Glitter and Grime Make Me Shine, It’s Review Writing Time

Another Wed in mid November and I have the Oscura Festival fast approaching. This may be my last chance until December to write some reviews of the glorious new music that is being released. As always these are darkscene bands that have caught my attention and need to be shared. If you have a release we need to hear hit us up on Sounds and Shadows.

Modal CitizanIdolatry – The lads from Virginia beach have released a new 4 song EP. Have you ever wondered what if NIN “The Downward Spiral” and Clutch engaged in unholy union to spew forth a jagged baseball bat rolled in broken glass and started taking wild swings at an unsuspecting populous sounded like? Now you need not wonder. Horror film builds and chaotic drum beats, thunderous funk metal bass from Sean Waff, and screeching heart string vocals from Ryan Jones. I love the tight turn into electronic dance beats from their November 2020 album “Control Alter Deplete“. They really comprehend the power of dynamic contrast to tell a story. Adam Fueston unleashes slashing electro whip guitars that pick just the right moment to sear their impact. It’s mean, it’s jaded, it’s rowdy.

Favorite Track: Expanse – A true emotional firehose that encapsulates the anger and aggression while baring the quiet emotional turmoil of keyboards and poetry. Jones goes deep into character thrashing and jerking like a person processed by a demon riding a bull.

Previous interview and video Premier

https://modalcitizan.bandcamp.com/album/idolatry

Sapphira VeeBreath of You – I always love a new single from Sapphira, I especially love it when it goes to such an important cause. Cat Hall, a cervical cancer survivor, agreed to collaborate on this single, as well as our good friend Jim Marcus of Go Fight contributing a remix, having lost his mother to cervical cancer. This single is being released in the month of October, in observance of Women’s Cancer Awareness Month. The track also has remixes from frequent contributor Melodywhore, Ratio Strain, and Federico Balducci. Sapphira shows a Cheshire cat grin to her voice. The deep buzzing pad synths move like columns of stone while the chanting words preach a resilience and vulnerability. Each version creates a vastly different tone to the core concept. Another spot on powerful offering blending dancefloor accessibility and personal trauma.

Favorite Track: Breath of You ft. Cat Hall/Dissonance – The blending of two powerful woman producers/vocalists will leave me floored every time. Add onto that the warrior princess delivery and subject matter and you have a cocktail which is smoky, burning, and filled with introspection.

https://sapphiravee.bandcamp.com/

Rohn – LedermanVenus Chariot – My love for Belgian composer extraordinaire Jean-Marc Lederman is deeply known on this page. His previous work includes ( Fad GadgetThe TheGene Loves JezebelThe Weathermen) as well as some of the most thought provoking higher tier concepts in electronica music of the past 5 years. Teaming here with COP International and exceptional producer/Vocalist Emiliegh Rohn of Michigan they blend into a poetic electrified katana of grace and fury. I have spoken of this record in the Sounds and Shadows group but was shocked I had yet to write a formal review. When I hear someone of Jean-Marc’s pedigree say “This might be one of the most important albums I have ever released” it tends to make your ears perk up. This album is full of endless fusion energy both in the intricate hair splitting craft of the music, and Emileigh’s power whisper beauty. it’s the record I reach for whenever I need to force my body into action. A well of strength at your fingertips for these draining times. Greg Rolfes provides cover art to set the tone of this runaway stampede of electronic elegance.

Favorite Tracks:

All The Little Things Left For Dead Go Unsaid (a.k.a. “The River”) – The slow tempo balled rich with waterfall emotion and connecting poetry. This beautiful piano composition with tugs the heart strings. The haunting whisper of vocals that shut out the world. This song has a captivating beauty in the vein of Life On Mars.

Destruction and More – This is a faster paced defiant and layered builder. The music keeps stepping forward a heavy foot at a time through gale winds. Ending in a fist raised chant of war. A true tribute to Athena in it’s brazen energy and feminine power.

https://rohn-lederman.bandcamp.com/?fbclid=IwAR2L63E2Kk3OSqS5V8slCHssyU7pgp1EC1xXafPSpdNN0apSQajJx_y9puI

The Ending NightsA Landscape To Die – Pre-Order available for the newest offering of Pedro Code (IAMTHESHADOW) of Portugal on Cold Transmission Music. A definingly dark apocalyptic disco drive produced and mastered by Pedro for a soul wrenching personal explosion. Jagged glass drenched in rainbow oil and water. How do you take one of the most distinctive voices in modern goth/darkwave when you find a way to make the steaming disco beats the star of the show you have really broken ground. This is a record that creates a world. Grime and desolation, the remaining survivors of a broken world follow the electric pulse of a melody from within. A perfect anthem for these fractured times.

Favorite Track: No Light – Hearing something so melodic and pure as Pedro’s voice swimming through a channel of filth and grit that is beautiful and terrifying. This macbre nightmare of insomnia and slow grinding destruction. Another layer of depth and complexity for a proven talent.

https://theendingnights.bandcamp.com/album/a-landscape-to-die

Curse MackeyLacerations – Brand new single and remixes from legendary Texas Industrial artist Curse Mackey (Pigface, My Life With The Thrill Kill Cult, Evil Mothers). Featuring remixes by  Twin Tribes, Steven Olaf, and Chase Dobson. I love the concept shift from gothic electro ritual on “Instant Exorcism” into nihilism Tokyo drift shadow synthwave. A effortless cool grinding prayer as the world crashes down and leaves you nothing to lose.

https://cursemackeyngp.bandcamp.com/

El Clan Somos Nuestro Peor Miedo – New album from legendary Mexico City dark rockers El Clan. There is something distinctive and powerful with true shadow swirl ritual rock delivered in Spanish. The fluttering trill of the guitar. The heavy strikes on backbeat snares. Gustavo Perez Ramirez has such a unique and dynamic range to his vocals. Rumbling growls, silver shining melodies, and sand swirling blasts of power. El Clan continues to encapsulate a burning flavor and haunting sound that puts them on a pinnacle of Mexican darkscene .

Favorite Track: Dios Universo – The opening light touch driving guitar riff set a tone of danger and action. Gustavo growls out a opening salvo of edge and anger. Then quickly changes lanes to a sorrowful melody. It’s a perfect homage to historical hard rock feel and modern dark progressive.

Black Rose BurningThe Wheel – George Grant of New York has taken an already amazing sound to a completely different level. This new album is progressive, complex, expertly executed emotional darkscene that permeates the skin and resonates in the chest. These vocals harken to a previous time of dripping Peter Gabriel emotion that spiral in crystal facets on top of shifting translucent hooks. It ebbs and flows through a stylistic spectrum and delivers with every memorizing tale. I continue to be blown away by one of the most criminally overlooked master songsmiths of our scene. This is a record that needs mainstream attention.

Favorite Track: An Anthem For The Strange – When the title says anthem, they are not exaggerating. These drums are rolling and trance building. George’s vocals ring through with a clarity and power that convey emotion. A warm and glowing starlight that wraps all of us freaks and outliers together in a sparkling blanket of togetherness.

https://blackroseburning.bandcamp.com/album/the-wheel

An in-depth interview with Modal Citizan

Who is Modal Citizan? Well, they’re a dark, alternative rock group based in Virginia. They recently came out with a new album, titled Control Alter Deplete, which S&S covered in a Bandcamp Friday review. Their members are Adam Fueston on guitar, Shaun Waff on bass, and Ryan Jones on vocals, keyboard, programming, and production.

Time for an interview!

First up, how did this project/group form?

Ryan: Excellent question! It started as an emotional outlet (side project) about two years prior to the band forming. The raw material was shared with various folks. Initially, everything was digital – no live instruments. It was recommended (by some music enthusiasts) to get some raw instruments onto the tracks. People pressed me to do so. So, I made some posts on message boards (Ads).

Ryan: Exactly.

Shaun: saw the posting Ryan had put online and said he was going to contact him and asked if I would be interested and I was thinking hmm 🤔 sure let’s hear what he’s got.. We all got together and had mutual interest and got to work.

Adam: I actually got some tracks and played to one of them and sent it back. Since then we have worked more organically and worked on a lot on the rest of record etc.

The bandcamp page cites “several influences from the 90’s”. What influences, specifically, were these?

Ryan: Adam, Shaun, you guys wanna take that next question?

Shaun: Ryan has crazy ideas for songs and we just keep building from those ideas and voila!

Adam: For me what influences us is so vast and encompasses a ton of different music but we all are def same age and of the era when the downward spiral came out and there was a lot of cross pollination of industrial and rock happening.

Ryan: Yeah. I’d say that, though we have influences from music with which we grew up, we’re definitely our own sound. We strive to break the mold and hold true to our own style.

Oh for sure

Adam: I went to see sister machine gun, KMFDM etc. during that time…Shaun was there most of the time ha ha we went to same school and are both from same town. I agree with Ryan 100 percent on that.

Shaun: There’s allot for me…I love classic rock, old metal, industrial.. Pink Floyd, skinny puppy, in, Chemlab, Tori Amos, ministry, etc.. It’s crazy how I really like allot of genres of music.. But what we create is pretty awesome.

Ryan: I mentioned to the guys, recently, that we have the luxury of being so far removed (years) from those sounds to the point that they’ve morphed into something different inside each of use.

This next one’s a question for the gear nerds out there, but also relevant to your sound. What’s your favorite instrument or piece of hardware you use? If not hardware, digital tools also apply.

Adam: Great way of putting it. I agree as well. As far as what I use with band since I’m the guitarist I’d say my Axe fx and I have an evh guitar that I used for maybe 70 to 80 percent of the album.

Ryan: I mainly use Arturia keyboards and f*ck with sounds all day long to get it to sound as sick/fitting as possible.

Shaun: I play a Strandberg Boden5 and a Warwick Taranis.. Love both basses allot.. Mesa cabs and Dark Glass gear.

Ryan: We’re a Logic Pro X shop

Adam: Yeah we work almost exclusively with logic although we will fuck with anything LOL I have same stuff at home.

Onward! What was the process of creating Control Alter Deplete like? It’s quite an extensive album with impressive mastering/mixing on it as well. How long did it take you, from conception to completion?

Ryan: First off…Thank you for the kind words. Wow. Conception to completion…Alpha to Omega…About a year. What’s quite interesting about that is…We created the Podcast in that stretch. Recorded/Mixed/Mastered and dished it out.

Shaun: 12-14 hour studio days, every weekend at least one day or two.. Lots of beer and chicken wings.

Ryan: Indeed, Shaun

Shaun: A lot of dedication.

Ryan: Yeah. We’re a no-nonsense, professional, respectful shop.

Adam: We def allowed some things to morph and some songs actually started from jams and weird things too so it’s interesting in that there appears to not be a def formula although a lot of songs come from Ryan first. Shaun is telling the truth abt the long hours and chicken wings…a lot of IPAS and dark beer as well 😂

Shaun: You have to love and nurture each song till you think it’s mature for the audience. And mostly we want to capture everything and not miss an idea.

Ryan: Yes! Yes! We create/jam to completion. When that emotion is fully captured (not cutting corners), we know we did it right.

Shaun: Definitely a work shop of ideas and honing

What does the album title mean? It made me think of the phrase “control alt delete”…is it a pun off this?

Ryan: Indeed. Glad you caught it!

Adam: Ryan can elaborate, yes it is.

Ryan: So, there is a correlation drawn between programs and humans / human emotions. I write software professionally (past millennia). So, to answer the question directly. The things we do in this life. Narcissism, hate, sociopathic mindsets…There is a process. Controlling something or someone…Altering it to conform to what you want…Then, the final act… Depletion. It’s quite interesting…The one that is initially in the wrong attempts those things. Then, the wronged, spin right back around and can use the same methods to win. Each element in programming as a similar facet. We create. The construct wrongs us. Then, we turn around and we create other constructs to eradicate those errors.

Shaun: It’s a vicious cycle really

Ryan: Indeed. Ultimately, no one wins. There is no escape. Which is why, on the album, there is emotional turmoil on conflicted feelings.

I like that explanation

Now, on the album art itself. There’s the aggressive insect-like figure, then your logo. Care to elaborate more on the creative direction here? What’s the story behind it.

Ryan: Oh. The Assassin Bug…Adam?

Adam: The album story actually deals with Gods law and the revenant is sent to eradicate sinners…the bug is actually an assassin bug.

Ryan: Yes!

Adam: Which exists to destroy the things that can harm the garden. Which is the purpose of the revenants…what God sends them to do anyway.

Ryan: Shoves that needle deep inside, injects poison, the insides turn to soup, the bug drinks the soup. Adam, exactly. Controls the prey, alters it, depletes it. Prior to the band forming, I saw that bug for the first time on the doorstep of someone that was literally killing me inside. I thought it was an alien or something. I snapped the picture. That exact picture was used on the album art. Everything we do has meaning. If it doesn’t make sense for the project, we toss it out.

Adam: That is true. We made a conscious effort to do songs that are part of the story. And cut a lot of things.

Ryan: We want people to be blown away when they start digging – or, pulling on the string. It keeps going.

Nice. Do you have any material planned for the future?

Shaun: There is still a lot of material in the back log to be worked.. And it’s coming.

Ryan: Future material? Exactly. As Shaun said. That’s an understatement – but true, in the least.

Adam: Seriously we are pretty deep into what will be the next release at some point.

Shaun: And allot of new ideas daily…Ryan has lots of ideas and keeps me and Adam on our toes.

Ryan: All true. I swear I get a new idea in my head a couple times a day. That goes for the music and the Podcast.

What creative direction would you like to explore in the future? Any stylistic exploration, dream collaborations, etc?

Shaun: It’s a crazy building process…

Adam: We feel like we wanna give people a chance to absorb this album so we are spending our time on the new stuff. We want to do some videos etc. for this one …the first of which will be for Crossing Over. Which has been shot and is editing and so forth at the moment.

Ryan: Yeah. We recorded Crossing Over (a full video product complete with cast and crew) last weekend. Regarding stylistic exploration…

Can’t wait to see it!

Shaun: And really special FX

Ryan: So, style…We’ve found something unique. Sean Beavan, Shannon O’Shea and others have talked to that. Our sound/style will continue on its special creative path.

Adam: We actually have experimented with lots of things we don’t really have rules. We did a track with a dub step artist and applied 8 string metal guitar to that. We try all sorts of different things to keep it interesting and enhance what we do. As long as it feels right and is Modal Citizan.

Ryan: Believe it or not, it’s quite difficult to create songs that don’t follow the standard verse/chorus formula and still make them incredible.

Shaun: I feel the sounds and style will be consistently getting more creative but hold the edge it has currently.

Ryan: Agreed

Shaun: Hell yeah!

Ryan: We groove to our own rhythm. Maybe it’s because I grew up on Motown and The Doors and Manson and Nails. Some of our riffs and grooves are so nasty. My penultimate statement may be why.

Adam: We could def play you some things that are going way outside of what is expected stylistically. We allow ourselves to try everything. We will talk abt Michael Jackson and James Brown and even try to pull inspiration from that too. It’s literally anything and everything that moves us.

Ryan: Indeed. #SocialInhibitionist.

Photography credit to Gigi Hoggard