Time For The May 2022 Sounds And Shadows Darkscene Singles Chart

I continue to see the importance of putting out this monthly chart. One that is unique in our scene. I hope other people appreciate the songs chosen here for their quality. Every track here is voted on by Dj’s, Bands, Reviewers, and Superfans that represent the pulse of modern dark music.

  1. LeathersRunaway
  2. Black AngelLook Me In the Eye
  3. The Cassandra ComplexOld Boys Network
  4. HexHeartErase Yesterday
  5. Moris Blak/Daddybear/GrabYourFaceCrimes Of Passion
  6. VaselyneShame
  7. IamnooneThe Need
  8. Sever The ServantsGet In The Grave
  9. IamtheshadowRemind Me
  10. Kill Shelter (Feat: Agent Side Grinder)The Necklace

    LEATHERSRunaway – Another gorgeous smash hit from Shannon Hemmett of Vancouver. As part of the darkscene darlings Actors this synthy dreamwave project continues to grow and impress with every release. Masterful execution with a personal delivery.
Interview with Shannon of Leathers

https://leathers.bandcamp.com/

Black AngelLook Me In The Eye – We have an upcoming interview with LA transplant Matt Vowles about the band putting the rock back into gothic rock. I love this slow grooving The Cult style flavored single with some sinister smokey backup vocals from Manheesha Jones. Absolute banger.

Look Me In The Eye | Black Angel (bandcamp.com)

  • The Cassandra ComplexOld Boys Network -After 20 years the pre goth legends The Cassandra Complex dropped a new album and a scathing punk rock rebuke of modern post capitalism. This song has been sitting the top of the DAC chart as well all month long.
Interview With Rodney Orpheus

Old Boys Network | The Cassandra Complex (bandcamp.com)

HexheartErase Yesterday – Seattle WA sleek voodoo synth had this single to set the road for their 6/17/22 release “Funeral Flowers“. I love the smooth electronic soft serve retro feel. The lyrics have a wonderful Ducky in the rain poetry. This album will be a day one buy for me.

Erase Yesterday | Hexheart (bandcamp.com)

MORIS BLAK x DADDYBEAR x GRABYOURFACECrimes of Passion – Three heavy hitters of modern EDM/EBM who have teamed again to take our singles chart by storm. Each time they have gotten together it is an absolute banger offset by Marie’s crime croon vocals. This belongs on dancefloors everywhere.

Crimes of Passion | MORIS BLAK x DADDYBEAR x GRABYOURFACE | daddybear (bandcamp.com)

VaselyneShame (PJ Harvey Cover) – Early single release for the 6/3/22 EP “The Sea Says” is a cover of the mistress of raw alternative PJ Harvey. I love the percussive twang present throughout. The Dutch duo on COP International do a lovely vocal volley. I love the dusty humidity of the tone in this homage. Leaves me excited to review the album.

Shame (PJ Harvey Cover) | Vaselyne (bandcamp.com)

iamnooneThe Need – Lovely frostbite Italian disco. Subtle and unnerving it shimmers like blue hue glow across frozen water. An impressive offering from the Cold Transmission family.

▶︎ The Need | iamnoone (bandcamp.com)

Sever The ServantsGet In The Grave – Another song on this chart from the partnership of Hide Tepes and Mike Nolan on their horror hue nightmare fuel project on Produkt 42. Normally I don’t answer orders to jump into the grave soil, but this charismatic call gets under your skin.

Get In The Grave | Sever The Servants (bandcamp.com)

IAMTHESHADOWRemind Me – Another gorgeous underground bop from the best baritone in modern goth Pedro Code. The Portuguese darkwave act continues to be the flagship of Cold Transmission. A darkwood ship rising and falling on synthetic waves.

Remind Me | IAMTHESHADOW (bandcamp.com)

Kill ShelterThe Necklace ft Agent Side Grinder – Finally the eagerly awaited master producer and composer Pete Burns returns to form with a single from the upcoming July album “Asylum” using guest vocals from the Swedish Synth star Johan Lange of Agent Side Grinder. This is an emotional tidal wave and leaves me ravenous for the full release. Pete is a wizard of drawing the best out of already talented people.

The Necklace ft Agent Side Grinder | Kill Shelter (bandcamp.com)

If you have a single release in June 2022, or have one that speaks to you. Make sure to add it to our poll and make sure to check out and support the bands there.

Electronic Substance Abuse Roll Out Opulent New Record ‘Designer Carnage’

Electronic Substance Abuse (ESA) are among a short list of modern industrial acts that are consistently great, particularly with their most recent releases Burial 10, Eat Their Young / The Scorn EP, and the single “I Detach” coming within the last two years. Between the concussive snares, the powerful production, and the wide range of vocals – whether they’re provided by mastermind Jamie Blacker or by guests such as Caitlin Stokes of Corlyx – ESA is a project that rarely, if ever, misses. 

It is with this sort of reputation that the project sets forth its most recent studio effort, Designer Carnage, released on Negative Gain Productions on Valentine’s Day. Using buzzwords and phrases such as “modern decadence” and “be the envy of your peers,” the marketing for this album is on-the-nose anticonsumerism done ESA style. As part of the pre-orders for the record, they offered ESANCE, a line of cosmetics and wellness products that will shock your system and lead you into the new year looking and feeling your best, price tags be damned.

ESA might best be described as “progressive industrial,” insofar as the influences and the backbone of the album may change from track to track, or even multiple times within a track. This album’s opener, “Laudanum Dance,” is a prime example of this. It starts off with a build towards an aggressive, “sweep the premises” tone. The first half of this eight-minute saga feels like a nod to The Prodigy and the grungiest of UK house, before giving way to a dizzying piano solo by Frederic Scarfone. By minute six, we get a marching, stomping beat that lets the power this opening track has carry on through the ending.

We then get a dance floor destroyer in “One Missed Call,” whose first round of vocals come from a sampled voicemail from a very disgruntled woman. On one hand, there is something to be said here about “anything you say can and will be used against you,” particularly with the lines:

This is a message to stop you from getting far

Because no-one knows what I know and you’ll never be a star.

It’s a damn fun track, and it’s no secret why it was one of the tracks released ahead of the full record.

Then we get to the powerful, wub-heavy “I Detach,” which we got as a single last May. The jazzy little interlude might be a bit of whiplash for those unprepared, but it does help break things up with this limb-ripper of a track. The title track comes next, and if Jamie doesn’t play “I Detach” followed by this, I don’t know what he’s doing. These two songs are the perfect one-two punch and compliment each other so well. 

“Disruption Only” stands out for a few reasons, namely the symphonic and orchestral elements. The tempo gets turned up, but the three-note melody keeps things in EBM territory, albeit with a twist. It is a simple number, but it makes seven minutes (6:49, to be exact) feel like nothing. During the next song, “Come and Find Me,” I came to realize why there were so many big band, jazz-type moments in this album. Designer Carnage has a theme of advertisement, of unabashed entrepreneurship, and back in the day, commercials, especially radio or television, were whimsical while also a bit insidious. It is in this aggressive marketing (the industrial/EBM elements), paired with the whimsy (the big band interludes) where we get the duality of advertising.

Or maybe Jamie just makes good goddamn music and I’m reading into things too much. 

“Hyena” is classic ESA, with aggressive percussive elements and an overall tone that will turn a ravegoer’s brain to mush in the most fun way possible. This is perhaps the most club-friendly song on the record next to “I Detach.” “Whom Then Shall I Fear?” features the lyrical flow of Pee Wee Pimpin, and man, does his voice do something for this track. His flow is smooth, the low voice almost chanting over the production. It’s swagger but not to the point of self-parody. It’s aggressive to the point of believability. Burial 10 had its share of industrial hip-hop moments, but Designer Carnage has a hell of one with this track.

“Vast Accept” is purely hypnotic, the kind of track to put on and lose oneself to. The staccato strings and the glimmering synths over a pounding bass make for a dream of a song. The album’s closer “Saturnalia” may divide some folks, as it leans back on Blacker’s roots in the extreme metal scene. If you like the idea of industrial black metal (and lord knows I do), you’re going to love it. The first minute plus is blast beat o’clock, while things go in a more electro direction as the track progresses, all the way to an acoustic interlude around the halfway mark. We circle back to the black metal beginnings of the track as the curtain falls on this epic, spanning closer.

Is this Jamie throwing everything at the wall and seeing what sticks? If so, very little is falling off.
Surround thyself in only the finest of Designer Carnage by streaming and/or purchasing the album:

Sing Me Songs That Make Me Feel Something

Red wine and a shining moon. Here I sit once again after a long and chaotic week. I reach out for the solace of other peoples dreams and thoughts in music. The world is waking up from a long nightmare. The scene is wonderfully awash with exciting new talent and ideas. Here are some of the glorious sounds I am hauling into my boat.

ChiasmMissed The Noise – Always excited to see amazing art created by a fellow Michigander like Emileigh Rohn. This album is arranged by legendary producer John Fryer. There is nothing better than two top talents forming a bond and producing something better than the sum of the parts. Emileigh has a voice that gives you a gut punch of energy with every phrase. This feels like the montage scene in a film where our heroine levels up her power. It feels like actualization with every electric build and feint. The music is so finely honed, each song a story that digs it’s hooks in and allows the charisma of the vocals to shine like a beacon.

Top Tracks:

Noise – The glorious workout of crackling electric light. This song just blasts in wave right out of the gate. The vocals are power animal bright light. If I had to pick one word to describe, inspiring.

Missed – A total shift to darkpop drifting glory. The opening chimes and quacky sounds. I think you strangled my sweet mind. This is such a dynamic and visual sound. Windblown flowing silk in a posh apartment watching the worlds spin past. This song really puts on display the powerful teamwork of these musicians. Again with the powerful mantra of self actualization. Those deep vocal contrasts really add a noticeable line between the experience and viewpoint.

https://chiasm.bandcamp.com/album/missed-the-noise

Overall appeal: This is a album for everyone. It has lots of delicious pop and feminine power with an expert craft and emotional energy. Highly recommend.

Hide Tepes/ BlakmothFilther – The back and forth rocking sonic duel of our own Hide Tepes and Maryland’s Blakmoth. A wonderful collaboration of oily sonic darkness. There is a wisdom achieved at a certain point in life where you realize you can no longer walk the journey of those making music at the absolute cutting edge of modern music. If you listen though, you still know when you hear it. That difference when someone is truly taking the adventure for you and exploring new and terrifying ground. That’s the feeling inspired by this subtitle and and creeping Synth driven psychological terror. It’s music that grabs your hair and smashes your face in a mirror. Leaving you exposed to gasp at the bloody mess and the terror in your own eyes. This is not a casual listening album. It’s a test of your empathy and fortitude.

https://blakmoth.bandcamp.com/album/filther

Overall Appeal: This is not a pop album for easy listening. It’s a blending introspection of abstract thought and feeling. Enter at your own risk. If you do find yourself of a courageous heart and an open mind. This is the cutting edge music of tomorrow.

Nuclear*SunCouldn’t Have Said It Better Myself – So cover albums are a tricky thing, often you are getting someone at a lower experience level trying to find new space in an established song that meant something to them. Tal Kliger has brought a talent and hungry energy to covers of friends as well as inspiration. The overall sound razor skates that place between EBM and Industrial with a highspeed light footed agility. Bouncing vocals skipping between a growl and a ringing clarity. You can really hear the love and devotion to the musical process in these tracks. it’s blazing heat and energy that captured me and left me hungry.

https://nuclearsun.net/album/couldnt-have-said-it-better-vol-1

Top Tracks:

February War – A cover of Rabbit Junk. This was driving punk rock stinging beats and glitchy vocals. Stabbing and edge of control flavor. I love the guitar bends and smashing drums. A poignant assault on the senses and emotions.

Insurgence – A cover of Sean Payne but with smashing and razor sharp execution. Grab a bat and start smashing. Hard leaning Front Line Assembly vibes full of high concept and obliteration. I loved the parking lot fist fall energy and dark streetlight tone.

Overall Appeal: If you like it hard and nasty with a familiar feel this is your jam. Fans of Industrial/EBM/ Metal edge will find red burning glory here.

Bow Ever Down Lost In The Woods Kimberly Kornmeier sizzling darkpop from 2020 which left me swaying and captivated. The synthy star sparkle spins are a wonderful atmospheric journey. Their voice is an icy and bracing powerful clarity. They have a honesty and power that rings forth with every delivered line. It’s vulnerable and indomitable at the same fine. The music has a soulful and serious tone. A shattering crystal castle of faced disillusionment growth and regret. I also love the use of samples to set stories that allow the vocals to show the emotional range of the story portrayed.

https://boweverdown.bandcamp.com/album/lost-in-the-woods

Top Tracks:

Bury my Body – This song is full of that glorious smashing glass effect. It’s as beautiful as it is cruel. A challenge with sharpened blade to anyone that would dare step inside this protected circle. Kimberly’s voice is emotive and clear as ice.

Grey – More raw wound self introspection. Intense and powerful vocals delivered with beauty and subtilty. The concepts are timeless and modern. “I’m a monster and I’ll kill you from the inside out”

Overall Appeal: Definitely pop hook appeal. Definitely has soul. A nice organic quality added by the vocals. If you like darkpop with a strong female protagonist these are stories you can relate to and drive down a dark road summoning your strength.

A Cloud of Ravens Another Kind of Midnight – New album from Brookland band ACOR, which has left me immediately captured and ready to dive into this deep pool. This record is a perfect blend of the homage to the past and the modern construction of the future. Well deep power and resonant vocals carry these stalking shadow woven songs. It’s concrete wilderness and Peter Murphy poetry. Ringing guitars and driving basslines carry a heroic journey through a desolate land. The power of this story is to make the situation always seem so bleak but leaves a glimmer of hope in every song. We have an interview coming out soon that provides a glimpse behind the curtain to this emotional hand quivering delivery.

https://acloudofravens.bandcamp.com/album/another-kind-of-midnight

Favorite Tracks: All of them

Overall Appeal: Fans of old and new school goth will find a beautiful blend in this release. I feel into it’s grasp deeply and had a huge replay factor.

Mark E MoonOld Blood – Old and sinister music and vocals from Cold Transmission and the Isle of Man. I have been a fan or Mark E Moon for a while but this new record is a huge step forward in shadowy transmission and feeling that rips open your skull and pours raw unhinged emotion directly to your mind. It’s stomping, unforgiving and full of truth. I picked this record up and couldn’t find a way to put it down. Released on April 2nd you can get two tracks now with preorder. It has a sense of poetry and theater that has been lacking in the modern goth scene. It rides the line between beauty and grit. I can’t remember the last time I heard a band take such a monumental step forward from a previous album I enjoyed.

https://markemoon1.bandcamp.com/album/old-blood

Overall Appeal: Huge, if you love goth and darkwave this is exceptional execution with poetic and romantic lyrics. It’s fresh and furious with driving guitar lines that set a standard for future genre releases.

Ash CodeFear – Dark and dangerous new EP from the always impressive Italian act Ash Code. More racecar raw energy and city slick metro tone. I also feel a lot more edge in these tracks that the warmer synthesized last release. This just dropped yesterday and already is calling to me for constant playtime. Wonderful blending of vocals and sound. I hate to use another car metaphor but when you have a perfectly tuned engine and everything is humming just right. That is the sense of craftsmanship and streamlined beauty of Ash Code. The movement and transitions are effortless and graceful. It’s an effect that feels perfect in a club or at home over a bottle of wine. On top of that they pulled out all the stops having the songs remixed by top name artists like Clan of Xymox, Molchat Doma, and Forever Grey.

https://ashcode.bandcamp.com/album/fear

Favorite Track:

Indifference – Beautiful whispered vocals behind rapid fire heavy bass line. The rising synths are walls of color on a grey ground. I find myself getting lost in the beauty of construction. Listening to Ash Code makes me feel cooler than I am. That’s the true power of this band. To transfer some of their effortless appeal just by listening.

Overall Appeal: Immense, this is for fans of Post Punk/Darkwave/Synth but really has a relatability to fans of any dark music. It’s just well done. This is a band at the top of the game in their genre.

Sounds and Shadows Top Industrial/EBM/EDM of 2020

So many great Industrial/EDM/EBM albums this year. This is a genre that has been expanding and drawing fresh listeners all year. Again I can’t possibly include everything I loved, however these albums were the ones that fired a jolt of electricity into my spine and made my gears churn. These are all artists who had a full release in 2020.

20) Rabbit Junk – Xenospheres – Seattle based EBM/Metal dance explosion has been churning out explosive action movie soundtracks with razor sharp production. This album is swinging a sledge hammer around their heads on a leather cord. The cover of Iggy Pop’s “Kick It” with Peaches singing is worth the price of admission on it’s own.

https://rabbitjunk.com/album/xenospheres

19) eHpH – InfraredColorado band eHpH did this timely politically charged record that really captured the fear and division in the current climate. I think what I loved best were how wide the influences present were. Some melodic and post punk, some bright buzzing EBM. The whole record was full of intelligence and challenges the listener to face their own ideas about where the world is headed.

https://ehph.bandcamp.com/album/infrared

18) Seven FederationsHoly Orders – A wonderous sonic explosion from South Dakota. The vocals just crackle with electric ferocity from exploding transformers. Filthy basslines and wolf growl guitars. this album is the naughty demon on your shoulder whispering to you of sinful roads not taken. They might be the most underrated album on this list. People need to know about this record.

https://sevenfederations.bandcamp.com/album/holy-orders

17) Carrion – Testament Ov The Exiled – This is always such a hard review to write. Carrion is so powerful, so fresh, but just doesn’t fit into any box that makes sense within the mind. This textural terror noise has a level of intensity that demands recognition. How to quantify it I have no idea. Other than to say it is music that leaves you changed, afraid, praying for the dawn. Hide [Adrian] is creating on a level that artists and critics in the next decade may have artful words for. This whole record just leaves me moved and unsure how to describe. Best to bare witness for yourself.

PS: Carrion is already reissuing the album via Brutal Resonance Records, the `Revised Edition ` includes 5 bonus tracks!

https://brutalresonance.bandcamp.com/album/testament-ov-the-exiled-revised-edition

https://officialcarrion.bandcamp.com/album/testament-ov-the-exiled

16) Corlyx – Together Apart World traveling EDM darkpop couple Caitlin and Brandon with their sophomore offering have captured the glory of pageantry in dark music. Caitlin has a beautiful voice that captivates and builds dreams in your mind. I love the dark LA gutter glamor this band always commands. They have added a level of clarity and refinement for this album and continue to evolve. Get in on the ground floor of these future stars.

https://corlyxngp.bandcamp.com/

15) Rottersand – How Do You Feel Today – The way this German band turns and twists on different axis within the same tracks is reality defying. The echoing chorus’s that have an intelligence and feel of Roger Waters bursting with electronic futurecore explosion. This album is a special journey with peaks and valleys that run the breadth of human experience. It is a modern album that has something for every kind of listener to enjoy.

https://rotersand.bandcamp.com/album/how-do-you-feel-today

14) Trevor Something Deep Wave Data Dark Web Deamons – Florida dance demon Trevor Something might be the sexiest thing I heard all year. The way they capture raw, grinding, sexual energy in sonic form is something of glory. It shakes your bone marrow awake and says you are an animal that hungers for flesh. Buy this record, shake a martini, and have a private dance party with your favorite partner.

https://trevorsomething.bandcamp.com/album/deep-wave-data-dark-web-daemons

13) 11 Grams – Humancide – The super combo of Rob and Simeon put out this long awaited album of everything you ever loved about old school industrial/electronica. It always has a toe over the line while sounding so familiar. Perfect execution and narrative intensity. This record is a rocket jocks sci-fi soundtrack to explore the speed of the stars.

https://11grams.bandcamp.com/album/humanicide

12) SpankTheNun – The Bunker Tapes Volume I – Hard and metal to the floor industrial from Texas. How do you find that line between crystal clear beats and filthy growling vocals? It’s right here. We aren’t reinventing the wheel here, we are greasing the axle to make it spin harder and faster. A bunch of amazing remixes from Blue Ant, Assemblage 23 , Melodywhore, Sapphirra Vee, show the faith and influence that this band commands in the scene.

https://spankthenun.bandcamp.com/album/the-bunker-tapes-vol-i

11) Caustic – A Succession Of Repetitive Beats – Our only double album winner in this genre is Matt Fanale. The return of Caustic and their DIY punk rock mentality with witty and humorous electronic slither is a breath of fresh air in the modern genre. The song Stale Semen, Shame, and Video Games is a poignant slam of the Incel culture. Make me dance and make me think. This is what Joe Strummer trained us for.

https://caustic.bandcamp.com/album/a-succession-of-repetitive-beats

10) Sapphira Vee – The Mask – The smoky and subtitle voice of Sapphira Vee from Rochester NY has been tearing up the airwaves the last two months. A slow drink of whiskey in sonic form. It’s slow and grinding full of personal reflection and self realization. I had a small part guest vocal on this album and it’s a point of personal pride that I was involved with such a powerful release this year. I’ve bought multiple copies of this record to send to friends. This is a great example of why trip hop is the highest evolution of music.

https://sapphiravee.bandcamp.com/

9) Kanga – Eternal DaughterLA based artist wields this sonic saber like a charging cavalry officer charging by on a horse slashing on both sides. It’s that effortlessly cool beauty blended with icy dance beats. I’m not sure what category to put this in beyond excellent.

https://kanga.bandcamp.com/album/eternal-daughter

8) Grabyourface – Sea – Every once in a while some album comes along that is so fresh and honest you sit up in your chair and just feel something new. One of those artist that grabs hold of their own ribcage and rips themselves open to let you in on the guts and grime of everything inside them. This album forces you to feel things, to confront and absorb the empathetic tone within yourself.

https://grabyourfacengp.bandcamp.com/

7) Klack – Probably – The Wisconsin EDM sensation that brings together Matt Fanale (Caustic) and Eric Oehler (Null Device). I’ve watched this project grow and blossom and this album really hit the perfect stride and balance of their styles. It’s clever, it’s electric, and the single Faith In Me is a glorious jam that could have been on a Depeche Mode album in the late 80s. I love when you hear a collaboration and can hear how much the artists respect and care about each other. It can’t be faked and this album brims over with it.

https://klack.bandcamp.com/album/probably

6) The Joy Thieves – A Blue Girl – Chicago superband led by drummer extraordinaire Dan Milligan has been garnering much deserved respect in Industrial circles. The way he blends old school Industrial with organic hard rock is an energy which is contagious. The contributor list is impressive and so long I won’t add everyone but names like Chris Connelly, Jullian Beeston, and Ania Tarnoska are just a few highlights. The title track is a slamming cut for the ages. If you don’t know about the next Pigface you need to get on board this train.

https://thejoythieves.bandcamp.com/album/the-joy-thieves-a-blue-girl

5) Klute – Queer For SatanClaus Larson of Leatherstrip unleashed this gorgeous record of furious destruction and sensual magnetism. This year must have been one of the toughest things a person can go through for him and that unbridled emotion pours forth in a firehose of pain and fear. If you love Leatherstrip (and how could you not) this album is top of the game.

https://leaetherstrip.bandcamp.com/album/queer-for-satan

4) Stoneburner – Beauty Is Terror – Steven Archer has had multiple releases this year, all great. His ability as an artist and multimedia creator really is the top of the game for DIY synthesis of audio and visual. To me this record was the highest evolution of his style thus far. It’s hard, world view, narrative, intelligent music that conjures images like you are reading a novel. The single “Are you here the way I’m here” is a steampunk electrocore time travel head flip. This album truly pushes the boundary of what is possible in thought and feeling. You need it.

https://stoneburnerofficial.bandcamp.com/album/beauty-is-terror

3) ESA: Electronic Substance Abuse – “Burial 10 – EBM music is not my cup of tea. However, anything done at the top of the game is easy to know when you hear it. This album is hard, filthy, and so full of nuclear radiation it is impossible to not stomp your feet and dance to. The concept, power, and delivery are peerless in their execution. Add to that guest performances by Jo Hysteria, Cainlin Corlyx, and Lecture and you have one of the breakout album experiences of the year. This is one of those records I could listen to 100 times and hone in on a different detail each one.

https://esangp.bandcamp.com/album/burial-10

2) The Jean Marc Lederman Experience – Letters to Gods and Fallen Angels – For all those wondering where are the albums touching on a higher artistic ideal in the modern age. This is it. The Belgian artists who’s resume has touched some of the most prolific music to occur in the electronic era has compiled a group of guest singers both legendary and future stars and ask them to write a letter to God or a fallen angel. The responses follow the course of human mysticism and discovery. This album is a true journey of thought and expression that touches on a myriad of styles and ideas. It’s been a long time since a record made me think and feel so much. Do yourself a favor and take this adventure.

https://wool-e-discs.be/album/wed077-letters-to-gods-and-fallen-angels

  1. Pig – Pain Is God – Some people had a punk rock phase in their angry youth. I had an industrial one. A big part of that was Raymond Watts. KMFDM and <PIG> was a remind that Industrial music could mean something else. That it was a music of synthesis between electronic dance beats and any other style you could imagine. Here he is reborn the swine lord persona with a heady blend of of gospel, hard rock, and neon gutter grime. This record was the open gate between my 2020 self and my 1993 self. A DeLorean that connected me to my ego and my wisdom. A glorious return for the master of swine.
See our interview with Raymond Watts here

https://pigindustries.bandcamp.com/

I didn’t include singles in this list. However important mentions: Silverwalks, Melodywhore, and Der Prosector.

https://silverwalk.bandcamp.com/

https://melodywhore.bandcamp.com/

https://derprosector.bandcamp.com/