Tag: My Life With the Thrill Kill Cult

Chaos Magicks – Ritualistic Darkwave and More…

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Ever since I heard the dark classic “These Remains” by the Thrill Kill Kult, I have been hooked on that sinister sound. It’s not quite dance music, but it’s not “not” dance music is it? It always made me feel like I was a character in a movie that snuck their way into the VIP room at the club only to find they stumbled into some modern pagan ritual, ala the masked ball from Eyes Wide Shut, but with the classical music soundtrack replaced by something akin to Skinny Puppy fronted by Chelsea Wolfe.

Take a ride with me and let’s listen to some of the artists that I think are exploring some of  these same sonic pathways today…

Cult of Alia – The Only Angel – This new track from Cult of Alia, the side project of David Wright from Creux Lies, gives me the feeling of a being in a 80’s vampire flick where the blood junkie in question stalks his prey from across the crowded dance floor. They lock eyes and the hunt begins. Great synth sounds and the pulsing beat gets your butt moving… Definitely looking forward to more from this project!

https://cultofalia.bandcamp.com/track/the-only-angel

Bara Hari – Weapon – Samantha Franco hits us with Weapon! Inspired by her experiences with the exploitative men in the music industry, she delivers an all too important (and honestly all too familiar) reminder that we need to get our shit straight and be fucking decent human beings to each other. But let’s be clear… This track is a serious jam. I love the video concept and I can totally see her kicking ass like the Bride in Kill Bill.

https://barahari.bandcamp.com/track/weapon

Owl Theory – Heaven in Reverse – This E.P. of dark, seductive, electronic pop came about from Jarod Gibson of Odonis Odonis doing a gothic / darkwave take on Harry Styles song ‘WOMAN‘. That track anchors a collection of dark pop that flows from the ambient soundtrack stylings of the title track, to the trip hop vibes of the track “Spin”. I love this record… once I start playing it I get lost in the sound and before i know it, it’s over and I gotta spin it again!

https://digitalmarkt.bandcamp.com/album/heaven-in-reverse

SØLVE – SVNT LACRIMÆ RERVM – Atmospheric synths paired with punishing industrial beats. This dark and powerful track is steeped in cinematic ritualism… Every time I listen to this song, it lingers in the corners of my mind and teases me with its aftershocks, making me want more.

https://slve.bandcamp.com/track/svnt-lacrim-rervm

Sidewalks & Skeletons – ETERNAL REST – This track, featuring frequent collaborator Cash for Gold, throws shades of Crystal Castles for me, but they pair it up with some thick urban beats and blazes a dark path of its own. I love how they can take an airy synth typically found in traditional dance music and make it heavy enough to smother you.

https://remissionentertainment.bandcamp.com/track/eternal-rest-feat-cashforgold-2

I could go on and on, but I have to leave some room for the rest of the Sounds and Shadows gang to work in.

Hit this playlist at https://bndcmpr.co/7711ef1f  to hear these tracks and more!

Review of Curse Mackey: Instant Exorcism

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Artist: Curse Mackey

Label: Negative Gain

Other Affiliations: Pigface, Evil Mothers, Amorous, My Life with the Thrill Kill Kult, Grim Faeries, SPASM

https://cursemackeyngp.bandcamp.com/?fbclid=IwAR3pLI_Sfju7v_VlnffOHq26o_EY3zOmxXymbDs4fovEw3Zhj-9EYIn-kmY

https://www.facebook.com/pg/cursemackey1/about/?ref=page_internal


So someone much smarter and a better writer than me once told me “If you want to be a better writer, read books written by great writers” I feel like this is advice Curse Mackey has taken to heart. Because here we have an album of a very literary quality with an engineers craft. As I listened to it again and again I kept finding myself drawn to the question, what was he reading when he wrote this?

Curse Mackey photo by Christopher De La Rosa

Going to try a slightly different format for this review because of the artists pedigree. I mean here is a guy David J calls to fill in for Peter Murphy when he is tired. An artist who is appreciated and respected at the highest levels of industrial music. It’s for good reason. He is a wizard of craft bending the ultraviolet light of electronic sounds into a laser focus. This is his first solo offering and is a chance to tell his story strictly from his own perspective.

Right out of the gate the first song “Submerged“ is a subtle and gripping offering. Where the chains slip around behind you and lock in place before you know you are captured. Satirical blasphemous religious allegory in the style of William Blake hints at the greater heresy to come later without going over the top. I was extremely impressed with the rising and falling dynamics to create this sense of slowly sinking beneath the water.

“O’Blasphemy” This is a dance floor burner for the ages. The imagery is sexually charged and delivered in a boot stomp cadence. I love the background keyboard lifts, so much motion feels like dancing in an earthquake. The vocals are razor slices tearing you to shreds while they lull you into acceptance. This sounds like post coital breathing mixed with rebellion. 

“Somewhat Processed” This is a Dante’s Inferno quest of the River Styx touring and longing for something lost. “Just part of the show for our bloodstained soul” A need to feel. The triplet snare snap to create that off kilter hurky jerky motion while the dangerous silky vocal is your Charon poling you down the river.


“Concubinary” Sometimes a song strikes me by what i picture myself doing while listening to it. This is a great city-scape street walking burner that jumps on the back of Mackey’s vocals and lets the lyrics carry it across the finish line. That wild and untamed part of the city where the rules don’t apply.

“ Secrets of the Resurrection” Such a delicious pop hook served up in classic ritual form. The song carefully and strategically assembles all the parts until you see the face of the monster. The chorus from Nat King Cole re-imagined in this wicked anthem of hope and clashing counter culture. Beautiful live wire tension shakes your core.


“Dangerous Sleeper” I love this breakdown creep with throwback samples reminiscent of Wax Trax or Evil Mothers days. Not sure where they came from Mackey is known for finding or creating samples from his everyday experience, but i am moved by the slow creeping doom and flowing rhymes. “He’s my arch angel made flesh, he takes the mark, upon his flesh”

This entire album has a cohesion and message that stands out in a current world of blips, clicks, and snippets as a classical work with the quality of literature and study. It really spoke to me for the experience and craft that was the culmination of a career in art and learning leading to this moment. This is a must own album for anyone who values the genre of Industrial Dance Music.