Review of “Pain Is God”

A name that needs no introduction a synonymous part of Industrial/Electronica music for as many decades as I have on this earth Raymond Watts has a new album. Rather as <PIG>, KMFDM, Schwein, or countless remix collaborations for everyone in the scene Pig has continued to leave a mark for the effective sound smiting and adventurous forays into every nook and cranny of the EDM spectrum. No filth or madness was too deep for his snout to seek out truffles in.

https://pigindustries.bandcamp.com/

The new album is a 14 track journey “Pain Is God” through the sleaze glam neon dustbowl. Through all of it you hear a cleaner more blended offering than “Pigmartyr”. Even through the carnival of chaos the narrative of each song rings through the crunching haze of guitar and effect.

Doing this interview was a dream come true for 18 year old Ken. I feel like we had a wonderful discussion that revealed a lot about the man and what went into this album.

Favorite Tracks:

Pain Is God – We drop in on a booming bass wave rolling towards you like the ocean. Glitchy star holes of electronic sound build towards a chorus of gospel choir. Using the beauty of faith music as a sacrilegious tool of excess.

Rock and Roll Refugee – Rockabilly disco and palm muted gutter drive builds to a hook that gives ode to the power of rock. Our gospel choir returns to build the power. I love a good poetry serpent with a hard cadence delivery and this verse lays on the sickness.

Deliverance – I love this strange offbeat crooning ballad. Once the string sound drop in the tone shifts. This is the heart of the revival tent and the fever eyed preacher is working the thrum. Raymond’s voice takes a 90’s Leonard Cohen flavor. This one drips with soul and sends everyone’s voice calling to the sky.

Kicking Ass – Love the sample into old school 90’s industrial slash and burn. That guitar riff is thick as a vault door. I love the whisper of secret sins vocals. A lovely sheading blues guitar solo drops out of nowhere and takes over the tone.

I hear in this album an excited and invigorated Raymond Watts who has found his heart and centered his focus. It has a pulse, it sings a story, it reminded me what someone off the chain playing music they are in love with felt like. I want more and I want to breath it live. Long live the <PIG>