RETRONOMICON on ParaLuna Records

  I love it when this scene comes together to step up for one of it’s own. Legendary Bass player for My Life With the Thrill Kill Kult/Pigface/ect Charles Levi was diagnosed with vascular dementia. He had a stroke. Has been taking expensive medications and is in the fight of his life. A ton of great artists and ParaLuna Records stepped up to release this compilation of 80’s covers to help offset the costs of his treatment. It is a heartwarming tribute to a beloved figure in our scene that proves what we are capable of during folks darkest moments. In addition to the album I have also posted Charles’s gofund me page.

Fundraiser for Charles Levi by Wolf Dodge : Charles Levi housing support (gofundme.com)

RETRONOMICON | ParaLuna Records (bandcamp.com)

I want to thank all of these talented people that stepped up for our dear friend Charles. I will go through and call out a few tracks I thought really knocked it out of the park

  1. Apology Kink- “West End Girls” / Pet Shop Boys >> Augustus Watkins – programming/synths/vocals/mixing, Carlos Bueno – additional mixing
  2. LeviLevi vs Bangalore ft. Betty X / Hit me with your Best Shot” / Pat Benatar >> Betty X – vox, Charles Levi – bass, Tim Pethtel – guitar, Christopher Rodriguez synths/programming
  3. Precog- “Oh Father” / Madonna >> Gerald Josef, Jason Thomas, and Bret Pemelton
  4. SU – “Smothered Hope” / Skinny Puppy >> Ursa Minor and Sarah Emilie
  5. Microwaved – “So Alive” / Love & Rockets >> Gabe Wilkinson – programming, synths, vocals, mixing
  6. Betty X- “The Chauffeur” / Duran Duran >> Betty X – vox, Nathan Kaylor – Engineer/Producer
  7. Doors In The Labyrinth- “Dead Man’s Party” / Oingo Boingo >> Josh Loughrey
  8. Giant Monsters on the Horizon – “It’s a Sin” / Pet Shop Boys >> Vinnie Saletto – programming, Madison Davis – programming, Cara Ristau – vox
  9. Missing in STARS – “Hold Me Now” / Thompson Twins >> Dan Guenther
  10. Planetdamage – “Sunglasses at Night” / Corey Hart >> Mariusz Bari
  11. Stabbed By Prongs ft. Bow Ever Down 0fficial – “Heat of the Moment” / Asia >> Kimberly of Bow Ever Down – vox, Craig Drabik – guitars/synths,/programming
  12. Violet Wanda – “Discipline” / King Crimson >> Tess LaCoell
  13. Dogtablet- “Hollow Hills” / Bauhaus >> Martin King
  14. Glitch Factor – “Strangelove” / Depeche Mode >> Justin Fisher and Vinnie Saletto
  15. Hororhaus ft. Bow Ever Down 0fficial – “Take My Breath Away” / Berlin >> Scott Harris with Kimberly of Bow Ever Down
  16. Renegade Sl8ve versus Giant Monsters on the Horizon – “Desperate, but not Serious” / Adam Ant >> Nick Void, Vinnie Saletto, and Madison Davis
  17. Stoneburner – “The Crab Song” / Faith No More >> Steven Archer

Apology KinkWest End Girls (Pet Shop Boys) – Augustus Watkins the co founder of GIVE/TAKE records from Minneapolis with a glitchy synth sass take on the iconic PSB hit. I really like the sax solo synth breakdown. The vocals do a nice homage while adding a bit more whisper and smoke.

Music | GIVE/TAKE (bandcamp.com)

LeviLevi vs Bangalore ft. Betty XHit me with your Best Shot (Pat Benatar) – So here you had Charles playing bass, Betty X lashing vocals like a whip crack, Tim Pethtel on guitar, Christopher Rodriguez on synths turning the pop classic into an acid static club banger. Feels very true to the original while turning the chaos up to 11. Betty X in particular has done a great job of shouting out from the rooftops about this compilation. Love this energy.

THE DEVIL’S DUE | Betty X (bandcamp.com)

SUSmothered Hope (Skinny Puppy) – I hadn’t heard a ton from Ursa Minor and Sarah Emilie out of Montreal, but I adore the fact they did a Skinny Puppy cover among a lot of synthpop so far. They absolutely crushed this too. Elegant beauty with fairy fire intensity. The cadence on the vocal delivery is spot on with such lovely contrast to the original. This cover really showed me their best.

Novelty (Single) | SU (bandcamp.com)

MicrowavedSo Alive (Love and Rockets) – I was obsessed with this song when it was in heavy rotation on MTV. It lived in a non-stop rotation in my head. Des Moines Iowa artist Gabe Wilkinson did a wonderful flip of the script with this grungy wall of sound pushing forward across hot sand. The vocals have a cool gang style doubling punk flavor. Distinct but immediately recognizable. Gabe is well known for his collaboration and remix work, so this cover really highlights his talents.

The Dead Shall Walk Remixes: Volume 6 | Microwaved (bandcamp.com)

Doors in the LabyrinthDead Man’s Party (Oingo Boingo) – I’ve heard a few cover songs now from Pittsburgh doom folk artist Josh Loughrey. He always finds a really fresh take and makes the song his own. This was my favorite yet. Classic Danny Elfman darksynth bop was stretched into a misty translucence like a funeral dirge which matches perfectly with the title. A completely different vibe from the original but one I will always hear in this song now.

In Memoriam | Doors In The Labyrinth (bandcamp.com)

Missing in StarsHold me Now (Thompson Twins) – This I fell in love with less from how different it was from the original and more how different it was from the usual vocal style of  Dan Guenther. It sill holds that ethereal synth beauty but behind the smile are large sharp teeth barely holding back a menacing growl. That double bass drum breakdown is grinding with pure power. Chefs Kiss.

Hurt | Missing in STARS (bandcamp.com)

DogtabletHollow Hills (Bauhaus) Living Legend Martin King and the project Dogtablet with this percussion sorrow jazz cover of the Bauhaus classic rising from the boggy depths. I’m not sure who was doing the amazing banshee backup vocals but they are a perfect compliment. Martin always captures a moment.

The Summertime EP | Dogtablet (bandcamp.com)

Hororhaus ft. Bow Ever DownTake my Breath Away (Berlin) – This lovely shadow ballad appeared on out S & S singles chart previous. Kim’s voice rings with passion and power and Scott has taken the original down temp and seasoned it with chaos and static. Great use of his growling backup vocals to sharpen the angles. A perfect addition to your next goth prom.

next door neighbor | hororhaus (bandcamp.com)

Goodbye | Bow Ever Down (bandcamp.com)

StoneburnerThe Crab Song (Faith No More) Leave it to Steven Archer to make things weird. Instead of covering an 80s synth song, he chose chaos prog rock band Faith No More, and then converts it into worldbeat chaos apocalypse industrial. I love it, I love everything here. From the chanting, the screaming, the glitch, and the operatic explosive anger. When Steven covers a song it becomes his own.

The Great Filter | Stoneburner (bandcamp.com)

This entire album is a great way to find new talent you will love, as well as support Charles Levi who has been an important part of the scene and inspired so many.

In A Dark Place And Searching For Distraction, What Sounds Took My Imagination To The Adventure Place?

With a new kitten, a sick elder cat, and Rachel’s bday I haven’t devoted much time to writing reviews. So it is time to start catching up on the giant stack of releases I let get away from me. I’ve got a few albums here I have been waiting on a long time. Please enjoy and comment below what albums you are listening to you think I should hear.

HexheartFuneral Flowers – Seatle WA SynthBard Jasyn Bangert has a June release of cybernetic serotonin pumped straight into your brain. I love the “Upstairs At Erics” bopping light synth and nostalgic warms. These tracks wrap around you like a favorite sweater. The AI captivating vocal effects are a fresh note contrasting the synthpop throwback. Every track feels like a cult 80’s film you are the only one who remembers.

Funeral Flowers | Hexheart (bandcamp.com)

Top Tracks: (bottom of) Below – This track is so dynamic without changing tempo or volume. The bursting fountains happen with a slow rolling subtilty. The vocals hold a fascinating mystery. I wish I could make out the lyrics more clearly, but the electronic whisper draws me in closer.

Erase Yesterday – This track really optimizes everything great about this album. A brilliant single can do that, bring all the tiny differences and brushstrokes of a cohesive record and shine the brightest aspects into one track. This song is bright/dark, fresh/nostalgic, organic and synthetic. Always running the duality in darting motions. This opening track paints the world and makes me excited to drive into it.

October Burns BlackTwo Worlds Collide – I’m a little behind the mark reviewing this June 24, 2022 release from traditional goth stars October Burns Black. Goth is in it’s Rennaissance but things have fractured into sub genres so much it has become hard to even keep track of what goth means. OBB have turned the ebony run away train back to the core of guitar based gothic rock. James Tramel who plays bass for midwest goth legends The Wake brings that smooth void rumble that drives these tracks with an authentic old school precision. Rod Hanna ( Khaf’ji) gives a rich and rough baritone that harkens to Eldrich with a bit of broken glass danger. One of the things about early gothic rock was the way it had a western percussion gallop to the minor tones, it was an energy that was always running away without control. This is the magic that Lars, Tommy, and Gord have captured in the masterclass guitar of this album. We can have open hearts for a new infinite prism gothic rainbow, while remembering the roots of what made us fall in love with goth rock. Two Worlds Collide is an album that remembers. That whispers of forgotten truth.

Condemned | October Burns Black (bandcamp.com)

Top Tracks: Regress – I love the blistering Cult drum napalm that Ollson uncorks for this song. It has a furious punk snarl cadence and some really subtle guitar overlays. It’s tight, nasty, and full of remorse. These riffs go straight to the vein.

Condemned – This song feels like a Highlander epic swordfight that ends with beheading. The guitars have an air support bagpipe rise and Hanna’s vocals find a perfect groove of chanting percussion. Snarling savagery and desperation with crackling energy that feels faster than it moves.

Rod Hanna – Vocals
Lars Kappeler – Guitar
Tommy Olsson – Guitar
James Tramel – Bass
Simon Rippin – Drums

Additional guitars on tracks 1, 4, 6 and 8 – Gordon Young

Produced and mixed by Simon Rippin
Mastered by Gordon Young

BataviaBatavia and their Friends Forever – Jacksonville Florida based electro chaos band continue to amaze me with every new release. This new release packs a tinted window red striped van with guest talent and pushed the pedal to the floor. Opening with a filthy crooning version of The Jesus Lizard was an inspired tone setter for this caper. Ed and Terri Cripps are a couple that expertly blend relationship and art until it feels like communication with it’s seamless delivery. Some remixes, some covers, just an explosive energy of fundustrial fury! Daddybear, Dread Risks, Gothsicles, Decent News, Syrinx, all see the writing that Batavia are poised to explode and wanted to jump on the rocket. I love the concept; I love the fact they took bold chances with the covers. I mean covering NIN Wish is a big brass balls move and they pull it off. Batavia has moved to my by every release sight unseen until they let me down list.

I honestly have no favorite track: You will not be let down if you turn it to 11 and just let it play

Batavia and their Friends Forever | Batavia (bandcamp.com)

hororhausLa Pisadeira – New York State terror texture electronica blending processed religious imagery and layered ethereal sampling. I found this artists through the Sounds and Shadows Facebook group and they impressed me with a unique vision and intense focus. Scott Harris has an elevated ear for sonic texture that inflicts feelings of unease and tension. Much like The Goblin’s of Italian horror mastery these songs are a lurking dread in the mind of the listener. Sounds that conjure emotion and spin a yarn of doom. It gets me hopeful for where this project develops.

La Pisadeira | hororhaus (bandcamp.com)

MorningstvrThe New Salem – Chicago BlasphemeDustrial cult sonic artist takes the pageantry of an electronic cathedral then turns 180 degrees into an unholy void of bitter darkness. I love the slow black and white film flicker tempo the growling Peter Steel frozen metal edge to the vocal delivery. A shadow robed ritual which twists and turns from track to track as you descend a filthy staircase of Pandemonium.

Favorite Track: The New Salem – I love when the title track leads the charge of the overall theme. I love all of the tiny atmospheric touches the whispered chanting is fright evoking fascination. Poet nightmare fuel for a new generation.

▶︎ The New Salem | Morningstvr | Blvsphemy Records (bandcamp.com)

Golden ApesFrom The Sky – Criminally underrated post punk giants from Berlin. A band that needs to be added to the conversation of Actors, Bootblacks, Twin Tribes, Creux Lies as the next wave of history altering lifeblood of this scene. This is music to make your heart race with the driving guitar syncopation and boulder chasing you down a tunnel baselines. Peer Lebrecht has such a distinctive voice that resonates to hold your attention in a single moment. It’s always such a tour of geography and human experience when you listen to a Golden Apes album. “From The Sky” is no exception as it leaps with alien speed from landscape to landscape on a biodiverse unknown world.

Favorite Tracks: You can’t go wrong here. This six song EP is a journey. One worth taking.

A New Days Dawn – The overlay transition at the beginning of this is an absolute masterclass in song writing. Peer’s vocals are frantic and tinged with mania. This track has so much going on it is difficult to believe how efficient and powerful it strikes. Like one of those truly great movies I could watch 100 times and pick out a new moment with every viewing.

From The Sky | Golden Apes (bandcamp.com)

Kevorkian Death CycleInjection: 01

Injection: 01 | Kevorkian Death Cycle (bandcamp.com) California based Dancedustrial artist with a catalog going back to the early 90s have a new 4 song EP This team includes a family feel of collaboration. I’m overcome with excitement that none other than Roger Jarvis (Negative Gain Records) is one half of the original duo. I’m also left wondering if any of them spent time in Michigan for the Kevorkian reference. The music also has a Detroit techno energy clashing with Industrial and darktrance.

Favorite Track: Spring Heel Jack – I am always a sucker for folk lore and this red cap rampage industrial banger featuring the story of the British murder fairy Jack is a must hear. Filthy beats on top of boot stomp percussion and hurled metal shaving vocals.

Words: Ryan Gribbin
Music: Roger Jarvis, Rob Robinson, Sean Whitman
Mixing/Mastering: Rob Robinson
Artwork Concept/Design: Ryan Gribbin and Sally Helena

Injection: 01 | Kevorkian Death Cycle (bandcamp.com)