Sounds and Shadows Top Industrial/EBM/EDM of 2020

So many great Industrial/EDM/EBM albums this year. This is a genre that has been expanding and drawing fresh listeners all year. Again I can’t possibly include everything I loved, however these albums were the ones that fired a jolt of electricity into my spine and made my gears churn. These are all artists who had a full release in 2020.

20) Rabbit Junk – Xenospheres – Seattle based EBM/Metal dance explosion has been churning out explosive action movie soundtracks with razor sharp production. This album is swinging a sledge hammer around their heads on a leather cord. The cover of Iggy Pop’s “Kick It” with Peaches singing is worth the price of admission on it’s own.

https://rabbitjunk.com/album/xenospheres

19) eHpH – InfraredColorado band eHpH did this timely politically charged record that really captured the fear and division in the current climate. I think what I loved best were how wide the influences present were. Some melodic and post punk, some bright buzzing EBM. The whole record was full of intelligence and challenges the listener to face their own ideas about where the world is headed.

https://ehph.bandcamp.com/album/infrared

18) Seven FederationsHoly Orders – A wonderous sonic explosion from South Dakota. The vocals just crackle with electric ferocity from exploding transformers. Filthy basslines and wolf growl guitars. this album is the naughty demon on your shoulder whispering to you of sinful roads not taken. They might be the most underrated album on this list. People need to know about this record.

https://sevenfederations.bandcamp.com/album/holy-orders

17) Carrion – Testament Ov The Exiled – This is always such a hard review to write. Carrion is so powerful, so fresh, but just doesn’t fit into any box that makes sense within the mind. This textural terror noise has a level of intensity that demands recognition. How to quantify it I have no idea. Other than to say it is music that leaves you changed, afraid, praying for the dawn. Hide [Adrian] is creating on a level that artists and critics in the next decade may have artful words for. This whole record just leaves me moved and unsure how to describe. Best to bare witness for yourself.

PS: Carrion is already reissuing the album via Brutal Resonance Records, the `Revised Edition ` includes 5 bonus tracks!

https://brutalresonance.bandcamp.com/album/testament-ov-the-exiled-revised-edition

https://officialcarrion.bandcamp.com/album/testament-ov-the-exiled

16) Corlyx – Together Apart World traveling EDM darkpop couple Caitlin and Brandon with their sophomore offering have captured the glory of pageantry in dark music. Caitlin has a beautiful voice that captivates and builds dreams in your mind. I love the dark LA gutter glamor this band always commands. They have added a level of clarity and refinement for this album and continue to evolve. Get in on the ground floor of these future stars.

https://corlyxngp.bandcamp.com/

15) Rottersand – How Do You Feel Today – The way this German band turns and twists on different axis within the same tracks is reality defying. The echoing chorus’s that have an intelligence and feel of Roger Waters bursting with electronic futurecore explosion. This album is a special journey with peaks and valleys that run the breadth of human experience. It is a modern album that has something for every kind of listener to enjoy.

https://rotersand.bandcamp.com/album/how-do-you-feel-today

14) Trevor Something Deep Wave Data Dark Web Deamons – Florida dance demon Trevor Something might be the sexiest thing I heard all year. The way they capture raw, grinding, sexual energy in sonic form is something of glory. It shakes your bone marrow awake and says you are an animal that hungers for flesh. Buy this record, shake a martini, and have a private dance party with your favorite partner.

https://trevorsomething.bandcamp.com/album/deep-wave-data-dark-web-daemons

13) 11 Grams – Humancide – The super combo of Rob and Simeon put out this long awaited album of everything you ever loved about old school industrial/electronica. It always has a toe over the line while sounding so familiar. Perfect execution and narrative intensity. This record is a rocket jocks sci-fi soundtrack to explore the speed of the stars.

https://11grams.bandcamp.com/album/humanicide

12) SpankTheNun – The Bunker Tapes Volume I – Hard and metal to the floor industrial from Texas. How do you find that line between crystal clear beats and filthy growling vocals? It’s right here. We aren’t reinventing the wheel here, we are greasing the axle to make it spin harder and faster. A bunch of amazing remixes from Blue Ant, Assemblage 23 , Melodywhore, Sapphirra Vee, show the faith and influence that this band commands in the scene.

https://spankthenun.bandcamp.com/album/the-bunker-tapes-vol-i

11) Caustic – A Succession Of Repetitive Beats – Our only double album winner in this genre is Matt Fanale. The return of Caustic and their DIY punk rock mentality with witty and humorous electronic slither is a breath of fresh air in the modern genre. The song Stale Semen, Shame, and Video Games is a poignant slam of the Incel culture. Make me dance and make me think. This is what Joe Strummer trained us for.

https://caustic.bandcamp.com/album/a-succession-of-repetitive-beats

10) Sapphira Vee – The Mask – The smoky and subtitle voice of Sapphira Vee from Rochester NY has been tearing up the airwaves the last two months. A slow drink of whiskey in sonic form. It’s slow and grinding full of personal reflection and self realization. I had a small part guest vocal on this album and it’s a point of personal pride that I was involved with such a powerful release this year. I’ve bought multiple copies of this record to send to friends. This is a great example of why trip hop is the highest evolution of music.

https://sapphiravee.bandcamp.com/

9) Kanga – Eternal DaughterLA based artist wields this sonic saber like a charging cavalry officer charging by on a horse slashing on both sides. It’s that effortlessly cool beauty blended with icy dance beats. I’m not sure what category to put this in beyond excellent.

https://kanga.bandcamp.com/album/eternal-daughter

8) Grabyourface – Sea – Every once in a while some album comes along that is so fresh and honest you sit up in your chair and just feel something new. One of those artist that grabs hold of their own ribcage and rips themselves open to let you in on the guts and grime of everything inside them. This album forces you to feel things, to confront and absorb the empathetic tone within yourself.

https://grabyourfacengp.bandcamp.com/

7) Klack – Probably – The Wisconsin EDM sensation that brings together Matt Fanale (Caustic) and Eric Oehler (Null Device). I’ve watched this project grow and blossom and this album really hit the perfect stride and balance of their styles. It’s clever, it’s electric, and the single Faith In Me is a glorious jam that could have been on a Depeche Mode album in the late 80s. I love when you hear a collaboration and can hear how much the artists respect and care about each other. It can’t be faked and this album brims over with it.

https://klack.bandcamp.com/album/probably

6) The Joy Thieves – A Blue Girl – Chicago superband led by drummer extraordinaire Dan Milligan has been garnering much deserved respect in Industrial circles. The way he blends old school Industrial with organic hard rock is an energy which is contagious. The contributor list is impressive and so long I won’t add everyone but names like Chris Connelly, Jullian Beeston, and Ania Tarnoska are just a few highlights. The title track is a slamming cut for the ages. If you don’t know about the next Pigface you need to get on board this train.

https://thejoythieves.bandcamp.com/album/the-joy-thieves-a-blue-girl

5) Klute – Queer For SatanClaus Larson of Leatherstrip unleashed this gorgeous record of furious destruction and sensual magnetism. This year must have been one of the toughest things a person can go through for him and that unbridled emotion pours forth in a firehose of pain and fear. If you love Leatherstrip (and how could you not) this album is top of the game.

https://leaetherstrip.bandcamp.com/album/queer-for-satan

4) Stoneburner – Beauty Is Terror – Steven Archer has had multiple releases this year, all great. His ability as an artist and multimedia creator really is the top of the game for DIY synthesis of audio and visual. To me this record was the highest evolution of his style thus far. It’s hard, world view, narrative, intelligent music that conjures images like you are reading a novel. The single “Are you here the way I’m here” is a steampunk electrocore time travel head flip. This album truly pushes the boundary of what is possible in thought and feeling. You need it.

https://stoneburnerofficial.bandcamp.com/album/beauty-is-terror

3) ESA: Electronic Substance Abuse – “Burial 10 – EBM music is not my cup of tea. However, anything done at the top of the game is easy to know when you hear it. This album is hard, filthy, and so full of nuclear radiation it is impossible to not stomp your feet and dance to. The concept, power, and delivery are peerless in their execution. Add to that guest performances by Jo Hysteria, Cainlin Corlyx, and Lecture and you have one of the breakout album experiences of the year. This is one of those records I could listen to 100 times and hone in on a different detail each one.

https://esangp.bandcamp.com/album/burial-10

2) The Jean Marc Lederman Experience – Letters to Gods and Fallen Angels – For all those wondering where are the albums touching on a higher artistic ideal in the modern age. This is it. The Belgian artists who’s resume has touched some of the most prolific music to occur in the electronic era has compiled a group of guest singers both legendary and future stars and ask them to write a letter to God or a fallen angel. The responses follow the course of human mysticism and discovery. This album is a true journey of thought and expression that touches on a myriad of styles and ideas. It’s been a long time since a record made me think and feel so much. Do yourself a favor and take this adventure.

https://wool-e-discs.be/album/wed077-letters-to-gods-and-fallen-angels

  1. Pig – Pain Is God – Some people had a punk rock phase in their angry youth. I had an industrial one. A big part of that was Raymond Watts. KMFDM and <PIG> was a remind that Industrial music could mean something else. That it was a music of synthesis between electronic dance beats and any other style you could imagine. Here he is reborn the swine lord persona with a heady blend of of gospel, hard rock, and neon gutter grime. This record was the open gate between my 2020 self and my 1993 self. A DeLorean that connected me to my ego and my wisdom. A glorious return for the master of swine.
See our interview with Raymond Watts here

https://pigindustries.bandcamp.com/

I didn’t include singles in this list. However important mentions: Silverwalks, Melodywhore, and Der Prosector.

https://silverwalk.bandcamp.com/

https://melodywhore.bandcamp.com/

https://derprosector.bandcamp.com/

Final Bandcamp Friday of the Year!

So the final Bandcamp day of 2020 is upon us. This whole year feels like an absurd blur. I continue to beat the drum hard for all Bandcamp does to support artists all year round. This day each month has become something I cherish as it usually leads to several new releases. As usual I am up at midnight firing through whiskey and trying to share some of the new music that is filling my heart with fire. As the possibility of Facebook turning away from artists sharing their work I urge you to follow the page and comment below the review music that is inspiring you that I might put it in future reviews.

Codename: Lola – Lets start out with this badass cover of one of my favorite bands Ultravox in one of their more underrated songs. The single features fireball vocals from Gothzilla frontman Tim Jarvis. It’s got a glorious walking gansta style and a wailing guitar solo. Just blistering energy that never lets up and fills me with excitement for the future of this project. Currently it is free on bandcamp and is a must grab.

https://codenamelola.bandcamp.com/

Vlimmer: Alexander has done it again. His ability to crank out albums at the highest quality in record speed leaves me speechless. This latest release “XIIIIIIII” has his textured emotive stark imagery. Opening with an urgency and seamless blend of guitar slush with cascading keyboards. It’s gorgeous, immersive, and never disappoints. I am always shocked by how far from the previous concept each release leaps. This one highlights the vocals and has a brighter indie rock sensibility. I’m in awe, how does he have so many ideas that always sound so fresh.

https://blackjackilluministrecords.bandcamp.com/

The Funeral March of the Marionettes – New single from the Illinois post punk band called “Useless”. It’s brash and melodic with 80s Killing Joke feel. That driving bassline that never lets up and chanting devil may care vocals that add weight by floating on the wave of sound.

https://thefuneralmarch.bandcamp.com/album/useless-a-foolish-arrangement

Dissonance Feat: Kurt Larson: If there are three things I love it is 1) Kate Bush 2) Kurt Larson (Information Society) 3) The soulful smokey croon of Cat Hall. It’s a song that has seen covers before but this one is special for the vocal duet and digital downpour of sound falling on us while we are running up that hill. A special release from one of the most underrated voices in this scene. This single comes off an amazing compilation of cover songs by electronic artists called “Numbers Covered”. A great value here but if you have to check just one track it is this.

https://emergencyhearts.bandcamp.com/album/numbers-covered-a-benefit-album-for-numbers-night-club

Vertical Patrols – Another single from the San Diego synthwave artist. It’s warm and puts me in mind of catchy New Order Technique until the vocals drop with a unique accented feeling of frustration and loss. It grabs hold of your lapels and shakes you furiously searching for it’s own answers. It’s one of those bands where I hear what is coming, as much as what I am hearing. This single paves the way for something exciting in the future.

https://verticalpatrols.bandcamp.com/track/again-tonight?fbclid=IwAR3ah6WZyYPvZg5tTK9e6fh5BTTwaI5nWSuknlxN1F7tdSVoV2J5X8oUfNM

Damien Done : My fellow Michigan native has released 3 new demos songs in November. It’s always a great experience when you have an artists that you have followed the evolution of their sound. Moyal has had an impressive career with a wide range of styles. His voice really has so many tricks in the bag and shifts from album to album and even within single tracks. An impressive talent and lyrical storyteller that drenches each canvas with rich and immersive imagery. My favorite of the three tracks was “Always On Fire” with featured this beautiful harp sound. His voice takes on a rich Brendan Perry (Dead Can Dance) lilt. Then shifts into a powerful growl at just the right moment as a booming trip hop drum beat sinks in. A Master of the song writing craft Damien does not disappoint. The blistering guitar solo in the outro is a scorching flame on oil soaked waters. Powerful.

https://damiendone.bandcamp.com/album/demos-from-the-year-2020

Dead Astronauts: New release out of Seattle from Cold Transmission Music called “Silhouettes“. This one is a pre order not available until January but it already has me bubbling with excitement. First single is “Chauffer and the Flame” ok to start with I love that song title. This is hungry and sensual. It features a beautifully matched duet vocal that creates duality and tension. These drum beats come from within you and burst out of your chest. The sleek electronic style feels like I am in the Tron stadium racing in a light motorcycle with everything on the line. It’s hot, tantalizing, and leaves me hungry for more.

https://deadastronauts.bandcamp.com/album/silhouettes

Modal Citizan : New album Control After Delete from chaos dark grunge out of Virginia Beach. So this was admittedly a little closer to metal edge than I generally venture. My first inclination was to kick it over to Collin or Adrian. However I found it growing on me as I played it more and more. The thick as fuck crunching guitars took me back to Bad Motorfinger from Soundgarden. The vocals while full of screech and growl, also found tones of gentle beauty which rode that razor edge never quite crossing over into something to hard for me to relate to. It was one of those records I kept expecting to want to get off the ride, but found myself clutching the bar and feeling myself pulled deeper. I always know something is impressive when it is obviously out of my wheelhouse but I keep coming back to it. Even now I am not sure how I feel, other than I was never bored or lost. I think this is a record I will find me daring myself into exploring again and again in the future.

https://modalcitizan.bandcamp.com/album/control-alter-deplete

Sapphira Vee: Ok there are a lot of reasons I am excited for this album “The Mask” due out 12/15/20. One of which are the bevy of awesome collaborators including Spankthenun, The Joy Thieves, Melodywhore, and yes Amaranth. I even do a bit of guest vocals on the track “World My Voice“. Sapphira has a voice and energy that fills a room. It’s dangerous and calls you like a siren from the rocks. These tracks are so personal and really tear her open as she holds out her heart in her hand. I love the throwback tone of dropped beat triphop. It really highlights the power of her controlled elegance. It’s music that gives you a shiver. A tension in the air. An inhaled breath with every roll of the dice. In a world of darkpop about escape, this album demands your focus. It’s hard pressed to pick a favorite track, but “Mask of Happy” is such a creeping and subtle jam you don’t realize has ahold of you until it is too late. A powerful release that belongs in your collection.

https://sapphiravee.bandcamp.com/

Grabyourface: French ultraviolet blade runner who has just signed with Negative Gain records will release an eagerly anticipated new album 12/18/20 called “Sea“. This record is gorgeous from the get. The spoken word poetry style is engaging and draws attention to the lyrics. It’s a drowning plea cutting through an ocean of depression, trying to break the water. The music is a slow electronic cascade weathering down the rocks. I really found myself getting lost in this. Sonically it’s like the other side of the same spectrum as Mr.Kitty. My pick for favorite track was “So”. The mixture of piano sound and florescent fog synths give a beautiful setting for the melody rap poetry. Overall this is an impressive offering and one I will definitely be getting preorder for.

grabyourface (bandcamp.com)

Caustic: Matt Fanale also of Klack released a new 5 song pandemic club massacre ep. Rhythmic robot signal beamed into your brain guiding your body as a marionette. My jam was Tu Madre. It was so hard to stop my feet from stomping and waking the house. The AI efficiency of the music is memorizing. There is so much movement with so few different sources carrying it. Around 2:50 the blasting toms start and kick the floor from under you. You also get Matts clever humor in songs like Stale Seman, Shame, and video games. The whispered secret, and old school dancedustrial beat are a delicious combination. Matt is really one of the leaders in the charge of current industrial/edm.

https://caustic.bandcamp.com/album/a-succession-of-repetitive-beats

Remember to drop your favorite new bands you got on bandcamp day for future reviews.

Who is the Next Wave of Industrial/EDM Making My Gears Turn and Glitch

In my youth I didn’t really have a punk rock phase. My angry phase was Industrial. Ministry, NIN, Skinny Puppy, Test Dept, KMFDM, Die Warsaw, Lord of Acid, Neubauten, Front Line Assembly, Front 242, Leatherstrip, Chemlab, were the fiery steam fire oily sounds that spoke to my soul. As time went on my anger and napalm softened and I moved away from this soul. In the past few years I have found myself rediscovering and broader and more intricate hard electronic sound. Here are some of the echoing booms filling my warehouse.

SpankTheNun: The Texas industrial sensation from Eric Hanes is bringing Industrial back to it’s early core. It’s catchy and dancy, with steel jaws of metal drive guitars and distorted growl. I love the clarity achieved through modern tech that takes the early feel and refines it into the modern expectation of laser focus. The new album out “The Bunker Tapes volume 1” is a perfect homage to the past with a fresh hypersonic spin.

https://spankthenun.bandcamp.com/album/the-bunker-tapes-vol-i

Stoneburner: Steven Archer of Ego Likeness started the project of to express a different aspect of his music. This is truly taking the concept of Industrial music into a higher form of evolving art. It’s high concept sci fi with tribal organic drum beats and lyrical poetry that pushes the boundaries of the human experience. The albums are ever evolving and are done with a vision. He also is a master of interactive experience and blending of visual and sonic art. Truly breaking ground for a new concept.

https://stoneburnerofficial.bandcamp.com/album/beauty-is-terror

GoFight: It’s hard to think of Jim Marcus as “new” Industrial. Die Warsaw was one of those early bands that taught me the idea of Industrial music could mean something more than macho angry aggression. A beauty and subtlety that made me dance and sing along with glorious pop hooks while maintaining that furious grinding filth. Jim continues to write songs that capture the mind and infuse the body with buzzing chemical energy. A relatable idea with sharp edges and teeth. One of those beautiful ideas that blends accessibility with higher thought. Jim has always been the cutting edge of Chicago Industrial and has not missed a beat. New single out Freestate is another masterpiece of technique and torr ant.

https://gofight.bandcamp.com/

I Ya Toyah: The one woman army from Chicago is a explosion of energy, love, and pain. It’s has a soul that really sets it apart from a lot of the genre. Ania has a voice and song writing style that captivates with it’s power and passion. The songs move with intention and the lyrics have a personal flavor that makes you a part of them. The live stage show is truly something to behold. She is a voice for the future of what electronic music is capable of.

https://iyatoyah.bandcamp.com/album/code-blue-album

The Joy Thieves: Another Chicago band ( A Lot of good Industrial came from Chicago). This one a super band helmed by Dan Milligan has brought amazing talents from several Industrial mainstays to ride that line between hard rock and industrial. I once describes them as Clutch beating the shit our of Stabbing Westward with a baseball bat. It’s furious aggression, blistering guitar work, progressive percussion, and napalm vocals. It’s a compilation of talent to rival bands like Pigface with it’s own organic concept.

https://thejoythieves.bandcamp.com/

Fee Lion: Another Chicago act with more smooth cold blue edges. A powerful and sensual voice with distinctive electronic dance club explosions. Very avant garde and and invasive. A true master class in how to use push pull dynamics to pull in your audience. Only a few releases so far but already setting the stage for a power player in the genre.

https://feelion.bandcamp.com/track/baby

Klack: Madison WI collaboration between Matt Fanale (Caustic) and Eric Oehler (Null Device) have formed up to make EDM for a new generation. It’s clever, conscience, and shoots a bolt of electricity into your spine that shakes that ass. The vocals are the perfect blend of both talents that brings the revolution and makes it fun. It’s an iron gauntlet in a velvet glove. Get Klacked and stay Klacked.

https://klack.bandcamp.com/album/two-minute-warning

Moris Blak: Boston MA, Hard EDM industrial is not here to take you gently into emersion. It is fierce and limb flinging excitement adrenochrome shot into your mind and designed to make you let go of all control. He also does some intense remixes and mind bending live shows. This is not a throwback sound. It is straight alien brain melt.

https://morisblak.bandcamp.com/

ESA (Electronic Substance Abuse) – The British master of EDM dance club excitement. When using bass beats like a sonic weapon it is a true challenge to construct ear worm melodies that cut to the forefront. This music is a virus that infiltrates every cell of your being and demands you dance. The newest album “Eat Your Young” also features the amazing Caitlin of the band Corlyx. Immersive filthy grinding dance beats that ride you hard and put you away wet.

https://esangp.bandcamp.com/album/eat-their-young-the-scorn-ep

Curse Mackey: – This is a scene veteran that has been a key member of one of the biggest Industrial bands Pigface. He has recently released his first solo album “Instant Exorcism“. Aside from the amazing vocals and pedigree of this record, I think what really moves me are the thought and poetry of the lyrics. This is truly and out of the box thinking persons Industrial sound. A must have.

https://cursemackeyngp.bandcamp.com/album/instant-exorcism

Silverwalks: Criminally underrated sci-fi electronic backdrop creator from Philly. This new single is “Lantern” is an absolute burner. One of those songs I can’t hit play enough times on. It has a true Gary Numan quality in it’s texture and flow. I loved it so much I had to have an Amaranth remix done. Transport yourself to an alternate sonic reality with this band.

https://silverwalk.bandcamp.com/

Melodywhore: This glorious electronic music wizard has forged really taken the old Industrial concept of collaboration. Blending a softer more passionate dance grime energy. Using a variety of musicians and vocalists. This latest track for BLM charities is beautiful and powerful. Giving voice to rage using an intelligent whisper.

https://melodywhore.bandcamp.com/

DEAD AGENT

Dead Agent is the solo project of Ed Finkler, also known as Funkatron.

Musically it leans more towards the EBM side of the spectrum but manages to do so without feeling like something we`ve heard a thousand times before during the last X amount of years.

While its mainly instrumental there`s heavy use of samples and other sound design techniques to create the illusion of vocals as can be heard on the track “Frentik“.

Ed was once part of the band Cult Of Jester where we saw him in the role of a vocalist fronting an industrial rock band so to see him return to music in such a different yet at the same time familiar manner is definitely interesting. Dead Agent is a project to keep your eyes on going forwards.

DECENT NEWS

From Connecticut we have Decent News who we have featured on the site before in various scenarios. They deliver a refreshing take on the blending on industrial and rock/metal. The guitar work especially stands out from the crowd as one can pick up on some clear early thrash metal influences at times as opposed to what has seemingly become the standard industrial guitar consisting of simply palm muting and tabs that look something like this: 0-000-00-0.

Having carved out their own sound they manage to evolve and progress with each release within the confines of their world which is quite an underappreciated talent.

VANITY KILLS

From the UK comes Vanity Kills delivering some dirty, gritty rock n roll with filthy, dripping electronics sewn in like a patch on a vest.

They wear their influences on their sleeve and take it all the way whether that be sonically or visually, yet also manage to do things their own way and leave an open wound on the otherwise often too mechanical world of industrial rock.

NOTHING VALENTINE

While Darrin Lewis may have spent years as vocalist for the metal/deathcore band Beside The Silence he’s now working under the moniker Nothing Valentine creating what I‘m tempted to call a blend of pop and industrial but still retaining the heavy element of earlier projects.

Debuting with the song #GothGirl almost a year ago, he later followed up with the politically charged track “Civil Unrest” which showed a thematically and in many ways musically heavier side to NV which might not have been according to the audiences expectations after hearing the more light hearted first single but this is exactly why he`s on the list. Expect the unexpected whether it be in terms of music or the overarching themes.

BLAKMOTH

Of course we have to include Blakmoth as we just did an interview with him.

Blakmoth creates what he refers to as “Doombient” consisting of heavy rhythmic drum work and droning ambient soundscapes all created with modular synths.

Having recently signed with Errorgrid Records and with a new release on the way despite having released “Deathshead” only a couple weeks ago Blakmoth is highly productive and is always seeking to push the envelope and challenge the audiences ideas.

I hope that with time well see more modular based artists pop up and break out of lighthearted bleeps and bloops for just a moment to explore the dark side of synthesis that Blakmoths music beckons us towards.

ECHO BEDS

From Denver, Colorado comes the duo known as Echo Beds with amplified oil barrels, broken tapes and generally less than perfect instruments they create noisy yet catchy and often strangely melodic tunes reminiscent of early Swans meets EBM or something along those lines. Visceral yet danceable, not too harsh for the new comers to the experimental part of the industrial genre but just enough to entice you to go deeper and explore a side of it which is often forgotten about these days despite being the source of the genre. This one is truly DIY or die voltage therapy.

CARRION

Industrial Rock isn`t exactly what Norway is known for musically although one might be able to draw comparisons between the early days of industrial and black metal in terms of extremity ,avant garde-esque tendencies and against the grain approach.

Carrion, lead by S&S writer Hide [Adrian Kjøsnes] blends elements of traditional rock n roll with a tad of 90s Nine Inch Nails style steeped in occult philosophy and mysteries.

Having just released the album “Testament Ov The Exiled” now is the perfect time to check them out if you haven’tt already to hear Hides most recent experiment mixing distorted guitars and modular synthesis into a blend of structured yet still chaotic noise and…Power ballads. Yes, you read that right.

MISSFIT TOYS

Having recently released the single “Blithe Din” along with a ton of remixes [Including Dead Agent and Decent News] this Florida based aggrotech band is perfect for those who love catchy synth lines that worms their way into your ear while banshee like vocals speak of biblical themes full of symbolism painstakingly researched for accuracy and adopted to whatever vocalist Richie V. Suriv attempts to express.

Having already built a following within the U.S alternative scene playing with acts like Psyclon Nine, Dope, Skold, Combichrist and more this is not one to miss, oh, and they`ve got their keyboards on a chain swingset 😉

https://missfit-toys.bandcamp.com/album/blithe-din

Zwaremachine: Loud and nasty from Minneapolis, this band is a grinding tidal wave of shrapnel and hiss. It rolls over you in slow driving sludge and flashing lights. Bringing gore and empty warehouse space into stark relief that transports you back to a 90’s rave in Detroit. Join in the chant and leave your inhibitions at the door.

https://zwaremachine.bandcamp.com/album/be-a-light-special-edition

11 Grams: The team up between Rob Early and Simeon Fitzpatrick that cuts the clean razors of electronic science fiction and dance club fury. This is two masters of production riding an electric wave of futuristic beauty and construction. It’s transformative and honed to make rooms sizzle.

https://11grams.bandcamp.com/

StatiqBloom: This New York band is frightening and cold. It’s movement is infectious but the tone is dark. A Sinister horror film brought to life. Definitely EDM dance movement but one that leaves you anxious and clawing at the wall. You can’t sleep because you can’t relax in this terrifying landscape.

https://statiqbloom.bandcamp.com/album/beneath-the-whelm

TH Inc: Chicago, Illinois Hailing from the beating heart of American Industrial music comes the sonic power house TH Inc. Electronic music pioneers Christopher Turner (of Nookleptia and the mixcloud show The Garbageman Show) & Robert Hyman (Drummer of Mr. Russia, member of Melter and owner of Lens Records) first came on the scene with the darkly haunting 8 minute “Drawstring” and the pair continue to dish out fresh dark DIY industrial reminiscent of Throbbing Gristle, Brighter Death Now, and the edgier side of COIL. If you missed out on or just miss the raw paranoid energy of early industrial and noise, but need a taste of something new, look no further. 2020 has seen the Release of 2 albums the gritty pulsing Circuit Flare, and the epic droning of The Tarkovsky Suites.learn more @ thincband.com

Bellhead: Chicago, Illinois Also from the land of WAX TRAX, this 2 Bass & a Drum Machine, Male/Female duo gave us their first taste of their mix of industrial sleaze with the thick dirty sound of “Fire Control“. Bellhead have kept it up with a hand full of releases including the 2020 EP “Unicorn Bones” and the Single “Sanity Assassin” an edgy in you face cover of the Bauhaus song.Keep you eyes on Bellhead, especially if you are a fan of the 90’s industrial rock style of Orgy and Snake River Conspiracy and even later Thrill Kill Kult.

https://bellhead.bandcamp.com/

eHpH: Denver, Colorado By now I am sure you have noticed we here at Sounds and Shadows are fans of eHpH and Bleeding Light Music in general. I feel I cannot say enough about eHpH, they come to the table with a fresh take on EBM and the darker side of synth driven industrial. From track to track you feel something that could have easily hit the dance floors of 90’s/2000’s goth industrial clubs and yet sounds strangely original. eHpH is that seductive dark stuff that draws you into this world.

https://ehph.bandcamp.com/

I Missed Posting For Bandcamp Day :( Yet here is some reviews.

It’s October my darklings, the month of spook, where goths can be goths. So I need to start thinking about my Halloween soundtrack. I’ll fire through the latest batwings and eye lashes of newt falling into my cauldron.

Swansect: Kill Pop Goth – Adrian is always thrashing like a madman in a new direction. Always producing something he hasn’t done and something I hadn’t heard a million times before. Track #1 Horse of Grass has this cool percussion driven guitar strike. Almost a folk goth tempo with vibrating underwater vocals. Track #2 Kain is my favorite and has this sinister Tones on Tail Daniel Ash sex appeal. The words are in Norwegian telling the story of Cain. I love the old school batcave rockabilly riff. Swansect always takes you to a place in your mind with the music, and usually that place is a nightmare.

https://swansect.bandcamp.com/album/kill-pop-goth

SpankTheNun: The Bunker Tapes II – This album is mixed by the legendary Claus Larson (LeatherStrip). Out of Texas Eric Hanes does a hard and nasty industrial, full of chant and eye beam precision. Track 2 Fight and Breed is a building whisper that holds aggression on a greasy chain to make a tension build you can feel on the back your neck. I think what really sets this above the bar are how clearly the vocals ring for industrial music. It has a bit of effect, but you can savor every growled line. Some amazing remixes here from Melodywhore, Sapphirra Vee, and Assemblage 23. My favorite track was Lies and Hate which unleashes a real Nitzer Ebb feel. I think what impressed me most of this album is how it never has to turn the volume up to 11 to hit you in the fucking teeth with it’s power. It’s a real skill to project that much rage without screaming.

https://spankthenun.bandcamp.com/album/the-bunker-tapes-vol-i

Vazum: Rated V – Ok I know I recently reviewed the Detroit band Vazum, but they did this new release specifically for Halloween with a monster/ghoul theme. It’s stalking creature abomination horror full of heavy guitars and sinister keys. Zach unleashes and inner demon from behind his usually lovely lilting vocals to send a shiver up the spine. I said the same about the previous album Vampyre Villa but I love the use of 90’s alternative mixed into the horror. Emily has a soulful Concrete Blonde vocal style that is the perfect offset in every song. Each monster has it’s own tone and flavor, my favorite was Werewolf . This one really let Emily shine on vocals and truly laid out the primal transformation. Cool lyrical poetry, “Copper turns to gold, sell our gold for silver”. There is so much going on here stylistically. We had an interview with them last week (which will post soon) I am really bummed I hadn’t heard this to discuss before hand.

https://vazum.bandcamp.com/

Vanity Kills : Chapter 2 Enemy – Hard rocking cyberpunk from Cardiff UK. The real beauty captured here is the driving rock 90’s aggression of Helmet phase shifting into pixilated time dilation of club smashing electro-core. The intensity almost rides the line of metal. Yet the distinctive dance stomp is catchy and clean. For personal preference I wish I could hear more of the lyrics and feel the melody lines. The music really placed me in an empty room of drywall I found myself smashing out of, I wanted to know more about why. Favorite track was “This is Gonna Hurt”, it had such a punch it made me picture Clutch smashing synthesizers on a flaming stage. This one shows great promise for the future.

https://officialvanitykills.bandcamp.com/album/chapter-2-enemy

UnderTheSkin: End This Summer – New single complete with some outstanding remixes from Poland. This one is a Cure heavy darkwave bird of prey soaring on a night sky. Mariusz has a beautiful and captivating voice. The bassline of the song is everywhere beneath the soaring wings. A powerful track in crafting and execution. So who could successfully remix such a track? Ash Code, Shad Shadows, Kill Shelter, and Antipole with Paris. Now that is a heavy weight endorsement of some of the great production tunesmiths of our scene. A lot of individual flavor here for each remix on an absolute scorcher of a track.

https://underskin.bandcamp.com/album/end-this-summer-ep

Razor Hawt video with this one too.

Twin Tribes: Shadows(Matte Black remix) – Holy shit how did I not know this was coming out? Also why does Matte Black get to remix Twin Tribes and I don’t? Ok now that petty jealousy is out of the way, this is my favorite Twin Tribes song. The song I discovered them from. I didn’t even recognize it at first in the best possible way. This is everything I want from a remix. It has taken their glorious violet energy and fired it through a prism to create something new and beautiful. I am jaw dropped on the floor right now. Buy this immediately.

https://twintribes.bandcamp.com/

Panic Priest: When Daylight Disappears – Brand new single from Jack, and it’s another burner. Such a master of blending sizzling guitar licks and neon streaming synths. His bellowing baritone voice is an trap I can’t stop falling into. This song is a prayer to the darkness that surrounds us. I want to sit on a Chicago roof staring at the moon as the city sleeps below.

https://panicpriestngp.bandcamp.com/track/when-daylight-disappears-demo

Klack: Two Minute Warning (Depeche Mode Cover) – This is a beautiful cover with a beautiful and tragic story behind it. Claus Larsen (Leatherstrip) recently lost his husband Kurt after a long battle with sickness. It left a lot of medical bills and the community really rallied around him in this tough time. All proceeds go to assist their family. I’ve always loved this song and Klack of course didn’t disappoint to capture it’s energy and majesty.

https://klack.bandcamp.com/album/two-minute-warning

It’s Bandcamp Day and times are dark. So I am looking for ass shaking darkness.

Today is the day when Bandcamp (The one music streaming and distribution company that seems to care an iota for musician’s) waives it’s fees and gives everything spent, to those making the music. It’s been a tough few months in particular and I am in the middle of Sotember (The month each year where I recharge and drink nothing stronger than Earl Grey tea)

Death Loves Veronica : In The Silence

Newest single from Texas darkwave sultry star Veronica Campbell. This song has a brighter more open tone than previous offerings. It really highlights the elegant purity of her voice. Also included is a beautiful synth rich remix of “In The Silence”. A cascading waterfall of cool crystal sound.

https://deathlovesveronica.bandcamp.com/album/in-the-silence

Danny BluThe Pale Horse

I have been waiting for someone to put raw emotion and sass back into the darkpop genre. This album crackles with mid tempo dance beats to fill the back walls of the club. The lyrics are an inward journey with an 80’s Madonna soul. Beautiful modern layered vocals to create movement and build. It’s one of those sounds that flows through your earbuds and into your nervous system and flexes attitude through your body. I feel like other people can hear these songs through my movements when I listen.

Fav Tracks: Paradise City/White Knight

https://dannyblu.bandcamp.com/album/the-pale-horse

Wingtips: Tears of Pearl

Chicago retro-synth dreamboats Wingtips have done this fitting tribute to criminally underrated 90’s Aussie pop band Savage Garden. I love the interlocking vocal duet here. The frosting sweet swirl of keyboards and chimes on this song make my heart dance with delight.

https://wingtips.bandcamp.com/track/tears-of-pearls-2

DJ Version 666Dance of the Profane

Firebrand driving doom dance with a nice sprinkle of Industrial guitar and finger firework keyboard work. I really like the effective chanting vocals which hit right on the needle of what I want from a club jam. Extra bonus remix layers on some teeth and glitch for a aggro feel. Stomp your feet and scream obscenity.

https://djversion666.bandcamp.com/album/dance-of-the-profane-single-and-remix

KlackProbably

Listen to Klack or I will attack, and you don’t want that. A fresh new feel here from Matt and Eric. I really have enjoyed every evolution of this project. This has a Construction Time Again DM flavor. It has clever carefully placed samples. The beats have a real shake that ass groove. The keyboard melody lines are beautiful retro hooks. I really fell hard for these breathy cleanly delivered vocals. It’s something I hadn’t heard from them before and immediately wanted more of. The lyrics really became a strong suit here. This is an album plucked out of the timestream and dropped hard in 2020.

https://klack.bandcamp.com/album/probably

Broken Nails: Control the Delusion

Kim Bell and company have released this lovely shadowpop with misty daybreak darkness. It has a dreamlike quality, with a Til Tuesday retro flow. I really like the front edge of Kim’s delivery on the vocals. This really gets me excited for the future direction of the project. Now on Swiss Dark Nights

https://swissdarknights.bandcamp.com/album/control-the-delusion

GoFight: Freestate

I will always buy every GoFight release. I will never regret my decision. Jim Marcus understands the blending of body gyrating dance music in the way an Indian executive chef understands the blending of spice. The layering of elements allows you to get lost in what kind of a song you are listening to. His voice is that perfect growling beauty snapping at your heart with desire and terror. Another single, another home run.

https://gofight.bandcamp.com/album/freestate

Mary: Die Before Death

I think this band from Toronto now on Cold Transmission takes the award of the day for something I had no idea I needed and now can’t live without. The scope of tempos here run from blistering car chase to lullaby shouting fuck. Gorgeous dreamy vocals that would make Robert Smith raise an eyebrow. I’m not sure where this was hiding but it just took my 2020 by storm.

https://maryofficial.bandcamp.com/album/die-before-death