Jim Marcus (GoFight/Die Warsaw) Advice For Writing Songs

I’ve been writing songs for 40 years and have written or co-written over 500 songs that have been released in some way. I don’t consider myself, really, a great musician, a great drummer, a great singer, but I do cling to the idea that songwriting is the core of who I am. even if it doesn’t love me, I love it.

I wanted to maybe list 5 super simple tips for songwriters. I know there are a lot of musicians here and I hope there is value here for some of you:

1. Write at least one song every day. Even if you think it is terrible. The only way to get good at this is to get crazy at this and do it a lot. You can start thinking of songs as throwaways, as ideas that sometimes stick and sometimes get thrown away. Once we stop getting so protective of them, we can let them die, change, grow, or be replaced by something better. I like to write new theme songs for tv shows, local colleges, superheroes, anything. Most of the songs I write are just for cannibalizing for pieces. “Cause I’m the Spiderman, I like to swing, impossibly high cause that’s my thing, Got spider bulge and 6 pack abs, realistic webs come out of my ass” had 14 verses and I have actually used some of them.

2. Conversely, Record everything you do. Writing down notes is helpful. Having a voice recording app on your phone you use constantly is better. Every idea, every riff, every bassline, every small chunk of vocal. Keeping a google doc open ton your phone, too, where you write words you like is great. I refer back to mine all the time. It’s now hundreds of pages and full of lines, rhymes, chorus ideas, etc. Entire verses that I liked have come from it. I wrote a song in the 90s called “Pussy Maybelline” for a friend of mine who admitted she put lipstick on her genitals for a date once. I wrote literally hundreds of verses about what other insane things she could do. That song has really delivered, even though it never came out. If you like a meter, write as much as you can in it. Many songs I’ve put out have had 12 verses written for them. I used the best ones.

3. Find different parts of you I have a habit of splitting myself into different people when I write. I have a person inside who writes dirty songs, one who does mean, angry ones, one who is super political, etc. They have names. It helps when you imagine how someone else would say something. Talk in funny voices, mispronounce words. Try to do something at the top and bottom of your range. Sing at different times of day, find every weirdness. I sometimes walk around talking like a different person, looking for a voice. I wrote a song called “Light it up” trying to channel this guy who comments on my feed who made an allusion to blowing up the middle east. I couldn’t sing that as me. (Maybe you can see | how hard it is for me | to be one voice in a system when it used to be all me | I want the same thing everyone | wants and will not say | to be in the majority, but that just slipped away, so I say Light it up.)

4. But Don’t wait for words and melodies are different. I hum simple melodies all the time and then sometimes match them with words. I sing to things. It would be embarrassing to explain which song I released started as “I love you, spaghetti” Remember that some of the greatest songs ever don’t have words that make sense. Phl Collins was going to replace Susudio, but couldn’t find a word he liked, Maurice White left “Bah-de-dah-de-dah” in “September” by Earth, Wind, and Fire, because that’s just how he liked it.

5. Write over other people’s songs and rhythms. I worked with a really good songwriter once who used to just sample other grooves from songs she liked, loop it, tape the key down, and sing her own songs over it. When you listen to music you like, sing your own song ideas over the songs. I mean, not at the show or anything. But when you are alone. Once you have a good song, you can replace the music under it with anything. The world is full of rhythm, chord progression, etc. And all of it is there to inspire you.

Jim’s newest single in case you had any doubts of his stellar credentials 🙂

Album Art Feature: Part 1

An album is a multi-faceted piece of art. There’s the lyrics, the music (instruments, vocals, effects, mixing), and then there’s the visual side of things. Today, we’re exploring some great pieces of cover art shared in the Sound & Shadows group.

To start off, this is the cover to Automata by Confusion Inc. “The artwork to my Automata album is special to me, because the original image used was a photograph of my mother’s artwork,” Colin Cameron says. “She’s an abstract expressionist – life long painter. I love the stone-looking background here, as well as the several dimensions of glitchy-ness added over it. This is an elegant cover with a heart-warming backstory.

Next up is the cover to The Fire Within by Vaselyne. This piece is a self portrait by Yvette Winkler. The photography here is excellent. It is still, yet in a day dramatic and dynamic. I love how the picture fades so seamlessly into the black void background. It altogether creates some emotion I can’t quite name.

Here’s the art for Plague Garden’s upcoming album. The piece was done by Albie Mason. I’ve got several aesthetics on the tip of my tongue while looking at it. It’s visually striking. There are many elements at play here, but they all form a wonderful cohesion under the vintage-feeling grain. It reminds me of browsing the sci-fi section at an old bookstore tucked away somewhere.

Inertia by We Are Parasols is coming in hot with this rainbow orb! The art was created by Daniel Kopton . This feels like something I could see in a museum. It would make a great desktop background, too. A poster, even. Basically what I’m trying to say is that I love looking at this. The choice of using a bar code instead of text is bold, but I think it works well.

Changing gears a bit, let’s take a look at Sea Lungs. This art was done by one of the band’s own members. It has a slight comic book cover vibe to it, I think, in how perspective and action are both played with. I’ll admit when I first glanced at it, I thought of astronauts due to the suits, the crater-like ground, and the star-like bubbles. I think this ambiguity adds to it, though. After all, space exploration and deep sea exploration are both equally terrifying intrusions into the harsh unknown.

Here’s a shocker. The album cover to Batavia and Their Friends by Batavia. No, you didn’t suddenly get transported back to the 1970s. “Nobody we showed this to thought we would actually use this and risk losing 200% of our goth credibility,” says band member Ed Cripps. “Risk is the spice of life.” That it is, Ed, that it is. I applaud this bold stylistic choice and devotion to an artistic direction here! I love it.

Another strong artistic direction is shown here in the album Leyendas de las Almas Perdidas by Valentina Maurino. “Endăley (fairy of the souls) is the one I portrayed here, the one who tells the stories of the lost souls behind each song, and these lost souls are represented through objects on the little table (it’s a telephone seat), some of these appear in my music videos too, I love symbolism,” Maurino tells me. I absolutely adore the whimsical handwritten wording. The broom-like hands, the table ornaments, the lighting…it all comes together and, I agree, tells a story.

Speaking of stories, let’s go into Another Year Of Rain by Arden and the Wolves. Arden Leigh had a lot to say about this piece.

“I wanted to convey the question that was arising for so many women at the time, myself included – is our sexual objectification and submission hot, or is it violent? Does it depend on who’s doing the choking? How can we be sure of the person’s intentions? Are we getting off, or are we endangering ourselves? As it turns out, in the following four songs on the EP that I would write between 2016-2017, I ended up unearthing and purging all my relationship trauma, and recalling a memory I’d suppressed – one where I was choked in anger by a dominant male partner I’d been financially supporting as his submissive. Through the course of the album writing and recording process, I answered the question “who can you trust” and I learned discernment. When the EP was released in early 2018, we were four months in to the crest of the #MeToo movement, and it was right on time.”

More information about Arden and the #MeToo movement can be read here.

Lastly for today, here’s the cover of Nervous Prayers by Sweat Boys featuring the logo work of Jim Marcus. This piece is serene yet dangerous. The imagery is drowning and, yet, reaching for help all at once. I am reminded of the hand of Adam reaching towards God as the Sistine Chapel.

My goth soul is burning in this Sun, but also from these hot new releases

Add 1 part vodka, 1 part lemonade, 1 part ice tea, 1 part these sweet new sounds. Shake that ass, and pour into the internet to share the party with the world.

Pilgrims of Yearning (Forsaken Lands) I have reviewed a few singles from the Boston witchy harvest dark rock. It’s striking and powerful, hints of Switchblade Symphony with a brighter flowing tang. Juls Garat has an angelic choir of a voice and gets offset by thunder rich basslines from Sean Woodbury. Claudio Marcio does a double duty on bonfire wall guitars and snapping drum sounds. I like the curt furious pace. This album was a long time coming and for an opening salvo it was really worth the wait. I love the Cure Standing on the Beach singles hectic jerk worldview to dark music. They really know how to strip it down and draw you in, then when they have you in the trap they spring the jaws. Favorite tracks: The Besieged , Bachanalia, and The Visitor.

The standard is set for a new force in dark rock music. This is a journey worth taking with a very mystical and stormy feel. They are on my new list of must follows for all future release.

https://pilgrimsofyearning.bandcamp.com/album/forsaken-lands

Also this video is a scorcher

Sappira Vee (My Game/Game Changers) – Rochester NY Siren Sapphira is one of those talents like Hante‘ or Black Nail Cabaret that has such an effortlessly cool sound. It transports me to a hip party I could never get into. Smashing EDM triphop beats interlaced with gentle flamenco guitar sounds. Her voice is breathy and flowing as though she just set a martini down and leaned against a rotulet table in an underground casino in Monaco. Both the album and the brand new remix compilation exude silky sensual elegance. There is a reason why she attracts top talent in the electronica scene to work with her. (Dogtablet, The Joy Thieves, Migraine Robots Sounds, Adrian Halo, and Melodywhore) Iridescent smoke twisting around neon lights. Favorite Tracks from the new remixes: My Game (Dogtablet), Who Will I be Today (The Joy Thieves) , On Your Throne (Adrian Halo).

Both albums are a total hit play and go back to your party self sustained beauty. If you love electronic music you need this.

https://sapphiravee.bandcamp.com/album/game-changers

The Ghost of Bela Lugosi (Square Grouper) Is there anything that Vin can’t do? Just when I think I have his sound fingered out he busts out a new single that is a goth themed 90s hip hop full of scorpion stabbing lyrics. Just pure Vin swagger and perfect backbeats. My jaw is dropped, just fuck. Vin might be the most dangerous man in dark music.

https://ghostoflugosi.bandcamp.com/album/square-grouper

Rosegarden Funeral Party (At the Stake) – Ok so far we did trip hop, rap, dark rock, do we still review goth on this page? Lets give it a try. I have shockingly never reviewed an album from the Dallas TX traditional goth explosion. I’ve heard singles but never dove in head first and I’m not afraid to admit that was dumb. Sinister reverb guitars, blistering transitions, and laser strike vocals. Mikka Vanya Brightheart is a force of raw untamed stormwinds striking out at an unsuspecting world. It’s haunting and full of driving pop hooks. Consider me won, consider me a fan. Favorite tracks : Torture Decline, Fear of Feeling Nothing, Justification.

https://rosegardenfuneralparty.bandcamp.com/album/at-the-stake

Joker Jasper (Turn of My Light) – New single from this Russian American dark pop crooner. I really like the soulful spewing vocals with a melodic feel on spoken cadence. The chorus jumps up with a lot of venom and intensity. I look forward to more from this talented song writer.

https://jokerjasper.bandcamp.com/track/turn-off-my-light-single

I actually preferred this lovely acoustic drizzle and shadowy delivery.

Dissonance (Precipice) – New single from a Dallas talent this one with several remixes from top Industrial talent like Joe Haze and Adrian Halo again. Cat has a rich lovely voice that fills an opera hall of a room. I love the glitch and shift style here that puts you on the ledge of a great city scape looking down. It’s constant motion and full of feeling. Like two great forces pushing in on each other. Beauty and vibrating uncertainty. A great talent who knows how to surround herself with other great talent for maximum effect,

https://dissonanceband.bandcamp.com/

Thee Elder Gods (I Am Satan) Sometimes I need it loud and nasty. I do not apologize for this. Kalamazoo native punk rock explosion keeps it old school furious. In these times of darkness sometimes you just need to grab a can of lawn mower gasoline and pour your anger on the world with slashing guitars, baseball bat smacking bass and napalm explosion vocals. 2 minutes and 22 seconds of walk away while the world blows up.

https://theeeldergods.bandcamp.com/releases

It’s bandcamp day again Friday, pick up some of these new releases, crank them up to 11, and let the neighbors now you are still there while social distancing.

Review of Sweat Boys: Nervous Prayers

Band: Sweat Boys

Album: Nervous Prayers

Label: Give/Take

All songs written & performed by Benny Sweat except “Never Be You”, performed by Benny Sweat & Jerry Miller (guitar) & “Endlessly”, written by Dylan Thomas Lambert & Benny Sweat, performed by Benny Sweat & Nicklas Stenemo (guest vocals). Vocal Engineering, Mixing, Additional Production: DEATHDANCE. Mastering: Rob Robinson. Logo Design: Jim Marcus.

https://givetakelife.bandcamp.com/album/nervous-prayers?fbclid=IwAR0ol4mdUEwP046lkf4bSIoBTQ-YaMeu_UBpvpQi6Vuy1-2fIghfuNzSIVk

https://www.facebook.com/SweatBoysBand/

Sometimes I fall in love with an album because it is something really on the edge and sometimes because it feels familiar like an old friend you haven’t seen in several decades that showed up and filled you with feelings you had forgotten. The second was how it was for Sweat Boys. This is a beautiful synth driven welcoming EP full of tender hooks and very personal lyrics containing familiar themes. Relationships, longing, loss, acceptance. I kept coming back to one of the most important albums of my youth Yaz “Upstairs at Eric’s”. These songs are beautifully crafted and delivered with piercing emotion while the music is warm and comforting. Much of it is full of blood pumping dance beats and snapping snares.

Benny Sweat has a gorgeous voice that is clear and to the front. He doesn’t hide it behind a lot of effect and slush and the clarity of it really adds to the personal nature of the songs. For a 5 song EP it has a tremendous amount of range movement. You just don’t hear enough music in this genre in the modern era that takes the courageous stance of beautiful pop hooks without hiding behind layer after layer of production. It takes me back to sitting in a room with close friends and really sharing the feeling invoked by an album together. That stumbling youthful searching and awkward energy of finding a truth in each other. I found myself lost in nostalgia but at the same time enamored by the freshness of it because this just isn’t done anymore. I forgot how much I missed that feeling and that is what this album gives you.

Favorite tracks:

I Don’t Love you – Here is that beautiful ringing energy and clarity of Erasure and Yaz. It cooks at a breakneck medium pace but still makes Benny’s vocals the star of the track. We have all felt this moment of realization and it is an intense feeling but the simple beauty of the music keeps the heady concept so light and bright.

You’re Gone – This is a darker tone and beautifully transitioned. Giving it more of a early INXS or Pet Shop Boys feel. The isolated keyboard line here rings out so beautifully and really carries the melody. This is a dance around my living room in my underwear throwing my hands in the air and just feeling a moment.

Endlessly (featuring: Nicklas Stenemo of Kite) – What a gorgeous ballad breakdown that has a soulful Madonna/Cindi Lauper feel. The back and forth discussion like vocal lines are extremely powerful. “lying awake I can’t sleep but still I’m dreaming” It’s mesmerizing and so real. A glimpse into a personal discussion and a stirred emotion.

Overall this was a beautiful and touching album that leaves you feeling someone shared a piece of life with you. It has true blood and soul in it. Maybe dance music has forgotten how to infuse this kind of heart felt power but Sweat Boys are bring that back and I am here for this moment. Get this in your collection right away.