Once Again Into the Breach My Friends. Time To Review Some Music.

Another Friday night finds me tipsy and alone behind this keyboard. However I am never truly alone when I have great music and all of you to share it with. I have all my latest Bandcamp purchases, a few of which are absolutely smash hits. Please leave a comment below of who you would like to see me review in the future.

Twin TribesAltars – The beautiful lads of TX have released a remix album. Now I will always buy anything Twin Tribes put out sight unseen. I have to say this collection of remixes by some of the hottest names in darkwave was a special treat. The songs were big departures from the standard Twin Tribes style, but Luis voice still kept each song familiar. It included tracks from both previous albums placed lovingly up for sacrifice on the Altar to be transmuted and given back to the world.

https://twintribes.bandcamp.com/album/altars

Remixers Include: Skeleton Hands, Geometric Vision, Luz Futoro, Ash Code, NITE, Wingtips, Matte Blvck, Dave Parley, She Passed Away, Bootblacks, and Creux Lies. Yes you read that right. I think the power house of performers here really speaks to the immense effect Joel and Luis have had on this scene in such a short time.

Favorite Tracks:

Upir (remixed by NITE) – Damn this is gorgeous. This slow drifting synths remind me of a quiet corner in a buzzing high energy club. The beat then kicks in with a lovely synth line. Just such a bold shift from an already amazing song. This is the most I can ask for in a remix. I true homage while breaking a new vision.

ShadowsMatte Blvck remix – Shadows was the song that started my deep love of Twin Tribes. It holds a very personal place in my heart. To have it transformed in this way and still hold such an intense emotional impact is something glorious. This is that secret cult but no longer around a ancient tree but now in a lush modern club. Full of velvet and burning incense. A beautiful and dangerous collision of past and future.

Overall Impact: Generally speaking I am not a huge fan of “just remix” albums. I really love remixes included with an EP or something fresh. However as is often the case Twin Tribes have become the expectation that proves the rule. They took songs I love and collected most of the top names in modern darkwave. If you don’t know some of the bands here, you need to let this album lead you back to them. It’s very accessible and has a nice variance of sound. General fans will enjoy, fans of Post Punk/Darkwave will love.

the DramedyAnd The Light Goes White – New album from Dave Dramedy, who I recently saw playing bass for Caroline Blind in Detroit. This was a strange and experimental album that never left me bored. Dave surely has a power and range to his voice that rides the line of Mark Burgess and Iggy Pop punk edge. I really like the blend of rhythmic acoustic and harder driving bass guitar sounds. This is an album that grows on you. It seemed to get better with every listen. Like a favorite film where you notice a new detail every time you watch and always feels fresh.

https://thedramedy2014.bandcamp.com/album/and-the-light-goes-white

Favorite Tracks:

Parasite: It’s hard to put my finger on it. The inflection in the vocals. The ring of the drums. The chopping downward acoustic guitar. This song although having a very dark edge, carries a vibe of 60’s Height Ashbury psychedelia. Of the Mamas and the Papas. It covers a lot of ground stylistically. The vocals are full of piss and vinegar for how beautiful and resonant they are. This song is a jam that is hard to place in the box. Other than the box of I love this fuking song.

What’s left To Say – Just stabbing sun shard energy right out of the gate. Total bop feel with flaming guitar lines, biting vocals, and late 90s Brit Pop hooks. I just couldn’t stop my leg shaking on this one.

Overall Impact: This album is so full of twists and turns. A definite nostalgia feel, as well as a region one. I really felt the California connection in every song. I think this record is very accessible despite the complexity. It is a hard sound to describe but if The Church were being yelled at by Iggy pop to stop changing time signature and just play bops. That’s what I feel.

Christian DeathSpectre (Love Is Dead) Kill Shelter Remix – This song is a classic. Probably my favorite CD track. So how do you re-imagine something iconic? Give it to Pete Burns. Pete is such a master of the sonic scalpel cutting away tiny bits until you are left with such a precise and streamlined modern wave beam. If I had it in my heart to toss a grenade over my shoulder and purposefully stroll from a collapsing building, this is the track I want playing. It’s pure energy and dangerous intent. 10/10.

https://christiandeathrozz.bandcamp.com/album/spectre-love-is-dead-kill-shelter-remix

Overall Impact: Everyone will love this track. It’s very fresh, it’s very way back. It’s just a slamming banger from start to finish.

Deadlight HolidayBlood // Body – Our dear friends from West Michigan uncorked this badass single with some slamming sounds of Nu Metal and sizzling tempo Stabbing Westward vibes. Great production in the breakdown swirl. Loving these scratchy tear your head off vocals blistering past the crunching guitar. Also a gasoline covered dead man’s dance remix by Angelspit. I sense big things on the horizon from these young folk and I look forward to sharing a stage with them again soon.

https://deadlightholiday.bandcamp.com/album/blood-body

Raichyl SinversaYou Tell Me (Re​-​Mastered) – Remastered single from Raichyl of Philly. This is a nice crooning darkpop head bopper with an empowerment edge of 90s grunge. The guitar work is napalm scorched earth to contrast the lovely lifting vocals. A little bit of southern sass in the tone puts a nice edge to this “I’m not falling for your shit again” boot stomping driver.

https://raichyl.bandcamp.com/track/you-tell-me-re-mastered

Aesthetic PerfectionAutomaton (feat. Sebastian Svalland) – Ok I have a confession that will not win me any goth points. Aesthetic Perfection sort of happened right in the moment between when I gave up on discovering new music and the time I listened to nothing but. Daniel Graves has become a leader of the modern dark scene for a reason. So getting to hear this new single without much context is a really interesting way to stumble into the band. This track is a bop. With firecracker exploding chain guitar work by Sebastian Svalland. It is also produced by Front Line Assembly legend Rhys Fulber. So I went in blind expecting cold razor precision on the production. Which is exactly what I got. What I was pleasantly surprised by was the range and voice charisma of Graves. It oozes with thick viscus grime and light footed cadence that keeps the energy constant and focused. The song also gives a tight compressed poetry of lyrics that convey a relatable idea in the modern era without an abundance of words. There is a special anticipation when you discover a band with a rich history later in their career and get to work your way back. I may have to do some of my reaction videos to some Aesthetic Perfection classics. Put your favorites below in the comments. Also buy this track immediately because it is a slam.

https://aestheticperfection.bandcamp.com/track/automaton-feat-sebastian-svalland

Redwing Blackbird: Fire Cleans Everything EP 

 Fire Cleans Everything EP originally released on Election Day (11/04/2020) immediately grabs you with a sense of the tension across the U.S. in 2020. 

The opener and title track Fire Cleans Everything the sophomore release from Redwing Blackbird (Denver Based Band, by way of Phoenix, AZ) picks up almost as soon as the song starts with the steady rumble of the drums and driving bass line that, just as easily could have been released in 1984 as today to be answered in turn by the slow whining drone of the guitar.

Paul Bakers vocals on this release reminds me of the first time experienced Red Lorry Yellow Lorry’s Nothing Wrong. 

This screams post punk protest music with the restraint of a stalking jaguar as Paul Chants, “FIRE CLEANS EVERYTHING”

This momentum continues on in the liquidity psychedelia of Space Bridge. Something in this track pulls in thoughts of cult band Slint’s  Album Spiderland. 

Powerful yet just understated enough to become a cult classic.

RW/BB bring things down a notch with Rake, a down tempo neon ballad laced with the echo of western guitar. This track exposes so much aurally that the story becomes visual, as Paul crones Well I use to wake/ Run with the moon/Live like a Rake in such a way that could have just as easily come from the mouth of Nick Cave or Michael Gira, and take you on a journey down the highway heading away from the chaos of the city, even if it is just for a moment in a seedy hotel

.

Closing this brilliantly composed EP is the chillingly upbeat yet apropos Guillotine, bring me right back to that Red Lorry Yellow Lorry experience. The smell of decaying card board of the Used Trax, and the head phone encapsulating me in some dark embrace that will last for years. 

This is a modern Post Punk Classic in Waiting.

Redwing Blackbird (bandcamp.com)

Images courtesy of Sarah Martinez

Sing Me Songs That Make Me Feel Something

Red wine and a shining moon. Here I sit once again after a long and chaotic week. I reach out for the solace of other peoples dreams and thoughts in music. The world is waking up from a long nightmare. The scene is wonderfully awash with exciting new talent and ideas. Here are some of the glorious sounds I am hauling into my boat.

ChiasmMissed The Noise – Always excited to see amazing art created by a fellow Michigander like Emileigh Rohn. This album is arranged by legendary producer John Fryer. There is nothing better than two top talents forming a bond and producing something better than the sum of the parts. Emileigh has a voice that gives you a gut punch of energy with every phrase. This feels like the montage scene in a film where our heroine levels up her power. It feels like actualization with every electric build and feint. The music is so finely honed, each song a story that digs it’s hooks in and allows the charisma of the vocals to shine like a beacon.

Top Tracks:

Noise – The glorious workout of crackling electric light. This song just blasts in wave right out of the gate. The vocals are power animal bright light. If I had to pick one word to describe, inspiring.

Missed – A total shift to darkpop drifting glory. The opening chimes and quacky sounds. I think you strangled my sweet mind. This is such a dynamic and visual sound. Windblown flowing silk in a posh apartment watching the worlds spin past. This song really puts on display the powerful teamwork of these musicians. Again with the powerful mantra of self actualization. Those deep vocal contrasts really add a noticeable line between the experience and viewpoint.

https://chiasm.bandcamp.com/album/missed-the-noise

Overall appeal: This is a album for everyone. It has lots of delicious pop and feminine power with an expert craft and emotional energy. Highly recommend.

Hide Tepes/ BlakmothFilther – The back and forth rocking sonic duel of our own Hide Tepes and Maryland’s Blakmoth. A wonderful collaboration of oily sonic darkness. There is a wisdom achieved at a certain point in life where you realize you can no longer walk the journey of those making music at the absolute cutting edge of modern music. If you listen though, you still know when you hear it. That difference when someone is truly taking the adventure for you and exploring new and terrifying ground. That’s the feeling inspired by this subtitle and and creeping Synth driven psychological terror. It’s music that grabs your hair and smashes your face in a mirror. Leaving you exposed to gasp at the bloody mess and the terror in your own eyes. This is not a casual listening album. It’s a test of your empathy and fortitude.

https://blakmoth.bandcamp.com/album/filther

Overall Appeal: This is not a pop album for easy listening. It’s a blending introspection of abstract thought and feeling. Enter at your own risk. If you do find yourself of a courageous heart and an open mind. This is the cutting edge music of tomorrow.

Nuclear*SunCouldn’t Have Said It Better Myself – So cover albums are a tricky thing, often you are getting someone at a lower experience level trying to find new space in an established song that meant something to them. Tal Kliger has brought a talent and hungry energy to covers of friends as well as inspiration. The overall sound razor skates that place between EBM and Industrial with a highspeed light footed agility. Bouncing vocals skipping between a growl and a ringing clarity. You can really hear the love and devotion to the musical process in these tracks. it’s blazing heat and energy that captured me and left me hungry.

https://nuclearsun.net/album/couldnt-have-said-it-better-vol-1

Top Tracks:

February War – A cover of Rabbit Junk. This was driving punk rock stinging beats and glitchy vocals. Stabbing and edge of control flavor. I love the guitar bends and smashing drums. A poignant assault on the senses and emotions.

Insurgence – A cover of Sean Payne but with smashing and razor sharp execution. Grab a bat and start smashing. Hard leaning Front Line Assembly vibes full of high concept and obliteration. I loved the parking lot fist fall energy and dark streetlight tone.

Overall Appeal: If you like it hard and nasty with a familiar feel this is your jam. Fans of Industrial/EBM/ Metal edge will find red burning glory here.

Bow Ever Down Lost In The Woods Kimberly Kornmeier sizzling darkpop from 2020 which left me swaying and captivated. The synthy star sparkle spins are a wonderful atmospheric journey. Their voice is an icy and bracing powerful clarity. They have a honesty and power that rings forth with every delivered line. It’s vulnerable and indomitable at the same fine. The music has a soulful and serious tone. A shattering crystal castle of faced disillusionment growth and regret. I also love the use of samples to set stories that allow the vocals to show the emotional range of the story portrayed.

https://boweverdown.bandcamp.com/album/lost-in-the-woods

Top Tracks:

Bury my Body – This song is full of that glorious smashing glass effect. It’s as beautiful as it is cruel. A challenge with sharpened blade to anyone that would dare step inside this protected circle. Kimberly’s voice is emotive and clear as ice.

Grey – More raw wound self introspection. Intense and powerful vocals delivered with beauty and subtilty. The concepts are timeless and modern. “I’m a monster and I’ll kill you from the inside out”

Overall Appeal: Definitely pop hook appeal. Definitely has soul. A nice organic quality added by the vocals. If you like darkpop with a strong female protagonist these are stories you can relate to and drive down a dark road summoning your strength.

A Cloud of Ravens Another Kind of Midnight – New album from Brookland band ACOR, which has left me immediately captured and ready to dive into this deep pool. This record is a perfect blend of the homage to the past and the modern construction of the future. Well deep power and resonant vocals carry these stalking shadow woven songs. It’s concrete wilderness and Peter Murphy poetry. Ringing guitars and driving basslines carry a heroic journey through a desolate land. The power of this story is to make the situation always seem so bleak but leaves a glimmer of hope in every song. We have an interview coming out soon that provides a glimpse behind the curtain to this emotional hand quivering delivery.

https://acloudofravens.bandcamp.com/album/another-kind-of-midnight

Favorite Tracks: All of them

Overall Appeal: Fans of old and new school goth will find a beautiful blend in this release. I feel into it’s grasp deeply and had a huge replay factor.

Mark E MoonOld Blood – Old and sinister music and vocals from Cold Transmission and the Isle of Man. I have been a fan or Mark E Moon for a while but this new record is a huge step forward in shadowy transmission and feeling that rips open your skull and pours raw unhinged emotion directly to your mind. It’s stomping, unforgiving and full of truth. I picked this record up and couldn’t find a way to put it down. Released on April 2nd you can get two tracks now with preorder. It has a sense of poetry and theater that has been lacking in the modern goth scene. It rides the line between beauty and grit. I can’t remember the last time I heard a band take such a monumental step forward from a previous album I enjoyed.

https://markemoon1.bandcamp.com/album/old-blood

Overall Appeal: Huge, if you love goth and darkwave this is exceptional execution with poetic and romantic lyrics. It’s fresh and furious with driving guitar lines that set a standard for future genre releases.

Ash CodeFear – Dark and dangerous new EP from the always impressive Italian act Ash Code. More racecar raw energy and city slick metro tone. I also feel a lot more edge in these tracks that the warmer synthesized last release. This just dropped yesterday and already is calling to me for constant playtime. Wonderful blending of vocals and sound. I hate to use another car metaphor but when you have a perfectly tuned engine and everything is humming just right. That is the sense of craftsmanship and streamlined beauty of Ash Code. The movement and transitions are effortless and graceful. It’s an effect that feels perfect in a club or at home over a bottle of wine. On top of that they pulled out all the stops having the songs remixed by top name artists like Clan of Xymox, Molchat Doma, and Forever Grey.

https://ashcode.bandcamp.com/album/fear

Favorite Track:

Indifference – Beautiful whispered vocals behind rapid fire heavy bass line. The rising synths are walls of color on a grey ground. I find myself getting lost in the beauty of construction. Listening to Ash Code makes me feel cooler than I am. That’s the true power of this band. To transfer some of their effortless appeal just by listening.

Overall Appeal: Immense, this is for fans of Post Punk/Darkwave/Synth but really has a relatability to fans of any dark music. It’s just well done. This is a band at the top of the game in their genre.

Voyna – “The Cinvat Bridge”

In 2019 I took a life changing trip to Berlin where I learned a lot about myself, another culture, and music. I also started a love affair with one of the most underrated post punk bands in the modern scene Golden Apes. Peer Lebrecht has one of those few in a generation distinctive voices with an amazing ability to convey emotion and paint pictures in a listeners imagination. We can all look forward to future Golden Apes releases, in the meantime Peer has ventured into other soundscapes with the solo project Voyna. This album is a departure from GA more synthy darkwave sounds and bring a spotlight to Peer’s voice with an expansive alternative rock backing. Always one for metaphor in his poetry “The Cinvat Bridge” or bridge of judgement was a mythological passage which separated the land of the living from the dead. The album releases 3/21/21 but I was lucky enough to get an early glimpse. You can pre order in the link below.

https://voyna-official.bandcamp.com/releases

VOYNA – music & words
Thommy Hein – Guitars

Guest:
Denis Ivanov – Additional Guitars
Marita Volodina – Vocals

Peer

Standout Tracks:

Provenance – Opening with a walking bass in tiny footfalls. Two winding reverbed guitar lines building into a synth line of pure light. The the drums sizzle to the forefront. Masterful craftsmanship to create the tension and set the perfect opening for that dark chocolate and black coffee voice. As Voyna sets the scene of this desolate house everything comes to a crescendo just before it is stripped away to that simple intro bassline. Already I am plunging into these icy waters headfirst.

Refraction – A brighter striking tone to get the energy pumping. Peer goes into a a higher sharp edged register. I love the way we are already showing the range in styles that seem to be going so many places, none of them Golden Apes. The breakdown here is a spiral that just stops time and stretches that lovely hook chorus into infinity. Then the time cuts and a rush of energy sends you galloping into the close.

The Sky And A Grain – Wow this is a gorgeous new wave vibe with tones of Flock of Seagulls , Echo and the Bunnymen, OMD. Basically this is the prom song of a John Hughes movie that was never actually made. Just a rushing wind racing hook. I love the distortion effect on the chorus vocals. This is a total banger.

Fractal King – Another huge sound shift. This is a smoky lounge at 2am. Walking bass and tremolo Twin Peaks vibes. Filthy intentions and slow sultry danger. “I’m bleeding from the heart, from all the pain in me, I’m sinking like a stone for all the pain in you”. The ending of this song is gut wrenching and visceral.

Golden Apes unforgettable album KASBEK from 2019

Overall as much as I am impressed by all the things The Cinvat Bridge is, I am equally moved by how much it strays from Golden Apes. It spans a journey of eternity walking down this bridge and touches on so many aspects of the human experience. Peers voice is the unmistakable star of the show, but these songs are so lovingly crafted and brimming over with emotion and higher artistic concept. A surprise early contender for album of the year and it doesn’t even release until March 21st. You need this in your collection.

Enter Camlann – review by Victoria Spungen

The most invaluable attribute of an increasingly global community is the discovery of our shared – and often, surprisingly unified – experience of the world.  Even as we languish through the isolation imposed on us via a global crisis, we can reach across vast expanses, foreign borders, and cultural divisions to find that, ultimately, we have more to connect us than we have to separate us.

Hence, the uniquely relatable Indonesian three-piece, Camlann, and their 2020 studio album, the aptly titled The Forgotten Lost Fragments. Listeners will find themselves immediately transported to the soundscapes of their misspent youths, with authentic, vintage-feeling grooves that harken back to the New Romantic golden age of the genre.  The songs feel familiar and oddly comforting, yet spiked with a dose of the unexpected, an added ingredient that lifts the recipe.  

https://camlannmusic.bandcamp.com/album/the-forgotten-lost-fragments

Namely, the most novel feature of Camlann’s sound is vocalist Ony Godfrey’s haunting tone.  Often acting as a rhythm instrument, the vocals will then suddenly take flight and soar above the surrounding backdrop, calling to mind the heady, bright tone of crooners like Jeff Buckley and Rufus Wainwright – but stripped of pretense and glamour, and flooded with simple, refreshing sincerity and a distinctly feminine nobility.  One feels less that they are merely listening to an artificially-cultivated performance, and more that they are sneaking a peek into a carefully-guarded diary.

Hummable tunes are augmented with classic, almost Santo and Johnny ‘Sleepwalk’-style guitar melodies – also Godfrey’s contributions, creating a dreamy lightness over the solid fabric of the drum-and-bass combo.  The arrangements are straightforward, but layered and colorful, employing unique effects and pleasantly disorienting quirks, provided by bassist Bayu Triyudanto and synth/keyboardist Fauzan Pratama.  

The 10-track album is a much-needed lesson in brevity; Camlann has a knack for knowing what they want to say, and being cleverly succinct in their approach.  There is no wallowing or luxuriating in the mire here; the songs are considerably brief, most of them having gotten their point across in less than four minutes, with no need for further embroidery or gilding the lily.    The charming, palate-cleansing sorbet of ‘Il Prologo’ clocks in at just 45 seconds, but its impact is effectively made, and the album wouldn’t be the same without it.  

Standout tracks include the title track, which artfully drops the listener into Camlann’s world and sets the stage for an introspective, intimate drama.  ‘What’s The Worth Of Living’ employs a lilting, rolling guitar theme that brings Camlann’s genuinely skilled musicianship into sharp focus.   ‘Father Johannes’ sails in on the wings of a sweeping, cinematic theme to introduce the album’s eponymous central character, a mysterious figure whose headstone graces the memorable cover art.  ‘The Ballad of Us’ provides a subversive twist on the notion of a conventional love song, with Godfrey’s vocal prowess on full display, grounded by the staccato heartbeat of a string quartet.  ‘New City, New Hope’ positively shimmers with its many layers and sophisticated arrangements, peppered with an exuberant horn section that feels right at home among the album’s vintage-seeming accessories. 

Formed in early 2019 by a trio of Jakarta middle-school students, this often surprising outfit also includes their own producer, Chariszan, and a co-songwriter, Arachne – both of whom share the distinction of their bandmates of being under the age of 17.  Rare as it seems to encounter a young band with such a direct focus and clear intention, Camlann are proving that the upcoming generation has their own perspective, and plenty to say.  I had the fortune of speaking via email to vocalist/lyricist Ony Godfrey about the band’s history, inspiration, and point of view.

Sounds and Shadows: Your enigmatic name is both mysterious and memorable.  How did you arrive on ‘Camlann’?

Ony Godfrey:  Camlann’s name comes from the well-known Arthurian legend, specifically from King Arthur’s final battle, “The Battle of Camlann”. I and Chariszan thought that we wanted to find a name that is easy to remember by people, and has a connection with legend or myth, so we chose the name Camlann.

S&S:  How did you find one another?

Godfrey:  In early 2019, I started posting covers of my favorite songs from my favorite artists (mostly The Smiths and  Joy Division) on my old Instagram account.  Somehow, this attracts Chariszan’s attention, and she asked me if I wanted to make a Post-Punk/New Wave band with her.  So I said yes, and that’s how Camlann was born.  It was never really taken seriously by Chariszan and I, before I graduated from middle school and moved to a public school in Jakarta, and met these two boys who later will be my closest best friends.

Around September 2019, my classmate, which is Fauzan, asked me if he could join the band as the synth player and composer.  He told me that he’s a massive 80s New Wave/synthpop enthusiast and wanted to play in an 80s synth-dominated band.  So I said yes, because we have the same interest in music and because he’s a very gifted synth player and composer.  After that, Fauzan asked his friend, which is Bayu, if he wanted to join the band to play bass.  So there you go, that’s how it all started.

S&S:  What inspires you, and your sound?

Godfrey: I got inspired by a lot of things, but mostly by some real events that [are] happening in my life and some important events that happened in this world in general.  I got influenced a lot by Morrissey’s songwriting since the very beginning of Camlann until this day.  It’s funny to see that some people thought that these dark, depressing, and melancholic lyrics are based on my life, when in fact it’s all fictional and based on my imaginations.  Well, most of them are inspired by some real events in my life, but I twisted those actual, real events into something fictional and mostly dramatic.  I took these realities as a ‘host’ for these lyrics, and [I] twist these events into something fictional, dramatic, and definitely not personal.  I love using real events in my life as a ‘host’ for these melancholic and gloomy lyrics, haha!

S&S:  What turns you on, and puts you in your creative mindset?

Godfrey:  I really love to add some religious and historical elements in my music.  I was born from a non-religious family; my parents are Protestant, but not religious at all.  But then one day, a life-changing experience happened in my life.  I felt the presence of God, and I started to buy a bible from a local bookstore near my house and learn Catholicism all by myself.  A year later, I got baptized as a Catholic and I’ve never been happier in my life.  Since then, I’ve decided to include some Catholic references in my lyrics.

All of us are massive lovers of the 80s, especially Fauzan.  So then we decided to create our own universe for our music, where in that universe, we’re living in the early 1980s.  That’s also the main reason we take a lot of influences from 80s popular culture and sounds for our music.  Fauzan’s presence and contribution in this band is very, very influential and basically, without him, Camlann would never have this current sound.  So we owe him A LOT, and I feel like he’s very, very underappreciated when in fact, he’s the main composer of this band.

S&S:  What turns you off, and how do you reinspire yourselves?

Godfrey:  The struggle of mixing our influences into our music would be the main reason.  I got influenced mostly by The Velvet Underground, The Smiths, Stevie Nicks, Fleetwood Mac, Emma Ruth Rundle, Russya, and Xmal Deutschland.  Fauzan was influenced mainly by Alphaphile, Depeche Mode, Soft Cell, Suicide, Donna Summer, and Molchat Doma.  Meanwhile, Bayu was influenced mostly by The Cranberries, Hole, The Doors, and Joy Division.  Sometimes, we struggle on mixing these various influences to Camlann’s typical sound, and it took us almost a year to find our own sound.

We usually reinspire ourselves by brainstorming our different influences together and sharing new music that we have just discovered lately, and then starting on gathering these new ideas into one unity.  You will definitely hear this new sound of Camlann in our upcoming album, ‘Circa 1983’; this album is a fresh start of Camlann’s sound and image as a band.  We will definitely go in this direction from now on – a ‘Dark Disco’ band, a mixture between classic disco and 80s synthpop/New Wave sounds with modern Darkwave sounds.

S&S:  What would your listeners be surprised to learn about you?

Godfrey:  We’re definitely just some random high school students with their own life interests and their own dreams.  We are definitely not ‘dark’ or ‘gloomy’ when we’re not being these images we play in Camlann.  We just happened to play in a dark disco band – that’s why we look gloomy and dark in our band pictures, haha!

Also, I’ve heard many people think that I have a deep voice.  But actually, my talking voice is quite high-pitched.  That’s why my father got really shocked when he heard me singing for the first time!

* * *

It may seem counterintuitive to imagine steel-gray, 1983 Sheffield skies scattered over wet cobblestones when one is listening to an Indonesian synthpop trio, but it is exactly Camlann’s relatability and reverence for their influences that makes the music feel mature and expertly crafted.    There is common ground to be found here, freshly updated and uniquely flavored with subtlety and precision.  Encapsulating a wide spectrum of genres and techniques, Camlann are proving themselves to be one to watch as they continue to develop their sound.  The Forgotten Lost Fragments feels like poring through the memory box of an intriguing stranger, where one finds  treasures that reach across time and borders to become cherished once again.

It’s a small world, after all.

– Victoria Spungen