Once upon a time, an elder goth told me “goths are corpses, and corpses don’t evolve.” There’s a lot to unpack with a sentence like that, but generally speaking, the idea that one cannot evolve, improve, or become better is a damaging one. What is old can be new again, if given the right opportunity to grow. With the uptick of the independent scene thanks to platforms like Bandcamp and sites like these, there are some who have decided to go about things with that old time tradition, albeit through the modern lens of production.
To nail down the sound of the self-professed dark pop maiden BARA HARI is to take up a fool’s errand. One moment could bring something post-punk, while the next could go into dark electro-laden pop. After a few years and a handful of singles, we now have Lesser Gods, the singer’s first full-length, and it is equal parts celebration and revelation, steeped in darkness and uncomfortable subject matter behind ten varying dark alternative soundscapes.
The tone set by the opener “Siren Song” is haunting, an invitation into darkness that lives up to its name. Unease gives way to a post-punk groove on “Tempest,” with a bass line that harkens back to the old days of gothic rock and the first instance of Corey Hirsch’s lively drumming helping to solidify the rock foundation upon which this song is built. Sam Franco, the voice behind BARA HARI, has a voice reminiscent of Lacuna Coil’s Cristina Scabbia, with the harmonies to boot. The following track “Immoral Tales” further serves the comparison to the celebrated Italian alt-metallers, with the guitar work by Ian Flux getting a moment in the sun. “Violence Rising” builds up from its sampled vocalization and electronics to a Nineties-flavored goth- and alt-rock number, something akin to Garbage in their heyday. It’s a throwback with modern polish, and it makes for a standout single.
This ritualistic, opulent video for “Violence Rising” saw Sam Franco design the costumes herself, as well as edit and direct.
“Looking for Oblivion” takes things in a more electronic direction, with Franco’s vocal harmonies shining on this electropop tune. It’s accessible and blissfully uncomplicated, and would make for a great call to the dance floor. The next track, the cinematic and foreboding “House of the Devil” needs to feature in a film or television series as soon as humanly possible. It has that vibe of a main title theme, or perhaps it would be more suited for a montage full of secrets being uncovered. Heavy, swaying, and ominous, and yet still so easy to get into and find oneself humming along to the vocal melody, this song is another notable one. The debate over “Agoraphobic” being a song of the times is remotely debateable, but the trip hop influence and staccato guitar riffing capture the crippling anxiety disorder for which the track is named.
Vicente Cordero directed this colorful and macabre music video for “House of the Devil.”
“Delusions of Grandeur” brings the proceedings fully back to that rocking core with another guitar-driven track supplemented by lush synths and more of those sweet vocal harmonies. Again, Corey Hirsch’s drumming has a moment here, bringing the energy back up after the last couple of tracks brought the BPM down ever so slightly. The penultimate “Easy Target” plays around in Nineties and early Noughties alt-rock, with clean guitar lines floating over synths of many flavors and flourishes. We end on “Immortal,” another goth-rock banger with a prominent bass line and everything else that brought this record to the dance in the first place.
BARA HARI doesn’t reinvent the goth pop wheel with Lesser Gods, but rather celebrates it and gives it a facelift. When the goal is a vibrant sound while maintaining that darker vibe, Franco and Co. can do that. If the aim is to evoke the sounds and the names of those who came before, they can accomplish that as well. For a first full-length, Lesser Gods strikes a balance between honoring the old blood while establishing themselves as the new blood, and in a scene as booming and saturated as the dark pop realm, a confident and capable voice like Franco’s is welcome.
Lesser Gods is available now via Re:Mission Entertainment.
In the past four years the “Darkscene” goth adjacent movement has continued to expand at a glorious rate. Here at Sounds and Shadows I have seen a similar growth of our Music Review/ Webcast/ Facebook Group/ grow at an equally surprising rate. Trying to choose top albums of the year when the rate of interesting worthwhile music is firing out of a fire hose of content at an unprecedented rate is an increasing challenge. As always, I will do my best to draw attention to glorious new music that has moved me in some way. Thank you to all our supporters and please keep this scene alive. You are the lifeblood that makes it happen.
This is always so hard, I love so much new music. I started with about 136 bands I reviewed. With hard choices got down to about 60. I really want to make the bands I picked feel really special. Have you all know, I felt pain with every cut. So I am going to break this into genre categories a little.
Gothic Rock/Post Punk/Shoegaze
Kill Shelter – Asylum – Kill Shelter releases their third album Asylum, and the world has started to catch on to the soft-spoken genius setting the standard for this new wave. Featuring a slew of the biggest names of the scene: Stephan Netschio ( Beborn Beton) , Valentina Veil (VV & the Void), Karl Morten Dahl (Antipole) , Emanuel Åström (Agent Side Grinder) Alessandro Belluccio (Ash Code), William Faith (The Bellwether Syndicate), Ronny Moorings (Clan of Xymox). An impressive list of talent and experience which speaks to the respect Pete has catered as a producer and song writer. This album tackles an even darker theme of trauma and the most shocking pain of the human experience. Casting a light through a wide range of vocal prisms. The completion of a journey started just after Damage in 2019 and meticulously refined over four years.
Kill Shelter has done it again. Creating a personal emotional journey through post-traumatic stress with expert production and collaborative vocal performances that shine a light on some of the top singers in the scene. I can’t wait to release and rare upcoming interview on the Sounds and Shadows youtube page. We dig deeply into the process and feelings of one of the most important artists the modern era. When we speak to future musicians who are in the know about what influenced them in our time. Kill Shelter will be the Joy Division like name that trend setters were appreciating in the present.
Has it really been 13 studio albums for Aurelio Voltaire? This review is special to me. As someone who writes “Goth music with a heavy dose of humor” it is hard not to give credit to the OG that inspired me all those years ago. Here he taps into his own inspiration from an artist and film that burned a codpiece shaped scar into every 90’s goths soul. It appears we also share a passion for collecting every talented guest star he could cram into this shadow glass menagerie. Let’s have a look at this list.
15 members of David Bowie’s band spanning nearly every era of the Starman’s career from the pianist on 1972’s The Rise and Fall of Ziggy Stardust and the Spiders from Mars to the saxophone player on Black Star, Bowie’s last album. The Black Labyrinth was co-produced by Mark Plati who produced the 1997 Bowie album, Earthling as well as the post humus release, Toy.
Other guest musicians included members of My Chemical Romance, Trans Siberian Orchestra, Vision Video, The Cog is Dead, Frenchy and the Punk, violinist extraordinaire Mia Asano, Ally the Piper, D and D songstress Ginny D and an international cadre of musicians making up the orchestra and choir.
The 20 song release is clean like twilight in a fantasy world briming with the mystery of a firefly forest and the pageantry of a catholic funeral. Voltaire’s iconic is the ringleader that ties together the spectacle. If you don’t know Voltaire, you have missed one of the most gloriously self-aware experiences in the dark scene. If you do you are in for a journey with one of the great bards of our time. Let goth music be fun. Let it be the giant melting black candle musical theater it was always meant to be. I both teared up and laughed out loud listening to it. You need this album.
3) Secret Shame – Autonomy – I am constantly amazed by the slippery edges and bursting intensity of the NC band. I’m just blown away by how many sonic emotions are crammed into this firefly jar. The haunting lilt of the vocals, the gnashing wolf jaw guitars, the shifty darting baselines. The production here is razor sharp. Anyone who says modern music lacks complexity is not listening to this. This is songwriting that is emotive, that transports you out of your own mind. Blending the best aspects of four genres to create something fresh and provoking. 10/10
4) IAMTHESHADOW – The Wide Starlight – Things you can always count on from a new IAMTHESHADOW release: 1) Pedro delivering the richest baritone in modern darkwave. 2) Soul baring poetry 3) Perfect precision of mix and master. Everything else about the sound is completely in the air. “The Wide Starlight” is an expansive new sounds full of twinkling stars over violet plains. The album came out on 10/14 and marks a turn towards hope which my soul has hungered for. Cold Transmission Music has been a fertile creative ground for Portugal’s premier darkscene act. This is a band that has continued to set the standard in European darkscene music that is constantly pushing their own boundaries and core sound. The truly greats make powerful songs while always redefining who they are
5) The Cassandra Complex – The Plague – Rodney Orpheus and The Cassandra Complex have been entrenched in the concept of what we would later call “goth” music since before we had a word to describe it. They have toured with and played festivals with the biggest names in the scene. Starting in 1985 releasing 7 full albums and 3 live albums the last of which “Wetware” on Metropolis Records in 2000. 22 years we waited for a return with “The Plague” to burst forth with a ferocious new energy. Early releases like “Grenade” were thick with an aggressive political message. I fell instantly for this return of piss and vinegar spirit blended with fine blade refinement. A razor edge between emotional concept and ability. Although these are new songs tackling modern concepts of a post capitalism world, the album serves as a greatest hit record. Drawing on individual styles that run the range of their history. It doesn’t forget the tongue firmly in cheek humor, using wit to mock the face of power.
6) Golden Apes – From The Sky – Berlin Germany based band which remains one of the most underrated post punk bands in the world. With Peer Lebrecht unmistakable and encompassing voice crooning poetic romantism that seeps under your skin. I loved the brighter expansive hope Christian, Gerrit, and Frank infused the guitar lines with. The change in concept from “Kasbek” displays another prism of range and proves Golden Apes story is far from over. I’m excited we will get an interview with them in 2023.
7) Christian Death – Evil Becomes Rule – The most recognized name of the American Proto goth scene from Los Angeles “Evil Becomes Rule” marks the 20th studio album in a legendary career. In our recent interview Valor told me about EBR being a continuation of 2015 The Root of All Evilution. It would be easy to appeal to longtime fans, putting out similar albums in a fan friendly style. Some artists have wonderful careers doing just that. This has never been the Christian Death way. Always slicing the edge in every incarnation. Evil Becomes Rule took me to a new place I never expected. A shadow psychedelic blasphemy of triumph blending world beat Dead Can Dance and roaring power of Judas Priest. Maitri’s vocals are highlighted like never before and cast a sinister ritual of power.
8) Pilgrims Of Yearning – Hadal – Long awaited release from Boston transplants POY which hits the mark perfectly. I love hearing a band grow from album to album by keeping the mystical wanderlust that made their sound stand out, yet graduating their production and layering to make the energy sharper. Juls voice captures a haunting Siouxsie “Superstition” 90s vibe while the guitar rhythms fold and dart like a weaver on a loom. This is a band that really exposes their story with brazen courage and beautiful delivery. A contagious spooky tendril of psychedelic darkness winding around your vision. This is a band I have watched grow and refine. It fills my heart to watch the maturity and ascension of their sound and wisdom. I can’t wait to see the next path of their journey.
9) The Burying Kind – Tragic Airwaves – I may be too close to this record. Enraptured by the story surrounding it. I can’t help but be struck by the staggering beauty and truth of it. It was this thing I got to watch grow and refine from infancy into something that mattered. Something that transcended genre and the music business. An abstract feeling that wells within you in solitary moments, a place of memory and blurry edges. This 12-track full length is a solitary lighthouse on a grey shore with Scott-David‘s romantic tragic poetry delivered with piercing emotional impact. The music is layered and complex for decerning listeners to unravel. I love nothing more in this high-speed age than hearing the time and intent that went into an artistic concept. It’s a presence and weight that gives every listen a reverence.
This is an album for connoisseurs. For fans of My Bloody Valentine and The Cure a like. It is a place for diving into mystery and unraveling the depths of something that doesn’t come simple in a world where everything is designed not to make you think harder. We used to rejoice in music that made us swim beneath the surface. It’s time to rejoice in it once again.
10) Mark E Moon – Lux Vindictae – New lineup, new sound, and explosive delivery from Isle of Man shadow croon gothic rock Mark E Moon on Cold Transmission Music. A blazing light of vindication as the title states. The first single Blacklight bursts through a wall with shaking intensity. The drums pound relentlessly as Mark delivers confident sadness tinged with raw fury. Phil is spinning barb wire distortion in precision loops. The black mirror reflection of Shelly Rourke on vocals as contrast Mark’s cavern shaking Eldrichesque power. As the engine roars down an unlit highway this album swerves in tone and style without warning leaving you always on your heels. Mark really throws his soul into the vocal delivery. The tracks are all pure heat and poignant, each under 5 minutes.
I think two main changes stand out in contrast to 2021 release “Old Blood ” 1) the extreme nature of the peaks and valleys in tempo and style. This album runs the spectrum where Old Blood worked to perfect a singular idea. 2) Rourke’s vocals have really found a sharp and resilient force to break the power of Mark’s tide. In particular track 4 Drowning is a gorgeous ballad of imagery that highlights the new sound with strongly defined lines. It shows a passion and maturity of song writing that portrays subtle differences in depth as you sink below ever darker waters. I love the panning synth lines. The background to those glimmering delayed guitars flickering through the pressurizing water.
11) Black Angel – The Black Rose – I know, I did an 11th album. I just couldn’t bring myself to leave this record off the list. It is so haunting and rock heavy in a time goth music wants to be anything but. Matt has this amazing ability to capture the sleazy opaque waterfall of endless motion regardless of tempo. The vocals by Corey Landis and Maneesha Jones are the perfect seasoning on the dish. I have a confession that will probably have me cancelled by the true metal folks, my favorite Ozzy is “No More Tears” and that includes Sabbath. This album hit with that same timeless power. As long as Matt Vowels is cranking out records, this guy is buying them. Someone really needs to sign him.
(Special Mention) Cleopatra Records – The Unquiet Grave – Growing up in the Velveeta Valley suburbs of Detroit in a time before the Google search, Spotify playlists, Youtube suggestions, and Sounds and Shadows I had a sacred ritual. Once a month I would coat myself in black from head to toe and pedal my bike to a mini mall which contained a record store. Here in the new CD releases I would take my caddie/busboy money and purchase the latest Cleopatra Records sampler. Now these compilations took many themes, tribute cover albums, up and coming goth bands. This was how you found the next band that connected you to the wider world. I would race back home, tear apart the packaging and dream of one day seeing my own name in the liner notes. This ritual mattered, it made me feel connected to other kids like me that I didn’t know. Somehow, I knew they were out there. When I saw Procession Magazine bring back this series of goth compilations, my faith was confirmed. To see one of our songs, appear here, that dream has finally come true. So, I welcome you all to join me in my room, as I light a candle, press play, and journey into the macabre world of “The Unquiet Grave” searching for dark diamonds in a cruel sea.
Curse Mackey – Immoral Emporium – Instant Exorcism moves beyond the prophesy of a post capitalism hellscape and dives into a meat and bone reality. A bizarre of debauchery and barter where every sin in imagination is on display and the price of souls are always plummeting. In a time of surface shimmer and digital commodity the Immoral Emporium casts a sharp reflection that burns to the core of the decay of empathy in the modern age. Instant Exorcism was raw and biting, a mad profit’s fervor. Immoral Emporium is a cleaner enticing beacon. Drawing the listener to their own corruption with shining golden salesmanship.
There is something about the level of narrative imagery and production expertise that stuck me about this album. It haunted me like a re-occurring nightmare, a prophesy of danger that hangs above our future. Curse has been such an impressive part of shaping Industrial music while a part of someone else’s project. It is incredible to see the darkness he is able to articulate when left at the helm of his own vision.
2) ESA – Designer Carnage – if you are talking about the modern evolution of EBM (Electronic Body Music) British act ESA and Jamie Blacker have to be part of the opening discussion. This is an artist who has truly defined a genre by meticulous craftsmanship of the musical and visual idea of bass beats so shattering, you feel them in your bones. This album had multiple singles in our Darkscene Singles Chart. Jamie continues to be an innovator in the field of expanding the definition of Electronic music for another generation.
3) <PIG> – The Merciless Light – Raymond Watts has continued to evolve at an exponential rate. Rather you are speaking of music, personal growth, or human interaction. The industrial progenitor has bounced around the boundaries of what this genre entails for decades, to keep the punk rock ethos of the original concept alive. I love the crushing jagged grind of this record, while hushing the edges, letting the menace whisper and hang in the air. Bringing in an all-star line up of contributors Abbie Aisleen, Jim Davies, En Esch, Mark Heal, Jimmy Livingstone, Mona Mur, Mike Watts. This album brings so many emotive hooks that really highlight how good Raymod has always been at conveying emotions in a compressed infectious package.
4) Silver Walks – Various Positions – I met Daniel McCullough near a dumpster behind Cold Waves in 2019 and heard “Lantern” in 2020. Immediately I knew this album was going to be something special. Dan is one of the most underrated song writers in modern electronica. The people in the know, they understand this. I hope this album is what makes that clear to the scene at large. I think one of the first points to strike me, all but one song are over 5 minutes. In a world of short singles, Various Positions is stretching your dance floor endurance. While making EVERY song a banger. Infectious dance beats that ebb and flow in texture, with razor blade twists. You can really hear the patient precision that went into each song’s construction. There is a thematic post apocalypse spiritual journey that makes me close my eyes and get lost in the story, while stomping in time to infectious hooks. This whole album rides a highspeed tightrope between progressive and ear candy.
This album also has a spicy list of A + contributors to bring Dan’s vision to light. Stella Soleil , Coral Scere, Tim Heireth, Marc Heal, James Francis, Eva X, and many more mixed lovingly by living legend John Fryer. Part of the testament to this albums power are the names that agreed to be a part of it. Album art & layout // Joshua Mccallister silver walks logo by Jim Marcus. Eric Oehler wizard shimmers the mastering. Photo of Dan // Kirsten Miccoli I just saw Dan thanked me in the liner notes, so now I am crying.
5) Dread Risks – Automated Disappointment – GiddyYip this DeathRock Electro Cowboy shit!” A wise man once said about Texas IndustroDoom band Dread Risks. That wise man was me. Releasing 3/25/22 on Re-Mission this album is a return to the meaner barb wire aggression of industrial music. As an evolution from the past this aggression is no longer aimed outward but directed at addressing and concurring personal trauma. I love the molten glass cutting attack and melodic beauty of the vocals. The overhand bastard sword swing of the drumbeats. Berserker rage in clean focus. This is the next great wave in electronic musical concept. I am enthralled with the idea that Industrial music still has fertile land to create new artistic ideas. I even got a thank you in the liner notes, my heart cries.
6) KMFDM – Hyena – This album brings you much of what you love if you are a fan of KMFDM. Bonfire bright drum beats overlayed with trash compactor crushing guitars. I think the biggest change from the KMFDM of my youth is the maturity of Sasha’s voice. It is a more mellow growl without losing the glistening sharp metal. This record is a culmination of injected circulation right into the dance gland. I really keep expecting for a lot of these old school Industrial bands to lose the modern pulse, I keep being surprised. I feel like this is a ban that grew up with me. Their sound evolved at the same rate I needed it to.
7) AUTHOR & PUNISHER – KRÜLLER – San Diego, California artists put out this album that is a bit absurd in it’s scope. On paper doing captivating emotive singles in the 5-8 minute range should not work in 2022. Yet, anyone who hits play on this 8 song album is immediately captivated and washed over by the unnerving perfection of these hooks. This truly is something else no one is doing. It is so mysterious and fresh I don’t know how to process it. Which is a rare feeling in 2022.
8) Spike Hellis – Spike Hellis – After seeing them at the Skull Festival in Detroit this year, I haven’t been able to put this away. LA based electronic flamethrowers who answered the question if Alec Empire hadn’t pulled a 180 and became a cryptobro what would a cleaner crisper refinement of the magma fury become? Hearing Spike Hellis really helps me understand what is meant by “Electronic Body Music”. It is felt in the tissue as much as heard in the ears. The range of feeling on this chaotic labyrinth darts through every hidden crack of the human experience. It really must be heard live to fully comprehend ,but having a map of the recorded experience can go a long way towards grasping the subtilty of what is happening. I really need to line up an interview with this band in 2023.
9) Dogtablet – Ashes – New 5 song EP from Industrial legends Martin King and Jared Louche. I had the pleasure of attending a listening party at the Post Punk Industrial museum where Martin provided some background for these songs. I love the grinding and deliberate nature of these tracks. Track 3 “Careless” Feat: Coral Scere is a haunting and memorable collaboration that shows how Martin continues to get the best out of everyone he works with. Another amazing EP from a legend let off the chain to work with whoever he wants in a style completely their own.
If you are a fan of old school Industrial, this interview is MUST SEE
10) Deathline International – Pax Americana – Basically a COP International all-star collaboration which includes living legends like John Fryer, GW Childs IV, Angela Goodman, Steve Watkins, Licia Johnson, sinister guitar lords James Perry & SLam, and vocals by Th3Count. Transporting us to a smashing old school Industrial runaway train with modern clarity and aerodynamic tempo. I think the biggest challenge when bringing together this much talent and trying to give everyone a voice, is the director aspect. Giving everyone a chance to shine in the spotlight. This album really feels like a collaboration. Mutual respect placed in the atom smasher and obliterated into something fresh.
Special Mention: Gasoline Invertebrate – Cracked Wax Battery – Brian Gaupner (The Gothscicles, Space Couch, TigerSquak Records) holds a special place in my heart. I feel a bit of twin spirit in how he approaches music. That feeling that music is an experience better shared. The visual of a Cracked Wax Battery is such a striking image. That bleeding yellow goop pouring out of an old battery carcass. Bringing in great artistic names that are also friends of a mutual vision like: Gopal Metro , Ed Cripps, Zoog Von Rock, and MORIS BLAK. A plasma whip of electronic dance beats cracking the air with aerobic intensity. Brian takes some of the jovial madness of Gothscicles off his voice and replaces it with hissing menace. The NES throwback energy of these synth lines are a nerdcore street cred of belonging. Gasoline Invertebrate always makes you feel inside the curtain.
Brian Graupner is inspiring to me in particular for proving to the goth community that our scene can be silly as hell and that is ok. I equally love that he has a project so serious and old school industrial crunch that it leaves no choice but to acknowledge his talent and craft. So, when he makes a Gothsicles album you know it was because he chose to be goofy as hell, which adds a layer of punk rock power.
Panic Priest – PSYCHOGORIA – Speaking of world class baritone voices Jack never disappoints. New album released10/21/22 on Negative Gain featuring the crooning beauty and slashing guitar mastery of Jack Armond. The Chicago based songsmith always layers the club friendly dance beats with a healthy dose of guitar accents to make a truly distinctive blend. The tempo here is a fast-paced bop, but the bottom of a chasm on the vocals gives every track a sense of soul and foreboding. Every album gets tighter and smoother. Jack’s voice is one of those definitive sounds and elevates everything it touches, and his blend of organic guitar licks and prism explosion synths makes every album memorable. Psychogoria is the most impressive evolution yet. It’s time for everyone to recognize one of the great talents out our modern scene. I just interviewed jack and it will release soon.
2) Vision Video – Haunted Hours – Athens, Georgia pop goth stars have grown more in the last few years than anyone in my memory. The music is nostalgic, expertly crafted with the newest techniques, and delivered with a romantic stirring beauty too often lost in the modern scene. Dusty has an infectious glowing moonbeam of a personality which has made him a public figure outside of music. This band has truly achieved a fresh interpretation of everything you loved in 80’s goth spun in a centrifuge and launched back at you with electron energy.
3) Rohn-Lederman – Rage – We love music because it has the power to change the energy inside us. To enhance, diminish, alter, the sounds and stories built by artists change our emotional chemistry. Emileigh Rohn (US/ Chiasm) and Jean-Marc Lederman (Belgium/ The Weathermen, Ghost & Writer) have found a balance in their own artistic chemistry beginning in 2021 Venus Chariot on COP International which has continued to refine in a centrifuge into a potent emotional catalyst. With this newest release “RAGE!” they have bottled a frantic and aerodynamic monorail careening over changing landscapes.
I would consider myself a coinsurer of the duo’s collaboration. How is RAGE! different from the previous releases? By being the culmination of a series of experiments to produce a sleeker, faster, more agile vehicle. To refine the fuel of Emileigh‘s lyrics into something that burns hotter with honesty and volatility. The songs all contain a defiance and anger. Not a heavyweight clumsy, smashing anger. A precise, defined glowing fury of purpose. The details and subtilty of the music are built like a virus in their elegance and destructive nature. The vocals hold a sharp edge without bubbling over. It adds a tension that forms the shading of the grand design.
4) The Birthday Massacre – Fascination – Chibi and company has done more to expand the cone of what is goth music than anyone in the last decade. This new album infused an intensity of emotion due to the band facing some serious real-life trauma. It is explosive like a foam cannon of feeling sprayed on a receptive crowd. There are certain records that ride the line between fantasy and precision execution so perfectly it is hard to see the lines. That is how this album feels. I keep waiting for TBM to run out of gas, and they keep lighting bon fires.
5) Null Device – The Emerald Age – Wisconsin based dark synth band with a new driving political statement full of spiraling hooks and razor edge tapestry. The perfect mix of this album is so economical it makes the motion and pace feel like a UFO that darts and accelerates in a way modern technology has not produced. The vocal duties bouncing between Eric and Jill feels like a conversation of perfect syncopation. This album came out in Nov 2022 and every time I hear it holds a familiarity and nostalgia that defies logic.
6) Minuit Machine – 24 – This release combining the amazing talents of Hélène de Thoury and Amandine Stioui is staggering for its quality as well as tragic because it might be the last pairing the two. Helene has suffered some health issues which have caused her to step back from the project for the time being. This EP is nothing short of breathtaking in it’s seamless pulsing sophistication. Every track harnesses an effortless magnetic vouge you can’t help but want to be close to. Amandine’s vocal’s ring through the air with every phrase like a struck chime. A haunting electronic overture that paints a perfect moment while promising what could have been.
7) Hexheart – Funeral Flowers – Seatle WA SynthBard Jasyn Bangert has a June release of cybernetic serotonin pumped straight into your brain. I love the “Upstairs At Erics” bopping light synth and nostalgic warms. These tracks wrap around you like a favorite sweater. The AI captivating vocal effects are a fresh note contrasting the synthpop throwback. Every track feels like a cult 80’s film you are the only one who remembers. I really want to hear a cleaner vocal for the next album, because it is the final step towards perfection.
8) Sapphiria Vee – Aerial Human – Sapphiria Vee has sprouted wings and taken to stormy skies with the newest release “Ariel Human“. A bracing new pace and sinister promise. Featuring a rouges gallery of impressive collaboration from Jean Marc- Lederman, Roger Ebner, then Mixed and mastered by sonic wizard Jules Seifert. Send your mind a flight. Sapphira’s ability to draw talent towards her with both her powerful voice and magnetic personality gives her access to a wide brigade of masterwork tools. As a producer she knows just when and where to implement each sound like a conductor in a symphony.
9) Eva X – I Dream Of Reality – The progression of shadow pop artist Eva X has been a magnificent sight to behold. After a series of singles and videos this full albums with impressive remixes really shows the elevation Gaby can achieve. A poetic blend of vulnerable beating heart, and higher concept science fiction that paints a wonderful journey while keeping the hooks high and tight.
10) Junksista – OA – This German based band on COP International is one I haven’t given nearly enough press to. Every time I hear them I am absolutely floored by the razor wire combination of owning a space in your head pop melodies and the way too cool to hang out with me punk rock attitude. It just drips with effortless expression and after party in the know. It is hard to hear this and not feel inside the most exclusive salon where everyone is invited. Speaking of invited the album features a who’s who of guest talent. This album deserves a special award for band I put off the longest to deep dive into that left me regretting every moment I wasted not knowing them.
Sidewalks and Skeletons – Exorcism – I recently had the pleasure of interviewing Sidewalks and Skeletons for the webcast and was really excited to expand my knowledge of the “WitchHaus” genre. When I first decided to dive in I reached out to a few friends: Kenzi Burke (FIRES) and Hunter Hunter (W/O) for suggestions. Sidewalks and Skeletons of England was one of the first suggested. I suppose going in I had some pre conceived notions of what “WitchHaus” meant, but I have to say I was presently surprised by the texture and diversity of sound on this album. From track one “Exorcism” a glitchy sliding bass beat slither of technomancer energy tendrils, to “Shadow” feat: Goo Monday with it’s throbbing electronic club pulse, this album rings with a clarity and precision that tells a winding story of internal energy. I kept being struck by influences I never expected to encounter like shoegaze and ethereal which gave the entire journey a slick and winding synthesis. I am always impressed when in 2022 I hear something new. A fresh blend of ideas from a chemist taking previous concepts and making new science. It doesn’t happen enough. It is happening here.
2) Mona Mur – Snake Island – German Electro punk Icon released this guitar heavy banger of an album featuring Goldkind. I love the Avant guard crunchy slam poetry punk ethos feel. The individual tracks capture such a range of furious emotions but in the end always return to being a hard rock album. In a time where music is so plentiful and genres are so fractured, it feels refreshing to hear hard rock. The cover of Motorhead classic “Ace of Spades” the dripping with venom and intensity. The single Schieldwall is sun gleaming on a silver hammer smashing the quarry with reckless abandon. This record encapsulates what previous generations artists have to teach the next about how music can be the spearhead of a movement.
3) Josie Pace – IV0X10V5 – 2022 was such a big year for Josie and Ken, Detroit’s Industrial Pop darlings. Fresh off a tour with Aesthetic Perfection they are winning over every crowd they are in front of. Josie is drenched in “It” factor from her voice, attitude, and look. This record is brimming with infectious singles, slamming beats, and a voice that laser cuts the darkness. Now on Negative Gain they are strapped to a rocket ship speeding towards superstar. IVOX10V5 is the perfect refinement album that will finally show the world what Detroit audiences have seen for a while.
4) Kali Dreamer – October Requiem: 1988 – Derek Christopher turned me on to this Columbus OH artist who is doing a truly unique blend of old school goth and hip hop cadence with a macabre edge. I was immediately hooked, the poetry of the lyrics with the truthful confidence of cadence. You can’t mistake the terror rap elements of Esham in the dark lyric style but the talent and beauty of Kali’s vocals add a modern and gorgeous element. I was truly floored by the quality of this. I just don’t hear enough to surprise me with it’s uniqueness anymore. This album achieved that.
5) Katy Needs A Life – With Friends Like Bees – This is another special release. I feel like I watched it grow up. Born here right in Kalamazoo MI, in Collin Schipper‘s (Amaranth) studio, done by Katy May (Sounds and Shadows). This record is everything I love about ultra sad dreamgaze pop, with none of the pretention I often associate with the genre. Every song is a flailing arms, heart flinging, explosion of narrative intensity. The music of Reggie, David, and Jake is a furious and frantic cohesion of chaos and pastel dreams. Katy has a voice full of purity and unapologetic raw truth that blasts through a sea of cold ultra-produced crystal. This is such wonderous walking around with your own thought’s music.
This record is the first full length with the entire band and spells a glorious future for Katy and company. On top of that it is expertly mastered by none other than Jason Corbett (Jackknife Sound Studios) (Actors). I think sometimes those of us that do musical support of others get lost when it comes to our own projects. This is an unforgettable must have record.
6) Lorelei Dreaming – Retold Fables – Long have I awaited this 6 track EP complete with wonderful remixes by Chicago dystopian pop princess Laura. It’s so clear and textured from their previous release. Laura’s voice breaks through the wall and takes it’s rightful place on center stage. The album opens with an absolute banger in Of Stars. I’m loving the rippling synth sounds to add a fantasy feel. Each song is a striding step forward for an armor clad paladin facing down the demons surrounding her. This album was so worth the wait and every song is an adventure. The remixes are a brilliant contribution with the likes of Kanga, Sawtooth, Eva X, Angel Metro, and more. I love seeing so many top tier ladies involved.
7) SINE – Mantis Complete – Texas nightmare whisper artist Rona Rogueheart dropped this culmination of the Mantis journey in November. A thrumming David Lynch fever dream impossible to place in a category box. The album cover is so appropriate as an angler fish draws you through the underwater darkness with a glittering light, only to open it’s jaws and bite down on you. It’s sinister subterfuge with the electric tension of a great thriller. This record also includes some unreal remixes by the likes of Clan Of Xymox and Leatherstrip. A couple different singles here which placed on the S & S darkscene singles chart like my favorite track “Je Suis”. Another album that charts its own course into mystery.
8) The Picassos – Exhumed – I love nothing more than the chance to shout to the sky about a gifted and haunting band in my own backyard of Michigan. We even have the honor of playing with them at Skull Festival 11/20/22 at Noir Leather in Royal Oak Michigan. This album which dropped August 2022 is a darting ebony fencing match of furious clashing metal that strikes and counters with such speed you lose sight of the precision in the illusion of chaos. Charles is a master chef of sound, taking ingredients with familiar tastes and adding a pinch here and a skosh there. Some Pixies, Nick Cave, Violent Femms, flamenco guitars, stirred in a pot, raising the heat. The result is a powerful and heady stew served with pageantry and soul. This is truly one of Detroit’s great talents of the decade.
9) The Waning Moon – The Waning Moon – Wonderous new collaboration project from Zac Campbell(The Kentucky Vampires) , and Ariel Maniki (The Black Halos). Two powerhouse talents of the modern traditional goth scene forging an alloy of blackened metal which echos with loss and remorse. Unlike their more organic percussion based projects TWM features aa blistering tempo freight train which unshackles Campbell to terrorize the fretboard and Ariel to use a haunting cadence full of ice cold foundation and strength. Only 4 tracks on this EP, but each sets the tone for a future force that fills a need in fans who hunger for traditional goth.
10) Sever The Servants – Sever The Servants – Brand new collaboration that sprung from the Sounds and Shadows group. A world grinding doom tank apparatus rolling through a nightmare hellscape of Hide Tepes and Mike Nolen imagination. Stone walls on all sides as Hide starts filling the room with dank modular synth water. Mike who doesn’t usually do vocals hisses out a poisonous danger that left me floored and impressed. I hungrily await the future offerings of this project. A perfect synthesis of styles to form a stronger bond.
11) Assasun – Sunset Skull – German song architect Alexander Donat of Vlimmer has changed gears once again with such a massive swerve proving once again there is nothing he cannot do. This new project is a psychedelic electro punk disco with shades of Tuxedomoon, Legendary Pink Dots, and Coil. It never solidifies into something familiar, it never quite strays into madness. A tightrope walk underwater. This record is almost disturbing in it’s creative Germaness. I can’t wait to hear what is next.
12) Vaselyne – The Sea Says – The Dutch duo Yvette Winkler and Frank Weyzig with the eclectic blend of rolling foam over a dark sea. This world beat blend of orchestral synth and organically woven vocals which hold a history in their entrancing delivery. Contrasted by sharp and vibrant guitar lines to add modern rock to the ancient mysteries. The PJ Harvey cover hits hard on my nostalgia bone but crafts a fresh and unique lens to the alt rock classic. If I ever go into a cave overlooking the sea and light a fire to dance shadows into the morning, this is the record I’ll bring.
Eva X proudly wears her synthpop influence on her sleeve. Her new single, ‘Machine’, grinds with intense rhythms while the vocals play to the more operatic side of Eva’s voice with energy and poise. I love how her lyrics can project angst while her voice projects attitude all at the same time. Touching on subjects like technology and isolation, Eva offers insight from the perspective of “a robot girl singing about human things”, as it reads on her Bandcamp profile. The hard-hitting remix by GRENDEL is a rocker that has a feel that is perfect for jamming out in the car until you look down and realize you’re driving way too fast.
It is like the whole goth community got a birthday infusion. I am on a reckless spending spree of new music. Here is some of what I am listening to right now. As always if you have a band you want to see reviewed, comment below.
Lyres Of Ur – Escape From Modern Man – New single from our talented young contributor Lou Blacksail with cover art by Joshua McCallister. I continue to be impressed by the passion and vision of this young songwriter. A raw and bass driven wind tunnel of echo’s and sinister carnival keyboards. I can feel the snarl curled lip in every delivery. Sometimes when I hear a mix that has a raw feel, I am taken out of the moment. In this single that way different aspects charge to the front adds a boldness and bravado. I feel like this is an artist the shines with potential and leaves space to grow. The emotion and natural intuition for form and hook are unmistakable. I am more impressed by everything I hear.
Suzi Sabotage – Nazi Goths, Fuck Off – With everything facing our scene I am amazed no one has released a track like Finnish siren Suzi Sabotage that takes the blunt power of a barb wire baseball bat that attacks the worst aspects of goth with unbridled fury. A slinky dark synth build with a razor edge message that pulls no punches. The new generation of goths demand an anthem of political passion and Suzi has delivered. A perfect punch the masses can rise behind. Nazi Goths Fuck Off.
Precious Bones – MAGNA FRACTURA – I love the name, the concept, and sound of New Jersey barb wire rockers Precious Bones. Antoine Poncelet & Guy Tetro unleash an Iggy Pop/New York Dolls late 70’s chaos venom. A tight coil of front edge intensity and pulsing electricity. I love the call and answer style of the vocals which put me in mind of the Vaselines. It flows through the pipe of uplifting joy and angry edge. This whole album is such a runaway stage coach sparking cobblestones in a tight alley chase. The organic slicing fury mixed with dangerous violent stories that has a real murder ballads feel. I love how this tale keeps changing speed and turning. I never want to look away. Horror punk with a retro feel. August 2021 release. This album is dedicated to the memory of founder Guy Tetro, a tragic story and impressive release.
Favorite track: Mysterio – Thick pulsing baseline. Start and stop reckless abandon. The vocals are the perfect volley of story telling dialog. It’s engaging and edgy without trying to sound that way. It’s one of those tracks that hits perfectly on it’s intent while the listener is left feeling it was a perfect storm with no destination in mind.
Stoneburner – Spectrum – Another face blistering hurricane wind blast from Steven Archer. This time taking a revealing and visceral offering about mental health to offer connection through the turbulence. I love the wide prism of colors in tone for the single and remixes. When I think of Steven’s sound I use words like focus, contrast, and intensity. This track is a softer and varied concept which shows range and subtilty. The bsides Bahr Bela Ma and Open Letter redirect back to the percussion assault and rhythmic chant vocals I associate with Stoneburner. This unity with COP International continues to let the wolfcore off the chain and give a fertile field for raw creative energy to foster. John Fryer has once again found a laser prism to channel the emotion of Steven’s art.
Carrion – Shatter the Seals – New two track EP on Brutal Resonance from the charred angels of Carrion. I love the new direction. The monster is no longer lurking in the darkness, it’s sinister intention a slow whisper behind your back. Now the monster is charging towards you full speed with teeth barred and howling your doom. The vocals are a striking snake hiss. The drum beats are frantic and marching. Biggest of all this guitar distortion is clean, mean, and red eye glaring at you. The seals have truly been shattered and the demons unleashed on this plane. I’ve never heard Hide lash out with such unbridled intention. Buy this album, bath in blood, smash your meaningless possessions with a baseball bat.
Ratio Strain – Century Of The Self – San Diego band I am just finding from the drummer of W.A.S.T.E. This release came out in January 2020 but i am glad to discover it now. 8 songs of mind shattering hard industrial which is going to hurl a challenge in your face like a gallon of moonshine to the eyes. The vocals are sample laden and I will admit made me blush several times. This is music intended to cause discomfort. It’s also slick tight dance beats that had my head bopping while I stood in fear and awe. The panning of the drums was an expertly done effect and really makes the room spin to the napalm explosions. You think, you dance, you shake, you break.
Favorite track: Objectify – This song made me wildly uncomfortable and unnerved. A real blinding light held up to the misogamy prevalent in he world. It is not a soft message and hurled with such strength and aggression it left me speechless. (Warning) Not safe for Work 🙂
Vlimmer – Meter b/w Kartenwarten – Alexander is back again, with a new two track EP and again stretching the range of one of the great sonic sculptors of our time. This is shake your ass club thump. The open expansive feel of the synths, the thunderous driving bass, I couldn’t help throw my hands in the air. Beautiful syncopation and vocal cadence. Track one Meter has a BlondieAtomic energy while pulsing in hues of violet and crimson.
Favorite Track: Kartenwarten – The glorious sway and slide of this track. I’m on a cliff staring at the sea, feeling the slow shifting power of dark water. So many textures and concepts bleeding together in harmony. A true work of beauty.
Lorelei Dreaming – Future Fables – Long have I awaited this 6 track EP complete with wonderful remixes by Chicago dystopian pop princess Laura. It’s so clear and textured from their previous release. Laura’s voice breaks through the wall and takes it’s rightful place on center stage. The album opens with an absolute banger in Of Stars. I’m loving the rippling synth sounds to add a fantasy feel. Each song is a striding step forward for an armor clad paladin facing down the demons surrounding her. This album was so worth the wait and every song is an adventure. The remixes are a brilliant contribution with the likes of Kanga, Sawtooth, Eva X, Angel Metro, and more. I love seeing so many top tier ladies involved.
Favorite Track: To Leave This Heaven – Sparkle explosion of dance delight and spinning cyclones. A real Violator Depeche Mode swagger with silk swirling gentle touch.
Hello titty bois and titty girls, this is Eddie LaFlash from Decent News and until Ken decides I’m too shitty at writing reviews I’ll be doing this for a while. Today I’ll be covering a single that Ken sent my way. IN FIRE AND IN BLOOD by ∆AIMON.
First off I’ll start with the title track. I want to start off by saying that this single has an incredible mix. Starting with these reverbed piano swells that lays a base melody for the track. It lays down a catchy yet ambient passage that gets interrupted with a cascade of strong ass synth pads before these Dave Gahan-esque vocals punch you right in the feelings. The song structure here is good, it directs you exactly to where the progression should leaving you with a very non jarring listen which is exactly what a great track like this should have. I would’ve preferred the female vocals to be a little higher in the mix, but that doesn’t matter because this track holds its ground so well.
Now we move onto the title track except this one has Wrecked in parenthesis. Now remember that bit I said about track one being a non jarring experience? Well, if you’d like a more jarring experience then the Wrecked mix will blow your fuckin pp off. While all of the elements and structure are present in this version, the kick has a breath of punchy distortion added aswell as some more frantic and upbeat hi hats. Dynamically, this has a little more looseness in the groove. One of these versions is guaranteed to tickle your fancy.
Track 3 is a cover of Scarecrow by Ministry. Now I’m not the biggest ministry fan (surprise) but that in no way effect how I feel about this cover. The crows in the intro got some “OOOOOO” points from me. That combined with the driving bass and the buttery sawtooth lead makes this track a nice long smooth drag off a cigarette. Then the chorus hits you abruptly and you get a little spooked and you drop your ciggy into your lap, but its okay. It’s a good spook, and you just go back to smoking your cigarette.
Overall, its a great listen. There’s alot of variety between the 3 tracks in this single that should hit everyone’s taste buds. ALSO, ∆AIMON gets even more “OOOOOO” points for having acoustic drums on this release. Not that that matters to me, its just cool to see and it definitely shows with how dynamic the percussion is on this release.
