With a new kitten, a sick elder cat, and Rachel’s bday I haven’t devoted much time to writing reviews. So it is time to start catching up on the giant stack of releases I let get away from me. I’ve got a few albums here I have been waiting on a long time. Please enjoy and comment below what albums you are listening to you think I should hear.
Hexheart – Funeral Flowers – Seatle WA SynthBard Jasyn Bangert has a June release of cybernetic serotonin pumped straight into your brain. I love the “Upstairs At Erics” bopping light synth and nostalgic warms. These tracks wrap around you like a favorite sweater. The AI captivating vocal effects are a fresh note contrasting the synthpop throwback. Every track feels like a cult 80’s film you are the only one who remembers.
Top Tracks: (bottom of) Below – This track is so dynamic without changing tempo or volume. The bursting fountains happen with a slow rolling subtilty. The vocals hold a fascinating mystery. I wish I could make out the lyrics more clearly, but the electronic whisper draws me in closer.
Erase Yesterday – This track really optimizes everything great about this album. A brilliant single can do that, bring all the tiny differences and brushstrokes of a cohesive record and shine the brightest aspects into one track. This song is bright/dark, fresh/nostalgic, organic and synthetic. Always running the duality in darting motions. This opening track paints the world and makes me excited to drive into it.
October Burns Black – Two Worlds Collide – I’m a little behind the mark reviewing this June 24, 2022 release from traditional goth stars October Burns Black. Goth is in it’s Rennaissance but things have fractured into sub genres so much it has become hard to even keep track of what goth means. OBB have turned the ebony run away train back to the core of guitar based gothic rock. James Tramel who plays bass for midwest goth legends The Wake brings that smooth void rumble that drives these tracks with an authentic old school precision. Rod Hanna ( Khaf’ji) gives a rich and rough baritone that harkens to Eldrich with a bit of broken glass danger. One of the things about early gothic rock was the way it had a western percussion gallop to the minor tones, it was an energy that was always running away without control. This is the magic that Lars, Tommy, and Gord have captured in the masterclass guitar of this album. We can have open hearts for a new infinite prism gothic rainbow, while remembering the roots of what made us fall in love with goth rock. Two Worlds Collide is an album that remembers. That whispers of forgotten truth.
Top Tracks: Regress – I love the blistering Cult drum napalm that Ollson uncorks for this song. It has a furious punk snarl cadence and some really subtle guitar overlays. It’s tight, nasty, and full of remorse. These riffs go straight to the vein.
Condemned – This song feels like a Highlander epic swordfight that ends with beheading. The guitars have an air support bagpipe rise and Hanna’s vocals find a perfect groove of chanting percussion. Snarling savagery and desperation with crackling energy that feels faster than it moves.
Rod Hanna – Vocals
Lars Kappeler – Guitar
Tommy Olsson – Guitar
James Tramel – Bass
Simon Rippin – Drums
Additional guitars on tracks 1, 4, 6 and 8 – Gordon Young
Produced and mixed by Simon Rippin
Mastered by Gordon Young
Batavia – Batavia and their Friends Forever – Jacksonville Florida based electro chaos band continue to amaze me with every new release. This new release packs a tinted window red striped van with guest talent and pushed the pedal to the floor. Opening with a filthy crooning version of The Jesus Lizard was an inspired tone setter for this caper. Ed and Terri Cripps are a couple that expertly blend relationship and art until it feels like communication with it’s seamless delivery. Some remixes, some covers, just an explosive energy of fundustrial fury! Daddybear, Dread Risks, Gothsicles, Decent News, Syrinx, all see the writing that Batavia are poised to explode and wanted to jump on the rocket. I love the concept; I love the fact they took bold chances with the covers. I mean covering NIN Wish is a big brass balls move and they pull it off. Batavia has moved to my by every release sight unseen until they let me down list.
I honestly have no favorite track: You will not be let down if you turn it to 11 and just let it play
hororhaus – La Pisadeira – New York State terror texture electronica blending processed religious imagery and layered ethereal sampling. I found this artists through the Sounds and Shadows Facebook group and they impressed me with a unique vision and intense focus. Scott Harris has an elevated ear for sonic texture that inflicts feelings of unease and tension. Much like The Goblin’s of Italian horror mastery these songs are a lurking dread in the mind of the listener. Sounds that conjure emotion and spin a yarn of doom. It gets me hopeful for where this project develops.
Morningstvr – The New Salem – Chicago BlasphemeDustrial cult sonic artist takes the pageantry of an electronic cathedral then turns 180 degrees into an unholy void of bitter darkness. I love the slow black and white film flicker tempo the growling Peter Steel frozen metal edge to the vocal delivery. A shadow robed ritual which twists and turns from track to track as you descend a filthy staircase of Pandemonium.
Favorite Track: The New Salem – I love when the title track leads the charge of the overall theme. I love all of the tiny atmospheric touches the whispered chanting is fright evoking fascination. Poet nightmare fuel for a new generation.
Golden Apes – From The Sky – Criminally underrated post punk giants from Berlin. A band that needs to be added to the conversation of Actors, Bootblacks, Twin Tribes, Creux Lies as the next wave of history altering lifeblood of this scene. This is music to make your heart race with the driving guitar syncopation and boulder chasing you down a tunnel baselines. Peer Lebrecht has such a distinctive voice that resonates to hold your attention in a single moment. It’s always such a tour of geography and human experience when you listen to a Golden Apes album. “From The Sky” is no exception as it leaps with alien speed from landscape to landscape on a biodiverse unknown world.
Favorite Tracks: You can’t go wrong here. This six song EP is a journey. One worth taking.
A New Days Dawn – The overlay transition at the beginning of this is an absolute masterclass in song writing. Peer’s vocals are frantic and tinged with mania. This track has so much going on it is difficult to believe how efficient and powerful it strikes. Like one of those truly great movies I could watch 100 times and pick out a new moment with every viewing.
Kevorkian Death Cycle – Injection: 01 –
Injection: 01 | Kevorkian Death Cycle (bandcamp.com) California based Dancedustrial artist with a catalog going back to the early 90s have a new 4 song EP This team includes a family feel of collaboration. I’m overcome with excitement that none other than Roger Jarvis (Negative Gain Records) is one half of the original duo. I’m also left wondering if any of them spent time in Michigan for the Kevorkian reference. The music also has a Detroit techno energy clashing with Industrial and darktrance.
Favorite Track: Spring Heel Jack – I am always a sucker for folk lore and this red cap rampage industrial banger featuring the story of the British murder fairy Jack is a must hear. Filthy beats on top of boot stomp percussion and hurled metal shaving vocals.
Words: Ryan Gribbin
Music: Roger Jarvis, Rob Robinson, Sean Whitman
Mixing/Mastering: Rob Robinson
Artwork Concept/Design: Ryan Gribbin and Sally Helena