prepare me for this bizzaro Kraftwerk style dance jam. An express train to the underground. It’s good to have new music from UIU.

https://uiumusic1.bandcamp.com/album/acid-joe-davola-isomixx

Black Nail Cabaret – No Gold – New EP and Video from my favorite Hungarian electronic band. Emese’s voice is one of those things that brings me joy anytime i hear it. Another track with beautiful pop dance sensibility but such a rich soulful vocal delivery and powerful lyrics. Their videos are such high art as well. They can really do no wrong in my eyes.

https://blacknailcabaret.bandcamp.com/album/no-gold

Antipole – Perspectives II – Karl Morton has returned with the second in the series of his remix albums Perspectives II. For this offering the songs have a vastly different tone. Away from post punk and into a more avant garde texture. Outstanding re imaginings by bands like SYZYGX, Crying Vessel, The Coventry, and European Ghost. I love the feeling of cold remembrance here, the songs have become a spectral haunt of intention that adds such contrast to Antipoles driven and concise style.

https://antipole.bandcamp.com/album/perspectives-ii

Locked in Isolation with the Dark Thoughts of Others

So today was bandcamp day. When the wonderful people that run the best site for artists to get music to their fans decided to give all proceeds to said bands. I scored quite a few great albums. I am now working from home for the foreseeable future which might give me some time to do some damage on the giant stack of new releases that need reviewing. Here is some of what I am listening to right now.

The Kentucky Vampires from Louisville released the album Crimson Curse. They were featured by Brandon of Sonsombre on our podcast and he got me excited for this record. I feel like it was a huge step forward for them. The production is first rate and really gets back to the original death rock roots of goth. The guitars are humming and full of movement. I’m so glad to see guitar becoming a focus in gothic rock again. Large crashing drum sounds create a cavernous dark under the ground feel. I really enjoyed how varied the vocals feel from song to song. The lyrics are a captivating story with tons of call and echo. Almost like the demons haunting the story teller are whispering from the shadows.

https://thekentuckyvampires.bandcamp.com/album/crimson-curse

Standout tracks: Holy Heretic, Saint Vincent, Die with you.

The Ghost of Bela Lugosi from Australia put out Tales from the Darkside in January. Vin Price is a true treasure and enigma of this scene. If you haven’t heard of one of the best kept secrets modern music has to offer I can’t stress enough how you need to go through his back catalog. This songs are crafted with such precision and understanding of hook and flow. Somehow each one retains an anti-establishment punk rock feel that destroys everything vapid in their path. His voice has a unique cadence which I find captivating and challenging at once. This album like so many of his songs shows the learned study of 80’s new wave song construction. Instead of decadence the tone is filled with clever tongue and cheek Crass and street smart blue collar passion. Whenever I am trying to think of an underground sound to share, I know will wow them from the first track I usually think of TGOBL first. I also love his use of horror movie nostalgia and slashing overlap melodies from a variety of instruments. This album has an innate sense of just what to put to the front. Anthem after anthem of middle fingers to the establishment of music. If you want to be a part of the gothwave revolution this record is a great place to start.

https://ghostoflugosi.bandcamp.com/album/tales-from-the-darkside

Standout Tracks: All of them. If I must pick: Fade Into Oblivion, Laugh Now Cry Later, Nefarious Beings

Black Angel are the LA based goth rockers with a new release The Window that is putting an emphasis on the rock. Matt Vowels has a impressive Ian McCullagh range and clarity. The music has dark shadows but a high energy full band feel that fills the whole sound spectrum. The giant smashing kicks and 10,000 pound fluttering butterfly basslines give Vowels the perfect vehicle to ride that line between post punk and LA rock. This album offers that cleaner connected front of dark music.

https://blackangelmusic.bandcamp.com/

Standout Tracks: Poison, Creeper, Christine

Clone Culture from Italy with their new release Innocense sent to me by the always tasteful Andy of Cold Transmission. This album is a post punk fringe with a primarily new wave flavor. Immediately put me in mind of Aha from their more underground offerings. The vocals are focused and have a sustained beauty. I found myself continually impressed with how the percussion snuck up on me when I didn’t expect it. Really interesting use of panning and sound placement in the speakers to create constant movement. The tempo and raindrop patter of the guitar lines made me want to drive a very tiny car through very tight streets while chased by the authorities.

https://cloneculture.bandcamp.com/album/innocence-2

Standout Tracks: Feed me Tonight, Tearing our Minds to Pieces, Stop Hanging Out

I will keep going through this huge back catalog through the month, what are the new releases that captured your imagination this year?

It’s February and the world is covered in frozen sparkles. What hot new releases are keeping my nights warm?

Caroline Blind of Sunshine Blind is back with another sizzling new single that is a cover of Goth greats The Wake. The single is called “First” and actually features members of The Wake. Does that even count as a cover then? It releases for Valentines day and is the perfect blend of old school Sunshine Blind style with intense droning power gorgeous flowing echos for vocals but with her new style of matured layered atmosphere. Get it on your spotify list tomorrow.

Caroline Blind

https://distrokid.com/hyperfollow/carolineblind/first?fbclid=IwAR3dIbgV8J2gwQm29EsGP4ryVzPjDLk_6ljjdmhaht0bupkZ_nuppn_nPuM

IAMNOONE – Italian dark Synth from Cold Transmission releases “A Primitive Trinitas” on 2/29/20. I love the uptempo bass lines blending with a background gentle chant vocal. The single is full of movement and subtle hooks.

https://iamnoone1.bandcamp.com/album/a-primitive-trinitas

White Mansion – Another Cold Transmission release from the States in Fayetteville, Arkansas. Big popping synths and beautiful Duran Duran style vocals. Very retro feel of slippery sensuality and emotional expression. This was a full album that released at the end of January and has been on my mix list ever sense.

https://whitemansion.bandcamp.com/album/human

STEREOCCULT – From Houston, TX, this came to me from Shayn Blaqk and I am really drawn in by the sound. The drums are a constant murderous pound of tom intensity. The vocals are a nice driving post-punk chant and make good use of harmony to make some electricity. I need to give this album a deeper dive soon.

https://stereoccult.bandcamp.com/releases

Electronic Substance Abuse – from the UK have released an album a lot of people have been waiting on. Burial 10 is a machine gun spray of dance madness with a concise and sizzling plan. It is focused chaos full of shake-your-ass beats with enormous variety and pop sensibility. It feels like that first time you heard Underworld and thought “this is dance music?” yet so much more. Special shout-out to the track “You Are Safe Here” which features my dear friend Caitlyn of the band Corlyx. Damn that track is a burner. The whole album demands a full review but I needed to shout out about it now.

https://esangp.bandcamp.com/album/burial-10

Missfit Toys – This album actually came out in December but I am starting to really absorb it now. It’s a twisted goblin scream full of terror-inducing ferocity. Yet somehow the music is such an accessible synth dance. The sheer audacity of the clashing sounds and swirling concepts make this record haunting and hides behind your conscious mind. Richie V. Suriv of Florida is unleashing a nightmare of sonic intensity and the live show features none other but Adrian Kjosnes of Sounds and Shadows.

https://missfit-toys.bandcamp.com/album/through-the-glass

IAMTHESHADOW – OK I know Cold Transmission is getting a lot of love in this article, but what can I say? I love them. I am so excited for this new album: Pedro and company are taking the already entrancing sound and hitting new heights of expression and dance floor grind. This new single Pitchblack is a passionate intense burner and it makes my body shake with anticipation.

https://iamtheshadow.bandcamp.com/album/pitchblack

Seven Federations – North Dakota industrial concept artists who are creating world beat textural Industrial with a thinking person’s swagger. I love the violins and future revolution feel. It’s heavy, it’s mean, but it expands your thought waves while making you want to break shit. I hear Front Line Assembly wave destruction with Prick vocal cadence.

https://sevenfederations.bandcamp.com/track/slav

Tigercide – LA darkwave band with a lovely, atmospheric trip hop vibe. Sizzling desert David Lynch driving through an ever shifting reality vibe. Lovely vocals with tender lilting emotion. I found myself lost in the brush stroke snare sounds which rise and fall as your vision melts.