It’s October my darklings, the month of spook, where goths can be goths. So I need to start thinking about my Halloween soundtrack. I’ll fire through the latest batwings and eye lashes of newt falling into my cauldron.
Swansect: Kill Pop Goth – Adrian is always thrashing like a madman in a new direction. Always producing something he hasn’t done and something I hadn’t heard a million times before. Track #1 Horse of Grass has this cool percussion driven guitar strike. Almost a folk goth tempo with vibrating underwater vocals. Track #2 Kain is my favorite and has this sinister Tones on Tail Daniel Ash sex appeal. The words are in Norwegian telling the story of Cain. I love the old school batcave rockabilly riff. Swansect always takes you to a place in your mind with the music, and usually that place is a nightmare.
SpankTheNun: The Bunker Tapes II– This album is mixed by the legendary Claus Larson (LeatherStrip). Out of Texas Eric Hanes does a hard and nasty industrial, full of chant and eye beam precision. Track 2 Fight and Breed is a building whisper that holds aggression on a greasy chain to make a tension build you can feel on the back your neck. I think what really sets this above the bar are how clearly the vocals ring for industrial music. It has a bit of effect, but you can savor every growled line. Some amazing remixes here from Melodywhore, Sapphirra Vee, and Assemblage 23. My favorite track was Lies and Hate which unleashes a real Nitzer Ebb feel. I think what impressed me most of this album is how it never has to turn the volume up to 11 to hit you in the fucking teeth with it’s power. It’s a real skill to project that much rage without screaming.
Vazum: Rated V – Ok I know I recently reviewed the Detroit band Vazum, but they did this new release specifically for Halloween with a monster/ghoul theme. It’s stalking creature abomination horror full of heavy guitars and sinister keys. Zach unleashes and inner demon from behind his usually lovely lilting vocals to send a shiver up the spine. I said the same about the previous album Vampyre Villa but I love the use of 90’s alternative mixed into the horror. Emily has a soulful Concrete Blonde vocal style that is the perfect offset in every song. Each monster has it’s own tone and flavor, my favorite was Werewolf . This one really let Emily shine on vocals and truly laid out the primal transformation. Cool lyrical poetry, “Copper turns to gold, sell our gold for silver”. There is so much going on here stylistically. We had an interview with them last week (which will post soon) I am really bummed I hadn’t heard this to discuss before hand.
Vanity Kills : Chapter 2 Enemy – Hard rocking cyberpunk from Cardiff UK. The real beauty captured here is the driving rock 90’s aggression of Helmet phase shifting into pixilated time dilation of club smashing electro-core. The intensity almost rides the line of metal. Yet the distinctive dance stomp is catchy and clean. For personal preference I wish I could hear more of the lyrics and feel the melody lines. The music really placed me in an empty room of drywall I found myself smashing out of, I wanted to know more about why. Favorite track was “This is Gonna Hurt”, it had such a punch it made me picture Clutch smashing synthesizers on a flaming stage. This one shows great promise for the future.
UnderTheSkin: End This Summer – New single complete with some outstanding remixes from Poland. This one is a Cure heavy darkwave bird of prey soaring on a night sky. Mariusz has a beautiful and captivating voice. The bassline of the song is everywhere beneath the soaring wings. A powerful track in crafting and execution. So who could successfully remix such a track? Ash Code, Shad Shadows, Kill Shelter, and Antipole with Paris. Now that is a heavy weight endorsement of some of the great production tunesmiths of our scene. A lot of individual flavor here for each remix on an absolute scorcher of a track.
Twin Tribes: Shadows(Matte Black remix) – Holy shit how did I not know this was coming out? Also why does Matte Black get to remix Twin Tribes and I don’t? Ok now that petty jealousy is out of the way, this is my favorite Twin Tribes song. The song I discovered them from. I didn’t even recognize it at first in the best possible way. This is everything I want from a remix. It has taken their glorious violet energy and fired it through a prism to create something new and beautiful. I am jaw dropped on the floor right now. Buy this immediately.
Panic Priest: When Daylight Disappears – Brand new single from Jack, and it’s another burner. Such a master of blending sizzling guitar licks and neon streaming synths. His bellowing baritone voice is an trap I can’t stop falling into. This song is a prayer to the darkness that surrounds us. I want to sit on a Chicago roof staring at the moon as the city sleeps below.
Klack: Two Minute Warning (Depeche Mode Cover) – This is a beautiful cover with a beautiful and tragic story behind it. Claus Larsen (Leatherstrip) recently lost his husband Kurt after a long battle with sickness. It left a lot of medical bills and the community really rallied around him in this tough time. All proceeds go to assist their family. I’ve always loved this song and Klack of course didn’t disappoint to capture it’s energy and majesty.
So during the current pandemic when artists are taking a hit from an inability to tour and play out, Bandcamp the music distribution platform that seems to actually care about artists waived their fees for a day. Honestly the fees they charge are pretty fair but anything to get people excited to support bands. So here is some of what caught my fancy on the first day of May.
Panic Priest – (Second Seduction) what a strong second offering from Jack. This album really took the sound in a sleeker, stronger, synth driven new direction. His voice remains one of the strongest baritones in the scene but here it is piled on layer after layer of textural experience and the experience is amazing. Extra Credit for the cool fan sourced music video on the single Lonely City.
Blood and Dust – (Compilation) This is such an awesome comp put out by out by TG Mondalf of Venus Aeon. I was just talking to Brandon of Sonsombre on the podcast about the connection of southern sound and goth…which i call Outlaw Goth. This comp is absolutely jam packed with fire tracks of some of the hottest names in new goth rock doing southern style. October Burns Black/Sonsombre/Black Angel/Raven Said/Cliff and Ivy/Guillotine Dream and many more. A cool concept and great execution.
Delphine Coma – (Secondary Eyes) Long awaited EP from Ashe Ruppe. Two tracks and two remixes with that true deep darkwave sound. Rolling baselines and Ashe’s deeper than then earths core voice ringing icy and clear. Yes please.
Orcus Nullify – (Pandemonic ) A poignant track for the current situation. Much more stripped down and electronic feel for doom rocker Bruce Nullify yet holding true to that buzzing noise sword guitar. This one strikes hard and takes no prisoners.
Vlimmer – (Pulmo) Shadow Sound architect Alexander Donat continues to spew forth such a steady stream of quality material at a rate that defies imagination. Here he stays between tighter lines than some of his more psychedelic offerings. The drum beats are tight and the guitars are cold vibrating lasers cutting through the dark din. I really like how the bass walks in track two Sonnenspeer.
The Black Capes – (Lullabies For The Dead) Old school gothic rock from the land of history Athens Greece. Like a big black wolf snarling and writhing these crushing beats and vicious growling vocal delivery is the sound of night creatures baying. It has tender moments of light strings and contrast. Another band embracing the glory of the past to create a dark future. The sound put me in mind of the wild rural parts of my home in Michigan. The land of Iggy Pop.
Ashes Fallen – (Thy Will Be Done) Sinister guitar lord James Perry put out a new single today full of a lot more menace than the last album. I feel like Michelle and Jason have really had an effect on the tone for this single. The guitar and baselines still include a lot of movement and technique. The keyboards fill the space to give those hard down strokes more accent. The vocals are not a clean alternative romanticism I heard and enjoyed on the last record.. They are dark, full, gritty, and not what you want to meet in a dark alley. Love the direction.
Pilgrims of Yearning – (Forsaken Land) – Pre release of the June 5th album offers a first track and single The Visitor. Juls Garat has a clear and slicing voice which knows how to shine light through every crack in the dark and driving bass wall. This was a taste that gets me excited for the whole meal and the future of an exciting sound.
Plague Garden – (Left in The Grave ) – Ok important question, how the fuck did I not know about Plague Garden? Paul Barker of Redwing Blackbird (who i love) is involved in this project. This is gorgeous, sinister, old school artistic almost Tones on Tail lo fi drone goth. Great use of changes and making every sound count. Goth with clinical efficient effect.
Caustic – (The King of EBM) So if Matt Fanale has a new EP and the title sounds like a play on Run DMC best believe I am here for this. Of course it is just what you would think. Look it is not an overstated boast to say The King. Infectious beats drive your body like a bolt of electricity from the sky awakening dead flesh. It’s Alive! It’s Alive! It’s blue collar, it’s high ideal, it’s everything I love about punk, and EDM and nothing I hate about either.
A Cloud of Ravens – (The Earthen Call) New York darkwave duo with a new single out. I really want to listen to this while doing ritualistic magic in a secret underground lair. Not that doing that doesn’t sound cool all the time, but to this song in particular. Love the walls closing in guitar for an otherwise traditional darkwave song. Gave the whole feel flaming wheels.
Raven Said – (Beyond the Darkest Hour) Ok, I have a confession/moment of self reflection on Raven Said from Russia. I have had 3 reliable people all tell me to listen to this record and just hadn’t gotten to it. I get a little full of myself sometimes from writing this page and start to think if it was really that good I would have found it right? Holy shit this is good. I hate myself for the moments I wasted not knowing about it. It’s driving through haunted woods chased by a ghost luxury automobile full of specters and demons on a foggy night. It bounces on tight coils like post punk but it has the soul of really spooky quirky bat cave. So don’t be dumb like me, buy this immediately.
From The Mouth Öv Belial – (Defied and Devoured) Have you ever wondered where modular synths go after they die if they have not lived a good and pure life? Adrian can show you. This is disturbing sonic nightmares given flesh. In fact I might have to write one more review just so this isn’t the last thing I hear before I pass out. Honestly he should have wrote the soundtrack for the Suspiria remake instead of Thom York.
Mindless Faith – (Insectual) Washington DC based electronic robot invasion music that makes me long for humanities inevitable collapse at the hands of our metallic superiors. I suppose it is easy for me to think of Rick Furr as part of Steven Archer’s posse. Here with Jason Sevanick, Paul Green and Chris Sevanick they have unleashed soulful energon cube filled landscape of precise mixing and slapping beats. I got half way through writing this and realized it came out last year, but somehow skipped past my notice. An endless tide of automation integrating your mind.
Well I didn’t come close to writing about everything I listened to this Bandcamp day (My new favorite holiday) I wrote a lot though. It’s a strange and scary world full of uncertainty. Listen to new music. Support the artists who make it. I suppose it is time for a little shameless self promotion.
Tiny Gods Who Walk Beside Us – I made a compilation, to save my cat. Beyond that it is really good. I honestly astounded how good. If you like Goth/Industrial/Post Punk/Darkwave/Coldwave A lot of the hottest new talent is here. $10 for 25 songs.
Working from home has left me stir crazy with too much time alone. What a perfect time to fire through some quick reviews of what I am listening to at the moment. Tonight I went digging through Bandcamp recommendations for some new sounds. I have been a bit disenfranchised lately with the idea of nostalgia and retro. I’ve been wanting to hear fresh new ideas and not have the same conversation about the same records I’ve had before. Partway through as the things I was hearing had a very retro vibe I remembered. Avoiding the past can be just as bad as staying trapped in it. These record all had something very old and familiar in them. At the same time, the reason some ideas come around again, is because they were great ideas.
Spectres – (Nostalgia ) – The Vancouver band recorded by Jason Corbett of Actors at Jacknife Studio. Brian Gustavson was not trying to be subtle with his intent on this album. It’s like catching a whisper of a bunch of songs you know well, that stick on your head. They aren’t those songs though. Bernard Sumner rips his mask away to reveal it was something else all along. Beautiful and precise in the recording. It’s contagious and familiar in a way you can’t quite hold in your grasping hands. For those of you that want New Order and The Smiths thrown in a blender and spun on REM but don’t want to hear the same album for the 10 thousandth time, this is the jam for you.
Panic Priest – (Nighthunter) – Ok I love Panic Priest debut album. Jack’s deep rich baritone is the thing of dreams. This new single is a whole new level though. He has found such a cannon of range with his voice and the perfect blend of synthwave and his magnificent rock style. Hearing this song is like being the hero in your own coming of age story in 1984. It’s raindrops on my face and a twitch in my hips. I can’t wait for more.
Caustic – (Quarantine Tracks) – Matt is back at it again blasting out furious beats to keep us shaking in our bunkers. Some cool low key grooves here as well like Cardiac Unrest. As always from Caustic a great mixture of percussion not found in the standard sound bank that build and rise with a grinding energy. This EP definitely feels subterranean with a unique unlit blend. Have you ever wanted to drink four pots of coffee, and play VR Dig Dug in a warehouse at 2am? I never really thought about that until I heard this album.
The Birthday Massacre – (Diamonds) – So there is a reason that The Birthday Massacre is one of the biggest names in new goth. It’s because it’s bloody brilliant. I admittedly have never written much about them but it isn’t from lack of listening. Maybe I just felt like I was needed more elsewhere, this album is a burner though. Chibi has a vocal style full of such captivating energy and is a master of making goth fun. I think that can be a real challenge because dark sounds don’t make people naturally get up and jump around. These basslines are freight train speed, and the guitar riffs have retro hotrod power. I hear this album and just get lost in it like a labyrinth of subtle turns and walls of sound.
PHAZER AXE – (Synths & Tapes) – What would you hear from a record called Synths & Tapes? About what you would guess. I think this had some really masterful drum fills and keep the feel spicy. This all musical pixel smashing space journey is a fun and glitchy time slide.
Boy Harsher – (R.O.V. New Beat Edit:Part Time Punks Session )– Two things I love are Boy Harsher and everything PTP puts out. This song is a sleek and sexy ooze across the floor of the club, under the door, and into the night. It’s stripped down and full of crackling menace. I love the powerful Grace Jones feel of their voice here. An inspired oily concept and I am here for it.
Loveblind –(Sleeping Visions) – Holy fuck this album is a vision plucked out of time and raising the bar of music in 2020. I might be a little bias as this band features Josh Garman (Ex Amaranth Guitarist) as part of it’s super band lineup. However my journalistic integrity need not be swayed because this album is a game changing synthesis of 90’s shoegaze, flowing ethereal modern dream pop, and dark electronic club extravaganza. It’s Ice, it’s fire, it’s sonic texture you can chew on. This album is a filling meal of beauty and heart wrenching human emotion. It’s an early contender for top 10 albums of the year. Must have.
Exciting new podcast with Curse Mackey of (Evil Mothers) (Pigface) (Pig) (Sine) where we discuss his solo sonic sculpture “Instant Exorcism”. Getting an in depth look into his creative process, his amazing tour with Clan of Xymox, Twin Tribes, Bellwether Syndicate, and Specters. As well as parenting wins like raising him on the mothers milk of William Burroughs. As always I will link all the bands we discussed below.
2019 has been quite a year for my dream. It has found it’s tar dark wings and started flapping them to places I never imagined it would go. I have new writers like Collin, Katy, and Adrian. I have 4 times as many followers. Made new friends which I have come to love and value. Traveled to distant lands. Started a podcast. In general it gets me excited for the future that so many people all over the world have shared with me this love of what is happening in modern music.
Unlike last year when I did a top albums review all alone I know had a wine drenched democracy of shouting voices sitting in a room and debating what had moved them in this years music. It was an amazing feeling I had forgotten. I wanted to make this list hold weight. So we made hard cuts and decisions to get our list down to 4 genres and 10 albums per genre. Everyone had input and voice and no one 100% agreed. I love that. This was never suppose to be about me but about the celebration of art. I hope you find something new here. I know I did and it fills me with hope for places a song or album can still move me. We split it into 4 parts 1) Post Punk/Goth 2) Industrial/EDM 3) Synthwave/Darkwave/Coldwave 4) Wildcards
First up is Post Punk/Goth. This one is my primary wheelhouse so I took point here. There has been a true resurgence in this genre and this was a hard list to choose. The albums listed here are all amazing but we fought long and hard to try and pick some form of order. Here is what we found.
10) October Burns Black (Reflections) – London superband and Traditional goth act from London put out this amazing record this year. James Tramel (The Wake) has composed this album with Rod Hanna (Vox), Lars Kappeler (Guitars) and Tommy Olsson (Guitars) Simon Rippin. It is so full of flowing sinister goth sounds. It really holds true to the sounds of yesterday while forging new ground. Every song is an emotive blast.
9.5) Ritual Howls (Rendered Armor) – I know, i cheated. I just can’t leave this record off. We debated and argued so hard to get this list to 10. This album is just such a world beater. It’s Nick Cave putting on the armor of Echo and the Bunnyman. They are even Detroit fam. They are keeping a flame burning for a sound that cannot be forgotten.
9) Frozen Charlottes (Wax Venues) – Santa Ana post punk doom weavers Frozen Charlotte released this beautiful album in November of this year. I have been in love with Chandler Grace, Janell, and Sky’s savagely dark spit and vinegar punk goth style since their previous incarnation. With Wax Venus they really found a way to refine that edge to a razor point of intensity, Waxing and waning like the moon in a flowing dance around the fire witchcraft ritual.
8) La Me’canique (Dernier Voyage) – This is such a lovely record from Cold Transmission that really embraces the post punk ideals. It’s wide, flowing, and full of landscapes. It feels large and comes through the lens of a distant camera. I think of 80’s Duran Duran and the way they transported you to another place while listening to the songs. A vacation in musical form.
7) Mark E Moon (Refer) – Another exceptional album with a lot of traditional goth elements. Another Cold Transmission band on this list who has a wonderful vibe of old Peter Murphy but with a modern edge full of poetic lyrics and Mark’s deep resonant vocals. Lots of balance and pop hook in this record. I want to peel the layers of this onion and find the core of it’s art.
6) Crying Vessel (Illusions) Slade Templeton is bringing the glam razzle dazzle back into dark music. His dark rich voice climbs and slide around an impressive range. I found it in my heart, and building a place in my head. I had the wonderful opportunity to see them live in Germany this year and it really gave this record another plateau of range. A perfect mixture of previous styles and modern technology this record is a must have.
5) Golden Apes (Kasbek) – Berlin based post punk Golden Apes have been making music for a long time. To find an album of this power and depth of idea deep in a storied career is a noteworthy achievement. Peer Lebrecht has a voice so full of soul and power that it wraps you in it’s world. The music is a masterclass in what post punk can achieve in movement and embrace. I will finally get to see this played live in Boston this year for their first US tour. If you don’t know about this record plunge head first into one of the genres most exciting artists.
4) Antipole (Radial Glare) – Karl Morton Dahl of Norway holds the distinction of being the most reviewed artist on Sounds and Shadows. I feel moved by every album he has made. This one found a way to hit a special new level for me. Antipole is everything you love about post punk music like Joy Division and New Order. Karl is a true historian of the genre, but finds exciting new ideas about how to use modern technology to make the concept sharper and more intense. This record was such a wonderful tribute to his homeland. A record that transports you to that reflected, glittering place of dark ice. Paris Alexander and Eirene of Young and Cold records have added perfect vocal compliments to create one of this years stand out records.
3) The Dream Collision (The Certainty of Forever) – This album from Pedro Code of IAMTHESHADOW was a piece of art that left me changed and moved. Pedro has possibly the most beautiful and sensual voice in modern dark music. This record was so stripped down and exposed I found myself unforgettably moved. It is powerful and tender like Nick Cave but with the beauty and elegance of Ian McCullah. A truly moving offering.
2) Twin Tribes (Ceremony) – With their recent transition to Negative Gain Joel and Luis of Twin Tribes hold a special place here at Sounds and Shadows. Their Debut album “Shadows” was the inspiration for this webpage. They are bringing the concepts of spiritual post punk into the modern era. This sophomore offering was not a lull but a leap forward in concept, depth, and power. Rich and full of energy each song is a ritual to summon forth an intimate experience in the listener. You probably need this one on vinyl. Also they do a must see live show, find them in your town and bare witness.
Sonsombre (Veil of the Ending) – So goth music has always been so obsessed with the past. If it wasn’t Sisters of Mercy it seems people just couldn’t find a way to embrace another wave. Sonsombre newly signed to Cleopatra has found a way to capture that original Traditional concept and rebuild it with fresh sounds and modern ideals. This record was a game changer that opened a new door to a darker dimension. Poetic lyrics, powerful delivery, slithering snakes of oil and shadow woven into guitar riffs of power and delicate dexterity. If this isn’t in your collection you are living in history. The Future is Black.
Part II is the best Industrial/EDM – I grew up on industrial. It was my punk rock. My scream at the world release. Somewhere along the way i just drifted to other avenues. This year was a huge one for me to rediscover Industrial. Adding in Adrian and Collin to the family who are both stronger on Industrial than me have really helped me find this world again. The albums that have come out this year and bringing it back front and center for a lot of people. These were our top picks.
10) Klack (Introducing the 1984 Renault Le Car) – Matt and Eric are workhorses. They had a Daddybear album, Null Device, and another Klack album all this year which could have easily made this list. This album rose to the top for me. It’s perfect blend of retro and fresh feel with dance beats and unique concepts has become a go to for my listening parties. New ideas for the new industrial.
9) Lingua Ignota (Caligula) – I just found this through Adrian. Wow. It was like nothing I have heard. This is a sound so frightening and intense it gives The Goblins nightmares. It is the sound of a priestess ripping out her own eyes and bleeding from the sockets. Do not listen right before bed unless you want to be haunted by disturbing dreams. I speak from experience.
8) Kid Saint Nothing (Above_Below) – What a treat that I get to add a dear friend from Kalamazoo MI to this list. They belong here. This album is a raw heartfelt therapy session scream set to catchy dance beats. It’s wide and intense and needs to be played constantly on your listening device.
7) Dogtablet (Feathers and Skin) – Industrial music lords Jared Louche (Chemlab) and Martin King have worked with others to create this massively powerful record of animalistic spirit totem sounds. It feels like a creature speeding free under a moonlit sky. This album came late in the year but has been my constant companion ever sense.
6) FIRES (All My Dreams Are of This Place) – Aedra is a force of nature. Her intensity and vocals have really pushed the edges of the Industrial genre. This album has a tight mixture of early 2000 emo and electroclash force. Whenever I need to find my inner tiger to face the day this album is where I reach first.
5) Moris Blak (The Irregularity of Being ) – This album is a force of creative expression and cyber blending technology. Lots of amazing guest vocalists like Pete Crane, Amelia Arsenic, and Angel Metro. A true tapestry of electronic sound woven and blended with dance hall beats and shattering brash power. This needs to be in heavy rotation of every club you shake your ass at.
4) Curse Mackey (Instant Exorcism) – Curse has been a huge part of the industrial scene for a long time as Evil Mothers, Pig, Pigface, ect. This album represents his first solo offering and it is nothing short of breathtaking. This album has such a focus on lyrics with a true William Burroughs literary quality. Full of slashing beats and laser focused vocals. I own it on LP. You need it on LP.
3) Bones UK (Bones UK) – More of a big label offering but a straight burner. This album is on the top of Collin’s list this year. I love the ladies getting representation in this genre and this album cooks from front to back. Lovely pop hooks to really add some mainstream club vibe, and we unapologetically love that.
2) Stoneburner (Technology Implies Belligerence) – This record changed the game for me. It made me fall back in love with Industrial music. It has that same old school flavor, but takes such incredible chances. A thinking persons industrial with a concept and follow through. Steven Archer of Ego Likeness has unleashed something transcendent and powerful and managed to save enough in the tank to follow the record with another this year “Massdriver”. Both are incredible pieces of art you need to explore but you never forget your first love. This record was that for me.
Go Fight (Anthem) – Jim Marcus and Die Warsaw were a part of my first obsession with Industrial music. A titan in the genre and one of the great humans who holds this scene together. This record is all covers of the 80’s songs that helped build his musical life. It’s perfectly crafted. It’s full of soul. It finds a way to make something of the past connect with my present. I mean any time i can hear two of my favorite things in this life Go Fight and Shriekback happen simultaneously consider me hooked. Nothing on this record doesn’t immediately send my body into motion. This is the work of a master crafting a love letter to the things that built him.
Next up is Synthwave/Darkwave/Coldwave: Another brutal list to try and widdle down to 10 albums with everything wonderful released this year. As genres have expanded and new ground was broken the resulting art which is dreamy and beautiful has grown with it. This is a list of our favorites.
10) Lilith My Mother (Her Fall) – Beautiful dance magic with clear pop beauty infused with midnight dark lyrics and fallen angel vocals. Every song fills me up and has me asking questions. Do not sleep on this amazing artist.
9) Corlyx (In 2 the Skin) – Sexy LA sludge grunge is my weakness and this album is the cure. It’s sensual, powerful, and forces your body into motion. Caitlin has a voice that wraps around you and stirs that hairs on the back of your neck. Doesn’t your party deserve to be this hot?
8) Standalone (Standalone) – Steven Seibold of Hate Dept has unleashed this solo project so delicious and stripped down with beautiful synth sounds crafted with a wizards touch. It’s so personal and easy to relate to at once. The vocals are smooth and elegant and hold your heart with tender timing. So underrated.
7) Boy Harsher (Country Girl Uncut) – The feels of this record. It’s a smokey dimly let exclusive club that would turn me away at the door in music form. It’s efficient in the use of layers and sounds and has gorgeous imagery in the lyrics. I love everything about the crafting done on this record.
6) Agent Side Grinder (A/X) – Oh the delicious post punk infused stabbing drum beats. The dynamic vocals have a dark tone and emotional delivery. It’s full of songs that always feel like they are moving faster than they are. It’s that energy and crackling synth pad sound that makes ASG have such a unique sound. This album builds on everything that makes them one of the biggest names in the genre.
5) Sweat Boys (Nervous Prayers) – This record off of Give/Take strikes a special chord with me. Sitting in my room listening to Yaz “Upstairs at Erics” was such an impact on me. Waiting to hear a synth driven album that captured that same purity and exposed feeling has been something i have searched for a long time. With this record my search finally ended. It’s beautiful, electric, and makes me jump up and down like only a 260lbs man on a pogo stick can. If yuo care at all about synth pop you need this in your ears.
4) Drab Majesty (Modern Mirror) – Drab Majesty off Dais records isn’t just an album, it’s an experience. Knowing the exact amount of every sound to use to get a perfect blend is such a difficult art form. The harmonies, and flowing lush beauty. They are like aliens operating at another level from us common music plebs. This album is staggering and unique in it’s beauty and darkness.
3) Mr.Kitty (Ephemeral) – 31 tracks, all of them good. Take that in for a moment. This album was such a memorizing accomplishment. It’s an artist exposing themselves and making it sound lovely and pure. I played this record so many times this year I feel like I have a personal relationship with the artist and I have never spoken to them. If you don’t have this you need to make that a priority.
2) Hante (Fierce) – The soundtrack to a film of a better life lived than mine. Just listening to the gorgeous vocals and visual sounds on this record fill me with hope. The creative force unleashed here is an epic achievement. It makes you think, it makes you believe.
Wingtips (Exposure Therapy) – Look I can tell you what I love about this music. To me the real power of this album is that so many great musicians I know all talk about how much this record meant to them. It has been mentioned and picked on our podcast by almost everyone we have interviewed. It’s perfect, nostalgic, fresh, and full of texture and intensity. Every track is a banger. Every line is a poem. This was our combined number one pick out of one of the hardest categories to judge.
Final Catagory Wildcards: This was all the things too far out of the box to fit anywhere else. In a way I feel like it made it really exciting and definitely some of my top overall picks.
10) Scary Black (Shadow Dwellers) – Kentucky sinister darkness Scary black released this shadow storm full of familiar elements and fantasy sparkles. It’s full of dangerous dreams and lovely rich vocal melodies. I really look forward to their future.
9.5) Vlimmer (XIIIII) – German sound wizard Alexander continues to spew forth the most gloriously textured collections of sounds with pull heart strings like a horses reins. It baffles me how good every single release is.
9) The Purge (Rain) – Strange winding electronic storms. This album feels like weather shifting and changing. It has a flavor of trauma and young love lost. Thomas does a beautiful job using his vocal range to tell stories and build tension. It’s my sad rainy day music.
8) Girl Band (The Talkies) – Strange twisting and powerful. I really liked the chant of this band and the abrupt changes. This one came courtesy of Katy. Really intense sound.
8.5) The Joy Thieves (This Will Kill That) – Again a little bit of cheating here but this EP needs to be on the list. Such a perfect blend of hard rock and industrial with some of the biggest vocal talent in modern industrial. It’s smash everything in this room music because you are happy. I first described it as Clutch beating the shit out of Stabbing Westward with a baseball bat and I stand by that.
7) SYZYGYX (Fading Bodies) – One of the fastest up and coming bands in the scene. On both Negative Gain and Cold Transmission Luna and Josh are a sonic experience full of sexy dark disco grooves you would find in David Lynch’s private club at 3am. It breaks every mold and is always in my rotation.
6) The Ghost of Bela Lugosi – Ok technically not an album, but my house my rules. Australian based Vin Price has released about 12 singles this year and everyone of them is straight fire. It’s so punk rock, so raw, but so melodic and beautiful. It touches every part of every genre and I am here for all of it. It won’t play by the rules and that is part of it’s power.
4) Hide (Hell is Here) – Sheer unbridled power with a meaningful message. This is like nothing you have heard. Raw, intense, full of power tools. The vocals have more spit and acid than most metal. This album changed my world view
3) ELZ and The Cult (Psychodrama) – Visually, sonically, sassily, there is nothing about this album that does not completely enthrall me. It’s filthy, beautiful, it’s a horrible dream of a broken world that i can’t escape or look away from. I find a new layer to it every time i listen. You must have this.
2) Palais Ideal (Pressure Points) – I have been waiting to make this one of my top albums of the year all year long. This record broke all the boundaries of post punk. It’s thoughtful, precise, unique, and tells a story of some of the best science fiction I read in any novel. A thought provoking example of the power of music. Have this on LP and feel it’s warmth and glory as it was meant to be spun
Mesa Luna (Feel Nothing) – This one came to our attention courtesy of Jason Corbett (Actors). We didn’t have enough shoegaze representation here and this album was a stunner. #1 pick from Katy. It’s haunting, diverse and full of life. Take a journey with this record.
I had about 40 more albums this year that could have made this list. Maybe I will do an honorable mentions. I’m shredded though. There is currently a glorious revolution happening in music. Be a part of it. This list is a great place to start. Happy Holidays from us at Sounds and Shadows.