six Lives

Behind “Six Lives”

Something I love most about interviewing other artists with my cohost melodywhore on Situation 47 is hearing them tell their stories, reaching back to experiences sometimes from their childhood. The details we remember, how we remember them, and how we sometimes as artists weave them into the stories we tell through our craft has always fascinated me.

Having worked with Dogtablet several times prior, I was thrilled to do so again on “Six Lives”. The project sounded intriguing – both the concept of the featured vocalists all having a story to tell, and being able to tell mine.  So, upon hearing everyone else’s tales, naturally I had to know what was behind them. 

Marselle Hodges (The Blue Hour)

Music | The Blue Hour (bandcamp.com)

“All Fall Down”

Upon hearing the creaking sound in the music Martin had given to her, Marselle was reminded of a swing set, which in turn made her think of how much she loved swing sets as a child. “I would reach out with my feet trying to get as high as I could. This one time, I got so high I felt like I was flying! I jumped off feeling like the momentum would carry me through the air. But I didn’t land so gracefully.” She thankfully escaped serious injury and was left with a scar on her forehead.

“But even though it was painful and left a scar, I still would reach as high as I could. Again and again and again.”
“Metaphor? Maybe”

Swing sets behind her perhaps, Marselle still flies in her dreams.

https://thebluehour.bandcamp.com

Jane Jensen

Tinted Windows

“This song came to me from Dogtablet at the perfect time, to allow me to express some dark and uncomfortable feelings. I don’t do much of that in my day-to-day life so music is my safe space for everything in my life that breaks, to just live in peace, in a broken way”.

“Also, the tone of Martin’s tracks felt darkly unsettling under a sheen of smooth listenability, which reminded me of the Netflix series YOU, about a stalker, which my daughter and I had been binging”.

Jane took traces of her own experiences and, “shellacked them onto an ill-intentioned stalker and set the scene in my beloved and trusty black Cadillac, my other safe space, whose windows I recently had tinted.”

Asked about those personal experiences to which she refers, she recounted two terrifying situations from her past which happened around the same time. One involving “disturbing letters from a prison inmate who was a fan of Tromeo & Juliet” when she was a young mom.  

The other being a home invasion where she was held at gunpoint.

 “I had a show that week. We were raising funds for the democratic party, for Obama – in Indianapolis. I was playing with The Born Again Floozies. I got through the show, but that was my last show for, well – since 2008 I guess.” Leaving that all behind her now, she very much looks forward to her upcoming show in September with Paul Barker, her very first show since.

https://janejensenmusic.bandcamp.com

Betty X

In the Night

Fascinated by clone stories such as those in the TV series “Orphan Black”, Cronenberg fan Betty X took her inspiration from one of his movies which featured clones in a very unique way.

“The inspiration for ‘In the Night‘ comes from the unsettling allure of Cronenberg’s Infinity Pool—a descent into a world where one is seduced by the intoxicating pull of hedonistic orgies… with their own clones.”

“Someone like you, someone like me… In the night, we’re tangled in desire”

https://bettyx.bandcamp.com

Jennie Bellestar (The Bellestars)

“Stay Away”

This track featuring Jennie Bellestar describes the unexpected consequences to selling ones soul…”you signed the deal and lost control…”

The story as she describes it – “In the pursuit of fame and fortune Sandy is presented with a choice. Sign the deal and you will have riches beyond your wildest dreams, by not signing you will be destined to remain invisible in the industry you have always dreamt of being part of.

After succumbing to temptation, she realized soon after that there were stipulations to the deal, once signed she would never own her soul again. For her there could be no turning back and though the fame and fortune was everything she had wished for, it pales in comparison to simply having the freedom to be herself. By signing the deal, she unwittingly became a slave without a voice. Rubbing shoulders with people she really did not resonate with.”

Sapphira Vee

“The Red Tile”

When I was a kid in school, I was given one of those tests where you answer a bunch of questions about yourself and then they tell you what careers might suit you when you grow up.

Mine came back “Private Investigator”, (not hard to believe if you know me and my insatiable curiosity) which, in my child’s mind, translated somehow to “Spy”.  And I’ve been intrigued with the thought of being a spy ever since.

The Red Tile” gives you a peek into a day in the life of an agent, who undergoes an unsettling debriefing, which includes getting drugged, then getting reassigned.  All in a room with hideous “what IS this place and who decorates this way” red tile, to the sound of water dripping. Once the deal is made, off she goes for another adventure.

https://sapphiravee.bandcamp.com

Coral Scere (Scere)

“Blood Moon”

“Blood moon…Unfold and swallow me”

Says Coral, “I find Martin’s music so haunting and evocative that everything seems to flow naturally through me.”  She immediately finds inspiration for melody and lyrics when working with specific artists including Martin, “as there is something in their music that I emotionally connect with.”

“Blood Moon” is “essentially a selenophile praying to the moon for forgiveness and comfort.” She believes that we are “all impacted in some way by both the moon and the tides.”

https://scere.bandcamp.com

Martin King

And finally, Martin King’s inspiration behind putting these six tales together:

“It really started while listening to Betty X on a track called The Velvet Mind, I’d been wanting to write something for her to include on a Dogtablet project for a while, and it really put me in a Twin Peaks kind of place.

I thought it might be cool to write a series of tracks that were like musical versions of 50s / 60s film vignettes. Short stories that appeared important to the narrator either fiction or non-fiction. Then really it made sense to have an all-female cast to make a more natural thread throughout the project. The music was to become the story background and the vocal, the focus point. I’m amazed at how brilliantly it all came together, and with almost zero guidance or input from me, all the tracks started to come together exactly as I imagined.”

Six artists.

Six stories.

Six Lives.

https://dogtablet.bandcamp.com/album/six-lives

By Sapphiria Vee (Situation 47)

Review: Still Life in Polaroids (A Tribute to the works of Japan and Beyond)

In 1974 in Catford, South London Dave Sylvian, Mick Karn, and Steve Jansen formed a GlamProg band which would have some commercial success. The true impact was the influence they would have on future generations of complex and emotive artists. Along with fellow pioneers like The Velvet Underground, New York Dolls, Roxy Music, they challenged the boundaries of the time and continues to impact alternative voices today.

Coitus Interruptus Productions well known for creating tribute albums to highlight the best in new Darkscene music has released this latest offering with the assistance of Yvette Winkler of Vaselyne. Assembling a great production team of Jasyn Bangert (Mastering) Greg Rolfes (Artwork) the team at CI has compiled an amazing list of talent to pay homage to one of the most underrated bands of the past 50 years.

Still Life in Polaroids (A Tribute to the works of Japan and Beyond) | Coitus Interruptus Productions (bandcamp.com)

.Ashes of Youth – His Box 04:16
2.Attasalina – Blackwater 04:55
3.Blackcarburning – The Other Side of Life 04:35
4.Brian Hodges & Pieter Nooten (feat. Marselle Hodges) – Let The Happiness In 05:45
5.CODENAME: LOLA – Canton 05:25
6.C Z A R I N A – Halloween 04:38
7.David Scott Keller – God Man 03:15
8.Dogtablet – Despair (Ft Marselle Hodges) 04:33
9.Dreamscape Invocation – World Citizen (I Won’t Be Disappointed) 06:47
10.G.W . Childs IV – Gentlemen Take Polaroids 04:39
11.Krate – Oil On Canvas 03:41
12.Melodywhore – Ghosts 04:25
13.Michael Alan Giller – Closer Than ‘I’ 05:41
14.Pedro Code & Herr G – Methods Of Dance 05:26
15.Pete Burns (Kill Shelter) – Waterfront 03:15
16.Stefano Panunzi & Nicola Lori (feat. Yvette Winkler) – Damage 03:32
17.Tenderlash – Life In Tokyo 04:07
18.Tearing The Blackbox (feat Yvette Winkler) – Back In The Beginning 06:05
19.The Blue Hour – Nightporter 05:44
20.The Essence – Quiet Life 04:26
21.Tom Berger (Johnny Tupolev) – Visions of China 04:03
22.Unwoman – Darkest Dreaming 04:03
23.Vaselyne – Riverman 05:19
24.White Rose Transmission – Transmission 03:00

24 tracks on multiple labels all with a passion for Japan. With so many great takes I won’t be able to cover each one. I will try and give some quick impressions on as many as I can. This whole release is brimming over with friends and favorites. If you know and love Japan, this is a wonderful way to rediscover songs you love. if you don’t know them, find some of your favorite covers, then look up the originals. You will not be disappointed.

Brian Hodges & Pieter Nooten (feat. Marselle Hodges)Let The Happiness In – originally a Mick Carns solo album track from “Dreams Of Reason Produce Monsters“. Marselle has one of those voices you can get lost in, gentle and wispy. Holding the power to erode stones over time. The Seattle artists fully embrace the streaking grey beauty of Sylvian’s original delivery. This isn’t a cover, it is a love letter.

Music | The Blue Hour (bandcamp.com)

Dogtablet Ft Marselle HodgesDespair – Industrial legend Martin King also adds Marselle on vocals on this haunting cover that adds a brighter more resonant piano. The percussion is a gentle heartbeat underneath the streets of Paris in a smokey artist cafe. I love the addition of phosphorous glow to the existential dread. I will say I miss the amazing sax solo from the original, but I want sax solos in every song.

Black Space Dust & Memories | Dogtablet (bandcamp.com)

G.W. Childs IVGentlemen Take Polaroids – My dear friend G.W. covering probably my all time favorite Japan track. A single that hit number 60 in the Uk charts in 1980. The original really showed the Brian Eno influence with it’s funky sensuality. G.W. keeps the funk, punches the vocals forward with Pet Shop Boys sass and spices up the dance beats. This is a perfect cover for roller disco lovers spinning hands locked gazing into each others eyes.

You Don’t Know | G.W. Childs IV (bandcamp.com)

melodywhoreGhosts – Steller cover for Texas electronica songsmith and remix master. Released in 1981 and probably their best-known hit, this dreamy ballad where Sylvian really unburdens his soul. James opens with these giant pillar synths and really captures the despair of the original. Wonderful harp plucking effect to take place of the marimba. This was a true exercise in method acting, it really gets in the head space of Sylvian’s composition.

Love Will Tear Us Apart | melodywhore & The Joker Project | melodywhore (bandcamp.com)

Pedro Code & Herr GMethods Of Dance – Two amazing talents from Portugal team up to cover another track from “Gentlemen Take Polaroids”. This song features my favorite drum performance from Steve Jansen. A bold change to reimagine it as an electronic dark dance floor driver. Pedro’s voice is always exquisite and goes towards the top of the register in parts. They really change the focus of the track and make it their own.

Music | IAMTHESHADOW (bandcamp.com)

Pete Burns (Kill Shelter)Waterfront – I believe this track was a David Sylvian solo song. Beautiful Blue collar dockworker ballad. Sylvian really channeled his gruffer edge for this. Pete, who I know is an enormous Japan fan piles on a further gently plucked blues tone on the guitar and a fading town anguished delivery on vocals. I was almost scared to hear this one because the original is so amazing, but of course Pete absolutely crushed it.

The Sex Tape Sessions EP | Kill Shelter & Death Loves Veronica | Kill Shelter (bandcamp.com)

TenderlashLife In Tokyo – 1979 release that definitely had a disco glam feel that became a hit on the singles chart in 1982. The NC darkwave band adds in a beautiful New Order synth swell to accompany Candy’s beautiful wispy croon. I really like the megaphone voiceover on the breakdown. They prove this could have been just as big a hit in the 90s alt rock riot girl scene.

Hold Still | Tenderlash (bandcamp.com)

Tearing The Blackbox (feat Yvette Winkler)Back In The Beginning – A team up from Netherlands, this track really hit me with the jazz walking Mick Karn basslines I’ve been waiting for. It’s surreal and engaging with a wicked guitar solo backed by Yvette’s swelling chant. A perfect homage to the precise chaos that is Japan.

Now | Tearing The BlackBox (bandcamp.com)

UnwomanDarkest Dreaming – Another Dave Sylvian solo album track. This one is a gentle introspective stargazing dream. Erica of Unwoman, who always brings an original spin and quality to their covers stretches out the time as the bow slides across strings. Powerful organic tendrils of sound paint a road for their soulful vibrato and layered nuance. I fell into this track like a baby in arms.

Music | Unwoman (bandcamp.com)

VaselyneRiverman – This was a Sylvian + Robert Fripp team up. One of those epically weird and expansive songs with world beat psychedelic flavor. Covered by the Dutch band including Yvette who helped put the whole project together. I absolutely loved this rendition with all the organic movement and Yvette’s warm whiskey vocals. The guitar leads crackle with life and plunge in and out of the water. Definitely a stand out track on a record full of them.

Under Your Skin | Vaselyne (bandcamp.com)

Coitus Interruptus Productions from Seattle has another home run here. I love the way they are creating a bridge between the past and future of this scene. Highly recommend checking some of their other tribute albums to Chameleons, Killing Joke, Coil, Psychedelic Furs, and more. I didn’t get to touch on every band here, but they are all worth checking out. Artwork by Greg Rolfes. Mastering by Jason Bangert