Sounds and Shadows 2023 Top Darkscene Albums

  This has been a tough year for a lot of people personally. A year where we lost many friends and beloved artists in this scene. Though history strife and conflict have often been the inspiration for great art. A catalyst that helps us search for truth and test boundaries. This was a year of amazing new music that touched my heart and inspired me. As always I won’t try and rate or list every record I enjoyed. I think to cover everything and try and place it in a tidy box of genre is to lose the magic I feel getting to tell you all about something new. So I will tell you all about the Albums and Eps that touched me deepest in 2023. I hope in 2024 I discover even more and make twice as many friends like you to share it with. I’m not going to write in any particular order. If a record is on this list, I hold it in high esteem.

unitcode:machineCritical Fault – The growth and innovation Eric Kristoffer achieved with this release is staggering. Signing with COP International to release this cold icicle dagger of EDM pop hooks and pounding industrial machinery. Eric’s vocals are captivating and unexpected. Chris Hall (Stabbing Westward) did the a masterful and modern job of the mixing and you can hear both his influence as well his belief and passion for what Eric wrote. I expect by this time next year A Lot of fans of electronic music are going to be talking about unitcode:machine.

Critical Fault | unitcode:machine (bandcamp.com)

A Cloud of Ravens-Lost Hymns– Another story about huge achievements this year are the Brooklyn based duo infusing sharp jagged punk rock with the mystery and romantism of gothic rock. Produced by Jackknife Studio’s the heavy bass and exaltation in the vocals melt together into something spiritual that burns with passion. I love that Matt’s vocals aren’t afraid to be dramatic. His delivery adds so much to the narrative. The dedication to gothic driven rock is what ties together the record. The thing that makes it stand out in 2023. My favorite track is one of the most synth heavy electronic crooners “Old Ghosts“. A top to bottom stand out that explores the vocal range sense of exploration that makes ACOR shine brightest. This record is the perfect accompaniment for almost every activity. It longs to bring you on adventures.

‘LOST HYMNS’ | A Cloud of Ravens (bandcamp.com)

BELLHEADGood Intentions – Chicago based double bass duo Karen and Ivan are supporters of one of the largest scenes in the US. They play eclectic dark alt horror that confronts and energizes. The May release is a roller-coaster off the tracks, chaotic, dangerous, and alluring. Image rich poetry bouncing in a dialog of vocals to bouncing bass and stabbing guitars. Ivan’s voice is a whispered menace that gnaws the back of your neck while Karen’s cadence draws you forward. Favorite track: Valentine – This sad pop bopping guitar crossing something sinister and a blissful ignorance of what stalks you is an amazing sensation.

Good Intentions | BELLHEAD (bandcamp.com)

The Bellwether SyndicateVestige & Vigil – This record is a modern day classic. Released in 2023 to great acclaim by darkscene insiders, this is a record I think will keep gaining momentum in 2024. William, Sara, and Phil all hold impressive pedigree in this scene. Vestige & Vigil was their chance to place their stamp on the modern conversation of post punk by drawing in the collective anxiety and rage of the modern world, pressing it into a cool thrumming gem, then hurling it with a snarling curse at an unfeeling world. It takes true expertise to hone the ethos of filthy punk rock into something this smooth and concentrated. I can’t think of higher praise than saying picture “Raw Power” recorded by Martin Hannett in Manchester with 2023 gear. William just took a break from his role in March Violets to focus on The Bellwether Syndicate and touring, so please make sure to look for them coming to play near you. This will be the band everyone is talking about.

Vestige & Vigil | The Bellwether Syndicate (bandcamp.com)

Beborn BetonDarkness Falls Again – We waited too long for a new release from legendary German electropop from Beborn Beton. When the wait was over, dear gods was it worth it. This record is a master class on songcraft, beauty, and emotional complexity. Stefan Netschio croons away with a leather whip delivery. All eight tracks are a spinning cyberpunk ballroom to get lost in. Dancer In The Dark is an all-time own the floor banger. One of those tracks that has longevity to break through the surface of todays vast ocean of new synth music.

Darkness Falls Again | Beborn Beton (bandcamp.com)

Antipole & Paris AlexanderCrystallineAntipole is a Norway based post punk band I first fell in love with in 2017 with Karl’s first release “Northern Flux“. They have collaborated with many European top darkscene talents. In my humble opinion Karl has the best guitar tone in the genre. However that is something I have come to expect from all of Karl’s albums. That is not what made this record shine so brightly. This record was a far more collaborative effort which highlighted the soul and range of Paris Alexander and Eirene. This made characters and voices of complexity to dance on the shining crystal world Karl had built. Gorgeous and impactful, below is a link to a rare interview I did with Karl about the record. This is an album that transports you.

Crystalline | Antipole & Paris Alexander | Antipole (bandcamp.com)

A Covenant of ThornsAshesScott-David Allen has been making some of the best romantic goth since The CureDisintegration” for the last couple decades largely below the radar of the world discussion. Bringing in Gordon Young the legendary goth guitar whisperer to master and provide presence was a match made in heaven. Cascading minor tones wet with sorrow and storm cloud beauty. Some artists just know how to stab me right in the heart with emotional presence. The track “Idols” is a full on melodramatic John Hughes standing in the rain as you watch her walk away experience. Plunge headlong into the forlorn and broken beauty.

Ashes | A Covenant of Thorns (bandcamp.com)

Odonis OdonisICON – Toronto dark spectrum artists Constantin Tzenos and Denholm Whale flipped the script again with this new EP. Bringing in a series of great contributors like Tobacco, A Place to Bury Strangers, Actors, SUUNS, and Patriarchy to turn up the heat on a sizzling 90’s alternative chaos. ICON shifts boldly between styles and texture while tying each song back to the badass black leather jacket metric. Walking around with earbuds through the world, every song makes you feel cooler. A little more invincible, a little more fearless. Brilliant Things Feat: Terror Bird was my standout track on an album full of them. Bold longing flung forward as confident vulnerability.

ICON | Odonis Odonis (bandcamp.com)

Black Rose BurningAd Astra – The September EP from NY’s George Grant. The man I refer to as the Peter Gabriel of goth. Transcendent stories in distant galaxies, a hyperdrive range and astral bardic delivery. All of these songs feel so timeless, vibrating on a frequency between the past and future. Jason Corbett did the mastering to create sleek lines for maximum warp. Folks are finally starting to take notice of George’s talent and vision. Your collection deserves “Ad Astra

Ad Astra | Black Rose Burning (bandcamp.com)

MALE TEARSKRYPT – LA Futurewave artists that have gone through a lineup change since this album give me hope for the future. A Young vibrant addition to the scene that forged their own path. Some people dream in synth sounds, bright fractalated hyper colors. James has a soul for the dramatic and a beautiful voice to carry the message of cleverness. This record is the ideal for the 13 person rager. Lit, but exclusive.

KRYPT | MALE TEARS (bandcamp.com)

Choke ChainMortality –  Mark Trueman the Hardcore Industrial Punk artist from Wisconsin is one of those pure souls you love to see succeed. Taking hard industrial beats and unleashing vocal wounds with genuine intensity that never feels like a performance. Mortality is another step in the evolution in this synthesis of chaotic electronic club thunder, with piercing confrontation of depression and rage. The truest art should take us to the edge of a precipice, beholding excitement and terror. That is the place Choke Chain takes us. I think this record is something that won’t be fully appreciated until we have had a decade to reflect on it.

Mortality | Choke Chain (bandcamp.com)

BRIDESThe Earth Defeats Me – I have been a major fan of Norway’s modular doom rocker Adrian Borgia for some time, through several projects. This is the record I have been waiting for. The promise of potential I have always seen brought into that perfect moment. Stirring the shadowy depths of the primordial ooze that made that first proto goth sound touch that place in the hearts of everyone on the outside of the circle. Chalices is a 10/10 eerie live in your dreams balled as familiar as it is unique. The religious dedication to modular sway pans like dark water in the underworld. Lean desperate wolf growls which have latched onto fresh meat clarity which allow the poetry to shine. For everyone waiting on the bridge between the earliest death rock and stripped down modern coldwave, it has arrived.

The Earth Defeats Me | BRIDES (bandcamp.com)

Ashes FallenWalk Through Fire – Sacramento dark rock trio Ashes Fallen had another blazing guitar forward September release from their “Chapel” recording studio. The vocal duties between Michelle and James have found a wonderful balance. The tone is a reflection of the foreboding world closing in. Sprinkled liberally with a sparkle and glam of London After Midnight. Gordan Young has yet another mastering credit on my best of list by bringing the sharpest edges to these shimmering riffs. Favorite Track: Scar , which is definitely not a single at 5:16. it is a captivating slow build emotional exposition that really highlights the range and sincerity of their collective experience. Ashes Fallen continues to be a standout example of the place where passion and execution meet in the modern era of music.

Walk Through Fire | Ashes Fallen (bandcamp.com)

Sapphira VeeFortune – Sapphira from New York state is a great example of an artist I have gotten to watch the growth and development of in real time. The daring courage of her voice and the added components of her collaborators have expanded the limits or motion and image. I feel enraptured by the emergence of a woman’s experience and sensuality expressed unfiltered. This album is intimate, nuanced, unburdened by the insecurities of the past. It harkens 90’s trip hop balanced with the soul and execution of modern darkpop. Favorite Track: Those Words feat Jean Marc Lederman – The Belgian composer is well known for finding the perfect backdrop to highlight a story. The cadence that Sapphira uses in this track is the perfect exposition of her beauty and power. The music evaporates when she steps forward, and rises as she whispers a secret. I love when a story shines in a perfect moment. There is nothing more beautiful then watching an artist evolve in a heart stopping moment.

Fortune | Sapphira Vee (bandcamp.com)

NIGHT NAILFates Explained – This record was a late comer releasing in November from the Berlin Germany transplants Night Nail. Finding a third home of Metropolis Records and mastered by sonic sculptor Pete Burns (Kill Shelter) this abstract concept darkwave has ridden the cusp of the modern scene staying under the radar of popular post punk audiences. Brandon Robert brings an expressive Mark Sandman baritone I feared we may never witness again. I know I said I wasn’t going to rank these records as they all have a distinct brilliance, but this record really hits with an intention, an impact, the transcends enjoyable club music. A complex puzzle to patiently unravel over the next decade. Favorite Track: Narcoleptic Dream Catcher – This one has a throwback Ian McCulloch beauty and depth. Valentine’s backup vocals cast the perfect backlight against the slithering groove. A forgotten hit plucked out of time.

Fates Explained | NIGHT NAIL (bandcamp.com)

VNV NationElectric Sun – Confession time, I slept on VNV Nation for WAY too long. Ronan Harris released his first full length since 2018 and it is absolutely breathtaking. The craft, the expression, the undeniable honesty of this record gets beneath your skin. I felt things, ask questions, experienced what art is meant to mean. The art of lyrics as the primary focus in modern songcraft is a sadly lost focus in 2023. This album is everything you ask from modern production while delivering Leonard Cohen level poetry. I am a convert. A believer. I will never sleep on the power and impact of VNV Nation again. Favorite Track: The Game – I have played this song 100 times and the hair on the back of my arms stand up every single time. Some songs just hit a perfect spot, in a perfect moment. They become unforgettable. This is one of those tracks.

Electric Sun | VNV Nation (bandcamp.com)

Bedless BonesMire of Mercury – Another late release November 2023 from my favorite band in Estonia. Kadri Sammel has such a unique vocal cadence and energetic world beat percussion texture. A flowing aquatic fantasy of motion and prophesy. This album is shrouded in mystery. An internal exploration of body and soul.

Mire of Mercury | Bedless Bones (bandcamp.com)

Gazelle TwinBlack Dog – Awesome UK band I just discovered this year. Lot’s of gorgeous textured analog synths. Powerful psychedelic Grace Slick style vocals. This band immediately capture me by being creative in a way no one else was doing. A tempo and attack outside the box of what is popular in this moment. The growling industrial version of the Doors of Perception. The lyrics are delivered with poetic intensity. From the moment I heard that first single Black Dog I was hooked. Music without boundaries and rules that captures my dreams. This will always move me.

Black Dog | Gazelle Twin (bandcamp.com)

HEALTHRAT WARS – LA band that waited until the end of the year to put out one of the most groundbreaking and emotive offerings I heard all year. I know I said I wasn’t going to rank these albums but this was an instant classic banger. It perfectly rides the pipe of beauty and destructive power. Lightning in a bottle of honey dripping warm amber vocals and sand blasting cannon guitars. “Hateful” is an inferno club banger that builds an obsidian castle in your brain and never lets go. This album came out December 2023 so I didn’t get to spend as much time with it as others on this list. That in no way diminished that the first time I heard it I was floored with just how perfectly it balanced the range of human emotion. This record will be something people talk about for years to come.

RAT WARS | HEALTH (bandcamp.com)

Aurelio VoltaireThe Last Halloween Party – As a comedy goth artist the niche pool of artists to look up to is not a vast pool. It is no secret that Aurelio Voltaire is a bit of a personal hero, getting to open for him in 2023 was a highlight of my musical career. Getting a chance to drive him around while listening to this record pre-release was one of those moments that reminds me why I do this. Dark music can be fun, it can be clever, it is diverse and connects with us in all aspects of the human experience. I remember him saying to me “I am a goth who plays music, not a goth musician.” It’s jazz, folk, fusion, all prancing around the fire, stories to send a chill up your spine. There is a very good reason he has continued to entrance fans around the world for decades. An understanding that exploring the darkness and gallows humor within us all is what connects all the misfit children around the world. I can’t wait to play with him again in Detroit in May.

The Last Halloween Party | Aurelio Voltaire (bandcamp.com)

SOPOR AETERNUS & The Ensemble Of ShadowsThe Rules – German band that continues to do some of the most impactful and unique darkscene music year after year. An intelligent and abstract experience in a completely different category than the rest of the genre. A little Dead Can Dance, a pinch of The Swans, a smattering of Legendary Pink Dots, all whirling through a Nick Cave mist so theatrically their own. As a reviewer it is so difficult to try and define an experience so unique. No matter how many times I discover a new Sopor Aeternus album I am always struck by how glorious and innovative it is in a sea of ships moving closer together.

The Rules (2023) | SOPOR AETERNUS & The Ensemble Of Shadows (bandcamp.com)

Lana Del RabiesSTREGA BEATA – The impressive 3rd record from Arizona artist Lana Del Rabies. A sinking bog ritual of strings and vibration. A longing prayer to darker forces. This is soulful pleading music felt in the bloodstream. Something old and dangerous called forth from dark woods to transform your dancefloor into a spell of summoning. Don’t enter into this album lightly. It is a summoning. It is a crack in the doorway between dreams and reality. To create something so unnerving and captivating is an act of courage. A thing of defiance. A challenge to the other side.

STREGA BEATA | Lana Del Rabies (bandcamp.com)

genCABSignature Flaws – Philly electronic artist David Dutton has captured an idea which seems elementary, but has continued to illude the masses. The lilting anthem driving vocals of emo, and the complex vibrating impact of electronic dance music. It’s bouncing expression you feel in your bones, while vulnerable narrative lyrics offer up something relatable and transformative. The title track Signature Flaws I takes two complex ideas and curls them into perfect synthesis. As someone who came late to the game with emo music, this record blends the best parts of the early 2000s into something fresh and progressive. An album for the future blending ideas not fully realized.

Signature Flaws | genCAB (bandcamp.com)

KorineTear – Another incredible Philly band blending the most pastel beautiful aspects of Jesus and Mary Chain shoegaze, Synthwave, and 90s Britpop. The wispy sass of the vocals are a sonic cotton candy I can always get lost in. Pure dopamine poured into your ears. Korine have major star potential and are high on the list of bands I must see live in the near future.

Tear | Korine (bandcamp.com)

SWANSThe Beggar – Return of New York electro doom folk and controversial songwriter Michael Gira with a record that both surprised me and lived up to high expectations. Winding freeform psychedelic murder ballads all clocking in over 6 minutes. Only one single Los Angeles City Of Death, mostly a hard diet of brown acid campfire tales of cosmic horror. A revealing soul exploration that left me inspired and frightened in equal measure. Don’t try and digest this in one go. You need to take many bites before settling in for the meal. It is a meal well worth the wait though. Staggering, brilliant, tortured.

The Beggar | SWANS (bandcamp.com)

Randolph & MortimerThe Incomplete Truth – The Sheffield, UK artist released this bouncing electropunk symphony of gears and pistons in perpetual motion. It walks heavy with blue collar confidence through a warehouse district after dark. I think one of the hardest things to master in electronic dance music laden with samples is the exact moment to drop them for maximum impact. To not overuse so that the single spoken line sets the scenery without the need for poetic lyrics. The Incomplete Truth achieves an almost robotic precision in it’s efficiency and impact. Never a wasted line, never a bridge that wears out it’s welcome. A place for everything and everything in it’s place.

The Incomplete Truth | Randolph & Mortimer (bandcamp.com)

OMDBauhaus Staircase – Another big name legacy band with a return to form in this dystopian fantasywave. I really love how they found new ways to attack the same vamp. A whimsical dance through the streets of a crumbling society. Kleptocracy was my favorite single, the vocals had a slippery magma quality. Bright pop with a thoughtful political relevance. I don’t know if anyone had thought OMD had started to miss the beat, but they most certainly have not.

Orchestral Manoeuvres in the Dark – Bauhaus Staircase – Amazon.com Music

††† (Crosses)Goodnight, God Bless, I Love U, Delete. – LA band that folks are always recommending to me but I never really dug into until this year. I real David Gahan sensuality in the vocals with a more modern glitchy vibe to the darkpop sound. Lot’s of club singles to choose from, an album of dance floor bangers. The occasions when things turn up to 11 quickly against the smooth poppy hooks to smash you with morning star intensity. It’s deceptive in ways that keep you on high alert. Unexpected depth, unexpected intensity, a return to mystique I have longed for.

Amazon.com: Goodnight, God Bless, I Love U, Delete. (2 LP): CDs & Vinyl

thePicassosDivination Scars: among the dead in symmetry – As a big fan of the Detroit band the thing that has always impressed me most about Charles and company is the intention and thought that goes into every aspect of their performance. Such an eclectic bizarre mixture of styles from 50s doo wop to 90’s Pixies dark alt. Charles has a slippery devotion to every story he sets. Another of my favorite 2023 discoveries that the wider world needs to jump on board with.

Divination Scars: among the dead in symmetry | thePicassos (bandcamp.com)

Ritual HowlsVirtue Falters – 5th record from Detroit post rock Ritual Howls. My obsession with Yee haw goth is well documented and Virtue Falters really plays up the Johnny Cash aspect of country caught in the current of Fields of the Nephelium tragic guitars. The real power comes from how much complexity the songs have while maintaining a very straight forward groove. it’s no easy feat to capture both ideals in equal measure. It feels like one of those old school records where 3 humans locked themselves in an abandoned warehouse and got weird together for two months. Something that either leads to brilliance or madness. Never in between and Virtue Falters tapped the former.

▶︎ Virtue Falters | Ritual Howls (bandcamp.com)

ASSASSUNChronic Quicksand Depression Morning – Alexander is one of those infuriating brilliant humans who puts out such a vast amount of quality work I often wonder if he is a person or a fey. Not only is it always amazing, it is always vastly different and mind jarringly weird. I’ve never followed a stranger into an abandoned train station in Berlin in 1987 where 12 people in masks were playing abstract electronic brap music as a party performance piece. I have to imagine this would have been what it felt like and it is awesome. I think the most impressive aspect of this ambient mind goo is that it never feels pretentious. It should, but it never does.

Chronic Quicksand Depression Morning | ASSASSUN | Blackjack Illuminist Records (bandcamp.com)

C

Witch Pop | CRUNE (bandcamp.com)

Jean-Marc LedermanSoul Music For Zombies – Legendary Belgian composer Jean-Marc Lederman has an uncanny ability to constantly will into being something my heart had no idea it yearned for. A dark funky industrial blender on roller skates spinning under a disco ball. Frequent contributor Emileigh Rohn does another vocal contribution which soars and cascades with waterfall beauty. Diverse as the shades of human emotion. Jean-Marc spews forth brilliant concepts that need to be shown the light. Underappreciated in our scene doesn’t tell the whole tale.

Soul Music For Zombies | Jean-Marc Lederman (bandcamp.com)

Scorpion TeaScorpion Tea – Finally a band that is equal measure fresh on the scene, as well as brimming with OG street cred from drummer Edley ODowd (Psychic TV). Hard mean motorcycle revving skids on the floor of a condemned church. Untamed death rock with tube amp crunch and Raw Power sensuality. I expect 2024 to be a meteoric rise for the NYC band that could find a place in three different scenes.

Scorpion Tea | Scorpion Tea (bandcamp.com)

Night Nail “Fates Explained”

Newest album release from Berlin based darkwave band Night Nail on Metropolis Records. Night Nail has been criminally overlooked during discussions of top acts in the modern darkscene. Their sound has always trended more towards the abstract and grimier underbelly of darkwave music. They are travelers, country to country, moving between labels, lean and hungry on untamed sonic ground. This follow up to the 2020 EP March to Autumn is another chapter is another bold shift in story and complexion. Adding Pete Burn (Kill Shelter) for mixing and mastering brings a cool gun metal sheen that highlights the passion in their narrative.

Fates Explained | NIGHT NAIL (bandcamp.com)

Brandon Robert: composition, vocals, guitars, bass guitars, keyboards, midi, and drum programming

Justin Deaktivere: composition, guitars, saxophone, keyboards, midi, and drum programming

Valentina Veil – additional instruments and voices 

NIGHT NAILFates Explained – From the title track this album has a wonderful shimmer effect from layered instruments. A hidden waterfall of slushy darkgaze guitars to peer through at the mysteries beneath. Brandon‘s rich dreamy baritone has a Mark Sandman quality that highlights the surrealism of the music. Valentina has an expanded vocal presence which is always a good thing. The range of this record is really impressive. In a time of short story singles “Fate Explained” is a complex winding novel. Track 4 Cells shifts gears into a dark glam which could have been a lost B side from “Hunky Dory“. Track 5 “Madness and Foul” features a bouncy gothjazz bassline Mick Karn would delight at. I really enjoy the way these songs demand engagement. This isn’t music to talk over in the club and not absorb. This is music shared with loved ones in a small gathering with a bottle of red. A soundtrack to a discussion that matters.

I only have one complaint, which feels hypocritical after praising them for not staying in one lane and exploring new sounds. I kept waiting for that distinct Justin sax solo to charge forward in a song and it never came. As someone who lives for slutty muted Saxaphone in darkscene music I hope it makes a return in the next record 😉

Interview With Night Nail :

Ken: It’s been 3 years since your last full-length release. What has been the biggest change to both your sound and inspiration?

Night Nail : Thank you, Ken, for this opportunity to talk with you! Congratulations to you and Sound and Shadows for building a successful, inclusive, supportive, darkwave community within Facebook and the blog. It is hard to be objective about the ‘changes’ we made in our process or notice the things we did differently. Having the experience of making the previous records, “March To Autumn” and “LA Demons,” definitely helped make this album. Also, being in an ‘extended’ lockdown for over 3 years due to the pandemic, due to family needs, jobs, etc, Night Nail was not able to tour, as much, as I wanted to, but, this also helped. I was envious of my friends’ bands touring after COVID lockdowns and having success with it. I know people really needed to get out to see live music, again. I was frustrated. Add a long, wet, dreary Berlin winter to that equation and there is not much else to do but record music. Also, I listened to my inner voice which said to continue to be forward-thinking and bigger picture, about it all. That voice promised me that the rewards of having a fresh, new album, singles, and music videos would far outweigh playing loads of shows, post-pandemic. That voice was largely right for us, because, in honing our skills, learning from our mistakes, and learning what we really wanted for ourselves, musically, that ‘harder’ choice, to stay home and make the music even better, paid off. We also applied for a grant with our demos and were selected by a grant called Initiative Music in Germany which funded the recording, videos, mastering, promotions, and the vinyl release. After that, we got signed to Metropolis Records.

Ken: I am an enormous fan of mixing/mastering producer Pete Burns of Kill Shelter. What was working with him like? What did he bring to the sound of this record?

Night Nail: Pete Burns is talented beyond measure. More than that, he is a person with huge integrity. He doesn’t shy away from challenging projects, like Night Nail. I admit that I initially had some pretty wild ideas about what the album should sound like and close friends who listened to the early demos of “Fates Explained,” kinda thought I had lost my mind. I think Pete Burns may have felt that, too. I don’t know. But, we had committed to the album. Pete performed his magic rituals over the production, so to speak, and employed his skills in production to make the mixes coherent and powerful. He added additional instruments when we needed them and really stepped it up; especially with bass guitar. There were a lot of gaps that needed filling. We talked a lot more about inspiration BEFORE mixing “Fates Explained” and we discovered we both had an appreciation for the rhythm section for Japan’s “Quiet Life” and the ensemble, harmony section of Echo and the Bunnymen’s “Ocean Rain.” Those two albums set the stage for the dialogue. In the end, this record came out exactly as it needed to be. For me, this is the pinnacle for Night Nail and our best work.

Ken: The title “Fates Explained” conjures a bold image. To wrap logic around portents of the future. How did this title tie together the threads of these songs?

Night Nail: I tracked most of “Fates Explained” on my MacBook at home with the help of Justin Deaktivere, Ilija Gavrilenko, Valentina Veil, and Pete Burns. Everyone pitched in. I know ‘albums’ as art pieces are relics of the past and the single-song, digital downloads are popular. For me, in refusing to give up on this concept of the ‘album’ and writing each song with loose connections to each other, I push the music closer in the direction, that I love. I can only make music that I love, at this point in my life. The title for the album is literally something that came to me in a dream. In that dream, I find a mirrored version of myself, lost in Berlin. I know that over time all mirrors break and return to sand. To prevent it, I began to sell my music as a spiritual remedy in a liquid form to treat the illnesses of the robotic-like humans. I am confronted by many versions of myself. The dream ends with me inventing a new identity and a way to finally escape the city through a specific wavelength of neutrinos generated from sunlight. When I woke up from this dream, I realized that ‘fate’ is really just me, being scared, and fatalistic, but adaptive. It was intense. All the songs on the album were tracked with this dream in mind.

Ken: Valentina has achieved great personal success with VV and the Void. What does she feel is her greatest contribution to this album? Do the two of you find ease in creating art together?

Valentina: I have always loved how Brandon’s voice and mine work together. I’d say my greatest contribution to Night Nail was on an early song called, “Never Dream”. It was also our first collaboration right at the beginning of our relationship so I find it very special both professionally and emotionally. We worked a lot together in the last few years and I am always happy when Brandon comes out of our home studio asking me to listen to a new track and add something to it. I consider it a privilege to see how every song develops and be included in the process. It’s wonderful and inspiring to have him around and to have the opportunity to contribute to Night Nail songs. The way I contribute happens in a very natural and casual way. I listen to the track and then I tell him, “I hear this synth, here, I hear this guitar on this part, there,” and then, I add whatever I feel and Brandon keeps whatever he likes. He often asks me to add some vocals but despite being a singer-songwriter myself, I much prefer contributing by playing synths, beats, or guitars as I usually hear notes that don’t necessarily need a voice but an instrument. On the latest album, I particularly loved playing guitar on “Pull Off” in the second part of the song and I also adore the backing vocals I got to add on the first single “Narcoleptic Dream Catcher.” They add a bit of soul to the song and make it even more of an ‘ear-worm’ track, I’d say. We both inspire each other a lot and yes, I think we find ease in creating art together. Whether it is a song, or a video, or a graphic project we work as a team respecting each other aesthetic view.”

Ken: Are you heading out on the road to support Fates Explained? Where are you looking forward to playing?

Night Nail: Yes, we planning to tour the EU, UK, and the US. The dates are being planned. I am looking forward to playing anywhere I haven’t played yet, the East Coast, in particular. We would also be willing to go to South America, Central America, Asia, Australia, and ANYWHERE where an opportunity presents itself to perform, live, and, of course, where our passports/visas are accepted.

Ken: You made a change to the legendary, darkscene, label Metropolis Records. What will that mean for the future of Night Nail?

Night Nail: I guess it depends on how this record does. I am honored to be on Metropolis Records. I had my eye on their label for many years now. They are doing a great job with promoting and releasing our music and we are even starting to get into bigger alternative music charts. “Narcoleptic Dream Catcher,” our first single, has landed on the ‘Top 5’ on the Deutsche Alternative Charts. This is a new for us. There is a sense I get from the music business nowadays that the record label will ONLY augment and support you as much as you demonstrate a willingness to work for yourself. For me, the work that befalls the artist today is massive. We wear every hat, do we not? (ie recording, mixing, producing, selling music, shipping vinyl, promoting, music video production, music video editing, acting, directing, promoting, touring, roadie, managing, etc.) It is all done with a painstaking effort, but, well worth it. We are unabashedly, willing participants in our ‘FATES

Sept 2023 Sounds and Shadows Darkscene Singles Chart

This year is flying by, I can’t believe October is already here. Time once again for our singles chart to highlight some of the best songs released in September voted on by our group of Artists/DJs/Reviewers/Promotors/and Super Fans. Hearing these tracks are a great way to keep your finger on the pulse as well as raise awareness of amazing new bands in the scene that don’t always show up in other charts. If you or someone you know has a single released in Oct in the broad Darkscene genre. Join the group and add it.

  1. Matt Hart – Deep Down City
  2. Black Rose Burning – Fight
  3. Stoneburner – The Great Filter
  4. GoFight – Machine Rock
  5. The Waning Moon – Shred My Wings
  6. Curse Mackey – Dead Fingers Talk
  7. Sapphiria Vee – What It Was
  8. Night Nail – Narcoleptic Dream Catcher
  9. Choke Chain – Mortality
  10. Gazelle Twin – Black Dog
  1. MATT HARTDeep Down City – London Industrial Metal artist Matt Hart is no stranger to the top of the S & S Darkscene chart. I love how every single has a cyberpunk back story. This track would be the perfect scene builder for one of my old ShadowRun Table Top games. A new neon world buried beneath the destruction of the past. Cybernetically enhanced 6 inch platform boot stomps. Designer drugs and laser cycles hugging the corners of plastic streets. Razor production and imaginative concepts.

We reached a place so deep that,
All the light has left the darkness,
We source a new found light a
Strength to fuel our journeys process

A new world built for us,
A city designed to survive,
Honour, pride, and sacrifice,
This is the way of the Deep Down City

Main chamber to the stairwells,
Entertainment and the sleep holes,
Trains and stations, living districts,
All together survival instinct.

Deep, down below
We see the glow
our home so far down

This is the way, survive the day,
Take it from me we’ve paved our way.

DEEP DOWN CITY | MATT HART (bandcamp.com)

2) Black Rose BurningFight – It’s so great to see awesome people get the recognition they have long deserved. George Grant from Brooklyn has been a fixture in this scene for decades and people are starting to come around to his top tier voice, immersive songwriting, and complex technique. A science fiction story set in this albums space age world. I love how this tale zooms in on a relationship. In this one a co-dependent one. I think it’s really relatable for most of us at some juncture in life. George’s voice is such a breath of fresh air for it’s unique flavor in a baritone post punk world. It’s funny, as I read the lyrics I built a story of an alien parasite which is both keeping a stranded spaceman alive, while slowly consuming him. A race against time for rescue.

t’s stranger still, to taste a bitter pill
And there’s no lines, it’s better to lie all of the time
Now I can’t feel you anymore

Cho:
Sometimes – we try to forget it all and never make a change
Sometimes – we’d rather believe it, and just take the blame
Sometimes – we deceive, and we lie, to ourselves
Sometimes – it’s brutally painful to let it go – I know

Verse 2
It’s your state of mind, that’s seems so unkind
Now there’s no love, just push and shove, off came the gloves
And I can’t heal you

Cho:
Sometimes – we try to forget it all and never make a change
Sometimes – we’d rather believe it, and just take the blame
Sometimes – we deceive, and we lie, to ourselves
Sometimes – it’s brutally painful to let it go – I know

Bridge:
I tried to make you happy
But the truth kept shining through
I tried to make it happen
Dead and Broken, words unspoken so where do we go to now?

Cho:
Sometimes – we try to forget it all and never make a change
Sometimes – we’d rather believe it, and just take the blame
Sometimes – we deceive, and we lie, to ourselves
Sometimes – it’s brutally painful to let it go – I know

Fight! | Black Rose Burning (bandcamp.com)

3) StoneburnerThe Great Filter – Title track from Baltimore sound sculpture and dear friend Steven Archer on COP International Records. I am adoring the emphasis on narrative focus for our top three songs this month. This album and song focused on a controversial theory by Robin Hanson. I love the slow walk 90s bass opening charged down by glitchy cyber rap. The tempo takes it’s time as layers of chaos and tension pile on to a white-hot barrel fire under a bridge.

The Great Filter | Stoneburner (bandcamp.com)

4) Go FightMachine Rock (MekaBeat) – The top of this chart has been full of dear friends and all around awesome folk. So I am excited to see Chicago Industrial Legend Jim Marcus picked near the top. This remix album which features a ton of top talent doing remixes of the June single. This one has a fun 70s shock rock inside a 3d video pinball game flavor. Gyration and hip checks encouraged for this dance floor banger. There is something special about Jim’s “Industrial” voice that takes me there every time.

1.Machine Rock (MekaBeat) 04:15 video
2.Machine Rock (SØLVED) 05:22
3.Machine Rock (Bass Machine) 04:07
4.Machine Rock (Interface Release) 06:01
5.Machine Rock (SpankTheNun) 03:50
6.Machine Rock (Household Percussion) 04:22
7.Machine Rock (Derision Cult) 04:10
8.Machine Rock (Sapphira Vee) 03:59
9.Machine Rock (MelodyWhore) 04:22
10.Little Beautiful Strings 05:10buy track
11.Little Beautiful Strings (Jane Jensen) 03:16

Machine Rock (MekaBeat) | Go Fight (bandcamp.com)

5) The Waning MoonShred My Wings – A newer band comprised of two veterans Ariel Maniki (Ariel Maniki and The Black Halos) and Zac Campbell (The Kentucky Vampires). The combination explores more electronic ground for each of the goth-rock artists. You are still getting a heavy dose of classic Zach early batcave riffs. Ariel croons like a creature risen from the depths dripping with pageantry. This project really reminds you why goth was so cool in the first place. Before the word got so big you forgot what it meant.

Shred My Wings | The Waning Moon (bandcamp.com)

6) Curse MackeyDead Fingers Talk (Electric Heresy Remix by A Cloud of Ravens) – Currently out on tour Austin TX Industrowave beat poet Curse Mackey is remixed by shooting star Brooklyn post punk band A Cloud Of Ravens. The stairslide bass walk lays a thick path for Curse to fling a barrage of venom from. The idea of creeping zombified flesh swarming towards you was really taken to hear for this reimagining.

Catch Curse out on tour now 🙂

Dead Fingers Talk (Electric Heresy Remix by A Cloud of Ravens) | a cloud of ravens, curse mackey | Curse Mackey (bandcamp.com)

7) Sapphira VeeWhat it Was – This months chart is so full of amazing artists I love dearly, so it is fitting Sapphira has found her way into this list. The Rochester NY electro sorceress is swirling energies above her head and surrounded by a coven of top tier remixers on the Distortion Records release. I really love the confidence and cadence of this track. Soulful Missy Elliot energy fired over a cool spinning disc. Loving the way she has harnessed her voice and leaned into her truth.

What it Was | Sapphira Vee (bandcamp.com)

8) NIGHT NAILNarcoleptic Dream Catcher – Berlin based atmospheric obtenebrationwave band with the first single on their upcoming Metropolis release featuring everyone’s favorite euro darkscene producer Pete Burns. This opening bass riff is sleek, wet, and captivating. Brandon shows his range and dynamic with these vocals. I love the clarity of his dipping baritone that leaves the overwash reverb in the 80’s and pairs perfectly with what I assume are Valentina backup vocals. A smooth retrospective with newfound complexity.

Narcoleptic Dream Catcher | NIGHT NAIL

9) Choke ChainMortality – One of the most fiercely honest voices in modern electro-hardcore. This new single is a visceral dive into self confrontation and the horror of depression. It’s a nice build and texture on the music, but Mark’s voice cuts through everything to stand an inch from your face forcing you into his raw reality.

I can’t take it anymore

posessed by death
destroying my life
every second gets worse
it keeps getting worse

dying in your sleep
or dying in pain
most likely in pain
most likely in pain

why do I have to die?
im just trying to live

why can’t I just die?
it hurts me to live

each minute that passes
theres so many who die
and at some point that will be you
gone forever

cast into nothingness
no way to know you existed
every thought every memory
all for nothing

when will I be free?
when can I just live?

Mortality | Choke Chain (bandcamp.com)

10) Gazelle TwinBlack Dog – I knew very little about this UK band but I was instantly blown away. A quirky shadow pop with whispered menace and electronic hand drums. True abstract nightmare fuel lit by the glow of analog synths. At 2 minutes 53 seconds it explodes as the dog breaks it’s chain to charge you with frothing chaos. I genuinely regret this was the last song I listened to before bed. Pray for me.

Black Dog (Single) | Gazelle Twin (bandcamp.com)

As always, if you or someone you know is releasing a single in October in the broad darkscene genre. Feel free to post it on my Patreon or in the Facebook group. We are always looking to discover the best in new dark music.

Sounds and Shadows | Music Reviews, Interviews, Videocast Connecting the Darkscene | Patreon

Cold Transmission Spotlight Volume 2

In the past 4 years German based label Cold Transmission has been responsible for amassing and growing some of the greatest talent in the modern darkscene. Andreas and Suzy Herrmann have created a music label experience that feels like family. With a hawk’s eye for talent and a focus on growing creative expression. They have built up an amazing roster of talent around the world. Here in their second compilation to celebrate their releases you can experience some of the best and brightest for one low price. Mastered by the talented Pete Burns of Kill Shelter and featuring artwork of Yvonne Kiel this CD is a who’s who of the modern darkscene. In addition to the amazing music compiled, a portion of the proceeds is donated for humanitarian purposes in Ukraine. I wish I could review every track on this stellar offering, but I will shine a light on a few highlights.

https://coldtransmissionmusic.bandcamp.com/album/spotlight-vol-2-a-cold-transmission-label-compilation

1.IAMTHESHADOW – On Winter Leaves Embrace 04:34
2.The Secret French Postcards – The Line 03:20
3.Night Nail – Co-Morbid 03:30
4.Silent Runners – My Truth 02:44
5.Cerulean Veins – Dance In The Darkness 03:56
6.Iamnoone – Together Alone* 05:25
7.Camlann – I’m Nobody 03:06
8.The Ending Nights – A Landscape To Die 03:29
9.Palais Ideal – Age of Intransigence 04:55
10.White Mansion – Cancel The Sky 04:02
11.Reconverb – Vanishing Paintings 03:18
12.The Cold Field – Burnt Hill 03:26
13.Grey Gallows – Chains* 04:39
14.MARY – Devouring Me 03:29
15.DILK – Bad Habits 04:05
16.The Gathering – Empires 03:21
17.Cruel Reflections – Heaven or Hell 03:52
18.SHANX FM – Yesterday 04:13
19.Mark E Moon – Hearts Keep Bleeding (Demo)* 04:44
20.S Y Z Y G Y X – Cold Touch 03:43
21.ULTRA SUNN – Young Foxes 03:56
22.DEAD LIGHTS – Plastic Girl 04:04
23.CIRQUE D’ESS – Hole-Frog (Radio Edit) 04:20
24.Bedless Bones – Where Is My Voice (Tamhiis Remix)** 06:23
25.A Sinister Light – Telephone 04:06
26.NOROMAKINA – Dark 03:06
27.LETTEN 94 – Empty Landscapes 05:00
28.Incirrina – Shrapnel Words 04:20
29.La Mécanique – MDMA 03:48
30.Dead Astronauts – She Haunts Me 03:43
31.Cult Of Alia – The Only Angel 04:30
32.Death Loves Veronica – Burn 04:53
33.HALLOWS – All That Is True Dies 03:59
34.Sundata – Alright 03:34
35.Ohne Nomen – Vampire* 04:20
36.New Haunts – Echo 03:57
37.Control Room – Are We All Alone 03:54
38.Carlo Onda – Fürchte Dich** 03:35

IAMTHESHADOWOn Winter Leaves Embrace – Pedro Code has a once in a lifetime voice. The Portuguese darkwave artist is the flagship of Cold Transmission. An emotive passion sailing a turbulent sea of beauty and melancholy that moves the heart of everyone who hears it.

https://iamtheshadow.bandcamp.com/track/on-winter-leaves-embrace

The Secret French Postcards – “The Line” – Swedish darkwave poetry forward band with elegance and subtitle style. I love the whispered intensity and Johnny Marr style lilting darkness on guitar.

https://thesecretfrenchpostcards.bandcamp.com/track/the-line

NIGHT NAILCo​-​Morbid – Our dear friends in Berlin the abstract shadow rock of Night Nail. I love the complex and unique beauty with a focus on emotional impact over hook. Dynamic and courageous changes with interesting instrumentation. Night Nail treads fresh ground like protogoths Bauhaus while creating a style solely their own.

https://music.nightnail.com/track/co-morbid

CamlannI’m Nobody – The ridiculously talented young folk from Indonesia. How I wish that I sounded this way when I was their age. It is sleek, passionate, and overflows with a unique darkness. This band has such a bright future set out before them.

https://camlannmusic.bandcamp.com/track/im-nobody

The Ending NightsA Landscape To Die – Another project of Pedro Code. This a apocalypse death disco offering to sum up the last few years. Precision , Execution, Beauty, Passion, swirling in a violet fog. A transcendent art piece to speak to turbulent times.

https://theendingnights.bandcamp.com/track/a-landscape-to-die-3

PALAIS IDEAL – Age Of Intransigence – Netherlands post prog rockers John Edwards and Richard van Kruysdijk continue to create some of the most dynamic and intelligent science fiction thought rock in the scene. This is music that displays technique and ability while challenging you to higher thought.

https://palaisideal.bandcamp.com/track/age-of-intransigence

MARYDevouring Me – I genuinely feel this 2020 release from Toronto is one of the most underrated records in recent time. Driving and intense basslines that cast rippling waves is a crystal pool. I love the cadence and timber of the vocals. This feels like 4 clashing brilliant minds carried out by one train of thought. I really hope we get another album from Mary soon.

https://maryofficial.bandcamp.com/track/devouring-me

Mark E MoonHearts Keep Bleeding – From the Isle of Man this track is a demo version of the crooning old school goth style of Mark Sayle. Their album Old Blood in 2021 was a true opus for one of the strongest examples of trad goth in the modern age.

https://markemoon1.bandcamp.com/album/old-blood

DEAD LIGHTSPlastic Girl – London based sinister synths that recently had a top single on the S & S darkscene charts. It is dance and deadly with captivating vocals that lift your feet off the ground. The type of glamourous dance floor beats that cannot be ignored.

https://deadlightsband.bandcamp.com/track/plastic-girl

Dead AstronautsShe Haunts Me – Seattle dark synth stars continue to sound years ahead of their time. 2021 album Silhouettes is a memorizing conversation of internal dialog and duet relationship that sends the listener on a journey. I highly recommend that journey.

https://deadastronauts.bandcamp.com/track/she-haunts-me

Death Loves VeronicaBurn – The Texas demon lounge smoky vocal tendrils paint sinister pictures with visceral imagery and stained glass synth walls. The German label supports many American talents and Veronica continues to grow and impress.

https://deathlovesveronica.bandcamp.com/track/burn

I could have easily talked about several more bands here I love. The point is this compilation and this label are offering a gate way into some of the best darkscene music the world has to offer. 38 tracks for 15 dollars is an absolute steal.

Sounds and Shadows Top 20 Goth/Darkwave Albums of 2020

What an amazing year for the Goth/Darkwave genre. A lot of fresh talent has come forth to leave their mark. In equal measure are long term veterans that have risen from the darkness to give new offerings. Our team took on the unenviable task of choosing the releases that moved us most. We are not including singles or compilations. These are not by any means every band I bought and loved in 2020 for goth. These are all bands that released an original album in the year 2020 that built a haunted house in the ruined graveyard of my head and I want to share with you now.

20) Raven SaidBeyond the Darkest Hour – My favorite of the amazing wealth of goth sounds coming out of Russia. This is a high energy shadow punk driving acid spit flavor of Misfits and Batcave. Andrey Agapitov vocals are sinister, fluid, and have a unique meter I am in love with. The guitar riffs are scorching. It keeps hitting different layers and hitting them hard. This album really shows how wide and beautiful this genre stretches.

https://ravensaid.bandcamp.com/album/beyond-the-darkest-hour

19) The Wake – PERFUMES AND FRIPPERIES – This is another band that has a lot of accomplishment under their belts. They really optimize what I think of as the Midwest goth sound. The guitars have this awesome fire feel, like molten splatters flying towards you. The vocals are mature and a have a rich quality. Lots of organic sounding drums that give a urgency. This is a noteworthy return for a band that has stood the test.

https://thewakeus.bandcamp.com/album/perfumes-and-fripperies

18) Rosetta Stone – Cryptology – So Rosetta Stone have been around for the long haul. They continue to put out exciting music and have been a staple in the genre. This album has a wonderful stripped down flavor. It makes it feel very intimate. “Valiant Try” is a straight up jam. I think what really captured me was that this was a familiar voice but they really peeled the mask off and gave you a look at a deeper layer.

https://rosettastoneuk.bandcamp.com/

17) WitchHands- Unto Death – Call it Death rock, Doom rock, Goth, ect. Just make sure to call it one of our top albums this year. Thick rumbling bass, slashing energy whip guitars. All called forth by Ryan’s mad carnival caller vocals. He spins tales with the conviction and charisma of a tent revival preacher. I think the biggest thing to hear is the massive step forward for their production levels so you can hear the power of every aspect. It’s glorious to behold and makes me want more WitchHands.

https://witchhandsdxr.bandcamp.com/album/unto-death

16) The Kentucky Vampire – Crimson Curse – Hailing from shockingly, Kentucky, here is another band that brings old school sinister pipe organ and fire bright guitar riffs. From Secret Sin records the tone and emotion of their 5 records is everything true fans of 80’s death rock long for. Abbas has a haunting voice full of chorus and foreboding. Brandon of Sonsombre does mastering for them and helps add a sense of continuity to this new goth sound. This record really highlighted the return of wicked guitar riffs in modern goth music.

https://thekentuckyvampires.bandcamp.com/album/crimson-curse

15) Astari Nite – Here Lies – This album has that captivating power of The Cure “Disintegration“. The music is like a tapestry woven before your eyes. The vocals are a heart cry that begs and pleads and owned me from the start. The guitar leads are a gorgeous second vocal melody that winds through the songs with an intricate voice of it’s own. This is more of the romantic aspect of goth music. Get ready to fall in a deep pool of meaning.

https://astarinitengp.bandcamp.com/album/here-lies

14) The Cult Sounds – The Cult Sounds – This was another pleasant surprise I got this year. Adrian got me into this band. The strength and range of the vocals here is astounding. I think the most amazing ability of this band was the ability to emote dynamics by changing the structure from verse to chorus. I love the retro power of a Black Sabbath power chorus back into a dreamy romantic goth style. You can really hear the ability of the musicians wielding their talent to maximum effect. I expect huge things for this band.

https://thecultsounds.bandcamp.com/album/the-cult-sounds-remixed-remastered

13) Pilgrims of Yearning – Forsaken Lands

I have reviewed a few singles from the Boston witchy harvest dark rock. It’s striking and powerful, hints of Switchblade Symphony with a brighter flowing tang. Juls Garat has an angelic choir of a voice and gets offset by thunder rich basslines from Sean Woodbury. Claudio Marcio does a double duty on bonfire wall guitars and snapping drum sounds. I like the curt furious pace. This album was a long time coming and for an opening salvo it was really worth the wait. I love the Cure Standing on the Beach singles hectic jerk worldview to dark music. They really know how to strip it down and draw you in, then when they have you in the trap they spring the jaws. Favorite tracks: The Besieged Bachanalia, and The Visitor.

The standard is set for a new force in dark rock music. This is a journey worth taking with a very mystical and stormy feel. They are on my new list of must follows for all future release.

https://pilgrimsofyearning.bandcamp.com/

12) Shadow Assembly – Arcane Fusion The sophomore offering after their debut “Ghostcrawl” a twisted and brooding rock driven concoction. This new album opens the portal of darkness even further by using a different vocalist/lyricist for every track. This album is not only a prism of the wide varieties in modern gothic rock, but also a who’s who of the vocal talent of the current scene. I will act as your ferryman on the River Styx as I lead you through each track on this modern classic.

Overall this album is a synthesis of talent that really highlights what is possible when you have a maestro that knows and loves the music other artists make and finds a way to make each tone flow together to build something greater than the some of it’s parts. It is currently available on bandcamp for digital download and a CD run. If you want a good place to place your finger on the pulse of modern goth, this album is a great place to start.

https://shadowassembly.bandcamp.com/album/arcane-fusion

11) The Birthday Party MassacreDiamonds – Look they are one of the biggest names in the modern genre and that’s for good reason. The gorgeous production pushes this towards darkpop (which is not a bad thing). It’s driving, passionate, and the drum builds and transitions are ungodly. This record feels like running through the darkest parts of Hogwarts. Yes it has a child like innocence about it, but at the same time a depth and soul. TBPM still have a lot of ground to cover in their journey.

https://thebirthdaymassacre.bandcamp.com/album/diamonds

10) Rosegarden Funeral Party – At The Stake – I have shockingly never reviewed an album from the Dallas TX traditional goth explosion. I’ve heard singles but never dove in head first and I’m not afraid to admit that was dumb. Sinister reverb guitars, blistering transitions, and laser strike vocals. Leah  is a force of raw untamed storm winds striking out at an unsuspecting world. It’s haunting and full of driving pop hooks. Consider me won, consider me a fan. Favorite tracks : Torture DeclineFear of Feeling NothingJustification.

https://rosegardenfuneralparty.bandcamp.com/album/at-the-stake

9) Caroline Blind –The Spell Between – Caroline has been a mainstay for so long in this scene. Sunshine Blind “Liquid” was one of those albums that really showed me how much more the goth sound could be. This album features years of reflection and a power and beauty of delivery that makes me well up with emotion. The surrounding musicians she brought in to add depth and shading to the tracks are an all star list of talent. A powerful voice to remind us of the past and excite us for the future.

https://carolineblind.bandcamp.com/album/the-spell-between

8) SOPOR AETERNUS & The Ensemble Of Shadows – Island of the Dead – Honestly this is one of those bands I am embarrassed I didn’t already know about. I heard this on the Pat 626 show and I fell instantly in love. It’s dark, quirky, and utterly unique. It has a mystical and theatrical quality full of poetry and intensity. Brooding and whip crack sharp with hammer dulcimers and vocal deliver as sharp as a dagger. Music like this is my dark secret passion. More Harpsichords in goth NOW!

https://soporaeternus.bandcamp.com/album/island-of-the-dead-2020

7) Mary – Die Before Death – My newest goth obsession from Toronto. It is fast paced, spicy, with an old school New York feel. Strong sweeping vocals with a lot of depth and meaning. It also has a complete album feel with the sweeping tempo and dynamic shifts. Take me through the full range of emotions in one record. Another Cold Transmission signing. I expect big things in the future from him. This album is my sleeper pick of someone I was not familiar with before but will be heavily invested in ever future release.

https://maryofficial.bandcamp.com/album/die-before-death

6) A Covenant Of Thorns – Black -I have been waiting on this release for a long time. It’s what inspired me to write this piece. Scott-David Allen is a true master of this idea. He has been making songs of heart rending sadness and beauty for decades. I can honestly say this is an opus. The best I have heard yet. The production level here is next level with it’s Depeche Mode level darkpop and his amazing voice pushed to the front where it conveys a delicate yearning and sadness which is lost in the modern era. The whole record is a pilgrimage to the top of a mountain where he offers up his heart like a saint to the object of his love. The passion and idea are so raw but the mixing and song writing is done with a craft that shows the dedication such a personal offering deserves. YOU NEED THIS RECORD! (He screams from the rooftops)

Top Tracks: All of them…

but Numb – A gorgeous synthwave love poem full of hope and expression

Signs of Life – Damn it is hard to pick but this track is so crispy. Allen’s voice is everywhere on this one. The feeling cuts to deep and love lies at your feet. The chorus just opens up like a bird flying over the sea. It’s so bright and dark at the same time in perfect balance.

Choke – This one has a little more edge and sinister to it, but it is still yearning. Because sometimes a little kink can still be romantic.

https://acot.bandcamp.com/album/black

5) Black Angel – Kiss of Death – London UK artist Black Angel is putting the bat cave rock back into death rock. I feel so much of The Mission and later Sisters dancy flow to gothic rock. Their music reminds me so much of the goth club scene, swinging arms, leather and lace. Gothic music has always been tied to expression with the body, that is something Matt Vowel’s has grasp and fused into the future. The use of banging rock guitar riffs with a southern flare really created something fresh and memorable.

https://blackangelmusic.bandcamp.com/album/kiss-of-death

4) Crying VesselPleasures For The Wicked – Slade and Basil also bringing that softer dark edge to gothic rock. Horror author Slade is integrating imagery of the macabre an sinister with a glam razamtaz feel. Gorgeous layered production and flange rich echo’s that simmer with Bowie and Love and Rockets. That special darkness you find on the edge of a rainbow after a storm. Available on Cleopatra Records.

https://cryingvessel.bandcamp.com/album/pleasures-for-the-wicked

3) Night Nail – March to Autumn – Two things made this album incredible for me. 1) The complexity. The layers, instrumentation, lyrics, it all has a depth to it that doesn’t seem to be the goal of a lot of darkwave. 2) How genuine it feels. I have interviewed Brandon and I know he is one of those rare souls that when I hear his music, I feel like who I am seeing is the exact person on the album. The album also has the rich treat of Valentina (VV and the Void) providing additional vocals and keys for contrast and perspective that adds shading and definition. This is an album to think to.

https://music.nightnail.com/

2) IamtheshadowPitchblack – When I think of goth, I think of passion and vocals that capture a room. Lisbon Portugal’s IAMTHESHADOW does that in spades. Pedro Code has the best baritone in modern goth. It’s sexy, crooning, dangerous music that sounds like a full bodied red first touching your lips. It’s music to give yourself over and get lost in. Like the first time you heard Peter Murphy and thought this is the sound that encapsulates the image I want to see in the mirror. This album was a perfect bridge of the old school organic and the new school electronic. Like a chemist finding that perfect balance of styles. Now on Cold Transmission Music.

https://iamtheshadow.bandcamp.com/album/pitchblack-2

  1. 🙁