We could separate the art from the artist, but should we?

This past weekend I had the privilege of attending Cold Waves VIII. There, I witnessed many amazing bands but also got to enjoy the company of fellow musicians and artists. The experience was full of beautiful memories in an inclusive environment. I got to meet a lot of veteran big named acts and was pretty blown away how all of them treated me with acceptance and smiles.

That said, when musicians get together it can be a real sewing circle; they talk. There was a bit of a controversial subject that happened on the final night that had my Facebook feed buzzing with hot takes about a t-shirt, and how it was handled. I also ended up in a few conversations about other artists in the industry going through controversy at the moment. Now this is not a “news outlet.” I am not a “journalist,” so I am not going to comment on any specifics that I have not researched. This is also not a gossip rag so I definitely won’t monger any rumors. However, this is something on my mind, so I was curious to get takes from all of you about how stories coming out on artists effect how you feel about their music?

My personal stance is that in 2019 we have an unprecedented level of access to the people that make our music. I pretty much hold David Bowie up as a deity. I literally have a candle of his image in roman catholic style in my window. Yet I remember the recent news story involving him from two young ladies under 16 in the 70’s who described an encounter with him as an adult man. If I heard of the exact same scenario from anyone I know, this would be someone I would immediately confront about how inappropriate this is. It’s not as though stories like this are unique to David Bowie. I just used him as an example because his music is so deeply meaningful to me, yet this behavior is also deeply reprehensible to me.

This debate that effects our current cultural landscape encompasses a plethora of social issues. Goth/Industrial/Punk has always had politics and social movement at the forefront of the art they create. With social media as a platform to discuss artists thoughts anytime and any place, it is harder than ever to separate what you are listening to from who you are listening to.

I come down on the issue here: It’s not too much to ask the artists you love to be basically decent human beings. I think there is a lot of spectrum for how much of your personal morality you expect from them. It’s your hard earned cash to spend on music, and there is too much available from artists that come within a range you are comfortable with to not draw a line. If you make the choice to be a public performer, this is part of the world. For better or for worse, your choices are on display. That is a responsibility that effects others. If someone can’t find it in themselves to care about how their choices effect those around them, I have a hard time respecting that person, and therefore the music they make. Also, if someone does make an effort to grow after a mistake, when does their penance become enough to warrant forgiveness?

Luckily, we here in the goth/industrial/post punk/ect counter culture have a scene that is very open minded, supportive, and accountable on average. So I choose to end this talking about artists I have encountered who were awesome people and are effecting change in a positive way with their art. When someone does wrong, it tends to spread quickly. I think it is equally important to talk about people going the extra mile for something right.

Jim Semonik – Runs Distortion Productions and Electronic Saviors charity organization. Jim is a survivor of colorectal cancer. Now, on it’s 3rd album, Jim has raised more than $70k in donations for various cancer research charities. This is a great guy who has enormous respect in the industry for letting his heart lead in distribution of music. Speaking with him, I am really impressed by how much he cares about discovering new talent, and finding ways to grow their audience.

http://www.electronicsaviors.com/?fbclid=IwAR3liQ1TSOz7B9QUfbM4OE9gONzmfu0SwQNV1BQDCvMZc289U8QgsGlQx3w

Cliff and Ivy – Alaska’s favorite goth couple are wonderful artists I have featured on the page many times. They run a radio program which highlights new artists, and in general do a ton to promote the scene. Last year they put together an amazing compilation for Identity Inc., a charity to provide services for the LGBTQ community in Alaska called Rainbow Goth.


https://rainbowgoth.bandcamp.com/

You need this compilation: GREAT CAUSE ^^^^^^^^

Black Nail Cabaret – Is a wonderful band that has been hitting their stride recently with their intense dark art house pop. They also put out an EP of covers with proceeds donated to Rain forest Action Network during the recent fires. They also have a track on the “Sounds from the Asylum” project which donates all proceeds to MIND and HEAR US charities for promoting mental health.

https://blacknailcabaret.bandcamp.com/

This cover of Pet Shop Boys “Rent” is straight FYRE! ^^^^^^^

Finally, Cold Waves Festival, who just finished year 8 of one of the best festivals in the scene, with big name acts and a sense of community which left me staggered. They give a portion of the proceeds to Darkest Before Dawn, a suicide prevention charity. The people who run it have done a true honor to their lost friend by raising awareness and celebrating what is best in life.

http://coldwaves.net/?fbclid=IwAR0nl5_jKvh_psZY0bv9GROQzhpOgdWh4BVdLQ5obpl-jHPs5tR6tf-B-xQ

The purpose of this piece is to start a conversation. I want to hear about Bands and individuals that are doing the good work in the scene, so we can help elevate them. Also, what is our role as listeners in holding artists accountable for toxic actions? How do we navigate the minutia in a world where everyone is always on display?

Bowie, Jim Morrison, Mick Jagger, Roger Waters, Andrew Eldrich, John Lennon, Bill Leib, Peter Steele, Ian Curtis, I love all the music. The odds I would consider all of them good examples of humanity……..?

Review of the Cold Transmissions Festival At Blue Shell 7/13/19

I am very open about our special relationship with Cold Transmission Records from Frankfurt Germany. I feel like their musical family approach to releasing Post Punk/Dark Wave/Electronic/Goth music is a template for how new labels can grow bands through a personal relationship and passion for distributing the art they are creating for new fans. Andreas Herrman, Suzy Herrman, and Yvonne Kiel have been working to build something wonderful through an emphasis on quality of music and artistic freedom for their artists which through word of mouth is growing into one of the fastest up and coming labels in this scene. This concert was special and represented what is possible when someone has a vision that puts personal gain aside and instead fosters an environment for unity, beauty, and friendship that brought together fans of this music style from all over the world. We came from America to meet friends from Germany, France, Belgium, Portugal, Denmark, Canada, Sweden, Israel, Turkey and many more all in one club to celebrate without pretense the music we love and what Cold Transmission has accomplished in bringing all these people together. It’s really hard to express in words in the digital age just how special that was and what it felt like to be a part of it. You see that was the secret, anyone could do this. It was one of the most welcoming inclusive environments I’ve ever witnessed at a show, and I have seen a lot. If you loved music there is a place for you here and it made my head spin thinking about the possibilities for how do I make this happen in America. Because everyone needs this. Everyone deserves it.

Lets talk about the epic lineup that was brought together for this show. One of the things that was a cultural shock for me as an American. The show was in Cologne Germany at this wonderful club called the Blue Shell. Doors opened at 7pm (Still quite light out during the summer) 1st band started at 7:30 pm sharp. This was no exaggeration. In America the idea of getting “goth” people to show up before 10:30 pm is laughable. Even when the event says doors at 8pm. So when we showed up at 7:20 pm thinking we will have a long wait before music we saw a packed sold out house that went from the stage to the back wall. People were engaged and clamoring to get to that stage. I was speechless to see this level of passion for new music and the energy and excitement was crackling through the air from the moment the doors opened.

A shot from outside the Blue Shell! That club was full. This was the overflow. (Spot Rachel for 151 bonus points)

First up was Crying Vessel. I had been extremely excited to see Slade play live for a while and it did not disappoint. Hearing the snapping drive of the live drums Basil was laying down really added an urgency and and fierceness to the melodic beauty of Slade’s singing. The sound system was honed right from the get go and each lyric cut across the distance of a room full of excited fans. Slade reached up with a bit more edge and length on his notes to really lift up the power of his performance. Mixed with those floating effect driving guitars this had even more of the energy and swagger that has been missing in dark wave music.

https://cryingvessel.bandcamp.com/

Setlist: Intro, Empty Glass, Lovers in Paradise, Aftershock, If it all was Real, Killing Time, Kiss the Fire, Dig Deep, Illusions, The Second Sleep

Crying Vessel – photo credit to Jean-Francis Galler
Crying Vessel – Photo credit Jean- Francois Galler

Band number two was IAMTHESHADOW featuring Karl Morten Dahl of Antipole. What an amazing team up. It was at this point I was really struck by how diverse the sounds of the bands on display were. Pedro Code has such a deep rich voice and passionate delivery. The crowded room was drawn in to such a level of intimacy and enveloped in the dark crooning style. Karl’s signature syncopated guitar sound added a unique flavor to Rui and Victors pulsing rhythm section to give this show a one of a kind experience. The rises and falls were so dynamic as Pedro lifted and diminished the power of his voice without much movement. (The stage was tightly packed to give little room for dancing). The beauty of this album which i have reviewed before is powerful and staggering. However I found myself overwhelmed with emotion hearing it raw and exposed this this format and looking out at a captivated audience swaying in time by the dynamic waves of sound washing over us. Then as a surprise the band played two Antipole songs with Pedro providing his resonant artistry to treat the crowd to a performance never heard on stage or album. When they played my favorite Antipole song “Closer” and I heard Pedro’s voice burn forth through the crowd I was overwhelmed. Breathtaking. Hard to image how seamlessly these two bands wove their songs and styles together to make something new.

Set list:

01. into your eyes 02. Fall apart 03. Everything in this Nothingness 04.the skin 05.october novel(Antipole) 06. Closer( Antipole) 07. This violence 08. Embracing theFall

www.iamtheshadow.bandcamp.com/

https://antipole.bandcamp.com/

IAMTHESHADOW – photo credit Jean-Francios Galler
IAMTHESHADOW – photo credit Jean-Francios Galler

Playing third was Joy/Disaster from France a band I had limited exposure to before the festival. Having them play after IAMTHESHADOW ended up being a master stroke. All the eloquent subtle beauty was left behind for a blast of pure energy and intensity. It started as a dark foreboding creep with Nicolas Rohr’s echoing rhythmic chanting solemnly floating on top of Soupa Rundstadlers room swelling bass lines. The air crackled with intensity from the contrast. Following a performance like IAMTHESHADOWS was no small feat and Joy/Disaster delivered with a show stopping set full of lashing venom differing from the their album. It was a breakneck march of driven tempo charging up a hill in battle cadence . Because this was the set I had the least expectation for I think it was the one that left me most moved. I was expecting post punk and was assaulted with burning punk aggression played with precision and sweeping melody. The performance was capped by a touching moment where the band presented Andy with a signed guitar for his 50th Birthday present to the ovation of the crowd. Again showing the emotion and sense of family this label has with it’s artists.

Set List:

CRITICAL PLACE
PARANOIA
FADE AWAY
STRANGERS
KISSES & PAIN
OMEGA
EXTINCTION
DEALER OF LIFE
LOBOTOMY
RESURRECTION
HUMAN ROBOTS

https://joy-disaster.bandcamp.com/

Joy/Disaster – Photo by Jean- Francois Galler
Joy/Disaster – Photo by Jean- Francois Galler
A touching moment with Andy and Nicolas Rohr

Closing the bands for the night was Silent Runners a band I had some knowledge of before the festival. I can tell you the album did not prepare me for the quirky and intense performance they had live on stage. Hailing from the Netherlands singer Dolf Smolenaers oozed with stage presence and connected with the crowd setting up a blistering atmospheric set of laser sharp texture and melodic longing. The off kilter drum beats and and carefully timed guitar and keyboard lines left me in mind of Factory records Happy Mondays. Stanley’s guitar riffs came in varying waves and set the boundaries of the controlled chaos. It surged at you from all over the stage while the crowd swayed and stared in rapture. What a sizzling close to a night of amazing live music

Setlist: Human Capital, Wilderness, Dark Mountain, I Walk Away Again The Knife, Roadkill, Forgotten, Through The Night, Cavemen.

/silentrunners.bandcamp.com/

As the bands finished the fun was just beginning. The dance floor flooded and Rule of Three with Christian and Pete started spinning wax with expert hands and discerning ears. Epic set list below

Rule of Three – Photo by Jean- Francois Galler

Bad Sector – Negative (edit)M!R!M – Liebe Machen [ Kill Shelter Remix ]The Soft Moon – Black (extended)Neon Electronics – Invisible Man [ Kill Shelter Remix ]Kill Shelter – Get Down ft. The Shyness of StrangersTempers – Strange Harvest *Agent Side Grinder – Doppelgänger (extended):Wumpscut: – Fear In Motion [ Remyl Remix ] (edit)FJERNLYS – Lunar Sphere (edit)Kill Shelter – Bodies ft. Buzz Kull (extended)Soft Kill – Whirl *Nitzer-Ebb.com – I’m Undone *

The night was finished by Cologne Disorder blasting everyone’s favorite retro dance hits until we couldn’t dance anymore.

Rachel being a dance commander

This was the first Cold Transmission Festival but with it’s resounding success it certainly won’t be the last. I felt something special in the Blue Shell that night. I know everyone around me felt the same. People traveling a great distance to feel a part of the magic they created. We came from many places, spoke many languages, but we were all united in what Suzy, Andy, and Yvonne have built. Bands, Dj’s , Music Writers, and fans. Basking in the connection and glow of the music we love. This was a experience I will hold in my heart and my mind until my dying day. When you get the chance to be a part of something magical like this I can only say grab it and hold on as tight as you can. Moments like this are what make existence worth while and it is never too late for you to be a part of something monumental.

Sounds and Shadows with Cold Transmission
Gallit ( Highway 7 Radio ) Karl (Antipole) Pedro (IAMTHESHADOW) Me 😉