Standing the test of time. Two PreGoth bands still leading in this Darkscene Rennaissance

Goth music has always been a scene obsessed with the past. By nature it came from a literary concept of macabre themes. Many of the bands that started this movement have actively pushed back, famously Sisters of Mercy for example. This month two bands that were there in that early pre-goth era paving the road for the decades, creating a new wave of splintered darkscene sounds. I love in both cases, these are not fan service records standing on the name of their past. They are fresh new ideas, forged in the skill and intensity that decades of releasing albums provide. So let us discuss the latest offerings from The Cassandra Complex and Christian Death.

The Cassandra ComplexThe Plague – Rodney Orpheus and The Cassandra Complex have been entrenched in the concept of what we would later call “goth” music since before we had a word to describe it. They have toured with and played festivals with the biggest names in the scene. Starting in 1985 releasing 7 full albums and 3 live albums the last of which “Wetware” on Metropolis Records in 2000. 22 years we waited for a return with “The Plague” to burst forth with a ferocious new energy. Early releases like “Grenade” were thick with an aggressive political message. I fell instantly for this return of piss and vinegar spirit blended with fine blade refinement. A razor edge between emotional concept and ability. Although these are new songs tackling modern concepts of a post capitalism world, the album serves as a greatest hit record. Drawing on individual styles that run the range of their history. It doesn’t forget the tongue firmly in cheek humor, using wit to mock the face of power.

The Plague | The Cassandra Complex (bandcamp.com)

Released May 6, 2022

Rodney Orpheus: vocals, vocoder, synthesizers, drum machines
Andy Booth: guitar, keyboards
Volker Zacharias: guitar, bass, keyboards
Axel Ermes: synthesizers

Produced by Rodney Orpheus @ Magic Library Studio, London
Cover Art by Antony Johnston

Photo by Patrick Beerhorst

Standout Tracks: This is not an album of singles. No fractured thoughts of refracted light touching unrelated ideas. This is a record of intent meant to be played in succession. I must stress the importance of reading these chapters in order to understand the story. To say particular songs didn’t grab hold of my lapels and shake me with staggering force would be unjust as well. I will call out three.

Hotline To Elvis – Opening the album with this blistering gallop of southern twang guitar and hooved pounding bassline. Living in Kalamazoo MI I remember the Elvis hotline. It is often forgotten that bizarre conspiracy theories were not new ideas. When people want to believe something, no matter how absurd, they found a way. I love how Rodney takes on just enough southern lilt to summon the shaking spirit of the King. I blast of fire to set the scene.

We did this interview with Rodney in 2020. We have another soon to release 🙂

Speed Of Sound – Ok, this is that track. A swelling ballad that captures a relatable experience that just hits different. The heart grasping hook of this bassline, Rodney’s genuine and tragic delivery with a Lou Reed poetry in blue collar hues. I must have played this track 20 times. I feel myself well up for every single one. A modern classic.

Old Boys Network – This song is about a collision of sounds and fierce satirical rebuke of the men in power which permeate and destroy every aspect of life. This synth line is a bouncing frenzy and Andy Booths guitar lines crackle with LA punk chaos. Rodney keeps the effect of clarity and grey pastel while spewing forth a Dead Kennedy’s rant.

Overall this is a triumphant return, an band that has earned the freedom and skill to treat their fans to a fearless and personal glimpse into the human experience in a failing system. It is my sincere hope that this is a path back for younger new fans to one of the bands that paved the way for the modern darkscene.

Christian Death Evil Becomes Rule – The most recognized name of the American Proto goth scene from Los Angeles “Evil Becomes Rule” marks the 20th studio album in a legendary career. In our recent interview Valor told me about EBR being a continuation of 2015 The Root of All Evilution. It would be easy to appeal to longtime fans, putting out similar albums in a fan friendly style. Some artists have wonderful careers doing just that. This has never been the Christian Death way. Always slicing the edge in every incarnation. Evil Becomes Rule took me to a new place I never expected. A shadow psychedelic blasphemy of triumph blending world beat Dead Can Dance and roaring power of Judas Priest. Maitri’s vocals are highlighted like never before and cast a sinister ritual of power.

Evil Becomes Rule | Christian Death (bandcamp.com)

Recording lineup:
Valor – Lead vocals, guitars, violin, cello, piano (inside and out), keyboards, percussion
Maitri – Lead vocals, bass guitar
Pao – Drums

Live at Reggies in Chicago

Stand Out Tracks: It is so hard use objective judgement for a song writer I have this much respect for. I will try my best to pick a few favorite tracks that struck me hard and made me revaluate the idea of what Christian Death is.

Elegant Sleeping – This track is a stalking wolf in a swirling forest mist. Maitri delivers such a delicious snarl to split the space between the dervish guitar rhythm. The break down sails right off the rails in a savage cacophony of chaos. A blistering and explosive avant garde.

Beautiful – There are other singles on this record. This one just rings out with such beauty and clarity. The chorus hooked me in hard, I kept hearing it in my mind wherever I went. Cobra strike guitar lead, dancing beside a merciless chant of longing. The organic crashing drum sounds really find their form. This single is such a penetrating reminder of how complex and emotive Christian Death are. Shout out to this gorgeous video as well to bring the concept into stark relief.

Who Am I part I – Another aspect of CD has always been a clear understanding of the power of pageantry. Drawn bow strings and the call and answer dialog vocals of Valors Bowiesque glam dueling with Maitri’s storm winds challenge. Crashing contrasting voices meeting in the middle to erect a swirling tower. A final crescendo on this journey through past and future.

Overall: I am left astounded at Christian Deaths ability to always be growing, always raising a challenge. I saw the first night of the tour in Chicago and was overwhelmed by the presence they create. Valor and company are excited for this record. That enthusiasm bleeds into every word and note. Seek out a chance to witness this live, there just aren’t as many true rock stars in the world anymore. You still have a chance to see one in an intimate setting.

Excitement at 11 as I review Procession Magazine and Cleopatra Records’ final installment of “The Unquiet Grave” 

Growing up in the Velveeta Valley suburbs of Detroit in a time before the Google search, Spotify playlists, Youtube suggestions, and Sounds and Shadows I had a sacred ritual. Once a month I would coat myself in black from head to toe and pedal my bike to a mini mall which contained a record store. Here in the new CD releases I would take my caddie/busboy money and purchase the latest Cleopatra Records sampler. Now these compilations took many themes, tribute cover albums, up and coming goth bands. This was how you found the next band that connected you to the wider world. I would race back home, tear apart the packaging and dream of one day seeing my own name in the liner notes. This ritual mattered, it made me feel connected to other kids like me that I didn’t know. Somehow, I knew they were out there. When I saw Procession Magazine bring back this series of goth compilations, my faith was confirmed. To see one of our songs, appear here, that dream has finally come true. So, I welcome you all to join me in my room, as I light a candle, press play, and journey into the macabre world of “The Unquiet Grave” searching for dark diamonds in a cruel sea.

The Unquiet Grave – Cover Model: Angela Benedict
www.instagram.com/angelamariebenedict/
Photograph by Zimmer-Range Images
Graphic Design: Rene Ramos for Procession Magazine
www.instagram.com/procession_magazine/
Compilation produced by Procession Magazine and Athan Maroulis
Mastered by Xris Smack at Mindswerve Studios, NYC

https://theunquietgrave2020.bandcamp.com/album/procession-magazine-presents-the-unquiet-grave-the-final-chapter

This album is massive in scope. Featuring 43 tracks from a wide variety of goth subgenres and cities. I can’t write about every single amazing band featured. A good portion of the fun of a compilation is the exploration of every track. Waiting for some to speak to you and searching for their album. I will call out some small portion that spoke to me.

  1. NOIRThe Burning Bridge – From NYC the mastermind curator behind this compilation Athan Maroulis opens the journey with this writhing serpent of smoking desire. I can feel the fingerprints of Erik Gustafson (Adoration Destroyed) on the guitars and production which ebb and flow with crushing dark waters for Maroulis vocals to ride upon. A fitting tribute to David Bowie and a powerful opening volley to set the stage.

The Burning Bridge | NOIR (bandcamp.com)

3) Byronic Sex & ExileCu Foc – From Goth City Records in Leeds UK this was definitely one of those magic moments where I knew nothing of this band going in and immediately fell deeply in love. Throbbing and melodic gothic rock with a touch of western Fields of the Nephilim guitar twang. Crooning clear vocal delivery with just enough grit to feel dangerous. First EP dates back to 2016 and I will definitely be placing this on my list for a back catalog deep dive.

Cu Foc | Byronic Sex & Exile | Goth City Records (bandcamp.com)

5) Bedless BonesSad and Alone – This is an amazing track from an album I am quite familiar with. We reviewed it in 2019. Kadri Sammel and Bedless Bones have the distinction of being my favorite band from Estonia. I love the swarming dark forest life and creeping chaos. Kadri has a unique sizzling whisper of a voice with a cadence that makes it stand out in a crowd. Gorgeous witchcraft in midnight blue beams.

Sublime Malaise | Bedless Bones (bandcamp.com)

Slighter x Static LogicMirror In Darkness – Team up of LA based Cyberwizard Colin Cameron Allrich and James D Church to flip the script with this hurtling empty space driving beat spinning through a red light matrix. A synthetic breath on the back of your neck, a ghost in the machine.

Mirror In Darkness / Data-Loss | Slighter x Static Logic | Confusion Inc. (bandcamp.com)

A Cloud of RavensFlowers Melt Away – Our dear friends from Brooklyn Matt and Beth who are on Cleopatra Records have done this amazing tribute to Fahrenheit 451 the New York pre goth underground legends that included the previous mentioned Athan Maroulis on vocals. I really feel this slippery bassline and glam rich lilt of Matts vocals. I wonderful way to connect the past and future.

Flowers Melt Away | Fahrenheit 451 (bandcamp.com)

A Covenant of ThornsDahlia – This song holds such a special place in my heart. Scott-David Allen has brought the concept of romantic goth back into the forefront of the modern scene. Gorgeous heartfelt longing and loss, pulling apart your heart. This song was remixed on a compilation I put together at Sounds and Shadows which led to the collaboration The Burying Kind with Dan Milligan. If you have never explored the rich history of ACOT I really can’t speak highly enough of them.

Shadows & Serenades | A Covenant of Thorns (bandcamp.com)

Adoration DestroyedBlackout Again – Glamdustrial rockers from Austin TX led by Erik Gustafson. Off their album Ritual Deconstruction. AD always brings such a punishing and powerful mixture of bass beats and heavy dark cloud guitars. An important voice in the modern goth scene.

Ritual Deconstruction | Adoration Destroyed (bandcamp.com)

AmuletLast Ditch – Badass swamp curse energy from DC that again I am happy to say I found as a result of this compilation. Stephanie Stryker has one of those sky splitting voices that encompasses your entire sensory scope and this mello ground shaking bassline completes the ritual. I was an immediate fan.

House of Black + White | Amulet (bandcamp.com)

Dover LightsMemory Dissolves – So I was not trying to stumble on this band from the Ozarks. However when one finds a mixture between The Chameleons and Bruce Springstein it is unavoidable to call it out. I found this sound so mystifying and unique while pairing so many nostalgic feelings I couldn’t look away. This will definitely go on my deep dive list for later. I never knew I needed this, but I do.

Dover Lights (LP) | Dover Lights (bandcamp.com)

Eva X – Canadian darkpop goddess changes the tempo of the compilation with this driving foot stomping club hit. I love the twists and turns of cadence and tone. I always picture Gaby dancing in an ice palace full of refracting lights.

Black Blood (Dance and Destroy) | Eva X (bandcamp.com)

Cliff and Ivy: Alaska’s goth duoBring Us The Night – Our dear friends the power goth couple from Alaska. Again a wonderful tempo and intensity change for this journey. Breakneck deathrock with scintillating guitars and Ivy’s rock smashing voice. This track is a runaway ride in a minecar down a shadowy mountain. Wonderful music by wonderful humans.

Bring Us The Night | Cliff and Ivy: Alaska’s goth duo (bandcamp.com)

The AmaranthThighs – We have a song on this compilation. It is on our upcoming album Gothtimism. It’s weird talking about yourself. We write a goth song about waking up in a hotel with your partner and realizing a perfect imprint of your makeup pallet is on their inner thigh. The world needs more goth songs about going down.

Noxious | The Amaranth (bandcamp.com)

Shadow FashionChildren of the Night – I love the clash of emo and synthgoth from Texas based Shadow Fashion. Patrick the singer has an amazing voice and presence. It rides that perfect line between 2 kinds of nostalgia and a modern exuberant energy. Everything I hear from them is pure gold.

Children Of The Night | Shadow Fashion (bandcamp.com)

VAZUMUnspoken – Glorious GothGaze duo from our home state Michigan that have continued to crank out dark slushy walls of sound in a steady stream since 2017. I love the monster theme and water color tone. A truly unique and powerful sound.

Haunted House | VAZUM (bandcamp.com)

Doors In The LabyrinthDead Stars – The tragic and haunting gloom painting from Pittsburgh sonic texture artists Josh Loughrey. Powerful intensity that harkens back to Projekt records slow grinding emotional destruction. I’ve got to see them live before and the intensity of the experience is well worth the price of admission.

In The Shadow Of The Monolith | Doors In The Labyrinth (bandcamp.com)

I wish I could write about everyone present here, because they all have something to offer. Instead, I will let you make your own way down this murky mist covered river. Thank you again to Procession Magazine and Athan for putting together this immense undertaking. In the comments below tell me about a new band you discovered.

Fascination

by The Birthday Massacre

Consistently haunting along the dark wave scene since 1999, Canadian band The Birthday Massacre has recently released their 9th album Fascination. Having dropped on February 18, 2022, the entire album is a beautiful marriage of the ethereal vocals of it’s lead singer, Sara “Chibi” Taylor and the dark synthetic sound that the band is so well known for.

Fascination delivers a similar feel to the bands prior albums that came before, and this is not something grounded in the negative. A continuing, slow evolutionary sound that they have spent time mastering through past albums such as Hide and Seek, Imagica, and 2020’s Diamonds. The tracks of Fascination alternate between slower paced, more romantically themed songs, and a harder, darker sound that would be easily at home echoing out over a goth clubs dance floor. I don’t think I’ve ever found a musical talent whose sound so perfectly corresponds to the art of their album covers. Fascination “sounds” like being led into mysterious new surroundings by some fae child under a violet hued night sky.

Amplified Live Official (@amplivetx) • Instagram photos and videos

It’s title track, Fascination, starts out with the twinkling of keyboard keys, popping into existence like stars at night, before the rest of the song envelopes you with Chibis vocals extolling her new obsession. It sets the thematic feeling of the album overall and is a powerful starter. Dreams of You, One More Time, and Once Again are more romantic in their subject matter, hitting on both love found and lost while Cold Lights, Like Fear, Like Love, and Precious Hearts each come on stronger, and are far more likely to be deployed from a DJ’s arsenal.

A few stand out songs – Stars and Satellites is definitely one of the stronger tracks, and while starting out with a slower beat, boasts some powerful guitar riffs and Chibis vocals help paint a celestial soundscape. My favorite ballad is it’s closing one, the aptly named The End of All Stories. It’s the slowest piece on the album, something I am oddly predisposed to in most cases, and brings together all the good elements that the band has to offer to allow a slow fade out for the albums end. The beautiful vocals, powerful guitars, and those wonderful synths which for me play off a nostalgia for bygone eras of music. I miss the 80’s and am grateful that it’s sound lives on in albums like this.

Altogether, Fascination will offer fans of The Birthday Massacre another lovely helping of everything that made them fall in love with the band in the first place. Yes, it does tend to sound a great deal like what came before in their discography, but if something isn’t broke why try and reinvent it? Putting this album on will net exactly what the world could use more of – beautifully gloomy music being performed by beautifully gloomy Canadian musicians.

You can purchase the album on bandcamp.

https://thebirthdaymassacre.bandcamp.com/album/fascination

By James Kelly

PlayPlay

Artists Donating Proceeds To People Hurting In Ukraine

The world is a bit scary right now. A lot of giant dark clouds hang over us. What is happening to the people of Ukraine is first and foremost in many minds. Art/Music has always been a means of expression for the suffering of the world. As well as a way to give hope. So as reports started coming in several bands in the darkscene released singles with proceeds going to support humanitarian efforts. I will share some of those now

Lifeline InternationalCome Together – So I will age myself here, but back in 1985 the famine happening through out Africa gained public attention when pretty much every popular star in music came together to preform a single called “We Are The World”. When I heard this Beatles cover electrified and amplified by Christian Petke (COP International) and Legendary producer John Fryer my heart stood on it’s edge in that same way as in 1985. This track features : members of Faith No More, Stabbing Westward, Rammstein, The Hardkiss (Ukraine), Revolting Cocks, Filter, Pigface, Agnostic Front, Basement Jaxx, Gravity Kills, The Cassandra Complex, Mesh, blackcarburning, The Joy Thieves, Deathline International, Vaselyne, and Black Needle Noise. I know that might not feel like Michael Jackson, Lionel Richie, and Kenny Rogers to the rest of the world. To Goth/Industrial fans, it’s pretty close. Massive fuzzy funk riffs, earth shaking percussion explosions, vocals that deliver distinctive sounds and seamless overlap. The opening track of Abbey Road which was supposedly written for Timothy Leary’s attempt to become Governor of California has always struck an emotional chord of counter culture rising up for change. The addition of Queen’s We Will Rock You at the end is a fitting signature to the journey. There is a VERY good reason this has remained the number one seller on Bandcamp in any genre.

https://copinternational.bandcamp.com/album/come-together?fbclid=IwAR1TeoC2Su1dgJD9JeEao_G0CMMXHs6XzEcCxrIdD09j_G4834CbKdJBUtc

A Cloud of RavensThe Call Up – Brooklyn NY goth rockers ACOR follow up their stand out album Another Kind Of Midnight with this shadow disco flavored cover of legendary punk act The Clash. Mathew’s vocals are a crooning whisper in contrast to the original, yet never lack for intensity. A cutting electronic veil of synths and foot stomping percussion. They are donating all proceeds to International Rescue Committee. This transitioned from a 4/4 vamp banger into a elastic and textured dance floor electricity. I think Strummer would have appreciated.

https://acloudofravens.bandcamp.com/track/the-call-up

Ashes FallenStand Your Ground (for Ukraine) – This single from California goth rockers Ashes Fallen was featured on their album “A Fleeting Melody Out Of A Fading Dream“. This version with all proceeds to Direct Relief for their humanitarian mission in Ukraine. It features a remix by The Axiom Divide. The original is such a mist rising from concrete dark edge call to arms banger. The remix pulls back the teeth to reveal James emotional vocal performance and subtle colliding synth streams. It adds a reflection of sorrow to the aggression of the original.

Ashes Fallen is James Perry, Michelle Perry, and Jason Shaw.
The Axiom Divide is Jay Tye, Brent Heinze, and Misti Laubscher.

https://ashesfallenmusic.bandcamp.com/album/stand-your-ground-for-ukraine

Warm GadgetLost Weekend – So this is an enormous value compilation for $12 featuring 99 tracks. All proceeds go to Vostok SOS and the Ukrainian Red Cross. An ambitious undertaking in it’s scope and delivery. With contributions from more than 27 countries: Brazil, Bulgaria, Canada, China, Finland, France, Germany, Hungary, Italy, Japan, Latvia, Netherlands, Portugal, Russia, Spain, Slovakia, Sweden, Turkey, UK, Ukraine, USA and others. There is too much here to go through every individual band. I will focus on this one track from Oregon based hammering hard rock synergy Warm Gadget. I always get chunky Helmet slither math vibes from them. I love the stretch and build happening here. You would be seriously hard pressed to get a better musical value to support the cause.

Tim Vester :: Vocals, Lyrics & Effects

Colten Williams :: Programming, Guitars, Keyboards, Bass, Samples, Production, Engineer & Additional Vocals

Austin Williams :: Additional Vocals & Guitar

Billy Mickelson :: Additional Guitar

https://componentrecordings.bandcamp.com/track/lost-weekend

Thieve6Inside Out – Ok, this is shameless self promotion. However it is also a single with all proceeds going to Razom, a humanitarian relief charity chosen by Myah who had just lived in the Ukraine as part of Peace Corp. Those that follow Sounds and Shadows have probably heard of my fanboying for 90s Alt rocker Eve 6 and his twitter page. It has gotten to be a bit of a running bit in the Facebook group. So when Dan Milligan of Joy Thieves/The Burying Kind fame about doing a cover, Collin and I (Amaranth) went to work. We had no idea when we started what Dan would eventually bring together. I’m proud of the result, and proud to raise money for the cause it goes to. We also got to bring in the talented Whitney Flaherty to produce the inspired cover art. I’m still waiting for Max to ask me :If I like the Heart In A Blender Song“.

Ken Magerman: lead and backing vocals, clips and phrases
Collin Schipper: guitars, backing vocals, wicker cabinet
James Scott: bass guitar, origami
Myah VanTil: backing vocals, faith in nothing
Damien Faust: guitar, finalistic rendezvous
Dan Milligan: drums, guitar, synths, ginger ale

https://thieve6.bandcamp.com/track/inside-out

Now for those of you that prefer a more direct support. I will call out some bands in our scene in the Ukraine that are suffering and could use your support.

Icy MenLow Light – Based in Kyiv/Kiev our friends on Cold Transmission Music Lytvyn and Den Stavitskiy who we have reviewed previously do a frozen darkness coldwave that resonates in the heart. The driving bass in abandoned subways, pounding movement. Frosty breath vocals delivered with cutting logic. I fell in love with this record in 2020 and hold a good thought for the next release.

https://icymen.bandcamp.com/album/low-light

BlazerJacketGet Out (feat. Dirty Bird 13) – Another artists from Kyiv Denis Cherryman has a new retrowave shimmering single of oil on water in the morning sun. Creating an image of serenity before the violent guitar crunch and broken glass vocals shatter the surface of the water. Without warning another change from Psalm 69 Ministry fury to hypnotic retro melody hook. I love the bold transitions, I love the message of warning. Have a thought for Denis, I look forward to his next release.

https://blazerjacket.bandcamp.com/album/get-out-feat-dirty-bird-13

Sexual PuritySuffer | Hope – I love the erratic percussion builds from Dnipro based Coldwave artists Sexual Purity. Anastasia has a captivating and emotionally tortured voice. It drips with animal hunger and menace. The style is very minimalist like a swirling nightmare you can’t hold in your mind. I look forward to more exploration of diverse styles in the future offerings. I was haunted and intrigued. Track 3 “In The Ocean” was a standout for me in the way the vocals took a more jagged and dangerous edge.

Music by Oleksii Donets
Vocal and Lyrics by Anastasia Romanova

https://sexualpurity.bandcamp.com/album/suffer-hope

When the world is suffering it is often artists who put the emotions into a physical form. Here we are just scratching the surface of amazing bands that offered up their art to support the people effected by this horrible conflict. Hopefully one of these offerings inspired you to do something for those suffering. Please if you know of another artists doing a song with the proceeds going to humanitarian relief leave a link and comment below

Glitter and Grime Make Me Shine, It’s Review Writing Time

Another Wed in mid November and I have the Oscura Festival fast approaching. This may be my last chance until December to write some reviews of the glorious new music that is being released. As always these are darkscene bands that have caught my attention and need to be shared. If you have a release we need to hear hit us up on Sounds and Shadows.

Modal CitizanIdolatry – The lads from Virginia beach have released a new 4 song EP. Have you ever wondered what if NIN “The Downward Spiral” and Clutch engaged in unholy union to spew forth a jagged baseball bat rolled in broken glass and started taking wild swings at an unsuspecting populous sounded like? Now you need not wonder. Horror film builds and chaotic drum beats, thunderous funk metal bass from Sean Waff, and screeching heart string vocals from Ryan Jones. I love the tight turn into electronic dance beats from their November 2020 album “Control Alter Deplete“. They really comprehend the power of dynamic contrast to tell a story. Adam Fueston unleashes slashing electro whip guitars that pick just the right moment to sear their impact. It’s mean, it’s jaded, it’s rowdy.

Favorite Track: Expanse – A true emotional firehose that encapsulates the anger and aggression while baring the quiet emotional turmoil of keyboards and poetry. Jones goes deep into character thrashing and jerking like a person processed by a demon riding a bull.

Previous interview and video Premier

https://modalcitizan.bandcamp.com/album/idolatry

Sapphira VeeBreath of You – I always love a new single from Sapphira, I especially love it when it goes to such an important cause. Cat Hall, a cervical cancer survivor, agreed to collaborate on this single, as well as our good friend Jim Marcus of Go Fight contributing a remix, having lost his mother to cervical cancer. This single is being released in the month of October, in observance of Women’s Cancer Awareness Month. The track also has remixes from frequent contributor Melodywhore, Ratio Strain, and Federico Balducci. Sapphira shows a Cheshire cat grin to her voice. The deep buzzing pad synths move like columns of stone while the chanting words preach a resilience and vulnerability. Each version creates a vastly different tone to the core concept. Another spot on powerful offering blending dancefloor accessibility and personal trauma.

Favorite Track: Breath of You ft. Cat Hall/Dissonance – The blending of two powerful woman producers/vocalists will leave me floored every time. Add onto that the warrior princess delivery and subject matter and you have a cocktail which is smoky, burning, and filled with introspection.

https://sapphiravee.bandcamp.com/

Rohn – LedermanVenus Chariot – My love for Belgian composer extraordinaire Jean-Marc Lederman is deeply known on this page. His previous work includes ( Fad GadgetThe TheGene Loves JezebelThe Weathermen) as well as some of the most thought provoking higher tier concepts in electronica music of the past 5 years. Teaming here with COP International and exceptional producer/Vocalist Emiliegh Rohn of Michigan they blend into a poetic electrified katana of grace and fury. I have spoken of this record in the Sounds and Shadows group but was shocked I had yet to write a formal review. When I hear someone of Jean-Marc’s pedigree say “This might be one of the most important albums I have ever released” it tends to make your ears perk up. This album is full of endless fusion energy both in the intricate hair splitting craft of the music, and Emileigh’s power whisper beauty. it’s the record I reach for whenever I need to force my body into action. A well of strength at your fingertips for these draining times. Greg Rolfes provides cover art to set the tone of this runaway stampede of electronic elegance.

Favorite Tracks:

All The Little Things Left For Dead Go Unsaid (a.k.a. “The River”) – The slow tempo balled rich with waterfall emotion and connecting poetry. This beautiful piano composition with tugs the heart strings. The haunting whisper of vocals that shut out the world. This song has a captivating beauty in the vein of Life On Mars.

Destruction and More – This is a faster paced defiant and layered builder. The music keeps stepping forward a heavy foot at a time through gale winds. Ending in a fist raised chant of war. A true tribute to Athena in it’s brazen energy and feminine power.

https://rohn-lederman.bandcamp.com/?fbclid=IwAR2L63E2Kk3OSqS5V8slCHssyU7pgp1EC1xXafPSpdNN0apSQajJx_y9puI

The Ending NightsA Landscape To Die – Pre-Order available for the newest offering of Pedro Code (IAMTHESHADOW) of Portugal on Cold Transmission Music. A definingly dark apocalyptic disco drive produced and mastered by Pedro for a soul wrenching personal explosion. Jagged glass drenched in rainbow oil and water. How do you take one of the most distinctive voices in modern goth/darkwave when you find a way to make the steaming disco beats the star of the show you have really broken ground. This is a record that creates a world. Grime and desolation, the remaining survivors of a broken world follow the electric pulse of a melody from within. A perfect anthem for these fractured times.

Favorite Track: No Light – Hearing something so melodic and pure as Pedro’s voice swimming through a channel of filth and grit that is beautiful and terrifying. This macbre nightmare of insomnia and slow grinding destruction. Another layer of depth and complexity for a proven talent.

https://theendingnights.bandcamp.com/album/a-landscape-to-die

Curse MackeyLacerations – Brand new single and remixes from legendary Texas Industrial artist Curse Mackey (Pigface, My Life With The Thrill Kill Cult, Evil Mothers). Featuring remixes by  Twin Tribes, Steven Olaf, and Chase Dobson. I love the concept shift from gothic electro ritual on “Instant Exorcism” into nihilism Tokyo drift shadow synthwave. A effortless cool grinding prayer as the world crashes down and leaves you nothing to lose.

https://cursemackeyngp.bandcamp.com/

El Clan Somos Nuestro Peor Miedo – New album from legendary Mexico City dark rockers El Clan. There is something distinctive and powerful with true shadow swirl ritual rock delivered in Spanish. The fluttering trill of the guitar. The heavy strikes on backbeat snares. Gustavo Perez Ramirez has such a unique and dynamic range to his vocals. Rumbling growls, silver shining melodies, and sand swirling blasts of power. El Clan continues to encapsulate a burning flavor and haunting sound that puts them on a pinnacle of Mexican darkscene .

Favorite Track: Dios Universo – The opening light touch driving guitar riff set a tone of danger and action. Gustavo growls out a opening salvo of edge and anger. Then quickly changes lanes to a sorrowful melody. It’s a perfect homage to historical hard rock feel and modern dark progressive.

Black Rose BurningThe Wheel – George Grant of New York has taken an already amazing sound to a completely different level. This new album is progressive, complex, expertly executed emotional darkscene that permeates the skin and resonates in the chest. These vocals harken to a previous time of dripping Peter Gabriel emotion that spiral in crystal facets on top of shifting translucent hooks. It ebbs and flows through a stylistic spectrum and delivers with every memorizing tale. I continue to be blown away by one of the most criminally overlooked master songsmiths of our scene. This is a record that needs mainstream attention.

Favorite Track: An Anthem For The Strange – When the title says anthem, they are not exaggerating. These drums are rolling and trance building. George’s vocals ring through with a clarity and power that convey emotion. A warm and glowing starlight that wraps all of us freaks and outliers together in a sparkling blanket of togetherness.

https://blackroseburning.bandcamp.com/album/the-wheel