The End Is Here : Final Bandcamp Day Of The Year [2021]

Dear friends, foes, living and dead, we have arrived at the final Bandcamp Day of the year 2021 and the Holidays are approaching. Ken and I, hope you will consider perhaps purchasing some of the many great releases we will recommend below or perhaps a piece of merchandise, either for yourself, as a gift or simply to support some of your favorite artists.

For this article you will receive recommendation from both myself (Hide) and Ken, I`m sure the result will be a great and varied one that explores several of the many corners within the broader alternative music scene.

Confession from Ken: Hide had his portion ready to go, and I was late on completion. So my part was written after Bandcamp Day, but these are all artists I picked up and loved. I hope you find something that speaks to you.

LONG AFTER MIDNIGHT – FALLING AWAY

The latest single from Long After Midnight is a wonderful piece of melodic industrial rock chock full of interesting and intriguing sections throughout the 4 minutes and 10 second run that at one point even features a saxophone. LAM previously released theirPainkillerEP in April and this single is the perfect follow-up.

https://longaftermidnight.bandcamp.com/album/falling-away

SOFTCULT – PERFECT BLUE

Those who know me may be a bit surprised at this one but if you were under the assumption of that Im only capable of enjoying some sort of avant garde noise music you are gravely mistaken. Softcult came to life during the 2020 lockdown and has produced an EP as well as several singles that are all worth checking out since then. Perfect Blue is the latest offering and quite honestly , at least for me, their best one yet. This one has been on endless repeat all day long and each time it ends Im left wishing it went on for just a little longer. The instrumentation is addictive and beautiful and melancholic all at once, the lyrics contain feelings Im sure we can all relate to at various points in life in different ways. Im not sure how to sell you on this or what to say here, just hit the goddamn play button.

https://softcult.bandcamp.com/track/perfect-blue

-ii- – EXTINCTION

[ Pronounced as “Two Eyes” ]

Extinction is the debut album from -ii- and it is wonderful. Following an EP and handful of single releases this album is a perfect continuation and progression that builds on the strengths of the previous outputs. Each song flowing beautifully while retaining their identities as individual compositions with haunting dark electronics and fantastic post-punk esque guitar moments such as the intro to second track “The Rings Of Saturn”. If you listen to only one of my reccomendations I hope it`s this one.

https://iitwoeyes.bandcamp.com/album/extinction

DHI – THE IDIOT PARADE

DHI came out of hibernation, breaking 22 years of silence to bring out this politically aware, dirty, gritty little EP. Absoloutely the right decision if you ask me. The EP features three songs with an additonal three offering alternate versions and mixes. This one is definetly right up the alley of anyone pining for grinding industrial beats with something to say.

https://deathandhorrorinc.bandcamp.com/album/the-idiot-parade-ep?from=hp

DIVINE SHADE – IN THE DUST

Divine Shade crafts a seamless blend of industrial and post punk, ethereal synth sections clashing with hard and distorted sound design with big booming vocals is the first thing to greet you here, the final track offering a nice contrast n the form of an almost americana sounding duet featuring Scampi. Beyond the EP I`d also want to point out the recent double single release featuring two remixes by Chris Vrenna [NIN, Manson etc].

https://divineshade.bandcamp.com/album/in-the-dust

ODDKO – SIREN SONG

Released on Black Friday, Siren Song offers social commentary regarding our material world where our obsession with purchasing endlessly is likened to being lured to certain death by a siren taking the shape of sale signs and discounts. On top of that it`s also a great piece of industrial rock with a well executed aesthetic identity overall, though I suppose that should come as no surprise given that band leader Giovanni Bucci is an award-winning visual director.

https://oddko.bandcamp.com/album/siren-song

CROWN – THE END OF ALL THINGS

Taking their cues from the likes of Killing Joke, Ministry and Godflesh, the French industrial duo known as Crown brings a bit of a surprise with their second album The End Of All Things, presenting a much more melodic side than the heavier, screamed vocals of 2016s Natron. Now, misunderstand me correctly, Im not saying this is not a heavy or atmospheric album. It`s more so a different shade of black if you will.

https://crownritual.bandcamp.com/album/the-end-of-all-things

DECENT NEWS – TELEVISUAL

For my final entry I present to you the latest EP from friends of S&S : Decent News – Televisual. Consisting of two new tracks and three covers, the title track being one such cover originally by Танцы На’s ‘Телевизионный Снег the EP brings all the weirdness and humor and heavy guitars we`ve come to love about this ridiculous group of guys, they are indeed my favorite boyband.

https://decentnews.bandcamp.com/album/televisual

Before I let Ken take over I d just like to add one little thing for you to consider: While the concept of Bandcamp Day is great and all intent of the audience as well as Bandcamp itself seems good willed, artists will not be upset with you for purchasing their music and/or merchandise on other days, artists require all the same things that you do everyday be that support or extra cash. A great amount of releases are available as “Pay What You Want” or feature the option to pay more than the initial asking price, if you`re able to throw a few extra dollars in there regardless of the day and date it will always be appreciated and will always help out immensely.

Hide Tepes

AngelspitDiesel Priest – Well this new Angelspit album is not pulling any punches sonically or politically. Zoog Von Rock has returned with an army of cyborg technicians of revolutionary destruction. Stomping machines of punk rock anti establishment zealots rolling on tank tread speed. It always leaves me stunned how something so fueled by chaos can fit in such a tight refined space. With every building track you never know where the creature will go next or who will be brought down in the explosion. I think the greatest power here is how the lyrics effect 16 year old me as long as 44 year old me with both the passion and intelligence. This album is an experience that hits on so many levels.

https://angelspit-official.bandcamp.com/album/diesel-priest

Composition, Production, Lyrics and Vocals: Zoog Von Rock; Additional Vocals: Brian Graupner (Gasoline Invertebrate), Imogen (Miss Ballistic), May May Graves; Melody Lynn (Queen of the Static Opera); Additional Vocals: Roxy Von Rock and Tiger Kitty Hell (Miss Ballistic); Queen of the Static Opera’s vocal engineer: Disraeli Davis; Mastering: David Walker @ Stepford Audio Mastering; Guitars: George Bikos and Graeme Charles Kent; Computer Construction: Brett Welsh, Sean Moriarty and Michael Stults; E-MU TRAINERS: Trevor Brown, Thomas Horst, Geoff Raye, Larry Kleinke; Additional Samples and Loops: Adam Newman (lab4), Paul Segovich, L. McDonald of Worgor, Cassie Owens.

Favorite Track: Stand In Line – So smooth and sharp the cutting drums and furious cadence. Spinning Zamboni blades of death sliding across the ice. Throwing barbs at the interest elite system holding down any chance of equality. There are songs that musically hit harder, but something about the lyrical delivery and clean angles absolutely captured me.

SlighterThe Void – I continue to be impressed by LA song crafter Colin Cameron. He takes an approach to music akin to graphic design. Every weighted aspect seems to bring contrast and focus to both the positive and negative space within a sound wave. This track is the perfect journey track to travel the stars on an extended tour of the universe. A hit of peace, a hint of madness, drifting into the beyond behind the hum of subspace engines.

https://confusioninc.bandcamp.com/track/the-void-edit

SØLVEthe negative – Reissue of Brant Showers amazing 1st album on Re:Mission Entertainment. An introspective internal electronic prayer of slow creeping thought puzzle twisting through the miasma of the ether. A sensory impression of journey and calibration with textured vocals and emotional discourse.

Favorite Track: For Worse – A crackling transmission floating through times with ringing bell chimes, dissonant dark tones. Great use of rise and fall to pave your way through an artists mind.

the negative | SØLVE | Re:Mission Entertainment (bandcamp.com)

HAEXAethyr Abyss Void – Pre Order release due out 12/18/2021 this is one of the meanest chaos cannon grimy warehouse fireballs I have heard in a long time. A forceful ritual of madness and terror pop sensuality. This is the soundtrack to your next Hellrazer Barker themed dance party. Inspired wall smashing guitar work and apocalypse chant vocals. I want more and want it now.

https://haex.bandcamp.com/album/aethyr-abyss-void

Immune SystemI Predict – Our friend in South Dakota Todd Ruzicka brings this blazing cover of the Sparks classic. It has that same electropunk disco feel but with sharper edges, harder hits, and dance floor ready morningstar swing. I love when a cover is a great homage while making it their own.

https://immunesystem.bandcamp.com/track/i-predict

Who is the Next Wave of Industrial/EDM Making My Gears Turn and Glitch

In my youth I didn’t really have a punk rock phase. My angry phase was Industrial. Ministry, NIN, Skinny Puppy, Test Dept, KMFDM, Die Warsaw, Lord of Acid, Neubauten, Front Line Assembly, Front 242, Leatherstrip, Chemlab, were the fiery steam fire oily sounds that spoke to my soul. As time went on my anger and napalm softened and I moved away from this soul. In the past few years I have found myself rediscovering and broader and more intricate hard electronic sound. Here are some of the echoing booms filling my warehouse.

SpankTheNun: The Texas industrial sensation from Eric Hanes is bringing Industrial back to it’s early core. It’s catchy and dancy, with steel jaws of metal drive guitars and distorted growl. I love the clarity achieved through modern tech that takes the early feel and refines it into the modern expectation of laser focus. The new album out “The Bunker Tapes volume 1” is a perfect homage to the past with a fresh hypersonic spin.

https://spankthenun.bandcamp.com/album/the-bunker-tapes-vol-i

Stoneburner: Steven Archer of Ego Likeness started the project of to express a different aspect of his music. This is truly taking the concept of Industrial music into a higher form of evolving art. It’s high concept sci fi with tribal organic drum beats and lyrical poetry that pushes the boundaries of the human experience. The albums are ever evolving and are done with a vision. He also is a master of interactive experience and blending of visual and sonic art. Truly breaking ground for a new concept.

https://stoneburnerofficial.bandcamp.com/album/beauty-is-terror

GoFight: It’s hard to think of Jim Marcus as “new” Industrial. Die Warsaw was one of those early bands that taught me the idea of Industrial music could mean something more than macho angry aggression. A beauty and subtlety that made me dance and sing along with glorious pop hooks while maintaining that furious grinding filth. Jim continues to write songs that capture the mind and infuse the body with buzzing chemical energy. A relatable idea with sharp edges and teeth. One of those beautiful ideas that blends accessibility with higher thought. Jim has always been the cutting edge of Chicago Industrial and has not missed a beat. New single out Freestate is another masterpiece of technique and torr ant.

https://gofight.bandcamp.com/

I Ya Toyah: The one woman army from Chicago is a explosion of energy, love, and pain. It’s has a soul that really sets it apart from a lot of the genre. Ania has a voice and song writing style that captivates with it’s power and passion. The songs move with intention and the lyrics have a personal flavor that makes you a part of them. The live stage show is truly something to behold. She is a voice for the future of what electronic music is capable of.

https://iyatoyah.bandcamp.com/album/code-blue-album

The Joy Thieves: Another Chicago band ( A Lot of good Industrial came from Chicago). This one a super band helmed by Dan Milligan has brought amazing talents from several Industrial mainstays to ride that line between hard rock and industrial. I once describes them as Clutch beating the shit our of Stabbing Westward with a baseball bat. It’s furious aggression, blistering guitar work, progressive percussion, and napalm vocals. It’s a compilation of talent to rival bands like Pigface with it’s own organic concept.

https://thejoythieves.bandcamp.com/

Fee Lion: Another Chicago act with more smooth cold blue edges. A powerful and sensual voice with distinctive electronic dance club explosions. Very avant garde and and invasive. A true master class in how to use push pull dynamics to pull in your audience. Only a few releases so far but already setting the stage for a power player in the genre.

https://feelion.bandcamp.com/track/baby

Klack: Madison WI collaboration between Matt Fanale (Caustic) and Eric Oehler (Null Device) have formed up to make EDM for a new generation. It’s clever, conscience, and shoots a bolt of electricity into your spine that shakes that ass. The vocals are the perfect blend of both talents that brings the revolution and makes it fun. It’s an iron gauntlet in a velvet glove. Get Klacked and stay Klacked.

https://klack.bandcamp.com/album/two-minute-warning

Moris Blak: Boston MA, Hard EDM industrial is not here to take you gently into emersion. It is fierce and limb flinging excitement adrenochrome shot into your mind and designed to make you let go of all control. He also does some intense remixes and mind bending live shows. This is not a throwback sound. It is straight alien brain melt.

https://morisblak.bandcamp.com/

ESA (Electronic Substance Abuse) – The British master of EDM dance club excitement. When using bass beats like a sonic weapon it is a true challenge to construct ear worm melodies that cut to the forefront. This music is a virus that infiltrates every cell of your being and demands you dance. The newest album “Eat Your Young” also features the amazing Caitlin of the band Corlyx. Immersive filthy grinding dance beats that ride you hard and put you away wet.

https://esangp.bandcamp.com/album/eat-their-young-the-scorn-ep

Curse Mackey: – This is a scene veteran that has been a key member of one of the biggest Industrial bands Pigface. He has recently released his first solo album “Instant Exorcism“. Aside from the amazing vocals and pedigree of this record, I think what really moves me are the thought and poetry of the lyrics. This is truly and out of the box thinking persons Industrial sound. A must have.

https://cursemackeyngp.bandcamp.com/album/instant-exorcism

Silverwalks: Criminally underrated sci-fi electronic backdrop creator from Philly. This new single is “Lantern” is an absolute burner. One of those songs I can’t hit play enough times on. It has a true Gary Numan quality in it’s texture and flow. I loved it so much I had to have an Amaranth remix done. Transport yourself to an alternate sonic reality with this band.

https://silverwalk.bandcamp.com/

Melodywhore: This glorious electronic music wizard has forged really taken the old Industrial concept of collaboration. Blending a softer more passionate dance grime energy. Using a variety of musicians and vocalists. This latest track for BLM charities is beautiful and powerful. Giving voice to rage using an intelligent whisper.

https://melodywhore.bandcamp.com/

DEAD AGENT

Dead Agent is the solo project of Ed Finkler, also known as Funkatron.

Musically it leans more towards the EBM side of the spectrum but manages to do so without feeling like something we`ve heard a thousand times before during the last X amount of years.

While its mainly instrumental there`s heavy use of samples and other sound design techniques to create the illusion of vocals as can be heard on the track “Frentik“.

Ed was once part of the band Cult Of Jester where we saw him in the role of a vocalist fronting an industrial rock band so to see him return to music in such a different yet at the same time familiar manner is definitely interesting. Dead Agent is a project to keep your eyes on going forwards.

DECENT NEWS

From Connecticut we have Decent News who we have featured on the site before in various scenarios. They deliver a refreshing take on the blending on industrial and rock/metal. The guitar work especially stands out from the crowd as one can pick up on some clear early thrash metal influences at times as opposed to what has seemingly become the standard industrial guitar consisting of simply palm muting and tabs that look something like this: 0-000-00-0.

Having carved out their own sound they manage to evolve and progress with each release within the confines of their world which is quite an underappreciated talent.

VANITY KILLS

From the UK comes Vanity Kills delivering some dirty, gritty rock n roll with filthy, dripping electronics sewn in like a patch on a vest.

They wear their influences on their sleeve and take it all the way whether that be sonically or visually, yet also manage to do things their own way and leave an open wound on the otherwise often too mechanical world of industrial rock.

NOTHING VALENTINE

While Darrin Lewis may have spent years as vocalist for the metal/deathcore band Beside The Silence he’s now working under the moniker Nothing Valentine creating what I‘m tempted to call a blend of pop and industrial but still retaining the heavy element of earlier projects.

Debuting with the song #GothGirl almost a year ago, he later followed up with the politically charged track “Civil Unrest” which showed a thematically and in many ways musically heavier side to NV which might not have been according to the audiences expectations after hearing the more light hearted first single but this is exactly why he`s on the list. Expect the unexpected whether it be in terms of music or the overarching themes.

BLAKMOTH

Of course we have to include Blakmoth as we just did an interview with him.

Blakmoth creates what he refers to as “Doombient” consisting of heavy rhythmic drum work and droning ambient soundscapes all created with modular synths.

Having recently signed with Errorgrid Records and with a new release on the way despite having released “Deathshead” only a couple weeks ago Blakmoth is highly productive and is always seeking to push the envelope and challenge the audiences ideas.

I hope that with time well see more modular based artists pop up and break out of lighthearted bleeps and bloops for just a moment to explore the dark side of synthesis that Blakmoths music beckons us towards.

ECHO BEDS

From Denver, Colorado comes the duo known as Echo Beds with amplified oil barrels, broken tapes and generally less than perfect instruments they create noisy yet catchy and often strangely melodic tunes reminiscent of early Swans meets EBM or something along those lines. Visceral yet danceable, not too harsh for the new comers to the experimental part of the industrial genre but just enough to entice you to go deeper and explore a side of it which is often forgotten about these days despite being the source of the genre. This one is truly DIY or die voltage therapy.

CARRION

Industrial Rock isn`t exactly what Norway is known for musically although one might be able to draw comparisons between the early days of industrial and black metal in terms of extremity ,avant garde-esque tendencies and against the grain approach.

Carrion, lead by S&S writer Hide [Adrian Kjøsnes] blends elements of traditional rock n roll with a tad of 90s Nine Inch Nails style steeped in occult philosophy and mysteries.

Having just released the album “Testament Ov The Exiled” now is the perfect time to check them out if you haven’tt already to hear Hides most recent experiment mixing distorted guitars and modular synthesis into a blend of structured yet still chaotic noise and…Power ballads. Yes, you read that right.

MISSFIT TOYS

Having recently released the single “Blithe Din” along with a ton of remixes [Including Dead Agent and Decent News] this Florida based aggrotech band is perfect for those who love catchy synth lines that worms their way into your ear while banshee like vocals speak of biblical themes full of symbolism painstakingly researched for accuracy and adopted to whatever vocalist Richie V. Suriv attempts to express.

Having already built a following within the U.S alternative scene playing with acts like Psyclon Nine, Dope, Skold, Combichrist and more this is not one to miss, oh, and they`ve got their keyboards on a chain swingset 😉

https://missfit-toys.bandcamp.com/album/blithe-din

Zwaremachine: Loud and nasty from Minneapolis, this band is a grinding tidal wave of shrapnel and hiss. It rolls over you in slow driving sludge and flashing lights. Bringing gore and empty warehouse space into stark relief that transports you back to a 90’s rave in Detroit. Join in the chant and leave your inhibitions at the door.

https://zwaremachine.bandcamp.com/album/be-a-light-special-edition

11 Grams: The team up between Rob Early and Simeon Fitzpatrick that cuts the clean razors of electronic science fiction and dance club fury. This is two masters of production riding an electric wave of futuristic beauty and construction. It’s transformative and honed to make rooms sizzle.

https://11grams.bandcamp.com/

StatiqBloom: This New York band is frightening and cold. It’s movement is infectious but the tone is dark. A Sinister horror film brought to life. Definitely EDM dance movement but one that leaves you anxious and clawing at the wall. You can’t sleep because you can’t relax in this terrifying landscape.

https://statiqbloom.bandcamp.com/album/beneath-the-whelm

TH Inc: Chicago, Illinois Hailing from the beating heart of American Industrial music comes the sonic power house TH Inc. Electronic music pioneers Christopher Turner (of Nookleptia and the mixcloud show The Garbageman Show) & Robert Hyman (Drummer of Mr. Russia, member of Melter and owner of Lens Records) first came on the scene with the darkly haunting 8 minute “Drawstring” and the pair continue to dish out fresh dark DIY industrial reminiscent of Throbbing Gristle, Brighter Death Now, and the edgier side of COIL. If you missed out on or just miss the raw paranoid energy of early industrial and noise, but need a taste of something new, look no further. 2020 has seen the Release of 2 albums the gritty pulsing Circuit Flare, and the epic droning of The Tarkovsky Suites.learn more @ thincband.com

Bellhead: Chicago, Illinois Also from the land of WAX TRAX, this 2 Bass & a Drum Machine, Male/Female duo gave us their first taste of their mix of industrial sleaze with the thick dirty sound of “Fire Control“. Bellhead have kept it up with a hand full of releases including the 2020 EP “Unicorn Bones” and the Single “Sanity Assassin” an edgy in you face cover of the Bauhaus song.Keep you eyes on Bellhead, especially if you are a fan of the 90’s industrial rock style of Orgy and Snake River Conspiracy and even later Thrill Kill Kult.

https://bellhead.bandcamp.com/

eHpH: Denver, Colorado By now I am sure you have noticed we here at Sounds and Shadows are fans of eHpH and Bleeding Light Music in general. I feel I cannot say enough about eHpH, they come to the table with a fresh take on EBM and the darker side of synth driven industrial. From track to track you feel something that could have easily hit the dance floors of 90’s/2000’s goth industrial clubs and yet sounds strangely original. eHpH is that seductive dark stuff that draws you into this world.

https://ehph.bandcamp.com/