Our podcasts have been really improving. Having interviews that are a real conversation with some of the artists I love and give all their fans a feeling of knowing them on a personal level. I wanted to compile them all in one place that give you the opportunity to find and enjoy them.
2/25/21 Grabyourface – Talented French artists Marie Dragontown on Negative Gain. Talking about their breakthrough album Sea, France, and their favorite pizza.
2/19/21Tear Down The Wall discussion with Russ Robinson (Infectious Groves Podcast) and Dan Milligan (The Joy Thieves). Here we discuss the charity compilation of Industrial artists put out by Riveting Records in Colorado that has a cover version of every song on Pink Floyd‘s iconic album “The Wall”
12/22/2020 Rodney Orpheus from The Cassandra Complex – Amazing interview with one of the godfathers of goth. Telling stories of meeting Andrew Eldrich, their new album, predicting the attack on our Capital, and the past and present of Goth.
6/25/20 Interview with Dogtablet Martin King (Test Dept) and Jared Louche (Chemlab) – Where they discuss history on the road, their song writing, snowball fights with Trent Reznor, Jared’s Shoes, and rescuing dogs.
We are really excited by the success of our new Sounds and Shadows Facebook group. It has sent a ton of amazing new January releases for me to go through. This last year has given us a lot of great music but also a lot of anxiety. Lets hope 2021 is more focused on the first.
Push Button Press– Black Swan – This is a long awaited album from our friend Jim Walker and Cold Transmission record. The title really sets the tone for an amazing artist which has been a bit misunderstood and on the fringe. Writing music that was visionary and a bit progressive for some audiences. Right from track one The End of Timewe are pressing our foot steady on the gas and gaining speed with clarity and purpose. I am feeling a lot of smooth spreading bassline and Jim has a stabbing staccato.That blend calls to mind early Psychedelic Furs. I think the thing that strikes me most in track 2 Traceare the crisp and driving drum beats. It really adds a powerful element of rock to the post punk concept. Title track 6 Black Swan lays open the the heart of the band. For every truth there is a black swan. The transitions here are so abrupt but maintain a silky smoothness that create constant motion. The guitar work here has a lot of early punk elements with heavy rhythm guitars. It feels like jumping across fast moving water from stone to stone. Always a sense of danger and concentration.
Jim’s voice is always just barely above the water of the mix and it lends a clarity to his words and allow the well written lyrics shine. Darkwave/Postpunk music is desperately in need of meaningful lyrics and Black Swan delivers. Although it is early in the year I expect this album will remain in my thoughts when it comes time to write best albums of 2021.
Jay Draper & The Subterraneans – Behind The Night – This album was sent to me courtesy of my friend Ryan Clark in Toronto. It features a slew of talented collaborators like Ian Revell (Double Eyelid), Paul Mercer (The Changelings) and Faith and the Muse. With all that talent what really makes this record jump out is the piercing glam rich voice of Jay Draper. The level of razzmatazz pizzazz is glorious to behold. Jay truly understands the emotional bandwidth of Dave Vanian and Brian Eno with laser lightshow blazing colors issuing forth in a rainbow. Belly of the Beast opens the album with a powerful build of a crooning pied piper leading you through the streets of a broken city. Such an immersive tapestry of expression with both voice and verse. Track 4 Land of Anxietyhas this wonderful bouncing bassline and swelling keys while Drapers cadence is breathy and and happens in great leaps until the chorus explodes in a choir of ecstatic beauty. The album closes with You Must Be Mad, the operettic conclusion with a lovely synthwave power of YazUpstairs at Eric’s. I fell in love with the expansive growing journey of this album as I felt it sink through my skin into my bones. I think it would be easy for this record to go over the top, but for me, I found myself wanting to leap over that line and trust in Jay to take me to a fantastical place. I highly recommend you do the same. Releases on February 5th but one track is available on bandcamp now for preview.
Antipole – Marble – New EP just dropped from the post punk King of Norway Karl Morton Dahl. Antipole still holds the distinction of being our most reviewed band and it just keeps finding a new space. This album opens with the title track and frequent collaborator Paris Alexander of (Blue Door Productions) Marble and it is an absolute journey of a song. I really feel like I am in a giant glass bubble rolling down a mountain, across a snowy field, along a craggy beach. Karl is a wizard with overlaid texture guitars and does so much imagery with them alone. Paris has a deep resonant voice that leads you through your travels. The song also includes a remix by Molchat Doma that turns this post punk standard into a dance club jam. Song 3 Narcissus is a darker reflection with warm bass tones and Paris singing from deeper in the mix in a wispy haunting plea. I think Rachel told me that it all just sounds pleasant. In a good way, I just feel like these songs would improve almost any experience. Karl is a true master of putting everything in it’s proper place. I do think this is the furthest he has strayed from the older post punk sound and I love the bracing new direction. Another Antipole, another hit.
Wandering Stars – Somnambule – This is a band close to home in Ohio. It includes Joy Thieves member Derek Christopher. I immediately fell in love with with the jazzy trip hop flowing style. This isn’t a club thumping album, it’s a subtler more exclusive bar where you had to go down the back stairs and through a steel door to reach rich wood and velvet curtains. The duet vocals calling back and forth between Christopher and Lydia Brownfield are a perfect blend. He is smooth and resonant. She is sultry and glamourous. It has an amazing range of styles and elements. The album title means sleepwalker and that’s the journey it takes you on. Skipping from dream to dream. Opening with Anamnesis a flow down the 99 steps of deeper dreaming with the duet on full display and a lovely organic piano line. Track 4 Nina Bobok is this beautifully delivered ballad where Derek opens on this exposed and gently delivered plea. The subtle touch of violin really adds texture. Lydia comes in warm and shining. So many twists and turns they create with the always changing cadence. It’s one of those rare examples that you hear the genuine caring between the members. I’m definitely going to continue enjoying this and dig through the back catalog.
Programmable Animal – One Step to Hell – Unmistakable quality and execution from Chicago glam industrial Anthony Wonaitis now on Negative Gain. Sean Beavan (Nine Inch Nails, Marilyn Manson, Slayer, 3TEETH, & No Doubt) has done an expert job mixing these large crashing emotions into a pristine balance. One Step To Hell explodes out of the gate with crashing drums and buzzing electrical texture. Wonaitis has a sensual vocal charisma which croons you towards him and then blasts you with a growling scream. This is the part in the movie where the hero stares out at a dark city from a vacant rooftop. Track 4 Sunset has a furious guitar lead that impacts your chest. Grungy Stabbing Westward/ Machines of Loving Grace vibe. I was really drawn in by the fresh glamourgrunge take on Industrial rock and the piercing clarity of message. The next time I need to drive through a city on my way to make an entrance this is my soundtrack.
Part 3 of this series might have been the toughest to write. There was such a wealth of great new albums in this genre I found myself at a loss to pick and choose my favorites. However tough choices need to get made. These are all records released in 2020 and not singles. I feel like everyone on this list did something very profound.
Black Rose Burning – Open the Gates – George Grant is doing amazing things using stripped down elements of dark post punk concepts. His voice has this scintillating David Bryne expressive lilt. It harnesses such energy with an acoustic guitar and a percussive gate. It’s romantic, not like a relationship, but the way Star Trek is romantic about the love of stars and exploration. I find myself constantly lost in the beauty of it.
Scenius – Enough Fears – I found this album at the very end of the year but I have a feeling this will be on my heavy rotation the next few months. The Leeds band is a bending maze of emotion and turns that I found myself deeply immersed in. The vocals from Fab Nau were so original and cutting. Perfect dark trance resonance and endless builds. This is a band I will be paying close attention to in 2021. I feel the beginning of something beautiful starting.
Vlimmer – XIIIIIIII – This series of albums reaches it’s conclusion in glorious and staggering fashion. Alexander Donat has an amazing gift to take emotion and transfer it into sound seamlessly. Taking a tiny burning ember of idea and gentle blowing on that fire until it swells into a blaze. Truly a criminally underrated talent in modern artistic expression through sound.
White Mansion – Human – Arkansas brings us this strong front to back traditional post punk. I love the bold transitions here and open air vocals. I think the name Human was perfect for this record because it is all about relationships. You can really follow the story. It’s organic, full of heart, and makes a connection.
The Secret French Post Cards – Colors – More glorious post punk darkness this time mixed and mastered by Pedro Code (Iamtheshadow). This record is so understated and comes at you in subtle ways. Olli Ohlander has a ringing and smoky delivery that chews up scenery like a master actor. Blended reverb and echo makes the guitar build tension that pulls you into the moment. Paint a picture in your mind with this record. Another Cold Transmission band.
Danny Blu – The Pale Horse – Crackling energy and neck grabbing hooks from NYC. Personal soul threaded into club kid sleek trance. This record is everything cool I want to give off. The smoky saxophone trills add a beautiful contrast note. The cadence they lyrics are delivered with are an extra percussion and rhythm. It leaves me longing for more.
Elz and the Cult – Bloodlines – Elz is one of those beautiful and unique humans that takes their internal light and bleeds it into every track they make. It has such a genuine and soulful flavor which modern darkpop is so hungry for. It is a record of personal intensity that stands out in the landscape. A true gamechanger record that everyone should experience. On Cold Transmission Music.
Korine – The Night We Raise – Philly based band that is taking the scene by storm for good reason. They have such a glamourous beauty. While the lyrics are full of edge and venom. They truly have mastered the idea of taking two things you wouldn’t think would make sense together and then synthesizing it perfectly. It’s elegant, profound, and makes you feel like you are on the inside of secret. Also it has that glorious shake that ass factor. You will dance to this record all night long. On Born Loser Records now.
Panic Priest – Second Seduction – Chicago based Jack Armondo finds himself once again on my albums of the year. This sophomore album uses his rich and powerful baritone to great effect but softens the edges of the guitars in the first album. Putting the synths forward really captures the neon industrial aspects of his city. I love the way he captured the concept of isolation in the middle of a populated concrete jungle that became so relevant to us all in 2020. An impressive offering both in connection and execution on Negative Gain Records.
Soft Kill – Dead Kids R.I.P. City – Portland postwave glory with gorgeous and rich vocals and rainy flowing waves of synth sound. This record is so efficient and full of intention. This is one of those records it’s never a bad time for. It has that voice of a generation The Smiths sound but with a speed and energy of the modern era.
Idles – Ultra Mono – I love this album for the punk side of post punk. It’s intelligent, political, smash your fucking teeth in complex blasting rock. It has the true core of Fugazi. I wasn’t quite sure where to put this under but it belongs on some list.
Kiss of the Whip – We’re Not Here – Baltimore is doing some amazing things in the current scene and KOTW are near the top of that list. There is an amazing feeling when someone has such a wizardry of an instrument that it transcends and lefts everything in the song around it. That’s how I feel when Tristan Victor plays keyboards. The wide open textures and landscapes that flow through your mind at razor speed. His melodic whisper growl vocals really draw you in and let those complex synth changes do their work. I continue to be impressed with every new growth.
Spectres – Nostalgia – Sometimes I want a record that really pushes the edges of a genre. Sometimes I take comfort in bands that do a familiar sound with perfect execution. This album is so full of feelings that transport me back. Each song is original and new but the pallet of colors is brilliant with New Order, The Smiths, Echo and the Bunnymen. The heartfelt homage to the music I grew up on cleaned and washed and sent straight to my heartstrings.
Loveblind – Sleeping Visions – What happens when a traditionally shoegaze label like Saint Marie Records puts together a superband of Shoegaze talent to make a darkpop album. In this case what happens is one of the most textural beautiful records of the year. Dorian Electique has a stunning and haunting vocal quality that floats on the waves of slushy wave crash guitars and striking drum beats. Every time I play this record I picture silk scarves flowing in my wake. it just makes life a little more beautiful.
Black Nail Caberet – God’s Verging On Sanity – This band from Hungary has been on my constant playlist. They had an album in my top list of 2019 as well. I love that they don’t sit idle and instead explore a new aspect of darkpop. Emese has a remarkable strength and depth to her voice that reminds me of Annie Lennox. The dance beats are a force to be reckoned with and are like a shot of energy in the arm. When I need to find a little something extra within myself this is the record I reach for.
Algiers – There is No Year– If you have never witnessed Algiers live, once the world reopens that should be the top of your to do list. They are the best live show I have seen in the past 20 years. It’s breathtaking to behold. They are another band hard to put in a box in the most amazing away. Notes of Motown/Gospel/Post Punk/Electronica. It’s all thrown in the blender and spun to a smooth creamy glory. The lyrics are poignant, fresh, and delivered with a voice sorely lacking in this scene. This record is such an up and down journey through culture, injustice, and personal revelation. I really can’t stress the importance of this band enough.
Then Comes Silence – Machine – Swedish based dark rockers put out this album in March and I listened to it many times in it’s entirety. The single We Lose the Night is such a perfect jam it has to be my most earworm song of the year. Just walking through the world I found it constantly popping into my head. This record has what I think of as true Post Punk vibes. The bass is thunderous and driving. Vocals are enchanting and full of warm and captivating feeling. Also the track Ritual feat: Karolina Engdahl is a perfect duet to blend beauty and razor cuts. I was an instant fan for life.
Bootblacks – Thin Skies – NYC post punk stars took a giant leap forward in their evolution for this album. It truly takes it’s own life and direction. Adding on Jason Corbett (Actors) to chisel and magnify a sound that already had such a unique and dangerous flavor. It is sleek, mysterious, and is my number one soundtrack if I ever pull an elaborate jewel heist and car chase in the heart of New York City. I think the most magnificent part of this album is that it really took “Post Punk” someplace new. It’s easy to get hung up on nostalgia, and there is some of that here. There is also a sound so sensual and fresh. I can just smell the musk of this album. You need to feel it on your skin.
Empathy Test – Monsters – This album was my most played on bandcamp this year. I just couldn’t stop coming back to it. It holds a beauty and quality that touches on so many genres. It’s personal and full of imagery that transports you into a movie. Isaac has one of those once in a generation voices that speaks right to your heart. This record just struck a chord inside me like the first time I heard RadioheadThe Bends. That feeling of dramatic intensity that makes me think of youth while the refined craftsmanship spoke to my changed perspective. This is a young band, and their potential to grow and make art on another level seems limitless.
So the final Bandcamp day of 2020 is upon us. This whole year feels like an absurd blur. I continue to beat the drum hard for all Bandcamp does to support artists all year round. This day each month has become something I cherish as it usually leads to several new releases. As usual I am up at midnight firing through whiskey and trying to share some of the new music that is filling my heart with fire. As the possibility of Facebook turning away from artists sharing their work I urge you to follow the page and comment below the review music that is inspiring you that I might put it in future reviews.
Codename: Lola – Lets start out with this badass cover of one of my favorite bands Ultravox in one of their more underrated songs. The single features fireball vocals from Gothzilla frontman Tim Jarvis. It’s got a glorious walking gansta style and a wailing guitar solo. Just blistering energy that never lets up and fills me with excitement for the future of this project. Currently it is free on bandcamp and is a must grab.
Vlimmer: Alexander has done it again. His ability to crank out albums at the highest quality in record speed leaves me speechless. This latest release “XIIIIIIII” has his textured emotive stark imagery. Opening with an urgency and seamless blend of guitar slush with cascading keyboards. It’s gorgeous, immersive, and never disappoints. I am always shocked by how far from the previous concept each release leaps. This one highlights the vocals and has a brighter indie rock sensibility. I’m in awe, how does he have so many ideas that always sound so fresh.
The Funeral March of the Marionettes – New single from the Illinois post punk band called “Useless”. It’s brash and melodic with 80s Killing Joke feel. That driving bassline that never lets up and chanting devil may care vocals that add weight by floating on the wave of sound.
Dissonance Feat: Kurt Larson: If there are three things I love it is 1) Kate Bush 2) Kurt Larson (Information Society) 3) The soulful smokey croon of Cat Hall. It’s a song that has seen covers before but this one is special for the vocal duet and digital downpour of sound falling on us while we are running up that hill. A special release from one of the most underrated voices in this scene. This single comes off an amazing compilation of cover songs by electronic artists called “Numbers Covered”. A great value here but if you have to check just one track it is this.
Vertical Patrols – Another single from the San Diego synthwave artist. It’s warm and puts me in mind of catchy New OrderTechnique until the vocals drop with a unique accented feeling of frustration and loss. It grabs hold of your lapels and shakes you furiously searching for it’s own answers. It’s one of those bands where I hear what is coming, as much as what I am hearing. This single paves the way for something exciting in the future.
Damien Done : My fellow Michigan native has released 3 new demos songs in November. It’s always a great experience when you have an artists that you have followed the evolution of their sound. Moyal has had an impressive career with a wide range of styles. His voice really has so many tricks in the bag and shifts from album to album and even within single tracks. An impressive talent and lyrical storyteller that drenches each canvas with rich and immersive imagery. My favorite of the three tracks was “Always On Fire” with featured this beautiful harp sound. His voice takes on a rich Brendan Perry (Dead Can Dance) lilt. Then shifts into a powerful growl at just the right moment as a booming trip hop drum beat sinks in. A Master of the song writing craft Damien does not disappoint. The blistering guitar solo in the outro is a scorching flame on oil soaked waters. Powerful.
Dead Astronauts: New release out of Seattle from Cold Transmission Music called “Silhouettes“. This one is a pre order not available until January but it already has me bubbling with excitement. First single is “Chauffer and the Flame” ok to start with I love that song title. This is hungry and sensual. It features a beautifully matched duet vocal that creates duality and tension. These drum beats come from within you and burst out of your chest. The sleek electronic style feels like I am in the Tron stadium racing in a light motorcycle with everything on the line. It’s hot, tantalizing, and leaves me hungry for more.
Modal Citizan : New album Control Alter Deplete from chaos dark grunge out of Virginia Beach. So this was admittedly a little closer to metal edge than I generally venture. My first inclination was to kick it over to Collin or Adrian. However I found it growing on me as I played it more and more. The thick as fuck crunching guitars took me back to Bad Motorfinger from Soundgarden. The vocals while full of screech and growl, also found tones of gentle beauty which rode that razor edge never quite crossing over into something to hard for me to relate to. It was one of those records I kept expecting to want to get off the ride, but found myself clutching the bar and feeling myself pulled deeper. I always know something is impressive when it is obviously out of my wheelhouse but I keep coming back to it. Even now I am not sure how I feel, other than I was never bored or lost. I think this is a record I will find me daring myself into exploring again and again in the future.
Sapphira Vee: Ok there are a lot of reasons I am excited for this album “The Mask” due out 12/15/20. One of which are the bevy of awesome collaborators including Spankthenun, The Joy Thieves, Melodywhore, and yes Amaranth. I even do a bit of guest vocals on the track “World My Voice“. Sapphira has a voice and energy that fills a room. It’s dangerous and calls you like a siren from the rocks. These tracks are so personal and really tear her open as she holds out her heart in her hand. I love the throwback tone of dropped beat triphop. It really highlights the power of her controlled elegance. It’s music that gives you a shiver. A tension in the air. An inhaled breath with every roll of the dice. In a world of darkpop about escape, this album demands your focus. It’s hard pressed to pick a favorite track, but “Mask of Happy” is such a creeping and subtle jam you don’t realize has ahold of you until it is too late. A powerful release that belongs in your collection.
Grabyourface: French ultraviolet blade runner who has just signed with Negative Gain records will release an eagerly anticipated new album 12/18/20 called “Sea“. This record is gorgeous from the get. The spoken word poetry style is engaging and draws attention to the lyrics. It’s a drowning plea cutting through an ocean of depression, trying to break the water. The music is a slow electronic cascade weathering down the rocks. I really found myself getting lost in this. Sonically it’s like the other side of the same spectrum as Mr.Kitty. My pick for favorite track was “So”. The mixture of piano sound and florescent fog synths give a beautiful setting for the melody rap poetry. Overall this is an impressive offering and one I will definitely be getting preorder for.
Caustic: Matt Fanale also of Klack released a new 5 song pandemic club massacre ep. Rhythmic robot signal beamed into your brain guiding your body as a marionette. My jam was Tu Madre. It was so hard to stop my feet from stomping and waking the house. The AI efficiency of the music is memorizing. There is so much movement with so few different sources carrying it. Around 2:50 the blasting toms start and kick the floor from under you. You also get Matts clever humor in songs like Stale Seman, Shame, and video games. The whispered secret, and old school dancedustrial beat are a delicious combination. Matt is really one of the leaders in the charge of current industrial/edm.
It’s October my darklings, the month of spook, where goths can be goths. So I need to start thinking about my Halloween soundtrack. I’ll fire through the latest batwings and eye lashes of newt falling into my cauldron.
Swansect: Kill Pop Goth – Adrian is always thrashing like a madman in a new direction. Always producing something he hasn’t done and something I hadn’t heard a million times before. Track #1 Horse of Grass has this cool percussion driven guitar strike. Almost a folk goth tempo with vibrating underwater vocals. Track #2 Kain is my favorite and has this sinister Tones on Tail Daniel Ash sex appeal. The words are in Norwegian telling the story of Cain. I love the old school batcave rockabilly riff. Swansect always takes you to a place in your mind with the music, and usually that place is a nightmare.
SpankTheNun: The Bunker Tapes II– This album is mixed by the legendary Claus Larson (LeatherStrip). Out of Texas Eric Hanes does a hard and nasty industrial, full of chant and eye beam precision. Track 2 Fight and Breed is a building whisper that holds aggression on a greasy chain to make a tension build you can feel on the back your neck. I think what really sets this above the bar are how clearly the vocals ring for industrial music. It has a bit of effect, but you can savor every growled line. Some amazing remixes here from Melodywhore, Sapphirra Vee, and Assemblage 23. My favorite track was Lies and Hate which unleashes a real Nitzer Ebb feel. I think what impressed me most of this album is how it never has to turn the volume up to 11 to hit you in the fucking teeth with it’s power. It’s a real skill to project that much rage without screaming.
Vazum: Rated V – Ok I know I recently reviewed the Detroit band Vazum, but they did this new release specifically for Halloween with a monster/ghoul theme. It’s stalking creature abomination horror full of heavy guitars and sinister keys. Zach unleashes and inner demon from behind his usually lovely lilting vocals to send a shiver up the spine. I said the same about the previous album Vampyre Villa but I love the use of 90’s alternative mixed into the horror. Emily has a soulful Concrete Blonde vocal style that is the perfect offset in every song. Each monster has it’s own tone and flavor, my favorite was Werewolf . This one really let Emily shine on vocals and truly laid out the primal transformation. Cool lyrical poetry, “Copper turns to gold, sell our gold for silver”. There is so much going on here stylistically. We had an interview with them last week (which will post soon) I am really bummed I hadn’t heard this to discuss before hand.
Vanity Kills : Chapter 2 Enemy – Hard rocking cyberpunk from Cardiff UK. The real beauty captured here is the driving rock 90’s aggression of Helmet phase shifting into pixilated time dilation of club smashing electro-core. The intensity almost rides the line of metal. Yet the distinctive dance stomp is catchy and clean. For personal preference I wish I could hear more of the lyrics and feel the melody lines. The music really placed me in an empty room of drywall I found myself smashing out of, I wanted to know more about why. Favorite track was “This is Gonna Hurt”, it had such a punch it made me picture Clutch smashing synthesizers on a flaming stage. This one shows great promise for the future.
UnderTheSkin: End This Summer – New single complete with some outstanding remixes from Poland. This one is a Cure heavy darkwave bird of prey soaring on a night sky. Mariusz has a beautiful and captivating voice. The bassline of the song is everywhere beneath the soaring wings. A powerful track in crafting and execution. So who could successfully remix such a track? Ash Code, Shad Shadows, Kill Shelter, and Antipole with Paris. Now that is a heavy weight endorsement of some of the great production tunesmiths of our scene. A lot of individual flavor here for each remix on an absolute scorcher of a track.
Twin Tribes: Shadows(Matte Black remix) – Holy shit how did I not know this was coming out? Also why does Matte Black get to remix Twin Tribes and I don’t? Ok now that petty jealousy is out of the way, this is my favorite Twin Tribes song. The song I discovered them from. I didn’t even recognize it at first in the best possible way. This is everything I want from a remix. It has taken their glorious violet energy and fired it through a prism to create something new and beautiful. I am jaw dropped on the floor right now. Buy this immediately.
Panic Priest: When Daylight Disappears – Brand new single from Jack, and it’s another burner. Such a master of blending sizzling guitar licks and neon streaming synths. His bellowing baritone voice is an trap I can’t stop falling into. This song is a prayer to the darkness that surrounds us. I want to sit on a Chicago roof staring at the moon as the city sleeps below.
Klack: Two Minute Warning (Depeche Mode Cover) – This is a beautiful cover with a beautiful and tragic story behind it. Claus Larsen (Leatherstrip) recently lost his husband Kurt after a long battle with sickness. It left a lot of medical bills and the community really rallied around him in this tough time. All proceeds go to assist their family. I’ve always loved this song and Klack of course didn’t disappoint to capture it’s energy and majesty.