Who are the great ladies of the Goth/Industrial scene today?

Music in general has always been a bit of a boys club. Sadly I feel like ladies have always faced an uphill battle particularly as producers and song writers. The goth/industrial scene has had it’s share of amazing and talented ladies as well as a progressive view, but it has never been a 100% fair shake. Since I have been getting back into the cutting edge of new music I have been overjoyed and amazed at the influx of talented female led performers currently putting out wonderful art that adds to the discussion and furthers the diversity of this scene. So I thought I would take a moment to highlight some of my favorite new artists creating music that places emphasis on the female perspective and makes this genre richer. I can’t add everyone I am listening to but i feel excited that it took me just a few moments to have several amazing artists currently enriching this scene. These will be quick hits, but I have more extensive reviews of many of the ladies featured.

Hante – Hélène de Thoury has an amazing voice and textural songs of beauty and effortless grace. She has such an unspoken coolness to her songs that paint a picture in your mind. I am transported every time i listen to her.

Sunshine Blind – Caroline Blind was an artist I grew up listening to that helped shape and mold me and changed my worldview of music. She has continued to make amazing music with the power and beauty of her voice. I always describe Sunshine Blind as a Steel gauntlet in a velvet glove. This is a cover she did of the Swans “Godamn The Sun”. It’s simple, striped down, and amazing.

Black Nail Cabaret – Emese Arva is a freaking force of nature. Her presence and power remind me of the first time i heard Annie Lennox. Her voice is pure raw energy, strength, and beauty. Wonderful range and a revolutionary song writing style that makes me want to charge up a hill and believe in a better tomorrow. I challenge you to listen to this song and not feel inspired!



S Y Z Y G Y X –  Luna Blanc has a voice that feels like a slow drink of whiskey in a club owned by David Lynch. It’s smokey, immersive, and full of desire. Can’t get enough.

Tearful Moon – Sky Lesco from Texas has such a haunting and lovely voice. It redefines barriers and has such an authentic concept and sound. She charges headlong into any subject matter while writing. It is deep, rich, and isn’t afraid to delve into the deepest concepts of the human experience.

Cliff and Ivy – Ivy Silence is a dear friend and all around wonderful human. Hailing from Alaska with her husband they do a sharp edge stabbing dark goth rock full of punk sensibility. Her voice is raw and unapologetic and as it crashes through you with sultry fierceness.

Kaelan Mikla – From Iceland is an amazing female group that hits on every level. It’s driving, fierce, gorgeous music filled with simmering intensity and textural beauty. They are truly a cutting edge sound for the modern age. Every time i listen to them i get lost in the picture they paint with every song.

Corlyx – Holy shit i love this band. Caitlin Stokes has a clear and fearless beauty and style. She really captures the raw sexuality and intelligence of the modern scene. This new album has a filthy glittering glory reminiscent of the 90s but with modern flare and strength.

Audrey Burne – I always love when i can give props to a fellow Michigan band. Lilith Gates of Audrey Burne is a immensely talented and haunting vocalist that has a lovely Natalie Merchant lilt and wonderful stage presence. I’ve had the honor or sharing a stage with her and they have a wonderful driving dark rock feel that really captures a room.

https://firesngp.bandcamp.com/track/show-me-life

Fires- Aedra is a freaking force of nature. She sings with such intensity and burning passion about her experience and her song writing ability really pushes the boundaries of industrial electronic music. This album really changed the game for me this year.

Angel Metro – Soft, sultry, understated glory. Virginia’s Angel Metro does a wonderful blend of subtle dance beats and lilting tender beauty. She really exposes her inner most feelings for every song and this courage lends the tracks a real power.

Schedule IV – Stephanie Strange again from Michigan is a friend and amazing energy on stage. This is perfect precision post punk glory that blends her high range intense vocals and intelligent lyrics to create an entrancing and intimate experience. One of our favorite bands to play with and wonderful people.

Lorelei Dreaming – Laura Bienz leaves it all on the floor every night. I’m starting to reflect on how many of these amazing ladies i actually got to share a stage with. The energy, stage presence and political savvy combines with the intelligence of the lyrics to create a wondrous and unique experience. Do yourself a favor and bask in the fiery glow of this album.

I Ya Toyah – Chicago based Ania Tarnowska brings a fierce and rocket fueled electronic dance symphony of raw sensual strength to every performance. I love these explosive pop hooks blended with crashing dance rhythms.

Leathers – Is the sultry synth dream darkness of Shannon Hammett of Actors. It’s so great to see when a performer in a band of the quality of Actors finds her own voice and shows the ability to create such staggeringly beautiful music like this with her as the center piece. I love how far this reaches from the sound of Actors to really allow her voice to shine because it is one that deserves to be front and center.

Ego Likeness – So Donna Lynch has had a long, successful, and storied career and I could have picked a lot of songs newer than this, but it’s my favorite so I’m going with it. Donna is a hurricane of passion and darkness. She has been taking on intense topics in her art for a decade and creating beautiful songs about the horror which resonates with the feminine experience and having an intimacy of truth for decades.

https://nowherenowrecords.bandcamp.com/track/dragonfly?fbclid=IwAR3QR3MKDGuVWBQoA78u_s_okui5EkkmvAMrpmJBP2_xub88iZ8s3k8ODVo

Bess – Aussie dark alternative rocker Bess Linda is making churning sultry dance beats full of world beat toms and off kilter warm toned vocals to shake a dance floor.

Bones Uk – This recommendation came from Collin Schipper, filthy wide room fresh sounds. It’s pop hook sensible but cutting edge in your face intensity. You aren’t wrong “Beautiful is boring”

Death Loves Veronica – Veronica Campbell is a slow, back beat, sultry drive down a long empty road. It’s effortless tension, and subtle whispers of reality laid barren with brutal honesty.

SINE – I must admit I heard about SINE and Rona Rougeheart  through her collaboration with Curse Mackey. However once i dug into the power of her art for itself I found an intense flurry of disco dance beats underneath powerful vocals and world building soundscapes which captured me and brought me to my knees to beg for more.


VV and The Void – Valentina Veil has a wonderful whispering smoke swirl style. Really great at building tension in her songs to feel like a story.


Dissonance – Cat Hall has such a rich soulful voice with I feel gives a unique flare to her dark dance electronic sound.

I know I have missed so many impressive female artist which drive and push the boundaries of this scene. Just looking through what popped into my head without much through fills me with hope for a brighter, stronger future of diversity of the dark music scene. I hope you find something here you give a try to expand your horizons with.

Kat Squared was kind enough to put all these bands together on a Spotify playlist

Continue reading “Who are the great ladies of the Goth/Industrial scene today?”

Interview: With Pete Burns of Kill Shelter

I’m very excited about this interview. Kill Shelter “Damage” was one of my top albums of 2018, a truly groundbreaking piece of artistic expression which harnessed the vocal talents of some of the darkest stars in the Post Punk/Darkwave genre. I tried to ask questions which would give a firmer grasp of his process and motivations in creating this monumental and personal offering. The album just became available on vinyl and is a must have for any serious collector who values this style. Link just below


https://hivmusic1.bandcamp.com/album/damage-upr094-gothic-rock-darkwave

https://soundsandshadows.com/2019/05/18/kill-shelter-review-of-damage/

Our review of the album 🙂

(Ken) Pete this latest album “Damage” touched on so many emotions for so many people. What did this title mean and what were you trying to capture in these songs that related to it?

(Pete) Firstly thanks so much for the kind words and for the opportunity to talk about it. “Damage” was written during an exceptionally difficult time for me and there were a lot of dark thoughts and emotions that influenced both my music and my song writing in the nine months that it took to produce the album. “Damage” not only reflected my state of mind but it became a thread that ran through all the tracks – whatever happened I wanted to try and create something with a sense of purpose. Music has become so disposable and ubiquitous that I just wanted to try and make something that had some form of substance, meaning and hopefully resonance.

(Ken) You did such a unique concept of writing these songs but bringing in a who’s who of incredible musicians and singers to bring your words and songs to life. That couldn’t have been easy. How did you come up with this concept and what was your biggest challenge to overcome? 

(Pete) I’ve always seen myself as a producer first so working with other artists, especially vocalists, is something that I love to do. I’d been doing a set of remixes and had just started writing material when Pedro from Unknown Pleasures Records approached me asking if I intended to do an album and if so he would be interested in considering it for his label. So that gave me something positive to work towards, of course there was no guarantee that a) it would be good and b) that anyone would like it. At that time UPR were going to only do 100 releases in their catalog so I knew if Damage was to be considered it needed to be special and I wanted to help mark the history of the label in some way. I had a “hit list” of artists that I wanted to work with so I began writing with those people in mind. The mistake I made was writing the song first then approaching the artist rather than gauging interest levels first then going down the writing process. It also takes a lot of time to slot into other people’s schedules too so it can easily become a logistical nightmare. I’m taking a different approach with the follow up…

(Ken)  I feel like post punk/darkwave music is going through an incredible Renaissance right now, as someone who has made music in this scene a long time what has changed for you the last few years? What excites you about the future?

(Pete) Yes, there is a lot of chat about renaissance and revival and I think that is a good thing – “a rising tide lifts all boats” as they say. The scene is definitely broader now and influences and genres tend to blur at the edges and that is really exciting. I read recently that we were in the 4th or even 5th wave of post-punk now but that doesn’t mean it’s all good. I tend to gravitate towards the timeless and the innovative and that’s what I look and hope for in music. I’m always excited to hear outstanding new music so I’m forever optimistic that something very special is just around the corner

(Ken)  I watched Damage shoot to the top of so many top albums on 2018 lists, including Sound and Shadows. Did that surprise you? What is the ideal future for Kill Shelter?

(Pete) To say I was surprised would definitely be an understatement – yeah, I’ve really been blown away by the response. For an album that was released so late in the year (November 26th) I never thought anyone would care let alone put it on their “best of” lists. I’m very grateful to everyone who has supported the album including Sounds and Shadows of course.

The ideal future for Kill Shelter would be continued interest and support and the chance to release another album (or two) that were equally as surprising as the first. That would be a good start. 

(Ken)  You worked with so many incredible artists I love on this album. Pedro Code, Ashe Ruppe, Nate Jespersen, Karl Morton Dahl, Hante, many more. If you could bring in any vocalist living or dead to do a song with who would it be?

Pedro Code of IAMTHESHADOW

(Pete) I’m hopeful that the next set of Kill Shelter releases partially answers that question for you. There are so many extremely talented vocalists in and out of the genre it would be difficult to name just one. David Sylvian is still one of may favorite vocalists of all time.

David Sylvian of Japan

(Ken) These songs have such a person feel, are they about your life? Or more of a narrative about what you are seeing in the human condition? If the first what did you draw on to create them?

(Pete) There are people who write from experience and there are people who write imagined experiences. On Damage the material I wrote draws directly from very personal experiences and emotions. I’ve always found writing music cathartic in that way – even when I was growing up I buried myself in writing as a way to deal with my feelings.

(Ken) It’s so hard for me to choose a favorite track on this record, but In Decay hit a special chord for me. Ashe has told me these are your words he sang. Tell me about the background of this song, what were you feeling in Decay?

(Pete) I’m really glad you called that particular track out although it’s an incredibly personal track to me. Without being too maudlin about it, “In Decay” was written about the death of my mother. I didn’t tell Ashe originally what the real meaning was as I thought it was unfair to put him under that amount of pressure. He sang it just the way I’d imagined it though so I’ll be forever grateful to him for that. The line “at the end of forever – I come undone” just about sums it up.

(Ken) This was a complete album and concept, but music is changing. Is there still a place in the modern scene for 10+ song concepts or is the future, singles and internet hits? 

(Pete) Listening behavior has changed dramatically. Anonymous single tracks appearing on semi-curated playlists and individual tracks being recommended by algorithms based on listener preference has definitely changed the way we consume music. “Damage” was written as an album and you can hear that when you listen to it – it’s supposed to be a journey. But the individual nature of the contributing artists makes each track unique and therefore able to stand on its own too. Is there a place for a 10+ song concept album? Probably not, but who wants to be the same as everyone else. I really hope that people will discover the album and put the time aside to listen to it as a whole.


Hélène de Thoury of Hante who sings “Kiss me Goodbye”

(Ken) If you could go on tour opening for any band currently in the scene who would it be and why? 

(Pete) There’s a question. How close to the scene are Depeche Mode these days? I’m sure that would have a positive impact on how many people had heard of Kill Shelter. Gary Numan, She Past Away, The Sisters, The Soft Moon… you get the idea… 

(Ken) If you could get in a Delorean and travel back in time to talk to 21 year old you, what would you tell that young man? Would he listen?

(Pete) He’d definitely listen to the advice it’s whether he’d have the self belief to act on it. I’d probably say “you are right to be uncompromising in your music. Enjoy listening to other people’s music and continue to be open minded but the best stuff isn’t about trying too hard, it’s about being natural whether it’s in-vogue or not. This journey is yours so stop thinking about what other people think. Above all else – don’t fuck up the only chance you have. And try to stop hating yourself if you can.”

Review of Hante: Fierce

Band: Hante

Album: Fierce

Label: Metropolis Records | www.metropolis-records.com

All tracks written, recorded and produced by Hélène de Thoury

https://metropolisrecords.bandcamp.com/album/fierce

https://www.facebook.com/hanteband/

The new album Fierce by by Paris France based Helene de Thoury is a bold sensory attack on modern darkwave sensibility. It attacks the concept of pop music in its effortless ability to face concepts and sounds that feel comfortable and easy to accept. It attacks a dark and artistic scene with ear haunting melodies and hook heavy rhythms that appeal to the senses. This album walks a razors edge between counter culture revolution and dance hall destruction. A true dichotomy in every brilliant track that forces the listener to question what is the edge of artistic expression and do I give a shit because this song is straight toe tapping fire. These songs are haughty, they are Paris in an unnamed nightclub at 3am. They are unfiltered cigarettes and dark lit rooms. The songs are full of sex appeal and understated intention. When trying to describe these flowing keyboard lines and subtle drum beats I keep coming back to the word effortless. The details of drum fills, swells, texture are all there in perfect precision. But it has that feeling that is so illusive and hard to capture of trying to sound cutting edge cool without all this fore thought. Like you just showed up and it happened. That is the essence of Hante.

The vocals and Lyrics embody this concept most of all. Helene never reaches, never uses anger or intensity to portray her emotions in these songs. She floats like a phantom in a flowing black dress smoke rolling behind her and she tell the story of strength and heartbreak in these soundscapes and city tales. These are songs I found myself lost in. Shadow puppets that surrounded me and captured me. I have seldom heard an album where the vocals and music found such perfect balance and never overpowered each other. This is a record to become lost in. A labyrinth of sound and mirage.

Are there familiar elements here, sure, it has a giant audio wave tidal wave of Cocteau Twins, a grinding sultry darkness of Anne Lennox. Yet the beats and music have a edge, a sharp razor bite that speaks to the modern sensibility that subtlety is not enough to define her. This is beauty that must be heard and viewed from a distance from fear of steeping to close to the fire.

Standout tracks:

Waiting for a Hurricane – Driving gentle waves of keyboard and dance hall beat. Builds you in an ebb and flow. Helene’s voice is a whisper and a promise. The chorus is a angelic choir of pop majesty. These drum beats are driving and haunting. Like a lost ghost with a eternal message. I hear you.

No Tenderness – This song features Aetervader’s majestic and heartfelt vocal lines. I found myself in love with the contrast and unyielding echos. It gave such an important change of pace of urgency and effort from Helene’s delicate and gentle emotions. When you hear an artist of this caliber you have to ask how would one add to this? Aetervader found a way without detracting from her glory.

Never Over– A dissonant creeping melody. I loved this song for pulling back everything else and giving the purity of Helene’s vocals a chance to shine in an echo chamber. The clarity and dynamics of the keyboard line made this track stand out. When the drums dropped around 1:47 the song took on a fullness and depth that really made it resonate to me. To feel like rain bouncing off streets on a twilight night.

Overall this album is an album that feels like a painting. An image captured in time and full of stirring emotion. I had never heard Hante’s previous albums and didn’t expect to become so enamored but here I found myself. It’s gorgeous, tragic, striking, it makes you feel something. Something fast, and deep. It is efficient, modern, and grabs you in its arms and rocks you to a place you can both feel gently or dive into. Take this journey. Feel this power.