It is once again time to celebrate the top 10 singles chosen by our group of DJs/Artists/Reviewers/Promotors/and Mega Fans. These are all tracks released in July chosen from the broad darkscene genre. If you are an artist or know one that has a release in August, make sure to join the Sounds and Shadows group on Facebook and submit it for consideration.
Kill Shelter (Feat Stefan Netschio) – In This Place
Stoneburner – This Machine Kills
Sequential Zero – The Last One To Fall
Korine – Mt. Airy
Golden Apes – From The Sky
Eva X – Whipping Girl
Batavia – Mailman
Suzi Sabotage – I Am The Storm
Sawtooth & Gasoline Invertebrate – Gut Rehab
Plague Garden feat. Azy Bats – Pandora
Kill Shelter Feat (Stefan Netschio) – In This Place – I have a full review on S & S as well as an interview with Pete releasing tomorrow. However it is fitting this single off an early contender for album of the year is top song in July. Stefan of Beborn Beton delivers heavy resonant drops of tone into an unlit cave pool. 10/10 absolute banger
Stoneburner – This Machine Kills – The Wolf Lord Steven Archer come in second this month with a blistering club hit doused in political gasoline. You know that part in the movie where the barrel of the machine gun gets so hot that fire shoots out. Thats what I picture when I hear this track.
Sequential Zero – The Last One To Fall – Love to see this come in at #3. A team up of Australian Ant Banister (Sounds Like Winter) and American Bruce Nullify (Orcus Nullify). It’s such a delicious blend of what I love about them individually. True old school batcave rough edge oil drenched attitude with cracking snares and crystal keys.
Korine – Mt. Airy – There really is nothing I don’t love put out by the Philly based death dream. Coming in at #4 it is another sizzling shock of step and turn. These vocals are pastel perfection blending with the music in color bleeding splendor. I love every note.
Golden Apes – From The Sky – Some real fierce competition this month has the Berlin Post Punk bard’s coming in at #5. I more crackling tempo full of uplifting rippling guitar staircases. Peer’s voice is that distinctive baritone rumble of honestly that makes every single feel distinct.
Eva X – Whipping Girl – #6 is Canadian siren and electronic producer Eva X. I just got a chance to interview her which we will release soon. We got to talk about this song and video, partially how every release is growing by leaps and bounds. I love how her skills at production are opening the possibilities for every new violet electrolash single.
Batavia – Mailman – The Florida Industrial power couple have called in their friends to lend a hand on this new EP. The first single of which features drum stylings from Dan Milligan (The Joy Thieves). Inspired choice to fire the first volley with a cover of The Jesus Lizard. 90’s skate grind vibes of chopping guitar over explosive percussion stomps. Terri’s riot Grrl sultry ferocity adds such a different tone. Fresh idea’s for a familiar classic.
Suzi Sabotage – I Am The Storm – Finnish TechPunk stands up for Ukrainian’s effected by Russian aggression with this slow build ice palace bop with operatic cries of anguish. I love the empathy, message, and power of delivery.
Sawtooth – Gut Rehab (feat. Gasoline Invertebrate) – MA based producer Lillian Edith Martin comes in at #9 with this sweat stealing banger she teamed up with Brian Graupner on. I absolutely love the powerful imagery in the lyrics. Absolutely bashing beats filthy with decay and rebirth. I could hear more of this team up.
Plague Garden feat. Azy Bats – Pandora – I was so excited to see this track from Colorado based frozen cemetery synth band collab with Azy (Obscura Undead) slide into #10. The lofi roaring guitar sound makes lovely dissonance from the pipe organ purity in the bass tone. Azy’s vocal confidence takes a bold stride forward and propels their presence to the front of a haunting tune.
COLD WAVES is a celebration of Chicago’s relationship with industrial music, the memory of a fallen brother, and a fundraiser for suicide prevention charities. In the summer of 2012, Chicago lost one of its most loved and respected sound engineers and musicians, Jamie Duffy. His work ethic and ingenuity in the local music scene was a gift to many musicians. His abrupt passing had a profound effect on the electronic and metal music communities he meant so much to. In need of healing and hope, we brought 14 bands together for one magical night that year to raise money for Jamie’s family and say goodbye. But in the end, it was more of an awakening… a rebirth… a breaking wave. The success of the show pushed us to build it into an annual event, stretching over a weekend and moving it to Chicago’s iconic Metro.
Cold Waves means a lot. It is a true culmination of everything great about this scene. People from all over the world coming together to meet and celebrate music, art, unity, and holding each other up through the darkest times. To remember Jamie and everyone who felt lost and alone. A hope that the scene will be there to lend strength to someone else in trauma tomorrow. It’s first and foremost a celebration of what makes life worth living. Music, art, friendship, and empathy. I attended this year Saturday and Sunday. To see old friends and new. To hear music that will lift my heart at a time I need it most. That is what really makes this special, more than a music festival. Especially in this time of pandemic when our online friendships have become something real to sustain us. This four day festival attended by fans and artists from all over the world turns faces on a screen into reality. A summer camp of outcasts that return each year to bask in the glow of music and lights. I previously covered Thursday and Friday so I will pick up on Saturday night.
“You’ll hear the term “family” thrown around Cold Waves a lot. It’s true. For a lot of us it’s the place we all have a reunion. I get to see friends in the crowd and on stage from all over the world, and since it’s in Chicago, the U.S. Mecca of industrial, you’ll see people from the Wax Trax hey day just walking around and chatting with everyone. There’s a real sense and respect for the history of industrial– past, present, and future. It’s always a joy being a part of it, whether performing or as a spectator.” Matt Fanale (Caustic/Klack/Daddybear)
Panterah – Information about this Chicago electronic artists is a tad hard to track down. No bandcamp page, instagram, youtube. You can still find releases of their previous incarnation Fee Lion. Large crowd from the beginning drawn in to these razor nails up your back danger pop. Great set to fill you with intrigue for the future of this project and the future of the night.
Provoker – LA based slushy layered dark alternative casting smoky hues through color gels. Lovely range to the vocals but every part of that spectrum is gorgeous. On a night with so much electronic magnificence it was wonderful to hear this driving fuzzy guitar centered sound. I didn’t know much going in, but I was completely won over and eagerly await the new album.
ADULT. – So I have seen Detroit based ADULT 4 times, shockingly never in Detroit where I am from. Adult is one of those artist that is an experience more than a band. A stage show of bouncing bolts of electricity cascading around the room. Humming electronic waves that create a vehicle for high brow lyrical concepts and husky chanting vocals. I love how through decades they continue to find a way to be on the edge of an evolving scene. The performance sent people running to the stage wondering what is happening and how can I get more.
Barker and Connelly – Two living legends putting aside all pretention and just having fun together shredding the ever loving shit out of a set while the audience stared in raptured attention. Two members of Ministry just smiling and unloading sonic obliteration in a shimmering drift between styles and intensity. This performance was just what you would hope for. They are preforming for the LA Cold Waves and if you have the chance, trust me don’t miss this.
Front 242 – Speaking of living legends. Belgium EBM pioneers brought a performance energy and excitement and 25 year old would be proud of. Including unveiling a new track. It’s madness that in 2021 a band I saw when I was 15 is still unleashing such unbridled energy in a live performance. As Chase Dobson said “Front 242, yes that Front 242”
Before the performance Sunday I got to have another amazing experience. A chance to go have pancakes with Martin Atkins at the Post Punk Industrial Museum. It was a dream come true for the experiences and stories he shared. Everyone needs to see this for themselves.
WINGTIPS – Chicago breakout Dreamwave band I have seen two other times. Never like this though. This performance was another level. It just tells me that they keep growing and elevating. After witnessing some mainstays with decades of performance under their belts, to hear someone open Sunday night full of exponential growth built my excitement for the whole night. In my opinion it was the standout performance of the night. It can be a razor line riding between nostalgia and modern. Wingtips do that with fearless precision and theatrical flare. After just two albums, I hunger for what their future holds.
Riki – LA based song siren who I had shockingly never heard before the festival. I think the best word to describe this performance is vibrant. The music has a very new wave throwback sound and the vocals are delivered with a series of bright and brilliant hues. The call and answer dueling delivery was a dialog full of soul and passion. I was an instant fan. A crackling sexy energy that flows through your limbs and demands movement.
Bootblacks – Brookland post punk darlings are on a rocketship of growth and excitement. They have the look, they have the moves, they have a sound that rings unique in a rising tide of the post punk style. Every time I see them I am watching a better band. Larry is an absolute beast on the drums, maybe the best in the scene. When you build on a base of that much fury and power, it makes everything else ring out with a performance that leaves you changed. The communication between each part is a type of family energy from the band that can’t be faked. The way each transition and timing happens without a pinprick of space between. Panther’s confidence and ownership of the audience has reached a real maturity and control. It feels like seeing Nick Cave, in his ability to make a large room feel intimate. Barrett and Alli are playing a complex match of high speed electric tennis sending melodies and leads back and forth in neon chaos. This is one of those bands people will be saying “I was there that night” ten years from now.
“Getting to play Cold Waves the first time around in 2019, was a huge honor. It’s a perfect blend of some of our favorites as well as a new wave of fresh faces, many of whom we’ve had the pleasure of sharing stages with around the world. But in addition to the show itself, Cold Waves in general is a community of like minded lovers of the scene. Some of the friendliest people we’ve ever come across. We were welcomed with open arms the first time around, but to be invited to come back and play this year felt triumphant. The love we received the whole weekend after 2 years of not being able to play shows, was so reaffirming and desperately needed. Everyone involved, staff, crew, security, organizers, bands, and of course, the fans, all came together and gave us memories that we will hold onto for the rest of our lives. We are eternally grateful. Barrett Hiatt (Bootblacks)
Korine – The Philly based TranceGaze act which are beauty encapsulated in their sound and aesthetic. I had never seem them live before this night and it took my breath away. You can feel the sound pouring over your skin like cool clean water. Seeing that crowd sway in sync with each song, it was a psychic dream and we were all sharing it in that moment. I will never miss a chance to see this band again.
Stabbing Westward – Then a special treat happened. LA’s Electro rock masters SW took the stage and I was transported to my bedroom as a 16 year old kid, mad because some girl done me wrong. Chris’s voice isn’t just preserved, it’s sharper and cleaner. They played a cover of The Cure’s “Burn” and I don’t say this lightly, it sounded better than Robert Smith. I was even blown away when some tech issues arose and Chris shifted into stand up comedian story teller mode and kept the crowd in the palm of his hand. It was dynamic, it was emotional, it was everything you want from a rock show. My knees were shaking, and then they played “Save Yourself”…I tried hard not to be a mark for the single, but I couldn’t stop. I got misty and belted along.
This isn’t just a festival, it isn’t just four days of heat stopping music. It’s a scene coming together for a wonderful cause and embracing each other. Holding each other up in dark times and saying we share something. Music matters and can still be the bond that ties us. If you feel like this has been missing, plan a trip for 2022. We are all waiting for you. We are all ready to be your people.
Part 3 of this series might have been the toughest to write. There was such a wealth of great new albums in this genre I found myself at a loss to pick and choose my favorites. However tough choices need to get made. These are all records released in 2020 and not singles. I feel like everyone on this list did something very profound.
Black Rose Burning – Open the Gates – George Grant is doing amazing things using stripped down elements of dark post punk concepts. His voice has this scintillating David Bryne expressive lilt. It harnesses such energy with an acoustic guitar and a percussive gate. It’s romantic, not like a relationship, but the way Star Trek is romantic about the love of stars and exploration. I find myself constantly lost in the beauty of it.
Scenius – Enough Fears – I found this album at the very end of the year but I have a feeling this will be on my heavy rotation the next few months. The Leeds band is a bending maze of emotion and turns that I found myself deeply immersed in. The vocals from Fab Nau were so original and cutting. Perfect dark trance resonance and endless builds. This is a band I will be paying close attention to in 2021. I feel the beginning of something beautiful starting.
Vlimmer – XIIIIIIII – This series of albums reaches it’s conclusion in glorious and staggering fashion. Alexander Donat has an amazing gift to take emotion and transfer it into sound seamlessly. Taking a tiny burning ember of idea and gentle blowing on that fire until it swells into a blaze. Truly a criminally underrated talent in modern artistic expression through sound.
White Mansion – Human – Arkansas brings us this strong front to back traditional post punk. I love the bold transitions here and open air vocals. I think the name Human was perfect for this record because it is all about relationships. You can really follow the story. It’s organic, full of heart, and makes a connection.
The Secret French Post Cards – Colors – More glorious post punk darkness this time mixed and mastered by Pedro Code (Iamtheshadow). This record is so understated and comes at you in subtle ways. Olli Ohlander has a ringing and smoky delivery that chews up scenery like a master actor. Blended reverb and echo makes the guitar build tension that pulls you into the moment. Paint a picture in your mind with this record. Another Cold Transmission band.
Danny Blu – The Pale Horse – Crackling energy and neck grabbing hooks from NYC. Personal soul threaded into club kid sleek trance. This record is everything cool I want to give off. The smoky saxophone trills add a beautiful contrast note. The cadence they lyrics are delivered with are an extra percussion and rhythm. It leaves me longing for more.
Elz and the Cult – Bloodlines – Elz is one of those beautiful and unique humans that takes their internal light and bleeds it into every track they make. It has such a genuine and soulful flavor which modern darkpop is so hungry for. It is a record of personal intensity that stands out in the landscape. A true gamechanger record that everyone should experience. On Cold Transmission Music.
Korine – The Night We Raise – Philly based band that is taking the scene by storm for good reason. They have such a glamourous beauty. While the lyrics are full of edge and venom. They truly have mastered the idea of taking two things you wouldn’t think would make sense together and then synthesizing it perfectly. It’s elegant, profound, and makes you feel like you are on the inside of secret. Also it has that glorious shake that ass factor. You will dance to this record all night long. On Born Loser Records now.
Panic Priest – Second Seduction – Chicago based Jack Armondo finds himself once again on my albums of the year. This sophomore album uses his rich and powerful baritone to great effect but softens the edges of the guitars in the first album. Putting the synths forward really captures the neon industrial aspects of his city. I love the way he captured the concept of isolation in the middle of a populated concrete jungle that became so relevant to us all in 2020. An impressive offering both in connection and execution on Negative Gain Records.
Soft Kill – Dead Kids R.I.P. City – Portland postwave glory with gorgeous and rich vocals and rainy flowing waves of synth sound. This record is so efficient and full of intention. This is one of those records it’s never a bad time for. It has that voice of a generation The Smiths sound but with a speed and energy of the modern era.
Idles – Ultra Mono – I love this album for the punk side of post punk. It’s intelligent, political, smash your fucking teeth in complex blasting rock. It has the true core of Fugazi. I wasn’t quite sure where to put this under but it belongs on some list.
Kiss of the Whip – We’re Not Here – Baltimore is doing some amazing things in the current scene and KOTW are near the top of that list. There is an amazing feeling when someone has such a wizardry of an instrument that it transcends and lefts everything in the song around it. That’s how I feel when Tristan Victor plays keyboards. The wide open textures and landscapes that flow through your mind at razor speed. His melodic whisper growl vocals really draw you in and let those complex synth changes do their work. I continue to be impressed with every new growth.
Spectres – Nostalgia – Sometimes I want a record that really pushes the edges of a genre. Sometimes I take comfort in bands that do a familiar sound with perfect execution. This album is so full of feelings that transport me back. Each song is original and new but the pallet of colors is brilliant with New Order, The Smiths, Echo and the Bunnymen. The heartfelt homage to the music I grew up on cleaned and washed and sent straight to my heartstrings.
Loveblind – Sleeping Visions – What happens when a traditionally shoegaze label like Saint Marie Records puts together a superband of Shoegaze talent to make a darkpop album. In this case what happens is one of the most textural beautiful records of the year. Dorian Electique has a stunning and haunting vocal quality that floats on the waves of slushy wave crash guitars and striking drum beats. Every time I play this record I picture silk scarves flowing in my wake. it just makes life a little more beautiful.
Black Nail Caberet – God’s Verging On Sanity – This band from Hungary has been on my constant playlist. They had an album in my top list of 2019 as well. I love that they don’t sit idle and instead explore a new aspect of darkpop. Emese has a remarkable strength and depth to her voice that reminds me of Annie Lennox. The dance beats are a force to be reckoned with and are like a shot of energy in the arm. When I need to find a little something extra within myself this is the record I reach for.
Algiers – There is No Year– If you have never witnessed Algiers live, once the world reopens that should be the top of your to do list. They are the best live show I have seen in the past 20 years. It’s breathtaking to behold. They are another band hard to put in a box in the most amazing away. Notes of Motown/Gospel/Post Punk/Electronica. It’s all thrown in the blender and spun to a smooth creamy glory. The lyrics are poignant, fresh, and delivered with a voice sorely lacking in this scene. This record is such an up and down journey through culture, injustice, and personal revelation. I really can’t stress the importance of this band enough.
Then Comes Silence – Machine – Swedish based dark rockers put out this album in March and I listened to it many times in it’s entirety. The single We Lose the Night is such a perfect jam it has to be my most earworm song of the year. Just walking through the world I found it constantly popping into my head. This record has what I think of as true Post Punk vibes. The bass is thunderous and driving. Vocals are enchanting and full of warm and captivating feeling. Also the track Ritual feat: Karolina Engdahl is a perfect duet to blend beauty and razor cuts. I was an instant fan for life.
Bootblacks – Thin Skies – NYC post punk stars took a giant leap forward in their evolution for this album. It truly takes it’s own life and direction. Adding on Jason Corbett (Actors) to chisel and magnify a sound that already had such a unique and dangerous flavor. It is sleek, mysterious, and is my number one soundtrack if I ever pull an elaborate jewel heist and car chase in the heart of New York City. I think the most magnificent part of this album is that it really took “Post Punk” someplace new. It’s easy to get hung up on nostalgia, and there is some of that here. There is also a sound so sensual and fresh. I can just smell the musk of this album. You need to feel it on your skin.
Empathy Test – Monsters – This album was my most played on bandcamp this year. I just couldn’t stop coming back to it. It holds a beauty and quality that touches on so many genres. It’s personal and full of imagery that transports you into a movie. Isaac has one of those once in a generation voices that speaks right to your heart. This record just struck a chord inside me like the first time I heard RadioheadThe Bends. That feeling of dramatic intensity that makes me think of youth while the refined craftsmanship spoke to my changed perspective. This is a young band, and their potential to grow and make art on another level seems limitless.
So dark music/goth has always run a parallel for with me Romanticism. Love, loss, passion, distance, these ideas that Robert Smith perfected and were such a intimate part of that original concept. Then as the scene evolved and became broader the norm stretched further from that idea. Today as the wind is chill and the leaves have abandoned the trees I am thinking about bands that are still pluming the depths of this idea. As a song writer the most difficult thing for me to write is a genuine love song, that captures the feeling but doesn’t step over into cheese. I tried to come up with examples of releases I have not previously discussed on the page.
A Covenant of Thorns: Black – I have been waiting on this release for a long time. It’s what inspired me to write this piece. Scott-David Allen is a true master of this idea. He has been making songs of heart rending sadness and beauty for decades. I can honestly say this is an opus. The best I have heard yet. The production level here is next level with it’s Depeche Mode level darkpop and his amazing voice pushed to the front where it conveys a delicate yearning and sadness which is lost in the modern era. The whole record is a pilgrimage to the top of a mountain where he offers up his heart like a saint to the object of his love. The passion and idea are so raw but the mixing and song writing is done with a craft that shows the dedication such a personal offering deserves. YOU NEED THIS RECORD! (He screams from the rooftops)
but Numb – A gorgeous synthwave love poem full of hope and expression
Signs of Life – Damn it is hard to pick but this track is so crispy. Allen’s voice is everywhere on this one. The feeling cuts to deep and love lies at your feet. The chorus just opens up like a bird flying over the sea. It’s so bright and dark at the same time in perfect balance.
Choke – This one has a little more edge and sinister to it, but it is still yearning. Because sometimes a little kink can still be romantic.
Creux Lies : Blue – New single out from Sacramento’s favorite dark dreamers has thundering drums to drive is golden thread poetry. It’s a thicker richer sound than phenomenal 2018 release “The Hearth“. Ean’s voice is wide as the ocean and and dances on the mist. It’s really hard to capture the range and beauty of Ian McCulloch (Echo and the Bunnymen) but I feel like that is exactly what happens. My secret favorite part is the outro with old school lofi keyboards. I need a whole hell of a lot more of this and I need it now!
Twin Tribes (Cult of Alia Remix) : Perdidos – Twin Tribes has mastered the post punk passion and sultry beauty of bands like The Cure. This latest remix by Cult of Alia is a softer more subtitle ghostly whisper tantalizing love lost beyond the void. the pulsing keyboard rhythms take the place of driving bass and conjure images of haunted towers. I’m so hungry for another Twin Tribes album, but this was a welcome repose.
Selofan: Partners in Hell – This gorgeous Greek darkwave really deserves it’s own full review. I am embarrassed to say I have not written a review of them yet and they really deserve it. Per the theme I am going to focus on the track “There Must Be Somebody“. Driving mod synth tones flow down a moonlit river while a women in white calls forth with longing. This is beauty and horror blended together in true gothic fashion. Joanna Pavlidou’s voice is heavy with heart and touches you with icy clarity. Pavlidis’s basslines and chorus of synthesizers create a water color image of stormy regret and movement. Why have I not spent more time with this band?
Mortal Boy: Chronoception – LA darkwave band which is beautiful as it is intense. I love the Richard Butler flavor to the vocals. The star strike guitars really add a wonderful contrast to the darkwave style. This is definitely music full of plum red wines and flickering candles. It drips of both passion and loss. Favorite track “Kiss Me Poison” which combines all the best parts of the vocals and woven tapestry. If you have a special goth partner in your life, this is the music they want to hear as you bring out a romantic dinner.
The Secret French Postcards: Colours – New Cold Transmission Music release from Sweden. I love the post punk feel and organic drum sounds that add clarity and precision to this droning croon. This album is the moment in the movie where the protagonist looks across a crowded club and locks eyes with their soulmate. Olli’s vocals are drenched in warm and earnest love. Offset by resonating guitar lines and keyboard cascades by (IAMTHESHADOW) Pedro Code. It’s feels modern and fresh while the melodic vocal chant reminds me of Steve Kilbey (The Church). This is a band I keep feeling grow with every release. This one is out on 12/11/20 and preorder is available now.
Lust For Youth: Lust For Youth – Self titled album from the Danish synthpop band giving huge New Order vibes, which is never a bad thing. This record feels like staring at the sky while rain falls down. It’s cool, it’s stark, and it reminds you why you want to keep hoping for more. I was two tracks in and I’m already a believer. They aren’t reinventing the wheel here, but they are doing something familiar very well. A dark tone while centering in on lyrical hope. My favorite track was “Great Concerns“. This album was a journey of connection and the power of the human experience.
Korine: The Night We Raise – I have been deeply in love with this band since Twin Tribes played them for me on our podcast. From Philly this band is glorious dark dream slush with encompassing vocals and swirling synths. This new album from Sept took another step forward in production and clarity. It also has a razor fang edge to the beauty of the music. Sometimes love bites hard and while wrapped in a velvet glove of tone Korine cuts you to the quick. This is a record you really need to spend the extra moment with and peal back the layers. The cotton candy sweet on your tongue is truly just the first layer.
So the other day I posed a challenge on Facebook to send me a band you are loving that you are not in. You did not disappoint! So I will fire through a bunch of quick shot reviews sent to me by our readers! Music for the people!!! Remember tomorrow Bandcamp waves their fees and gives all revenue to artists.
Bootblacks – Traveling Light – Ok this is my personal pick, new single drops tomorrow. I have been eagerly anticipating this album for so long. Produced by Jason Corbett of ACTORS this whole album is a game changer. I will be pre-ordering on vinyl immediately. This is the sound you have always heard in your minds soundtrack. Panther’s voice is let off the chain and the effect is engulfing. This first single feels like The Happy Mondays on Adrenochrome.
L’Avenir – Requiem – Not a new release but a great one. Suggested by my friend Michelle Shaw. Lovely buzzing synth textures from Barcelona. This album had a really cool Ultravox vibe. Not a comparison I use loosely. Beautiful, murky, full of secrets.
Flesh Fiends – Bleed For Love – Scorching single from Kansas City from my friend Mason Monigold. I was an instant fan from the gate. The name is a great alliteration. Plus they are a band that seems to put the character in their sound. It is spooky chained to the wall sexy raunchy ghoul synth. Love the concept, love the execution, this will get bought.
We Are Parasols – Orphaned – This recommendation from Chase Dobson who knows electronic music as well as anyone I can name. This is a beautiful dripping slush of dark pastels. An instrumental movie sound track for that moment of introspection before a protagonist stands up and dusts themselves off. We could definitely use some of that in these times.
Korine – The Night We Raise – So this was a recommendation from Karl of Antipole. If i had to choose one band that other great bands I love recommend the most it is Korine. The album pre-order is up but one single is out now called Fate. Such gorgeous streaming ribbons that wrap around your arms and legs and make you dance with reckless abandon. Seriously if you are not in the know about this band buy the whole catalog. Will not disappoint.
Black Angel – ANIMAL – Uk goth stars dropped this single in June. It’s everything you loved about old dance club goth of The Mission/Sisters of Mercy. Pulverizing bass lines and resonant vocals. Hooks and builds to spin you around while opium incense burns.
Rotersand – How Do You Feel Today? – Recommendation from Dana Leigh Cooper. Another great Philly band that cuts the edge between traditional goth rock and darkwave. I love the barb wire beauty of the vocals. A lot of range in styles and infectious energy. Every song I hear makes me fall further in love.
Malefixio – Culto a lo Invisible – Recommendation from Fernando Altonaga of EhPh. Another band from Barcelona Spain, what is happening in the music scene there? This has a stomping cadence and freaky vibro guitars. The vocals have this delicate lifting version of Lords of Acid. It’s strange, it’s sinister, it’s going in my collection.
CAVALCADE – Sonic Euthanasia – This one comes from Ben Boggs, who is about the only human I take metal recommendations from. It’s big, loud and nasty. I really like the balance though. It’s not just a napalm wall of sound with throw up vocals. The twisted goblin screaming away can be understood and those chunky guitar riffs are axe trigonometry.
Arya Zappa – Dark Windows – From Damien Moyal (Damien Done) this German shadowpop is like a slow drink of whiskey. It’s smokey and smooth and warms my insides. Full length album just released in June. I really like the poetry of the lyrics too. This one needs a lot more reflection.
Wires & Lights – A Chasm Here And Now – More Berlin goodness recommend by Adrian Auchrome. This is a speed ball spiraling towards you with great post punk tone and crisp drum sound that makes me want to drive fast. I can’t believe I hadn’t heard this, know that I will own it tomorrow.