Cold Waves Preview Night 2

COLD WAVES is a celebration of Chicago’s relationship with industrial music, the memory of a fallen brother, and a fundraiser for suicide prevention charities. In the summer of 2012, Chicago lost one of its most loved and respected sound engineers and musicians, Jamie Duffy. His work ethic and ingenuity in the local music scene was a gift to many musicians. His abrupt passing had a profound effect on the electronic and metal music communities he meant so much to.

Friday night preview ! This is a stacked bill and I will do a quick hit on some of the amazing talent you will see 🙂

Pixel Grip – Chicago natives that look and sound way too cool for their own good. An effortless euro dance vibe with shadow weaver vocals and staccato cadence. When you need to channel the confidence of your look and follow the beat to the dance floor this is your jam. The perfect build to set the tone.

https://pixelgrip.bandcamp.com/album/arena

Odonis Odonis – Toronto danger trance bring a circulatory pumping drive and britpop beauty sure to shred the floor. I love the way they push the wave right to the edge without cascading over. Real masters of the electronic hook in the vibe of Information Society . I hear so much familiar here and creeping dark dissonance that adds a forceful infusion of soul.

https://odonisodonis.bandcamp.com/

Gost – Now it says they are from Hell Michigan, but if that is true why don’t I know them? I didn’t know anything going in but I assure you I am diving deep now. This Satanic darksynth is absolute hellfire. It explodes with bright thick streams of magma and clever samples. I love finding a band and immediately falling in love. Songs to exorcise demons, and then befriend them. Bringing a iron bulldozer of metal into the synth genre.

https://gost1980s.bandcamp.com/

Rhys Fulber – The legendary electronic artist best known for his work with Front Line Assembly and Delirium. I grew up enthralled by the scalding power Rhys brings to electronic atmospheres. The master of conjuring robotic overthrow apocalypse to life. Perhaps his greatest aspect is the craft of collaboration. In a long and storied career working with so many great artists to always find a way to shine forth the best in others. This is not the time for a bathroom break. Absorb the glorious energy of one of the best that ever was.

https://sonicgroove.bandcamp.com/album/your-dystopia-my-utopia-sglp04

Dälek – New Jersey trip hop cityscape sonic painters create a landscape of subtilty with brush work percussion and smooth as butter rhymes. A synthesis of beauty and power. East coast intellectual truth spit to mental elevation. An outstanding addition that speaks to the eclectic nature and scope of this festival. Feel the room jump, feel the beats bump.

https://dalek.bandcamp.com/album/meditations-no-7

Consolidated – This is a band that was extremely important to me in my formative years. That they are playing this show in this moment when their progressive ideals and punk rock ethos are needed most. They have been fearlessly screaming for a change which was so far ahead of it’s time. Funky jazz chaos electronic with intelligent and powerful delivery. A thoughtful and focused fire that stirs the mind as much as the body. What a way to close out Friday night.

https://consolidated.bandcamp.com/album/were-already-there

Smart Bar features an amazing after party spun by no less than Paul Barker (Ministry) , Chicago electronic band Acucrack, and our dear friend Matt Fanale (Caustic/Klack/Daddybear)

https://daddybear.bandcamp.com/album/science-fiction-addendum

When you are done with all that pop across the street to Wrigleyville Dogs for the real deal.

Who is the Next Wave of Industrial/EDM Making My Gears Turn and Glitch

In my youth I didn’t really have a punk rock phase. My angry phase was Industrial. Ministry, NIN, Skinny Puppy, Test Dept, KMFDM, Die Warsaw, Lord of Acid, Neubauten, Front Line Assembly, Front 242, Leatherstrip, Chemlab, were the fiery steam fire oily sounds that spoke to my soul. As time went on my anger and napalm softened and I moved away from this soul. In the past few years I have found myself rediscovering and broader and more intricate hard electronic sound. Here are some of the echoing booms filling my warehouse.

SpankTheNun: The Texas industrial sensation from Eric Hanes is bringing Industrial back to it’s early core. It’s catchy and dancy, with steel jaws of metal drive guitars and distorted growl. I love the clarity achieved through modern tech that takes the early feel and refines it into the modern expectation of laser focus. The new album out “The Bunker Tapes volume 1” is a perfect homage to the past with a fresh hypersonic spin.

https://spankthenun.bandcamp.com/album/the-bunker-tapes-vol-i

Stoneburner: Steven Archer of Ego Likeness started the project of to express a different aspect of his music. This is truly taking the concept of Industrial music into a higher form of evolving art. It’s high concept sci fi with tribal organic drum beats and lyrical poetry that pushes the boundaries of the human experience. The albums are ever evolving and are done with a vision. He also is a master of interactive experience and blending of visual and sonic art. Truly breaking ground for a new concept.

https://stoneburnerofficial.bandcamp.com/album/beauty-is-terror

GoFight: It’s hard to think of Jim Marcus as “new” Industrial. Die Warsaw was one of those early bands that taught me the idea of Industrial music could mean something more than macho angry aggression. A beauty and subtlety that made me dance and sing along with glorious pop hooks while maintaining that furious grinding filth. Jim continues to write songs that capture the mind and infuse the body with buzzing chemical energy. A relatable idea with sharp edges and teeth. One of those beautiful ideas that blends accessibility with higher thought. Jim has always been the cutting edge of Chicago Industrial and has not missed a beat. New single out Freestate is another masterpiece of technique and torr ant.

https://gofight.bandcamp.com/

I Ya Toyah: The one woman army from Chicago is a explosion of energy, love, and pain. It’s has a soul that really sets it apart from a lot of the genre. Ania has a voice and song writing style that captivates with it’s power and passion. The songs move with intention and the lyrics have a personal flavor that makes you a part of them. The live stage show is truly something to behold. She is a voice for the future of what electronic music is capable of.

https://iyatoyah.bandcamp.com/album/code-blue-album

The Joy Thieves: Another Chicago band ( A Lot of good Industrial came from Chicago). This one a super band helmed by Dan Milligan has brought amazing talents from several Industrial mainstays to ride that line between hard rock and industrial. I once describes them as Clutch beating the shit our of Stabbing Westward with a baseball bat. It’s furious aggression, blistering guitar work, progressive percussion, and napalm vocals. It’s a compilation of talent to rival bands like Pigface with it’s own organic concept.

https://thejoythieves.bandcamp.com/

Fee Lion: Another Chicago act with more smooth cold blue edges. A powerful and sensual voice with distinctive electronic dance club explosions. Very avant garde and and invasive. A true master class in how to use push pull dynamics to pull in your audience. Only a few releases so far but already setting the stage for a power player in the genre.

https://feelion.bandcamp.com/track/baby

Klack: Madison WI collaboration between Matt Fanale (Caustic) and Eric Oehler (Null Device) have formed up to make EDM for a new generation. It’s clever, conscience, and shoots a bolt of electricity into your spine that shakes that ass. The vocals are the perfect blend of both talents that brings the revolution and makes it fun. It’s an iron gauntlet in a velvet glove. Get Klacked and stay Klacked.

https://klack.bandcamp.com/album/two-minute-warning

Moris Blak: Boston MA, Hard EDM industrial is not here to take you gently into emersion. It is fierce and limb flinging excitement adrenochrome shot into your mind and designed to make you let go of all control. He also does some intense remixes and mind bending live shows. This is not a throwback sound. It is straight alien brain melt.

https://morisblak.bandcamp.com/

ESA (Electronic Substance Abuse) – The British master of EDM dance club excitement. When using bass beats like a sonic weapon it is a true challenge to construct ear worm melodies that cut to the forefront. This music is a virus that infiltrates every cell of your being and demands you dance. The newest album “Eat Your Young” also features the amazing Caitlin of the band Corlyx. Immersive filthy grinding dance beats that ride you hard and put you away wet.

https://esangp.bandcamp.com/album/eat-their-young-the-scorn-ep

Curse Mackey: – This is a scene veteran that has been a key member of one of the biggest Industrial bands Pigface. He has recently released his first solo album “Instant Exorcism“. Aside from the amazing vocals and pedigree of this record, I think what really moves me are the thought and poetry of the lyrics. This is truly and out of the box thinking persons Industrial sound. A must have.

https://cursemackeyngp.bandcamp.com/album/instant-exorcism

Silverwalks: Criminally underrated sci-fi electronic backdrop creator from Philly. This new single is “Lantern” is an absolute burner. One of those songs I can’t hit play enough times on. It has a true Gary Numan quality in it’s texture and flow. I loved it so much I had to have an Amaranth remix done. Transport yourself to an alternate sonic reality with this band.

https://silverwalk.bandcamp.com/

Melodywhore: This glorious electronic music wizard has forged really taken the old Industrial concept of collaboration. Blending a softer more passionate dance grime energy. Using a variety of musicians and vocalists. This latest track for BLM charities is beautiful and powerful. Giving voice to rage using an intelligent whisper.

https://melodywhore.bandcamp.com/

DEAD AGENT

Dead Agent is the solo project of Ed Finkler, also known as Funkatron.

Musically it leans more towards the EBM side of the spectrum but manages to do so without feeling like something we`ve heard a thousand times before during the last X amount of years.

While its mainly instrumental there`s heavy use of samples and other sound design techniques to create the illusion of vocals as can be heard on the track “Frentik“.

Ed was once part of the band Cult Of Jester where we saw him in the role of a vocalist fronting an industrial rock band so to see him return to music in such a different yet at the same time familiar manner is definitely interesting. Dead Agent is a project to keep your eyes on going forwards.

DECENT NEWS

From Connecticut we have Decent News who we have featured on the site before in various scenarios. They deliver a refreshing take on the blending on industrial and rock/metal. The guitar work especially stands out from the crowd as one can pick up on some clear early thrash metal influences at times as opposed to what has seemingly become the standard industrial guitar consisting of simply palm muting and tabs that look something like this: 0-000-00-0.

Having carved out their own sound they manage to evolve and progress with each release within the confines of their world which is quite an underappreciated talent.

VANITY KILLS

From the UK comes Vanity Kills delivering some dirty, gritty rock n roll with filthy, dripping electronics sewn in like a patch on a vest.

They wear their influences on their sleeve and take it all the way whether that be sonically or visually, yet also manage to do things their own way and leave an open wound on the otherwise often too mechanical world of industrial rock.

NOTHING VALENTINE

While Darrin Lewis may have spent years as vocalist for the metal/deathcore band Beside The Silence he’s now working under the moniker Nothing Valentine creating what I‘m tempted to call a blend of pop and industrial but still retaining the heavy element of earlier projects.

Debuting with the song #GothGirl almost a year ago, he later followed up with the politically charged track “Civil Unrest” which showed a thematically and in many ways musically heavier side to NV which might not have been according to the audiences expectations after hearing the more light hearted first single but this is exactly why he`s on the list. Expect the unexpected whether it be in terms of music or the overarching themes.

BLAKMOTH

Of course we have to include Blakmoth as we just did an interview with him.

Blakmoth creates what he refers to as “Doombient” consisting of heavy rhythmic drum work and droning ambient soundscapes all created with modular synths.

Having recently signed with Errorgrid Records and with a new release on the way despite having released “Deathshead” only a couple weeks ago Blakmoth is highly productive and is always seeking to push the envelope and challenge the audiences ideas.

I hope that with time well see more modular based artists pop up and break out of lighthearted bleeps and bloops for just a moment to explore the dark side of synthesis that Blakmoths music beckons us towards.

ECHO BEDS

From Denver, Colorado comes the duo known as Echo Beds with amplified oil barrels, broken tapes and generally less than perfect instruments they create noisy yet catchy and often strangely melodic tunes reminiscent of early Swans meets EBM or something along those lines. Visceral yet danceable, not too harsh for the new comers to the experimental part of the industrial genre but just enough to entice you to go deeper and explore a side of it which is often forgotten about these days despite being the source of the genre. This one is truly DIY or die voltage therapy.

CARRION

Industrial Rock isn`t exactly what Norway is known for musically although one might be able to draw comparisons between the early days of industrial and black metal in terms of extremity ,avant garde-esque tendencies and against the grain approach.

Carrion, lead by S&S writer Hide [Adrian Kjøsnes] blends elements of traditional rock n roll with a tad of 90s Nine Inch Nails style steeped in occult philosophy and mysteries.

Having just released the album “Testament Ov The Exiled” now is the perfect time to check them out if you haven’tt already to hear Hides most recent experiment mixing distorted guitars and modular synthesis into a blend of structured yet still chaotic noise and…Power ballads. Yes, you read that right.

MISSFIT TOYS

Having recently released the single “Blithe Din” along with a ton of remixes [Including Dead Agent and Decent News] this Florida based aggrotech band is perfect for those who love catchy synth lines that worms their way into your ear while banshee like vocals speak of biblical themes full of symbolism painstakingly researched for accuracy and adopted to whatever vocalist Richie V. Suriv attempts to express.

Having already built a following within the U.S alternative scene playing with acts like Psyclon Nine, Dope, Skold, Combichrist and more this is not one to miss, oh, and they`ve got their keyboards on a chain swingset 😉

https://missfit-toys.bandcamp.com/album/blithe-din

Zwaremachine: Loud and nasty from Minneapolis, this band is a grinding tidal wave of shrapnel and hiss. It rolls over you in slow driving sludge and flashing lights. Bringing gore and empty warehouse space into stark relief that transports you back to a 90’s rave in Detroit. Join in the chant and leave your inhibitions at the door.

https://zwaremachine.bandcamp.com/album/be-a-light-special-edition

11 Grams: The team up between Rob Early and Simeon Fitzpatrick that cuts the clean razors of electronic science fiction and dance club fury. This is two masters of production riding an electric wave of futuristic beauty and construction. It’s transformative and honed to make rooms sizzle.

https://11grams.bandcamp.com/

StatiqBloom: This New York band is frightening and cold. It’s movement is infectious but the tone is dark. A Sinister horror film brought to life. Definitely EDM dance movement but one that leaves you anxious and clawing at the wall. You can’t sleep because you can’t relax in this terrifying landscape.

https://statiqbloom.bandcamp.com/album/beneath-the-whelm

TH Inc: Chicago, Illinois Hailing from the beating heart of American Industrial music comes the sonic power house TH Inc. Electronic music pioneers Christopher Turner (of Nookleptia and the mixcloud show The Garbageman Show) & Robert Hyman (Drummer of Mr. Russia, member of Melter and owner of Lens Records) first came on the scene with the darkly haunting 8 minute “Drawstring” and the pair continue to dish out fresh dark DIY industrial reminiscent of Throbbing Gristle, Brighter Death Now, and the edgier side of COIL. If you missed out on or just miss the raw paranoid energy of early industrial and noise, but need a taste of something new, look no further. 2020 has seen the Release of 2 albums the gritty pulsing Circuit Flare, and the epic droning of The Tarkovsky Suites.learn more @ thincband.com

Bellhead: Chicago, Illinois Also from the land of WAX TRAX, this 2 Bass & a Drum Machine, Male/Female duo gave us their first taste of their mix of industrial sleaze with the thick dirty sound of “Fire Control“. Bellhead have kept it up with a hand full of releases including the 2020 EP “Unicorn Bones” and the Single “Sanity Assassin” an edgy in you face cover of the Bauhaus song.Keep you eyes on Bellhead, especially if you are a fan of the 90’s industrial rock style of Orgy and Snake River Conspiracy and even later Thrill Kill Kult.

https://bellhead.bandcamp.com/

eHpH: Denver, Colorado By now I am sure you have noticed we here at Sounds and Shadows are fans of eHpH and Bleeding Light Music in general. I feel I cannot say enough about eHpH, they come to the table with a fresh take on EBM and the darker side of synth driven industrial. From track to track you feel something that could have easily hit the dance floors of 90’s/2000’s goth industrial clubs and yet sounds strangely original. eHpH is that seductive dark stuff that draws you into this world.

https://ehph.bandcamp.com/

Stoneburner: Red in Tooth and Claw

This will be my third review of the Steven Archer project Stoneburner. I’m lucky to be in close contact with Steven who is a bit of a pioneer not just in music and art but also in his interaction with fans. When it comes to allowing you an inside glimpse behind the curtain of his artistic process and an active effort to engage with thoughts and questions he sets the standard. As someone who has followed closely the releases of this project I continued to be impressed by the way each offering reveals a new head of this hydra breathing a new kind of energy. Red in Tooth and Claw does this with a rolling thunder of napalm. In parallel to April’s release Massdriver , this EP follows the story of a world destroyer. This time taking the form of an enormous rampaging wolf.

https://stoneburnerofficial.bandcamp.com/

https://www.patreon.com/StevenArcher?fbclid=IwAR12QUNDmWCo6QodsshrlZoXsV-MeYpgsUVpe8ejhSI7KVi8HOHw8YyXCYU

Bandcamp and Patreon links :

This record gets back to the core concept of industrial sound for me. It is heavy breathing machinery powerful and hydraulic. I feel the struggle of two clashing forces. The rampaging fiery beast, and the indomitable will of the modern world. Building sounds and textures on top of each and releasing the tension at that essential moment are trademarks of Stoneburner. I feel the fresh element here is how clean and isolated each of those parts are as they fit into the world that was created. Instead of a blending buzzing chaos, here my ear is drawn to shining aspects, only pulling back to see the whole picture in revealing moments of power. It is music that sounds like my mind would process data.

Sounds and Shadows Podcast with Steven Archer

Red in Tooth and Claw – Open with the teeth and meat. That’s just what this EP does. The creature stalks forward, slow and deliberate. Waiting for the moment to charge. Stevens vocals ring with a clarity until those slashing claws of distortion crush down on concrete and feel the crumbling buildings give way beneath their weight. Just like an attacking animal the onslaught is furious and abrupt drawing back to view the damage.

The Wolf World – Here the beast is running fast, closing the distance, in full flight or fight mode. You can feel the muscles, and sinew expanding and contracting. The wind rushing through fur. The hunger on the breath. The vocals build in chanting cadence with the pounding guitar in a Psalm 69 feel. Unbridled aggression and boundless freedom.

And All Things End – Here the heavy breath of post battle. I see a broken field of bones and ruin. A chance to observe the destruction of a world and the birth of a new one. The simple but powerful beat change really changes the tone and matches the vocals with a more melodic and introspective quality.

My Love is Never Ending – I love the change up to a dance beat feel. Again taking ideas and sounds which are familiar in old school industrial. Just taking that armor plating and giving it spikes and flamethrowers. This song has what i think of as night driving power. That song you put on when you are rolling down Woodwood avenue in Detroit at 1am with the window down feeling the wind hit your face. It’s a drastic break from the other songs on the EP and one that adds a needed contrast. Something to sharpen the other edges.

I’m Not Done – Who is the Alpha? What is made of cloth?
How do you say you’re sorry?
And there’s nothing to be afraid of

This is a cover of Swedish band Fever Ray off their self titled record from 2009. It’s a powerful closer where the drums have an intricate use of sounds that hold melody beyond the percussion. Steven uses a seldom heard vocal style with an almost Peter Gabriel quality. For this in spite of being a cover it ended up being such a powerful track for me.

Original Fever Ray version of I’m Not Done

In closing Stoneburner continues to find a way to make me more of a fan with every release I hear. This is no small feat. At the rate Steven is putting out art and music the true fear is stagnation. So far I see nothing but a boundless energy to charge in new directions at full steam. I feel envious whenever I hear a new Stoneburner release because it seems to never feel like the last offering was enough. Always reading, researching, refining, growing, that hunger inside Steven to find a new story and a better way to feel it never gets quenched. As long as that keeps being true, I will keep telling you that you need to buy this record. You need to buy this record.

A return to the dungeon: Feature article and interview with Mortiis.

Mortiis from Notodden, Norway has been breaking new ground in a variety of dark music genres for a few decades now. Perhaps not with the same name recognition as Ministry, NIN, or Marlyn Manson, but with an amazing staying power and ability to evolve and re-invent their sound towards the cutting edge of new ideas in music. Through all of these incarnations Håvard Ellefsen produced an elaborate and immersive stage experience to tantalize his fans the world over with theatrical concepts ranging from Tolkien’s Fellowship of the Rings to Dante’s Inferno. Collin and I recently had the opportunity to bare witness to his most recent tour in a small “Detroit” (Yes, I’m from there and understand I am using the wider meaning of Detroit) Club and sit down to talk to the man himself. Before we get to the interview I thought we might take you on a journey through the career of this ground breaking artist who helped build the genre of Dungeon Synth. After wading Metal, Indistrial, EDM, and Synthwave, this album/tour takes us back to those roots. Lets follow that journey together.

1993-1999 Era I :

This era was my first delve into dungeon synth. The music was the epic soundtrack through forgotten mountains and lost mines in many a Dungeons and Dragons campaign. The music is sweeping and vast in scope. This first album is just one expansive 54 minute song that twists and turns through shadowy corners and forgotten recesses of the human imagination. Although done on synths, it finds tones and sounds which emulate instruments of history and transport the listener.

 

How does one create this much emotional depth, a feeling of pressure and weight, without vocals or words?Ånden som Gjorde Opprør rolls through ancient carved stone echoing off unseen caverns below. Done with stripped down, minimalist tones and percussion strikes of electronic pads, this record thunders the ground below the ground.

2001 – 2004 – Era II

This incarnation brought forth the untapped glory of Håvard’s vocal talents, blended together with thumping dance beats. They touched on dark themes of fantasy and witchcraft through the lens of Gary Numan synthcore, embracing the visual components of Catholicism and taking on the idea of religious hypocrisy. The choir like chants blend perfectly with the driving melody.

I love this track which took the sound out of the dungeon and into the club. It has a beautiful driving dance beat and quick fire, stabbing synth sounds for a big shake that ass factor. I have smelt that smell before and been lured in by it. Explosive use of the chanting choir balanced with a perfectly synced breakdown. I feel more Carmina Burana than modern dance music in the power and emotional intensity.

2004-2010 – Era III

Era II brought out the grit and fire. This is where Industrial music started to feel it’s flavor fully. The vocals took on a rigid cadence and intensity, adding in more guitar, dark metal, and organic drum sounds. A full band was used to open up the sounds and express the rage from beneath the surface. For as drastic as the change in sound feels, you still hear those elements of epic dungeons ringing. Instead of D & D we are now playing World of Darkness.

Some Kind of Heroin was a wonderful remix album featuring Zombie Girl, PIG, Gothminster, Velvet Acid Christ, Funker Vogt , and  The Kovenant. Such a wide range of talents and styles really showed the impact that Mortiis was having across the board on modern music. It’s full of glorious glitch and throbbing intensity.

2016-Present : Era 0

This builds us towards a violent unleashing of The Great Deceiver. Taken off the leash, the great black dogs of dark metal and machine gun Industrial drum beats unload on unsuspecting listeners. The mask is removed in place of corpse paint, and with that ritual removal comes a terrifying war scream. This album is 100,000 mad orcs charging at a castle wall with no concern of death. Witness me, shiny and chrome.

This brings us full circle back to Spirit of Rebellion just released this month. It is a spiritual and sonic return back to the original dungeon from which Mortiis rose. Back are those larger than life synth pads and orchestral swells,  moving in a structured force of clockwork stones. The vocals are stripped away, replaced by ancient chanting from a nightmare fantasy. Many bands have tried to reinvent themselves, but this journey really shows the courage of an artist who is driven by the direction the muse took them. Mortiis remains always able to find a depth and completion to every tale he dreams. 

Mortiis live at Sanctuary in Detroit 1/26/20

Now that you have a scope of who this artist is, recently Sounds and Shadows had a chance to talk with the man himself. I found him to be humble, funny, honest and passionate about his work. It was a real treat to get to talk with the man behind the mask.

MORTIIS live
European dates
19 Oct (DK) Hotel Cecil, Copenhagen
26 Oct (PL) Klub Scenografia, Lodz
27 Oct (PL) Klub Zascianek, Krakow
02 Nov (NO) Telerock AS, Notodden
16 Nov (IS) Gaukurinn, Reykjavik
14 Dec (NO) Tribute, Sadnes
US tour 2020
24 Jan The Whiskey Junction, Minneapolis (MN)
25 Jan Reggies, Chicago (IL)
26 Jan Civic Music Hall, Toledo (OH)
27 Jan The Masquerade (Purgatory), Atlanta (GA)
28 Jan The Orpheum, Tampa (FL)
30 Jan White Oak Music Hall, Houston (TX)
31 Jan Come and Take it Live!, Austin (TX)
01 Feb Gas Monkey Bar & Grill, Dallas (TX)
02 Feb The Riot Room, Kansas City (MO)
03 Feb Oriental Theatre, Denver (CO)
05 Feb Club Red, Meza (AZ)
06 Feb Brick by brick, San Diego (CA)
07 Feb Catch One (Underground), Los Angeles (CA)
08 Feb DNA Lounge, San Francisco (CA)

https://downloadmusic.mortiis.com/music

http://www.mortiis.com/

http://www.facebook.com/officialmortiis

Sounds and Shadows Podcast #4 Featuring Dan Milligan of The Joy Thieves

https://soundcloud.com/user-616425034/the-joy-thieves-interview

This interview was a wonderful experience. The Joy Thieves are a glorious super band that has put together a who’s who of Chicago Industrial that we strong armed Dan into letting us join during the podcast. He is creating a creative oasis for artists to shine and find a voice. I hope you enjoy listening as much as we enjoyed getting to know him better.

https://drabmajesty.bandcamp.com/

https://hide3.bandcamp.com/

https://iyatoyah.bandcamp.com/

https://adorationdestroyed.bandcamp.com/

https://armalyte.bandcamp.com/album/the-joy-thieves-this-will-kill-that

Take in this freaking line up : Chris Connelly: solo artist. Vocalist for Fini Tribe, Revolting Cocks, Ministry, Pigface, Murder Inc., Damage Manual, Acid Horse, Cocksure, Bells Into Machines, and more. Author. Poet. Joy Thief.

Dave Suycott: former drummer for Stabbing Westward, The Machines of Loving Grace, Spies Who Surf, Razorhouse, Verbow, and more. Joy Thief

Louis Svitek: guitarist for Ministry, Pigface, Mindfunk, Zoetrope, Project 44, and more. Joy Thief.

Ania Tarnowska: one woman industrial army for I Ya Toyah. Dog lover. Joy Thief.

Eric Liljehorn: vocalist for Ravens and In Europe Without a Jacket. Joy Thief.

Mike Reidy: vocalist/programmer for Chicago industrial rock band, Worm (The World Organization of the Righteous Movement). Vocalist for Now I’m Nothing. Joy Thief.

Matthew Clark: guitarist/vocalist for Mary’s Window. Joy Thief.

James Scott: bassist/vocalist for She Rides Tigers and Matthew. Owner and engineer at Populist Recording Studio. Joy Thief.

Dan Milligan: producer, drummer, and songwriter for Drownbeat. Drummer/programmer for Mary’s Window. Joy Thief.

Michael Allen Gould: vocalist for Spyderbone. Vinyl enthusiast. Joy Thief.

John Fryer: musician, producer, mixer and remixer for Black Needle Noise, Nine Inch Nails, Depeche Mode, This Mortal Coil, White Zombie, Stabbing Westward, Gravity Kills, Jesus Jones, Silver Ghost Shimmer, Yaz, Peter Murphy, etc. etc. etc. Legend. Joy Thief.

Lana Guerra: one of a kind artist, fashion designer, performer, and owner of CrudeThings.com. Joy Thief.

Gordon Young: guitarist for Children On Stun,Dream Disciples, and too many others to list. Mastering engineer. Sound designer. Writer/producer/arranger/remixer with Gary Numan and members of The Prodigy and Marilyn Manson. Modular synth geek. Joy Thief.

Howie Beno: keyboardist, producer, mixing engineer, and remixer for Ministry, Black Asteroid, Silver Relics, Depeche Mode, The Red Hot Chili Peppers, Mary’s Window, Sheep On Drugs, Skrew, 13MG, Blondie, and many more.

Mike Czarnik: bassist for Mary’s Window. Joy Thief.

Taylor Busby: guitarist/vocalist for Purple. Joy Thief.

Mimi Wallman: singer/vocal architect for ONO, Ampyre, and Host Body. Joy Thief.

Andy Gerold: multi-instrumentalist. Former bassist with Marilyn Manson. Guitarist with Ashes Divide, 16VOLT, There Is No Us, and more. Joy Thief.

Geoff Matson: solo artist. Joy Thief.

Jeff Harris: guitarist for Mary’s Window. Joy Thief.

Matt Mercado: singer/guitarist/songwriter/producer for Mindbomb, Daisy Chain, Supermercado, Pivot Man, and more. Owner of Sonic Palace Recording Studio, Chicago. Joy Thief.

Katzen Hobbes: bassist with The Human Marvels. Sideshow performer at 999 Eyes Freakshow. Joy Thief.

Bradley Bills: drummer/songwriter/leader of Chant. Drummer/percussionist for Evil Mothers. Has played and/or toured with KMFDM, My Life With the Thrill Kill Kult, Skatenigs, Die Krupps, and more. Joy Thief.

Dave Bachta: guitarist/vocalist/songwriter for Lovelies Bleeding. Joy Thief.

Laura Glyda: solo artist. Joy Thief.

Jaysun McBain: vocalist/instrumentalist/songwriter for Murmuur. Joy Thief.

Matt Noveskey: bassist for Blue October. Joy Thief.

Marcus Eliopulos: guitarist for Stabbing Westward. Joy Thief.