Trying to hit the ground running and get the Darkscene Singles Chart out right at the beginning of the month. As always this chart started as a way to highlight the best songs released in July, chosen by our group of DJs, Artists, Bands, promotors, reviewers, and superfans. Since it is not pay to play it highlights artists who may not get recognized in other charts with prominent legacy artists. If you have a single release in August, or know someone who does, add it to the Poll in the feature section of the Facebook group or on our Patreon. Congratulations to all these artists and please share to show support for the scene.
Microwaved (Feat: Eva X ) – Propaganda (Gaslight Remix by Paul Housin)
Male Tears – Sad Boy, Paint My Nails
Choke Chain – Burial
Missing In Stars – Fight – (Infacted Recordings Germany) – Milwaukee synthwave artists with this gorgeous and emotive declaration of passion and symmetry earns a much deserving spot at number one. Dan Guenther has truely outdone himself with the layered sculpture of poetry and light. The vocals are so unique and drip with honey. A truly magnificent example of songcraft that touched something deep inside me.
2) MATT HART – Rotations – London Fundustrial Neuromancer with a SLAMMING new single which ties borg technology to the bones of Front Line Assembly and pumps 1.21 gigawatts of juice to animate this old school concept in 2023. Music to automate your factory to.
3) Mark E Moon – Daemons – (Cold Transmission Music) – Our dear friends from The Isle Of Man back once again with this slinky duet with gnashing vinegar in Marks delivery smoothed over with Shelly Rourke‘s cascading light. Transe fueled Ultravox synth vibes replace the Trad goth I am accustom to. The course language and snarl replace the teeth usually found in Phil’s guitar and leave you feeling shredded by a rampaging monster. Stay on the path and beware of the moon.
4) Bestial Mouths – Slitskin – (Negative Gain) – This single has a real story behind it. We discussed it in our interview with Negative Gain who have their festival in New Orleans coming this month. Â Lynette Cerezo unmistakable vocal fury cuts through this hum and flickering machinery. Brant and Mathew have constructed a cyber city backdrop to hold the rising explosion of Lynette’s chant. Industrial legend Rhys Fulber added string arrangements, additional keyboards & programming. He was so moved by this project he went seeking them out to be involved. This single paves the way for the album out August 11th and it will be a ground shaker.
5) The Bleak Assembly – A Night Like This – A wonderful collaboration of talented artists Kimberly Kornmeier of (Bow Ever Down) and Michael Smith of Fiction8. This first single has a lovely Violator vibe with the bouncing beats and grey vocal streaks. Wonderful poetry in the lyrics. That lost romantic goth I long for. Kimberly brings a violet crystal essence to every phrase. Beauty and Bop in equal measure. Loss, regret, strength and courage. The full journey.
6) Dread Risks – Comadose (Moaan Exis Remix) – (Re:Mission Entertainment) – This is the second time Texas Doomdustrial act Dread Risks has met up with powerdustrial Moaan Exis to unfurl this hot wet steel wool like a tidal wave down the asphalt. Another home run for Re:Mission Entertainment who keeps taking big swings and chances on bands not everyone knows but should. A dangerous mixture that swings a chain around it’s head somewhere between futurepop and 90’s Helmet. I love it when mean sounds good.
7) Microwaved – Propaganda (ft Eva X​)​(​Gaslight Mix by Paul Housin) – First single from a series of remix albums from Des Moines, Iowa. This one with the electrowhip vocals of Eva X. I love the steamy rave pop build and shake. Gaby gives a timely lift to the bouncing electronic journey. This is welcome at my dance party anytime.
8) Motuvius Rex – Eleven 33 – (InClub Records) – I love when I find something new from this chart. Louisville Kentucky has produced some of my favorite new wave traditional goth. This band is about to be added to that list. Beautiful flickering Cure Pornography guitar lines behind a gate of dark pastels. The vocals are bizarre and captivating with psychedelic chaos and dark fold reverence. This band caught me completely by suprise but they have my attention now.
9) MALE TEARS – sad boy, paint my nails – So happy to hear a new track from my adopted goth little brother James Edwards. Know in equal measure for his playful sass online, and undeniable hook based synthwave in his blood. Just reading the title I knew I was in for the ride. I know most artists have access to the same plug ins and sounds, but whenever I hear a Male Tears synth intro, it always feels like they are laying into the keys of an old Korg through a Laney tube amp. James has a voice that blends genuine pain hiding behind mockery like Oscar Wilde using a rapier like tongue in a pub. I also long for a remix of this with that chorus over an explosive club hit.
10) Choke Chain – Burial – The long-awaited new release from Milwaukee, Wisconsin Mark Trueman. In form this is machine gun EDM laying suppressing fire for Mark’s raw napalm screams of anguish and intensity. This single paves the way for the upcoming album MORTALITY, out September 22. I’ve seen Choke Chain preform three times now, and it is one of those things you need to witness to fully understand.
Yes I know this is coming very late. I unfortunately got wrapped up in my own bullshit this month and didn’t release this in a timely matter. Nor opened voting for the month of April. However, better late than never, these are the top 10 songs voted on by our group of Artists/Djs/reviewers/Lables/and Superfans released in the Month of March. No pay to play, just your votes on great darkwave music.
Lockjaw – Annihilove
Dead Cool – Stranger Kind
Giant Monsters On The Horizon – Secret or a Lie Featuring Arden and the Wolves
Self Titled Album – Economic Housing Anxieties​(​STA Mix)
Dread Risks – Machine Identity (in the walls mix by God Module)
Lockjaw – Annihilove – Excited to see a band new to the group and from Milwaukee grab the number one spot with their first single on the chart. Look for an upcoming interview I did with Medavon we will release soon. I was drawn in right away by this lean wolf, untamed wilderness goth. It has a wonderful stalking hungry Iggy Pop feel synthesized with electronic beats. Lockjaw has had some previous success playing with some big names in the scene. Returning with a vengeance of hard rock riffs and recklessly revolving percussion I will be paying close attention to the project going forward.
2) DEAD COOL – Stranger Kind – Wilmington death pop duo makes their return to this chart with a sizzling new retro trance song with 8bit major motion digital drive and Johnny’s wide beam vocals and lyrical painting. I love the brushstroke of Angela’s phonograph spoken word line.
3) Giant Monsters on the Horizon – Secret or a Lie Featuring Arden and the Wolves – Glorious across the continent collaboration from St Louis to California. Cyberpunk electronica band Giant Monsters On the Horizon lay down a FILTHY beat that twists and writhes to lay a pathway for my favorite vocal performance by Arden. Something about their voice always feels like lashing motion. The dynamics and venom of this glowing green delivery make every line hit home. Total Banger.
4) unitcode:machine – Undone (Aesthetic Perfection Remix) – Texas native Eric Kristoffer has been on an absolute tear this year. Singing with COP, releasing this instant classic hit with 3 legends doing remixes. Daniel Graves absolutely crushed this slowly unspooling the story and highlighting a premier vocal talent in the modern scene. Pay attention to this future star.
5) INSULIN SHOCKS – Eva X – Virtualsexual (Braindance Mix) – British Colombia Cyberrave single featuring Gaby of Eva X. She delivers this lovely terrifying AI choir you expect to hear right before the machines take over. Let yourself be assimilated, resistance is futile.
6) Â Kill Shelter & Death Loves Veronica – Sex Tape – Everything Pete does will be at the top of my buy list. Add in the smokey embodiment of a David Lynch film in sonic form Veronica Campbell. You have an instant recipe for a delicious sensual club banger. The craft displayed for every subtitle detail in song writing. Veronica’s temptress whisper. Nothing better than a song that starts a conversation while slapping this hard. You need this.
7) EN ESCH – Push – Industrial legend En Esch collaborates with Gabriel Lennox newly on Give/Take with a rawkus 90’s industrial sound with a tent revival spiritual chant. I love the vocal layers and resonant clarity breaking the standard of the industrial roots. That clear breakdown at 4 minutes in particular is an absolutel gem.
8) Ritual Howls – Dark Ceiling In Tennessee – A different sound for the Detroit band. Personally I am loving this darkwave jangling spurs Violator vibe. Around 1:30 a flaming sword guitar lead cuts the tension. Paul Bancell fully embraces classic goth Baritone, which strikes the mark freshly against the digital chainsaw static. Personally this is my favorite Ritual Howls to date.
9) Self Titled Album – Economic Housing Anxieties​(​STA Mix) – Wonderful to see the Utah band back on out single charts. I have tried and describing Self Titled Album is always a Herculean effort. It is deeply honest and vulnerable spoken poetry in a psychedelic haze and electronic glide. A complex mixture i am glad our group reconizes and appreciates.
10) Dread Risks – Machine Identity (in the walls mix by God Module) – My favorite Doomdustrial from Texas remixed by God Module and released on Re:Mission Records. I love everything about this sentence. Jason Bangert really adds a slippery wetness to Dread Risks usually boot stomping destructive power. If your club isn’t working this into your local dance night you are being done a disservice.
Greetings my friends, it is once again time for the S & S Darkscene singles chart. The top 10 singles in February 2023 chosen by our group of Artists, Djs, Producers, Promotors, and Super Fans. We receive no compensation and every month I am astounded to find an incredible new bands I was not aware of. I welcome you all to do the same and dive in for the best new Goth, Industrial, New wave, Post Punk, Darkwave, Witchaus, or any other genre we decide suits our fancy. If you have a single in March or know someone who does, join the Sounds and Shadows Facebook group and add them to the poll.
AL1CE – The Lucky Dead Theme Song
IAMWARFACE – Say My Name
Sawtooth (feat. Sapphira Vee) – Walk Into The Ocean
Matt Hart (feat. Daniel Graves) – To The Core
Microwaved (Featuring Gaby Gustafson of Eva X) – Propaganda
Bellhead – I Would Die 4 U (Prince Cover)
A Cloud Of Ravens – Requiem for the Sun
Self Titled Album – The Unicorn Tornado Of Hurt
The Picassos – Under The Floorboards (With You)
Carrion – THERE IS ONLY HELL
Special Mention:
The Bellwether Syndicate – We All Rise –
AL1CE – The Dead Lucky Theme Song – (Los Angelos CA) Animated raindrop synthwave track with an explosive bassline and jet engine guitar roar. I love the multi media connection to a comic called The Lucky Dead by Melissa Flores. Tash’s vocals are elegant and abstract weaving an image over the rhythm sections drive. Every new track I hear impresses me more.
IAMWARFACE – SAY MY NAME – (Brighton UK) – This one surprised me from the first beat. A blistering prog pulsed synth slammer that teetered between live and electric drums. The vocals are outstanding with a real Brett Anderson energy and sass against the hard rock thunder. Writing this down on paper this should not be my cup of tea, with every choice and change I kept finding myself won over. The quality and complexity on display here are undeniable.
Sawtooth – Walk Into The Ocean (feat. Sapphira Vee) – (Lowell, Massachusetts) – I love everything about this team up. Two amazing people that impress me every time working together. This beat slithers like an anaconda slithering along a slutty muted trumpet. Knowing both these artists, the way both voices shine is my favorite thing about this heavy air banger.
MATT HART – TO THE CORE (AESTHETIC PERFECTION REMIX) – (London UK) – Industrial Pop tender destruction remixed by the master of the genre. Glitchy and cruel with crystal clarity. This is not Matt hart’s first trip to our singles chart, it most certainly won’t be his last. The rising strikes like visible heat rising from the pavement. The bassline is a diamond tipped drill seeking out minerals below the curst.
Microwaved – Propaganda (Featuring Gaby Gustafson of Eva X) – (Des Moines, Iowa) – Gabe Wilkinson teaming up with Gaby is a beautiful synthesis of deadly EDM beats and a gatling gun cadence from the breathy vocals. Music to hunt the wastelands to.
BELLHEAD – I Would Die 4 U – (Chicago IL) – My favorite Chicago double bass duo with a Prince cover that is weird, disturbing, and I’ll be damned if it doesn’t work. Ivan Russia summons some Steven Malkmus vocal delivery that leaves such a dissonate aftertaste to the familiar melody. I don’t know what I was expecting, it wasn’t this, it somehow hit for me on every level.
A Cloud of Ravens – Requiem for the Sun – (Brooklyn, New York) – what a bright future the Brooklyn post punk standouts have. Leaving for tour and every new single that comes out on this record is a bonfire banger. This bassline is Peter Hook worthy crude oil pipe. Matt’s vocals show range and creativity. People really need to get on board with this band. Don’t be the last.
Self Titled Album – Unicorn Tornado of Hurt – (Price, Utah) – Ok number 1, I didn’t think Utah had sweet bands. number 2, The title of this song is epic. That is before I even hit play. This track is a fuzzy level of bass I have not heard since Monster Magnet. Filthy and psychedelic with a retro 90’s engine.
thePicassos – Under the Floorboards (With You) – (Detroit MI) – One of my favorite haunting indie shadow sonic flavors from Detroit. Organic, emotive, and original driving into a concealed truth without fear. Charle’s vocals and haunting and original. Every time I hear this band I wonder where they have been all my life.
Carrion – THERE IS ONLY HELL – (Kingdom of Norway) – Our moderator and reviewer Hide has been locked away drinking torture juice pressurizing emotion for a new string of synth driven terror abstraction. Vocally flinging broken glass at our jugular at random precision. It’s always new, always distinct.
For this month I am going to add a special mention. The Bellwether Syndicate had a new single release that didn’t come out until 2/24/23 but it is such an absolute BANGER it felt wrong not to mention. The tone of this guitar is like walking in your door after an especially long day of work. William Faith’s voice is distinctive and raw. These drums slash us in reckless assault. A modern day classic.
In the past four years the “Darkscene” goth adjacent movement has continued to expand at a glorious rate. Here at Sounds and Shadows I have seen a similar growth of our Music Review/ Webcast/ Facebook Group/ grow at an equally surprising rate. Trying to choose top albums of the year when the rate of interesting worthwhile music is firing out of a fire hose of content at an unprecedented rate is an increasing challenge. As always, I will do my best to draw attention to glorious new music that has moved me in some way. Thank you to all our supporters and please keep this scene alive. You are the lifeblood that makes it happen.
This is always so hard, I love so much new music. I started with about 136 bands I reviewed. With hard choices got down to about 60. I really want to make the bands I picked feel really special. Have you all know, I felt pain with every cut. So I am going to break this into genre categories a little.
Gothic Rock/Post Punk/Shoegaze
Kill Shelter – Asylum – Kill Shelter releases their third album Asylum, and the world has started to catch on to the soft-spoken genius setting the standard for this new wave. Featuring a slew of the biggest names of the scene: Stephan Netschio ( Beborn Beton) , Valentina Veil (VV & the Void), Karl Morten Dahl (Antipole) , Emanuel Ã…ström (Agent Side Grinder) Alessandro Belluccio (Ash Code), William Faith (The Bellwether Syndicate), Ronny Moorings (Clan of Xymox). An impressive list of talent and experience which speaks to the respect Pete has catered as a producer and song writer. This album tackles an even darker theme of trauma and the most shocking pain of the human experience. Casting a light through a wide range of vocal prisms. The completion of a journey started just after Damage in 2019 and meticulously refined over four years.
Kill Shelter has done it again. Creating a personal emotional journey through post-traumatic stress with expert production and collaborative vocal performances that shine a light on some of the top singers in the scene. I can’t wait to release and rare upcoming interview on the Sounds and Shadows youtube page. We dig deeply into the process and feelings of one of the most important artists the modern era. When we speak to future musicians who are in the know about what influenced them in our time. Kill Shelter will be the Joy Division like name that trend setters were appreciating in the present.
Has it really been 13 studio albums for Aurelio Voltaire? This review is special to me. As someone who writes “Goth music with a heavy dose of humor” it is hard not to give credit to the OG that inspired me all those years ago. Here he taps into his own inspiration from an artist and film that burned a codpiece shaped scar into every 90’s goths soul. It appears we also share a passion for collecting every talented guest star he could cram into this shadow glass menagerie. Let’s have a look at this list.
15 members of David Bowie’s band spanning nearly every era of the Starman’s career from the pianist on 1972’s The Rise and Fall of Ziggy Stardust and the Spiders from Mars to the saxophone player on Black Star, Bowie’s last album. The Black Labyrinth was co-produced by Mark Plati who produced the 1997 Bowie album, Earthling as well as the post humus release, Toy.
Other guest musicians included members of My Chemical Romance, Trans Siberian Orchestra, Vision Video, The Cog is Dead, Frenchy and the Punk, violinist extraordinaire Mia Asano, Ally the Piper, D and D songstress Ginny D and an international cadre of musicians making up the orchestra and choir.
The 20 song release is clean like twilight in a fantasy world briming with the mystery of a firefly forest and the pageantry of a catholic funeral. Voltaire’s iconic is the ringleader that ties together the spectacle. If you don’t know Voltaire, you have missed one of the most gloriously self-aware experiences in the dark scene. If you do you are in for a journey with one of the great bards of our time. Let goth music be fun. Let it be the giant melting black candle musical theater it was always meant to be. I both teared up and laughed out loud listening to it. You need this album.
3) Secret Shame – Autonomy – I am constantly amazed by the slippery edges and bursting intensity of the NC band. I’m just blown away by how many sonic emotions are crammed into this firefly jar. The haunting lilt of the vocals, the gnashing wolf jaw guitars, the shifty darting baselines. The production here is razor sharp. Anyone who says modern music lacks complexity is not listening to this. This is songwriting that is emotive, that transports you out of your own mind. Blending the best aspects of four genres to create something fresh and provoking. 10/10
4) IAMTHESHADOW – The Wide Starlight – Things you can always count on from a new IAMTHESHADOW release: 1) Pedro delivering the richest baritone in modern darkwave. 2) Soul baring poetry 3) Perfect precision of mix and master. Everything else about the sound is completely in the air. “The Wide Starlight” is an expansive new sounds full of twinkling stars over violet plains. The album came out on 10/14 and marks a turn towards hope which my soul has hungered for. Cold Transmission Music has been a fertile creative ground for Portugal’s premier darkscene act. This is a band that has continued to set the standard in European darkscene music that is constantly pushing their own boundaries and core sound. The truly greats make powerful songs while always redefining who they are
5) The Cassandra Complex – The Plague – Rodney Orpheus and The Cassandra Complex have been entrenched in the concept of what we would later call “goth” music since before we had a word to describe it. They have toured with and played festivals with the biggest names in the scene. Starting in 1985 releasing 7 full albums and 3 live albums the last of which “Wetware” on Metropolis Records in 2000. 22 years we waited for a return with “The Plague” to burst forth with a ferocious new energy. Early releases like “Grenade” were thick with an aggressive political message. I fell instantly for this return of piss and vinegar spirit blended with fine blade refinement. A razor edge between emotional concept and ability. Although these are new songs tackling modern concepts of a post capitalism world, the album serves as a greatest hit record. Drawing on individual styles that run the range of their history. It doesn’t forget the tongue firmly in cheek humor, using wit to mock the face of power.
6) Golden Apes – From The Sky – Berlin Germany based band which remains one of the most underrated post punk bands in the world. With Peer Lebrecht unmistakable and encompassing voice crooning poetic romantism that seeps under your skin. I loved the brighter expansive hope Christian, Gerrit, and Frank infused the guitar lines with. The change in concept from “Kasbek” displays another prism of range and proves Golden Apes story is far from over. I’m excited we will get an interview with them in 2023.
7) Christian Death – Evil Becomes Rule – The most recognized name of the American Proto goth scene from Los Angeles “Evil Becomes Rule” marks the 20th studio album in a legendary career. In our recent interview Valor told me about EBR being a continuation of 2015 The Root of All Evilution. It would be easy to appeal to longtime fans, putting out similar albums in a fan friendly style. Some artists have wonderful careers doing just that. This has never been the Christian Death way. Always slicing the edge in every incarnation. Evil Becomes Rule took me to a new place I never expected. A shadow psychedelic blasphemy of triumph blending world beat Dead Can Dance and roaring power of Judas Priest. Maitri’s vocals are highlighted like never before and cast a sinister ritual of power.
8) Pilgrims Of Yearning – Hadal – Long awaited release from Boston transplants POY which hits the mark perfectly. I love hearing a band grow from album to album by keeping the mystical wanderlust that made their sound stand out, yet graduating their production and layering to make the energy sharper. Juls voice captures a haunting Siouxsie “Superstition” 90s vibe while the guitar rhythms fold and dart like a weaver on a loom. This is a band that really exposes their story with brazen courage and beautiful delivery. A contagious spooky tendril of psychedelic darkness winding around your vision. This is a band I have watched grow and refine. It fills my heart to watch the maturity and ascension of their sound and wisdom. I can’t wait to see the next path of their journey.
9) The Burying Kind – Tragic Airwaves – I may be too close to this record. Enraptured by the story surrounding it. I can’t help but be struck by the staggering beauty and truth of it. It was this thing I got to watch grow and refine from infancy into something that mattered. Something that transcended genre and the music business. An abstract feeling that wells within you in solitary moments, a place of memory and blurry edges. This 12-track full length is a solitary lighthouse on a grey shore with Scott-David‘s romantic tragic poetry delivered with piercing emotional impact. The music is layered and complex for decerning listeners to unravel. I love nothing more in this high-speed age than hearing the time and intent that went into an artistic concept. It’s a presence and weight that gives every listen a reverence.
This is an album for connoisseurs. For fans of My Bloody Valentine and The Cure a like. It is a place for diving into mystery and unraveling the depths of something that doesn’t come simple in a world where everything is designed not to make you think harder. We used to rejoice in music that made us swim beneath the surface. It’s time to rejoice in it once again.
10) Mark E Moon – Lux Vindictae – New lineup, new sound, and explosive delivery from Isle of Man shadow croon gothic rock Mark E Moon on Cold Transmission Music. A blazing light of vindication as the title states. The first single Blacklight bursts through a wall with shaking intensity. The drums pound relentlessly as Mark delivers confident sadness tinged with raw fury. Phil is spinning barb wire distortion in precision loops. The black mirror reflection of Shelly Rourke on vocals as contrast Mark’s cavern shaking Eldrichesque power. As the engine roars down an unlit highway this album swerves in tone and style without warning leaving you always on your heels. Mark really throws his soul into the vocal delivery. The tracks are all pure heat and poignant, each under 5 minutes.
I think two main changes stand out in contrast to 2021 release “Old Blood ” 1) the extreme nature of the peaks and valleys in tempo and style. This album runs the spectrum where Old Blood worked to perfect a singular idea. 2) Rourke’s vocals have really found a sharp and resilient force to break the power of Mark’s tide. In particular track 4 Drowning is a gorgeous ballad of imagery that highlights the new sound with strongly defined lines. It shows a passion and maturity of song writing that portrays subtle differences in depth as you sink below ever darker waters. I love the panning synth lines. The background to those glimmering delayed guitars flickering through the pressurizing water.
11) Black Angel – The Black Rose – I know, I did an 11th album. I just couldn’t bring myself to leave this record off the list. It is so haunting and rock heavy in a time goth music wants to be anything but. Matt has this amazing ability to capture the sleazy opaque waterfall of endless motion regardless of tempo. The vocals by Corey Landis and Maneesha Jones are the perfect seasoning on the dish. I have a confession that will probably have me cancelled by the true metal folks, my favorite Ozzy is “No More Tears” and that includes Sabbath. This album hit with that same timeless power. As long as Matt Vowels is cranking out records, this guy is buying them. Someone really needs to sign him.
(Special Mention) Cleopatra Records – The Unquiet Grave – Growing up in the Velveeta Valley suburbs of Detroit in a time before the Google search, Spotify playlists, Youtube suggestions, and Sounds and Shadows I had a sacred ritual. Once a month I would coat myself in black from head to toe and pedal my bike to a mini mall which contained a record store. Here in the new CD releases I would take my caddie/busboy money and purchase the latest Cleopatra Records sampler. Now these compilations took many themes, tribute cover albums, up and coming goth bands. This was how you found the next band that connected you to the wider world. I would race back home, tear apart the packaging and dream of one day seeing my own name in the liner notes. This ritual mattered, it made me feel connected to other kids like me that I didn’t know. Somehow, I knew they were out there. When I saw Procession Magazine bring back this series of goth compilations, my faith was confirmed. To see one of our songs, appear here, that dream has finally come true. So, I welcome you all to join me in my room, as I light a candle, press play, and journey into the macabre world of “The Unquiet Grave” searching for dark diamonds in a cruel sea.
Curse Mackey – Immoral Emporium – Instant Exorcism moves beyond the prophesy of a post capitalism hellscape and dives into a meat and bone reality. A bizarre of debauchery and barter where every sin in imagination is on display and the price of souls are always plummeting. In a time of surface shimmer and digital commodity the Immoral Emporium casts a sharp reflection that burns to the core of the decay of empathy in the modern age. Instant Exorcism was raw and biting, a mad profit’s fervor. Immoral Emporium is a cleaner enticing beacon. Drawing the listener to their own corruption with shining golden salesmanship.
There is something about the level of narrative imagery and production expertise that stuck me about this album. It haunted me like a re-occurring nightmare, a prophesy of danger that hangs above our future. Curse has been such an impressive part of shaping Industrial music while a part of someone else’s project. It is incredible to see the darkness he is able to articulate when left at the helm of his own vision.
2) ESA – Designer Carnage – if you are talking about the modern evolution of EBM (Electronic Body Music) British act ESA and Jamie Blacker have to be part of the opening discussion. This is an artist who has truly defined a genre by meticulous craftsmanship of the musical and visual idea of bass beats so shattering, you feel them in your bones. This album had multiple singles in our Darkscene Singles Chart. Jamie continues to be an innovator in the field of expanding the definition of Electronic music for another generation.
3) <PIG> – The Merciless Light – Raymond Watts has continued to evolve at an exponential rate. Rather you are speaking of music, personal growth, or human interaction. The industrial progenitor has bounced around the boundaries of what this genre entails for decades, to keep the punk rock ethos of the original concept alive. I love the crushing jagged grind of this record, while hushing the edges, letting the menace whisper and hang in the air. Bringing in an all-star line up of contributors Abbie Aisleen, Jim Davies, En Esch, Mark Heal, Jimmy Livingstone, Mona Mur, Mike Watts. This album brings so many emotive hooks that really highlight how good Raymod has always been at conveying emotions in a compressed infectious package.
4) Silver Walks – Various Positions – I met Daniel McCullough near a dumpster behind Cold Waves in 2019 and heard “Lantern” in 2020. Immediately I knew this album was going to be something special. Dan is one of the most underrated song writers in modern electronica. The people in the know, they understand this. I hope this album is what makes that clear to the scene at large. I think one of the first points to strike me, all but one song are over 5 minutes. In a world of short singles, Various Positions is stretching your dance floor endurance. While making EVERY song a banger. Infectious dance beats that ebb and flow in texture, with razor blade twists. You can really hear the patient precision that went into each song’s construction. There is a thematic post apocalypse spiritual journey that makes me close my eyes and get lost in the story, while stomping in time to infectious hooks. This whole album rides a highspeed tightrope between progressive and ear candy.
This album also has a spicy list of A + contributors to bring Dan’s vision to light. Stella Soleil , Coral Scere, Tim Heireth, Marc Heal, James Francis, Eva X, and many more mixed lovingly by living legend John Fryer. Part of the testament to this albums power are the names that agreed to be a part of it. Album art & layout // Joshua Mccallister silver walks logo by Jim Marcus. Eric Oehler wizard shimmers the mastering. Photo of Dan // Kirsten Miccoli I just saw Dan thanked me in the liner notes, so now I am crying.
5) Dread Risks – Automated Disappointment – GiddyYip this DeathRock Electro Cowboy shit!” A wise man once said about Texas IndustroDoom band Dread Risks. That wise man was me. Releasing 3/25/22 on Re-Mission this album is a return to the meaner barb wire aggression of industrial music. As an evolution from the past this aggression is no longer aimed outward but directed at addressing and concurring personal trauma. I love the molten glass cutting attack and melodic beauty of the vocals. The overhand bastard sword swing of the drumbeats. Berserker rage in clean focus. This is the next great wave in electronic musical concept. I am enthralled with the idea that Industrial music still has fertile land to create new artistic ideas. I even got a thank you in the liner notes, my heart cries.
6) KMFDM – Hyena – This album brings you much of what you love if you are a fan of KMFDM. Bonfire bright drum beats overlayed with trash compactor crushing guitars. I think the biggest change from the KMFDM of my youth is the maturity of Sasha’s voice. It is a more mellow growl without losing the glistening sharp metal. This record is a culmination of injected circulation right into the dance gland. I really keep expecting for a lot of these old school Industrial bands to lose the modern pulse, I keep being surprised. I feel like this is a ban that grew up with me. Their sound evolved at the same rate I needed it to.
7) AUTHOR & PUNISHER – KR​Ü​LLER – San Diego, California artists put out this album that is a bit absurd in it’s scope. On paper doing captivating emotive singles in the 5-8 minute range should not work in 2022. Yet, anyone who hits play on this 8 song album is immediately captivated and washed over by the unnerving perfection of these hooks. This truly is something else no one is doing. It is so mysterious and fresh I don’t know how to process it. Which is a rare feeling in 2022.
8) Spike Hellis – Spike Hellis – After seeing them at the Skull Festival in Detroit this year, I haven’t been able to put this away. LA based electronic flamethrowers who answered the question if Alec Empire hadn’t pulled a 180 and became a cryptobro what would a cleaner crisper refinement of the magma fury become? Hearing Spike Hellis really helps me understand what is meant by “Electronic Body Music”. It is felt in the tissue as much as heard in the ears. The range of feeling on this chaotic labyrinth darts through every hidden crack of the human experience. It really must be heard live to fully comprehend ,but having a map of the recorded experience can go a long way towards grasping the subtilty of what is happening. I really need to line up an interview with this band in 2023.
9) Dogtablet – Ashes – New 5 song EP from Industrial legends Martin King and Jared Louche. I had the pleasure of attending a listening party at the Post Punk Industrial museum where Martin provided some background for these songs. I love the grinding and deliberate nature of these tracks. Track 3 “Careless” Feat: Coral Scere is a haunting and memorable collaboration that shows how Martin continues to get the best out of everyone he works with. Another amazing EP from a legend let off the chain to work with whoever he wants in a style completely their own.
If you are a fan of old school Industrial, this interview is MUST SEE
10) Deathline International – Pax Americana – Basically a COP International all-star collaboration which includes living legends like John Fryer, GW Childs IV, Angela Goodman, Steve Watkins, Licia Johnson, sinister guitar lords James Perry & SLam, and vocals by Th3Count. Transporting us to a smashing old school Industrial runaway train with modern clarity and aerodynamic tempo. I think the biggest challenge when bringing together this much talent and trying to give everyone a voice, is the director aspect. Giving everyone a chance to shine in the spotlight. This album really feels like a collaboration. Mutual respect placed in the atom smasher and obliterated into something fresh.
Special Mention: Gasoline Invertebrate – Cracked Wax Battery – Brian Gaupner (The Gothscicles, Space Couch, TigerSquak Records) holds a special place in my heart. I feel a bit of twin spirit in how he approaches music. That feeling that music is an experience better shared. The visual of a Cracked Wax Battery is such a striking image. That bleeding yellow goop pouring out of an old battery carcass. Bringing in great artistic names that are also friends of a mutual vision like: Gopal Metro , Ed Cripps, Zoog Von Rock, and MORIS BLAK. A plasma whip of electronic dance beats cracking the air with aerobic intensity. Brian takes some of the jovial madness of Gothscicles off his voice and replaces it with hissing menace. The NES throwback energy of these synth lines are a nerdcore street cred of belonging. Gasoline Invertebrate always makes you feel inside the curtain.
Brian Graupner is inspiring to me in particular for proving to the goth community that our scene can be silly as hell and that is ok. I equally love that he has a project so serious and old school industrial crunch that it leaves no choice but to acknowledge his talent and craft. So, when he makes a Gothsicles album you know it was because he chose to be goofy as hell, which adds a layer of punk rock power.
Panic Priest – PSYCHOGORIA – Speaking of world class baritone voices Jack never disappoints. New album released10/21/22 on Negative Gain featuring the crooning beauty and slashing guitar mastery of Jack Armond. The Chicago based songsmith always layers the club friendly dance beats with a healthy dose of guitar accents to make a truly distinctive blend. The tempo here is a fast-paced bop, but the bottom of a chasm on the vocals gives every track a sense of soul and foreboding. Every album gets tighter and smoother. Jack’s voice is one of those definitive sounds and elevates everything it touches, and his blend of organic guitar licks and prism explosion synths makes every album memorable. Psychogoria is the most impressive evolution yet. It’s time for everyone to recognize one of the great talents out our modern scene. I just interviewed jack and it will release soon.
2) Vision Video – Haunted Hours – Athens, Georgia pop goth stars have grown more in the last few years than anyone in my memory. The music is nostalgic, expertly crafted with the newest techniques, and delivered with a romantic stirring beauty too often lost in the modern scene. Dusty has an infectious glowing moonbeam of a personality which has made him a public figure outside of music. This band has truly achieved a fresh interpretation of everything you loved in 80’s goth spun in a centrifuge and launched back at you with electron energy.
3) Rohn-Lederman – Rage – We love music because it has the power to change the energy inside us. To enhance, diminish, alter, the sounds and stories built by artists change our emotional chemistry. Emileigh Rohn (US/ Chiasm) and Jean-Marc Lederman (Belgium/ The Weathermen, Ghost & Writer) have found a balance in their own artistic chemistry beginning in 2021 Venus Chariot on COP International which has continued to refine in a centrifuge into a potent emotional catalyst. With this newest release “RAGE!” they have bottled a frantic and aerodynamic monorail careening over changing landscapes.
I would consider myself a coinsurer of the duo’s collaboration. How is RAGE! different from the previous releases? By being the culmination of a series of experiments to produce a sleeker, faster, more agile vehicle. To refine the fuel of Emileigh‘s lyrics into something that burns hotter with honesty and volatility. The songs all contain a defiance and anger. Not a heavyweight clumsy, smashing anger. A precise, defined glowing fury of purpose. The details and subtilty of the music are built like a virus in their elegance and destructive nature. The vocals hold a sharp edge without bubbling over. It adds a tension that forms the shading of the grand design.
4) The Birthday Massacre – Fascination – Chibi and company has done more to expand the cone of what is goth music than anyone in the last decade. This new album infused an intensity of emotion due to the band facing some serious real-life trauma. It is explosive like a foam cannon of feeling sprayed on a receptive crowd. There are certain records that ride the line between fantasy and precision execution so perfectly it is hard to see the lines. That is how this album feels. I keep waiting for TBM to run out of gas, and they keep lighting bon fires.
5) Null Device – The Emerald Age – Wisconsin based dark synth band with a new driving political statement full of spiraling hooks and razor edge tapestry. The perfect mix of this album is so economical it makes the motion and pace feel like a UFO that darts and accelerates in a way modern technology has not produced. The vocal duties bouncing between Eric and Jill feels like a conversation of perfect syncopation. This album came out in Nov 2022 and every time I hear it holds a familiarity and nostalgia that defies logic.
7) Hexheart – Funeral Flowers – Seatle WA SynthBard Jasyn Bangert has a June release of cybernetic serotonin pumped straight into your brain. I love the “Upstairs At Erics” bopping light synth and nostalgic warms. These tracks wrap around you like a favorite sweater. The AI captivating vocal effects are a fresh note contrasting the synthpop throwback. Every track feels like a cult 80’s film you are the only one who remembers. I really want to hear a cleaner vocal for the next album, because it is the final step towards perfection.
8) Sapphiria Vee – Aerial Human – Sapphiria Vee has sprouted wings and taken to stormy skies with the newest release “Ariel Human“. A bracing new pace and sinister promise. Featuring a rouges gallery of impressive collaboration from Jean Marc- Lederman, Roger Ebner, then Mixed and mastered by sonic wizard Jules Seifert. Send your mind a flight. Sapphira’s ability to draw talent towards her with both her powerful voice and magnetic personality gives her access to a wide brigade of masterwork tools. As a producer she knows just when and where to implement each sound like a conductor in a symphony.
9) Eva X – I Dream Of Reality – The progression of shadow pop artist Eva X has been a magnificent sight to behold. After a series of singles and videos this full albums with impressive remixes really shows the elevation Gaby can achieve. A poetic blend of vulnerable beating heart, and higher concept science fiction that paints a wonderful journey while keeping the hooks high and tight.
10) Junksista – OA – This German based band on COP International is one I haven’t given nearly enough press to. Every time I hear them I am absolutely floored by the razor wire combination of owning a space in your head pop melodies and the way too cool to hang out with me punk rock attitude. It just drips with effortless expression and after party in the know. It is hard to hear this and not feel inside the most exclusive salon where everyone is invited. Speaking of invited the album features a who’s who of guest talent. This album deserves a special award for band I put off the longest to deep dive into that left me regretting every moment I wasted not knowing them.
Sidewalks and Skeletons – Exorcism – I recently had the pleasure of interviewing Sidewalks and Skeletons for the webcast and was really excited to expand my knowledge of the “WitchHaus” genre. When I first decided to dive in I reached out to a few friends: Kenzi Burke (FIRES) and Hunter Hunter (W/O) for suggestions. Sidewalks and Skeletons of England was one of the first suggested. I suppose going in I had some pre conceived notions of what “WitchHaus” meant, but I have to say I was presently surprised by the texture and diversity of sound on this album. From track one “Exorcism” a glitchy sliding bass beat slither of technomancer energy tendrils, to “Shadow” feat: Goo Monday with it’s throbbing electronic club pulse, this album rings with a clarity and precision that tells a winding story of internal energy. I kept being struck by influences I never expected to encounter like shoegaze and ethereal which gave the entire journey a slick and winding synthesis. I am always impressed when in 2022 I hear something new. A fresh blend of ideas from a chemist taking previous concepts and making new science. It doesn’t happen enough. It is happening here.
2) Mona Mur – Snake Island – German Electro punk Icon released this guitar heavy banger of an album featuring Goldkind. I love the Avant guard crunchy slam poetry punk ethos feel. The individual tracks capture such a range of furious emotions but in the end always return to being a hard rock album. In a time where music is so plentiful and genres are so fractured, it feels refreshing to hear hard rock. The cover of Motorhead classic “Ace of Spades” the dripping with venom and intensity. The single Schieldwall is sun gleaming on a silver hammer smashing the quarry with reckless abandon. This record encapsulates what previous generations artists have to teach the next about how music can be the spearhead of a movement.
3) Josie Pace – IV0X10V5 – 2022 was such a big year for Josie and Ken, Detroit’s Industrial Pop darlings. Fresh off a tour with Aesthetic Perfection they are winning over every crowd they are in front of. Josie is drenched in “It” factor from her voice, attitude, and look. This record is brimming with infectious singles, slamming beats, and a voice that laser cuts the darkness. Now on Negative Gain they are strapped to a rocket ship speeding towards superstar. IVOX10V5 is the perfect refinement album that will finally show the world what Detroit audiences have seen for a while.
4) Kali Dreamer – October Requiem: 1988 – Derek Christopher turned me on to this Columbus OH artist who is doing a truly unique blend of old school goth and hip hop cadence with a macabre edge. I was immediately hooked, the poetry of the lyrics with the truthful confidence of cadence. You can’t mistake the terror rap elements of Esham in the dark lyric style but the talent and beauty of Kali’s vocals add a modern and gorgeous element. I was truly floored by the quality of this. I just don’t hear enough to surprise me with it’s uniqueness anymore. This album achieved that.
5) Katy Needs A Life – With Friends Like Bees – This is another special release. I feel like I watched it grow up. Born here right in Kalamazoo MI, in Collin Schipper‘s (Amaranth) studio, done by Katy May (Sounds and Shadows). This record is everything I love about ultra sad dreamgaze pop, with none of the pretention I often associate with the genre. Every song is a flailing arms, heart flinging, explosion of narrative intensity. The music of Reggie, David, and Jake is a furious and frantic cohesion of chaos and pastel dreams. Katy has a voice full of purity and unapologetic raw truth that blasts through a sea of cold ultra-produced crystal. This is such wonderous walking around with your own thought’s music.
This record is the first full length with the entire band and spells a glorious future for Katy and company. On top of that it is expertly mastered by none other than Jason Corbett (Jackknife Sound Studios) (Actors). I think sometimes those of us that do musical support of others get lost when it comes to our own projects. This is an unforgettable must have record.
6) Lorelei Dreaming – Retold Fables – Long have I awaited this 6 track EP complete with wonderful remixes by Chicago dystopian pop princess Laura. It’s so clear and textured from their previous release. Laura’s voice breaks through the wall and takes it’s rightful place on center stage. The album opens with an absolute banger in Of Stars. I’m loving the rippling synth sounds to add a fantasy feel. Each song is a striding step forward for an armor clad paladin facing down the demons surrounding her. This album was so worth the wait and every song is an adventure. The remixes are a brilliant contribution with the likes of Kanga, Sawtooth, Eva X, Angel Metro, and more. I love seeing so many top tier ladies involved.
7) SINE – Mantis Complete – Texas nightmare whisper artist Rona Rogueheart dropped this culmination of the Mantis journey in November. A thrumming David Lynch fever dream impossible to place in a category box. The album cover is so appropriate as an angler fish draws you through the underwater darkness with a glittering light, only to open it’s jaws and bite down on you. It’s sinister subterfuge with the electric tension of a great thriller. This record also includes some unreal remixes by the likes of Clan Of Xymox and Leatherstrip. A couple different singles here which placed on the S & S darkscene singles chart like my favorite track “Je Suis”. Another album that charts its own course into mystery.
8) The Picassos – Exhumed – I love nothing more than the chance to shout to the sky about a gifted and haunting band in my own backyard of Michigan. We even have the honor of playing with them at Skull Festival 11/20/22 at Noir Leather in Royal Oak Michigan. This album which dropped August 2022 is a darting ebony fencing match of furious clashing metal that strikes and counters with such speed you lose sight of the precision in the illusion of chaos. Charles is a master chef of sound, taking ingredients with familiar tastes and adding a pinch here and a skosh there. Some Pixies, Nick Cave, Violent Femms, flamenco guitars, stirred in a pot, raising the heat. The result is a powerful and heady stew served with pageantry and soul. This is truly one of Detroit’s great talents of the decade.
9) The Waning Moon – The Waning Moon – Wonderous new collaboration project from Zac Campbell(The Kentucky Vampires) , and Ariel Maniki (The Black Halos). Two powerhouse talents of the modern traditional goth scene forging an alloy of blackened metal which echos with loss and remorse. Unlike their more organic percussion based projects TWM features aa blistering tempo freight train which unshackles Campbell to terrorize the fretboard and Ariel to use a haunting cadence full of ice cold foundation and strength. Only 4 tracks on this EP, but each sets the tone for a future force that fills a need in fans who hunger for traditional goth.
10) Sever The Servants – Sever The Servants – Brand new collaboration that sprung from the Sounds and Shadows group. A world grinding doom tank apparatus rolling through a nightmare hellscape of Hide Tepes and Mike Nolen imagination. Stone walls on all sides as Hide starts filling the room with dank modular synth water. Mike who doesn’t usually do vocals hisses out a poisonous danger that left me floored and impressed. I hungrily await the future offerings of this project. A perfect synthesis of styles to form a stronger bond.
11) Assasun – Sunset Skull – German song architect Alexander Donat of Vlimmer has changed gears once again with such a massive swerve proving once again there is nothing he cannot do. This new project is a psychedelic electro punk disco with shades of Tuxedomoon, Legendary Pink Dots, and Coil. It never solidifies into something familiar, it never quite strays into madness. A tightrope walk underwater. This record is almost disturbing in it’s creative Germaness. I can’t wait to hear what is next.
12) Vaselyne – The Sea Says – The Dutch duo Yvette Winkler and Frank Weyzig with the eclectic blend of rolling foam over a dark sea. This world beat blend of orchestral synth and organically woven vocals which hold a history in their entrancing delivery. Contrasted by sharp and vibrant guitar lines to add modern rock to the ancient mysteries. The PJ Harvey cover hits hard on my nostalgia bone but crafts a fresh and unique lens to the alt rock classic. If I ever go into a cave overlooking the sea and light a fire to dance shadows into the morning, this is the record I’ll bring.
The year is drawing to a close. I’ll start working on the year end wrap ups from another stellar year in Darkscene music. Including a compilation of the Sounds and Shadows Darkscene Singles Chart. First, I want to do one last standard review of what I have been listening to lately. Every time I think I have emersed myself in this scene so deeply I cannot be surprised anymore, I find something that blows my mind once again. Something that says the world and art that goes with it are always going someplace bigger and bolder. No matter how much you open yourself, there is always something new to learn. Happy Holidays my friends.
Midwest Gothic – Awesome new compilation I came across of darkscene bands, some I knew, some I found from Indiana, Ohio, Michigan, and Kentucky to cast a spotlight on the amazing things happening in my area. I always love a good regional compilation and this one is stacked with talent. It features a wide breath of the modern darkscene as well. Josh Kreuzman is the mastermind behind this offering, and I look forward to their future releases.
ANGEL-MAKER – Chris Nelson Freeze Etch – Adam Duckworth BlaK SundaY – Juan Blak, Jennifer Maupin, Jacob Cagen, Ron Anderson, Eric Brown Pillar – Jermaine Artis Juan Blak – Juan Blak Sad and Pretentious – Joseph Mayfield Hypnagogia – Elijah Durnell Square Hollow – Mark Mehlbauer Soma and Seraphim – Preston Krafft, Mako Chernobyl Twice Dark – Josh Kreuzman Broken Nails – Kim Bell 9th Circle Symphony – Jason Bambery, Dru Cadaver, Kurt Fester, Maria Cadaver, Chris Grady
Blak Sunday – The always napalm shadow punk energy of Juan Black. Old school chaos explosion always on the attack with relentless midwest blue color aggression.
HYPNAGOGIA – Tantalizing ritual gothic chant with a spider shuffle tempo and summoner circle cadence. A wonderful new discovery I will be watching for.
Broken Nails – The darting tempo cold wave with robust soulful vocals from Kim Bell. One of those tracks that energizes a dance floor while filling your head with reflection.
Plague Garden – Blue Captain – 10,000 leagues beneath the sea in this pressure pulse old school gothic submarine. The guitars are a darting school of silver movement on the edge of your vision. This project is a Denver CO collaboration of Fernando Altonaga and Angelo Atencio of eHpH. I love the atmospheric reckless darkness and Sisters Of Mercy “First Last and Always” hopeless thrum of the ever-sinking vessel.
Favorite Track: Tonight – A bit of an outlier on the album but the dynamic shifts really encapsulated the treacherous sea. The pulsing bassline full of danger and movement. The hunting teeth of the palm mute guitar. The haunting croon of the vocals. Something about this track put everything together in perfect balance.
Null Device – The Emerald Age – Wisconsin based dark synth band with a new driving political statement full of spiraling hooks and razor edge tapestry. The perfect mix of this album is so economical it makes the motion and pace feel like a UFO that darts and accelerates in a way modern technology has not produced. The vocal duties bouncing between Eric and Jill feels like a conversation of perfect syncopation. This album came out in Nov 2022 and every time I hear it holds a familiarity and nostalgia that defies logic.
Favorite Tracks:
For You – This was a darkscene singles chart winner. A boot stomp tempo club banger with Jill belting with Irish funeral dirge sorrowful beauty against sparkling explosion synth lines. A captivating modern classic.
Misspent Youth – A haunting piano ballad with Eric’s clean and emotive voice ringing with captivating expression. Each note on the piano streams forth like ripples in a still underground pool.
Eric Oehler – Vocals, Synths, Violin, Guitars Jill Sheridan – Vocals, Lyrics, Synths Eric Goedken – Lyrics, Additional Production Kendra Kreutz – Cello
G.W. Childs IV – Tarrant County – Lately I have known an obsession, that is yee haw goth. G.W. Childs is legit cowboy who fell in love with Yaz “Upstairs At Eric’s” and created a synthesis of southern family devotion and scorching disco inferno. I love old school country western. Hank Sr. Johnny Cash, Willie Nelson, Patsy Cline had a blue collar emotional delivery which would one day become punk rock. Legendary producer John Fryer (NIN, Depeche Mode, Love & Rockets, This Mortal Coil) reached out and encouraged his friend to lean into his country roots and make this EP of classics with a glossy hyper color synth wave sizzle. I’ve always felt the key to a good cover is when an artist excites a new generation that never heard the original song, but leads them back to it after. This is what the soulful delivery of every track on Tarrant County accomplishes. Watch out for an upcoming interview I did with G.W.
G.W. Childs IV (Star Wars: Knights of the Old Republic 2, Star Wars: Battlefront) • Legendary producer John Fryer (NIN, Depeche Mode, Love & Rockets, This Mortal Coil) • Famed game composer Peter McConnell (Psychonauts 2, Sly Cooper, Monkey Island) • Matt Carter (Guitar) • Ed Love (Drums)
Crune – Necromantik – Recently I covered the Skull Festival in Detroit. I saw a lot of amazing bands. One really struck me. When you see something special for a reason you can’t put a finger on, you know. When the sassy yee haw goth playing a theremin telling stinging tales about severed heads on the bedpost took the stage, I knew I was seeing something special. I made it my mission to make sure the world was aware of the glory of Crune. I remember standing in front of the stage behind the members of Adult who I could see were also struck and feeling that theatrical chest wrenching darkness the first time I heard Danny Blu. This is the beginning of a talented young artist on a rocket ship destiny you won’t want to be the last to know about.
Favorite Track: May Your Wounds Turn Gold – Slithering sensual napalm of exposed truth spewed forth with careless expression. When I saw this song played live, I dropped my jaw. It is raw poetic cabaret unleashed behind an electronic construction of syncopated dynamics. This is the future.
The Joy Thieves – 6 To 3 – Chicago super band led by Dan Milligan have a timely new release while the rights of women to control medical decisions about their own bodies is called into question. Joy Thieves will be donating 100% of the money raised from the sale of the ‘6 To 3’ EP, and its accompanying line of exclusive t-shirts and hoodies to the National Network of Abortion Funds. We are always quick to point out when someone falls short, so I was happy to give credit when artists stand on the right side of history. I love The Joy Thieves iconic blend of hard rock and industrial mayhem. Blending voices and furious flame wall liquid guitar. In addition to the 2 tracks is an industrial high court of scene mainstays not in The Joy Thieves offering remixeslike Jim Marcus (GoFight), Walter Flakus (Stabbing Westward), Steven Archer (Stoneburner), Gaby Gustavson (Eva X). A fiery anthem to capture the tension and anger of these dark times.
Favorite Track:So Hard – Sledgehammer drum beats, lightning bug transitions, and a club build that set the stage for a gorgeous golden melody. Tendrils of glitter smoke catching beams of light. This song can hold my heart forever.
Spike Hellis – Spike Hellis – After seeing them at the Skull Festival in Detroit this year, I haven’t been able to put this away. LA based electronic flamethrowers who answered the question if Alec Empire hadn’t pulled a 180 and became a cryptobro what would a cleaner crisper refinement of the magma fury become? Hearing Spike Hellis really helps me understand what is meant by “Electronic Body Music”. It is felt in the tissue as much as heard in the ears. The range of feeling on this chaotic labyrinth darts through every hidden crack of the human experience. It really must be heard live to fully comprehend, but having a map of the recorded experience can go a long way towards grasping the subtilty of what is happening. I really need to line up an interview with this band in 2023.
COLD TRANSMISSION MUSIC – ZEITGEIST+ – There is no secret about my feelings on Suzy and Andy Herrman of Cold Transmission Music. They run a family style label that highlights the best in European Cold and Dark wave. As well as searching the world for underappreciated talent to shine a beam of their amazing energy on. This is the 15th of these compilations they have released to bring both their own signings as well artists they love. In the end CT are fans of great music first and then a great label. This compilation truly has the soul of those old Cleopatra compilations that want to tell the world about the best new music hidden under the crust. I need to do a review of this compilation on it’s own but wanted to at least shout it out in 2022.
Favorite Track (So Far) – S Y Z Y G Y X – Maniac – Luna has done an exclusive single for this comp and it is fairy light magic in a frozen palace of winter. The percussion of vibrating copper timpani sounds rippling the water from bleeps and bloops. Vocals equal measure smooth and smoke filling the room with vapor. This is a true talent that needs to be lifted up to a brighter light.
Compiled by Andreas Herrmann Additional Mastering by Pete Burns at THE SHELTER Illustrations by Jared K. Nickerson (Jthree Concepts) Artwork by Yvonne Kiel (www.onlyvonne.de)
Klack – Believe – I am always down to Klack. I will Klack in the morning, Klack late at night, I will Klack everytime because it always feels right. This cover is a perfect blend of two great artists Eric and Matt who loved the same song in different ways. They meet in the middle and the homage is perfect. Ok not quite perfect. They could have sung “Do you Bill Leeb in life after love. Maybe Cher would have missed the reference. I wouldn’t have. This choir hits like a glorious angel smashing into a gold brick wall.
Aurelio Voltaire – The Black Labyrinth ~ A Requiem for the Goblin King – Has it really been 13 studio albums for Aurelio Voltaire? This review is special to me. As someone who writes “Goth music with a heavy dose of humor” it is hard not to give credit to the OG that inspired me all those years ago. Here he taps into his own inspiration from an artist and film that burned a codpiece shaped scar into every 90’s goths soul. It appears we also share a passion for collecting every talented guest star he could cram into this shadow glass menagerie. Let’s have a look at this list.
15 members of David Bowie’s band spanning nearly every era of the Starman’s career from the pianist on 1972’s The Rise and Fall of Ziggy Stardust and the Spiders from Mars to the saxophone player on Black Star, Bowie’s last album. The Black Labyrinth was co-produced by Mark Plati who produced the 1997 Bowie album, Earthling as well as the post humus release, Toy.
Other guest musicians included members of My Chemical Romance, Trans Siberian Orchestra, Vision Video, The Cog is Dead, Frenchy and the Punk, violinist extraordinaire Mia Asano, Ally the Piper, D and D songstress Ginny D and an international cadre of musicians making up the orchestra and choir.
The 20 song release is clean like twilight in a fantasy world briming with the mystery of a firefly forest and the pageantry of a catholic funeral. Voltaire’s iconic is the ringleader that ties together the spectacle. If you don’t know Voltaire, you have missed one of the most gloriously self aware experiences in the dark scene. If you do you are in for a 20 track journey with one of the great bards of our time. Let goth music be fun. Let it be the giant melting black candle musical theater it was always meant to be. I both teared up and laughed out loud listening to it. You need this album.