The Next Wave of Goth Is Now

Goth music and culture has always been rooted firmly in the past. It often has felt this subculture awards time served in the scene and knowledge of the obscure history of the bands, clubs, and fashion of our progenitors. However in order for a culture to carry on it must evolve and strike a chord in future generations. This happened in the 90s, then again in the mid 2000’s as new waves of goth music found and audience. Each time adding to the story by paying homage to the generations before it. As time went on “Goth” has splintered into smaller subgenres which have pushed further from that original concept until a tangled and complex web reached towards the edges of other genres. I for one embrace how rich and diverse the concept of goth culture has become. In future articles I want to explore some of these subgenres and how they are impacting modern music. In this article I will be focusing on the return to the core. That first idea of guitar driven dark music, with throbbing basslines, ethereal keyboards, and haunted lyrics with romantic natures.

1st Wave: The Velvet Underground, Joy Division, Siouxsie and The Banshees, Killing Joke, Bauhaus, The Cure, Sisters of Mercy, The Birthday Party, Sisters of Mercy, Red Lorry Yellow Lorry, Fields of the Nephilim, The Mission.

2nd Wave: Rosetta Stone, Nosferatu, The Wake, Children On Stun, Dead Can Dance, Lycia

3rd Wave: Angels of Liberty, Merciful Nuns, Switchblade Symphony, O’Children, Ritual Howls, Pink Turns Blue, The Horrors, Sunshine Blind, Golden Apes, Black Tape For a Blue Girl, Razed In Black.

Finally a new slew of darklings is raising that torch and producing the next wave of goth rock. I think it is key that these are bands who came up listening to the post synthesis goth and found their way back to the root. It gets me excited for the future.

Sonsombre – Leading the charge in this next wave. A band now signed on goth mainstay label Cleopatra. Sonsombre brings back that electric tempo and graveyard theme with flickering guitar riffs that flow like a fencers duel. You can feel that early outlaw goth Fields of the Nephilim on their 4 amazing albums. With no sign of slowing down. If you are ready to jump into that next wave, this is a great place to start.

Brandon Pryus

https://sonsombre.bandcamp.com/

The Kentucky Vampires: Hailing from shockingly, Kentucky, here is another band that brings old school sinister pipe organ and fire bright guitar riffs. From Secret Sin records the tone and emotion of their 5 records is everything true fans of 80’s death rock long for. Abbas has a haunting voice full of chorus and foreboding. Brandon of Sonsombre does mastering for them and helps add a sense of continuity to this new goth sound.

https://thekentuckyvampires.bandcamp.com/album/crimson-curse

Scary Black: Another amazing new goth act from Louisville KY. What the hell is in the water out there. This is a one person band that has such electric energy and frightening tone. Singer Albie has one of those deep baritone voices that comes from the bottom of a well and fills you up with emotion. 3 albums and the napalm fire single Starlight Dancer.

https://scaryblack.bandcamp.com/album/are-you-afraid-of-the-dark

Twin Tribes: These lovely lads from Texas have taken the world by storm. Dreamy private ritual sounds that bring the beauty and heartbeat of The Cure back into the mainstream. Tender poetry and swirling texture smoldering in a cauldron on a moonlit night. Already with two breakout albums and additional singles they are setting the standard for the softer side of gothic rock.

https://twintribes.bandcamp.com/album/ceremony

Black Angel: London UK artist Black Angel is putting the bat cave rock back into death rock. I feel so much of The Mission and later Sisters dancy flow to gothic rock. Their music reminds me so much of the goth club scene, swinging arms, leather and lace. Gothic music has always been tied to expression with the body, that is something Matt Vowel’s has grasp and fused into the future.

https://blackangelmusic.bandcamp.com/album/kiss-of-death

IAMTHESHADOW: When I think of goth, I think of passion and vocals that capture a room. Lisbon Portugal’s IAMTHESHADOW does that in spades. Pedro Code has the best baritone in modern goth. It’s sexy, crooning, dangerous music that sounds like a full bodied red first touching your lips. It’s music to give yourself over and get lost in. Like the first time you heard Peter Murphy and thought this is the sound that encapsulates the image i want to see in the mirror. Now on Cold Transmission Music.

https://iamtheshadow.bandcamp.com/album/pitchblack-2

Cliff and Ivy: Alaska’s favorite goth couple Cliff and Ivy have brought back the isolated howling wolf tooth and nail of goth. The punk blend of The Damned and Alien Sex Fiend. It’s raw, fierce, and unapologetic. Ivy takes the back of your head with her beautiful prose, then smashes your nose with a headbutt of power. Cliffs thick guitar riffs are a growling beast let off the chain. Iron Gauntlet in a velvet glove.

https://cliffandivy.bandcamp.com/album/the-best-of-cliff-and-ivy

Crying Vessel: Slade and Basil also bringing that softer dark edge to gothic rock. Horror author Slade is integrating imagery of the macabre an sinister with a glam razamtaz feel. Gorgeous layered production and flange rich echo’s that simmer with Bowie and Love and Rockets. That special darkness you find on the edge of a rainbow after a storm. Available on Cleopatra Records.

https://cryingvessel.bandcamp.com/album/pleasures-for-the-wicked

Mary: My newest goth obsession from Toronto. It is fast paced, spicy, with an old school New York feel. Strong sweeping vocals with a lot of depth and meaning. It also has a complete album feel with the sweeping tempo and dynamic shifts. Take me through the full range of emotions in one record. Another Cold Transmission signing. I expect big things in the future from him.

https://maryofficial.bandcamp.com/album/die-before-death

Death Loves Veronica: This lovely lady from Texas brings that same Souxie dripping soul and witchcraft elegance to modern goth. It’s smoky and pours straight from the vein into your ears. Really nice use of guitar to add weight in the right moments. Goth needs to echo through the listener on a personal level. You need to feel what they feel and that is what Veronica captures so elegantly.

https://deathlovesveronica.bandcamp.com/album/in-the-silence

Sounds Like Winter: All the way from Australia Art Banister’s popping sharp edge retro feel goth rock has a lot of that true early Joy Division/Warsaw vibe in the drum and tempo. The vocals are forceful and ringing in a hopeless monotone. All that fuzz and emptiness given flesh.

https://sounds-like-winter.bandcamp.com/album/no-interest-single

Adoration Destroyed: Also from Texas this band is leather pants sexy in musical form. Masters of blending modern pop and old school shadow shock. It’s animalistic and winding with crackling electric dance destruction. Erik has a voice that calls to you come hither and has a 10/10 on the shake that ass factor.

https://adorationdestroyed.bandcamp.com/

Orcus Nullify: The doom and shattering gothic rock sound and poetry unafraid to lean into the cheese and imagery of early goth. Thunderous bass driven rock about bog witches and grave dirt. I love the courage and delivery of this South Carolina sensation

Witchhands: Colorado doom metal with raw open wound sounds full of decay and ritual. That place where early goth rock stayed into metal and pain. Spewing forth a filth and blood soaked pageantry with blistering guitars mashed with organs and echos.

Redwing Blackbird: Another Colorado band with blistering speed and The Damned edge punk feel mixed with true goth sensibility. This album picked me up when i am feeling low…and then sends me low again. Great production and electric tempo.

https://redwingblackbird1.bandcamp.com/album/too-klaus-for-comfort

Amaranth: Ken, do you have the strength of character to not engage in shameless self promotion and include yourself with this wave of goth bands? Fuck No! I feel good about the music we have made coming back. It veers from old school to proggoth/ to industrial but fuck it, it’s good. Give it a listen πŸ™‚

https://theamaranth.bandcamp.com/album/spreading-the-charred-remains-of-hope

I also wanted to call out a few bands that rose from the grave to join the modern scene but have been making music all along πŸ™‚

Caroline Blind: The stunning voice from Sunshine Blind has returned to cut an amazing solo album. Bringing in a who’s who from third wave goth to accompany her on this soulful and rich goth endeavor with a more organic feel. Her voice grabs hold of the heart strings and rides your into the ground. Breathtaking music contributions from Rich W. (The Wake), David Wolfenden (Red Lorry Yellow Lorry), Dave (The Dramedy), Ashe Ruppe (Delphine Coma), George Earth (Switchblade Symphony), Gordon Young (Pretentious Moi, Dream Disciples, Children on Stun), CWHK (Sunshine Blind), William Faith (Bellwether Syndicate, Faith and the Muse) and Geoff Bruce (Sunshine Blind, Faith and the Muse). Everyone who shows up hear really shows the impact of this artist on the scene and how much power this newest release packs.

https://carolineblind.bandcamp.com/album/the-spell-between

The Wake: Speaking of The Wake, they have just unleashed a new album in 2020 and it is game changing outstanding. This record is going to get it’s own review but to not mention the power of this release would be an oversight. Such a sky opening laser of guitar beams interlaced with velvet smooth vocals and a canopy of bass to hold it inside. My breath is taken.

The Cassandra Complex: Rodney Orpheus of London’s Cassandra Complex has been keeping the goth sound alive for years. A tantalizing and sinister painting of sound with the history of human experience brought shining and new with each release. Recently on bandcamp he put out some remasters of those lovely goth anthems back into the light. A true crooner of the poetic experience of early goth music who actually toured with the early progenitors.

https://thecassandracomplex.bandcamp.com/album/wetware-2019-remaster

I didn’t come close to hitting everything, and with facebook now stopping videos, lists like this on our page might be the best bet for a full playlist of new music. So If I missed something you feel meets the requirement of guitar based goth made in the last 4 years. Please add in the comments and I will try and get it included. Much love, Precious Ken.

Bandcamp Day was a smashing success. What was hot?

So during the current pandemic when artists are taking a hit from an inability to tour and play out, Bandcamp the music distribution platform that seems to actually care about artists waived their fees for a day. Honestly the fees they charge are pretty fair but anything to get people excited to support bands. So here is some of what caught my fancy on the first day of May.

Panic Priest (Second Seduction) what a strong second offering from Jack. This album really took the sound in a sleeker, stronger, synth driven new direction. His voice remains one of the strongest baritones in the scene but here it is piled on layer after layer of textural experience and the experience is amazing. Extra Credit for the cool fan sourced music video on the single Lonely City.

https://panicpriestngp.bandcamp.com/

Blood and Dust – (Compilation) This is such an awesome comp put out by out by TG Mondalf of Venus Aeon. I was just talking to Brandon of Sonsombre on the podcast about the connection of southern sound and goth…which i call Outlaw Goth. This comp is absolutely jam packed with fire tracks of some of the hottest names in new goth rock doing southern style. October Burns Black/Sonsombre/Black Angel/Raven Said/Cliff and Ivy/Guillotine Dream and many more. A cool concept and great execution.

https://venusaeon.bandcamp.com/album/blood-dust-a-gothic-western

Delphine Coma(Secondary Eyes) Long awaited EP from Ashe Ruppe. Two tracks and two remixes with that true deep darkwave sound. Rolling baselines and Ashe’s deeper than then earths core voice ringing icy and clear. Yes please.

https://swissdarknights.bandcamp.com/album/secondary-eyes

Orcus Nullify – (Pandemonic ) A poignant track for the current situation. Much more stripped down and electronic feel for doom rocker Bruce Nullify yet holding true to that buzzing noise sword guitar. This one strikes hard and takes no prisoners.

https://orcusnullify.bandcamp.com/track/pandemonic

Vlimmer(Pulmo) Shadow Sound architect Alexander Donat continues to spew forth such a steady stream of quality material at a rate that defies imagination. Here he stays between tighter lines than some of his more psychedelic offerings. The drum beats are tight and the guitars are cold vibrating lasers cutting through the dark din. I really like how the bass walks in track two Sonnenspeer.

https://blackjackilluministrecords.bandcamp.com/album/pulmo

The Black Capes – (Lullabies For The Dead) Old school gothic rock from the land of history Athens Greece. Like a big black wolf snarling and writhing these crushing beats and vicious growling vocal delivery is the sound of night creatures baying. It has tender moments of light strings and contrast. Another band embracing the glory of the past to create a dark future. The sound put me in mind of the wild rural parts of my home in Michigan. The land of Iggy Pop.

https://theblackcapes.bandcamp.com/album/lullabies-for-the-dead

Ashes Fallen(Thy Will Be Done) Sinister guitar lord James Perry put out a new single today full of a lot more menace than the last album. I feel like Michelle and Jason have really had an effect on the tone for this single. The guitar and baselines still include a lot of movement and technique. The keyboards fill the space to give those hard down strokes more accent. The vocals are not a clean alternative romanticism I heard and enjoyed on the last record.. They are dark, full, gritty, and not what you want to meet in a dark alley. Love the direction.

https://ashesfallenmusic.bandcamp.com/track/thy-will-be-done?fbclid=IwAR3BuaA3tjcyuKJLP42cPJspG6gQeMmdYw3vbS_lY30355dxCup4ZqGT5uo

Pilgrims of Yearning(Forsaken Land) – Pre release of the June 5th album offers a first track and single The Visitor. Juls Garat has a clear and slicing voice which knows how to shine light through every crack in the dark and driving bass wall. This was a taste that gets me excited for the whole meal and the future of an exciting sound.

https://pilgrimsofyearning.bandcamp.com/album/forsaken-lands

Plague Garden – (Left in The Grave ) – Ok important question, how the fuck did I not know about Plague Garden? Paul Barker of Redwing Blackbird (who i love) is involved in this project. This is gorgeous, sinister, old school artistic almost Tones on Tail lo fi drone goth. Great use of changes and making every sound count. Goth with clinical efficient effect.

https://plaguegarden.bandcamp.com/releases

Caustic(The King of EBM) So if Matt Fanale has a new EP and the title sounds like a play on Run DMC best believe I am here for this. Of course it is just what you would think. Look it is not an overstated boast to say The King. Infectious beats drive your body like a bolt of electricity from the sky awakening dead flesh. It’s Alive! It’s Alive! It’s blue collar, it’s high ideal, it’s everything I love about punk, and EDM and nothing I hate about either.

https://caustic.bandcamp.com/album/the-king-of-ebm

A Cloud of Ravens(The Earthen Call) New York darkwave duo with a new single out. I really want to listen to this while doing ritualistic magic in a secret underground lair. Not that doing that doesn’t sound cool all the time, but to this song in particular. Love the walls closing in guitar for an otherwise traditional darkwave song. Gave the whole feel flaming wheels.

https://acloudofravens.bandcamp.com/track/the-earthen-call

Raven Said(Beyond the Darkest Hour) Ok, I have a confession/moment of self reflection on Raven Said from Russia. I have had 3 reliable people all tell me to listen to this record and just hadn’t gotten to it. I get a little full of myself sometimes from writing this page and start to think if it was really that good I would have found it right? Holy shit this is good. I hate myself for the moments I wasted not knowing about it. It’s driving through haunted woods chased by a ghost luxury automobile full of specters and demons on a foggy night. It bounces on tight coils like post punk but it has the soul of really spooky quirky bat cave. So don’t be dumb like me, buy this immediately.

https://ravensaid.bandcamp.com/album/beyond-the-darkest-hour

From The Mouth Γ–v Belial(Defied and Devoured) Have you ever wondered where modular synths go after they die if they have not lived a good and pure life? Adrian can show you. This is disturbing sonic nightmares given flesh. In fact I might have to write one more review just so this isn’t the last thing I hear before I pass out. Honestly he should have wrote the soundtrack for the Suspiria remake instead of Thom York.

https://fromthemouthovbelial.bandcamp.com/track/defied-devoured

Mindless Faith(Insectual) Washington DC based electronic robot invasion music that makes me long for humanities inevitable collapse at the hands of our metallic superiors. I suppose it is easy for me to think of Rick Furr as part of Steven Archer’s posse. Here with Jason Sevanick, Paul Green and Chris Sevanick they have unleashed soulful energon cube filled landscape of precise mixing and slapping beats. I got half way through writing this and realized it came out last year, but somehow skipped past my notice. An endless tide of automation integrating your mind.

https://alterculture.bandcamp.com/album/insectual

Well I didn’t come close to writing about everything I listened to this Bandcamp day (My new favorite holiday) I wrote a lot though. It’s a strange and scary world full of uncertainty. Listen to new music. Support the artists who make it. I suppose it is time for a little shameless self promotion.

Tiny Gods Who Walk Beside Us – I made a compilation, to save my cat. Beyond that it is really good. I honestly astounded how good. If you like Goth/Industrial/Post Punk/Darkwave/Coldwave A lot of the hottest new talent is here. $10 for 25 songs.

https://theamaranth.bandcamp.com/album/tiny-gods-who-walk-beside-us

Tiny Gods Who Walk Beside Us

These tiny beings that we let into our lives change us in ways we cannot imagine. The relationships we build are the supporting blocks of our existence. That which gives it perspective and texture. When my three year old cat Freyja was diagnosed with a very aggressive cancer in her leg the full power of how much we invest in our tiny companions really struck me. My fear of a future without her and the big questions of how to proceed. What that would mean weighed heavy on my soul. Cats were once worshiped by the Egyptians and many cultures as deities. There is no other creature save humans that truly embodies the idea of pride and love. When I created the review page Sounds and Shadows I found in my love for new music the power in hearing and understanding the lives of the artists who make it and shared that with people around the world. In these dark moments with Freja’s life hanging on a knife edge these artists who I had woven a connection with reached out to me and ask β€œHow can I help?” This was an affirmation which touched me to my core at a time I needed most to believe in the importance of those around me. From around the world they came together in collaboration and kindness to offer their time, their art, and their charity. Freyja required an amputation of her leg which was successful and I am happy to announce saved her and left her the same glorious, loving ball of warm energy as she was before, albeit on three legs. The cost of her operation was quite substantial but it was a sacrifice worth making for my tiny goddess. Buying this compilation of songs contributed by dear friends is directly funding Freja’s care and operation. Any additional funds beyond direct medical costs will be donated to a non kill shelter charity to help other animals in need. A special thank you to Pete Burns for the immense task of mastering the compilation. Cate McFarland for the wonderful cover art which I feel really captures the concept. Slade Templeton for releasing it. Collin Schipper for being my rock and helping me put it together. As well as William Zimmerman for helping me promote. To anyone who has ever written a song, recorded it, and released it, you know how much effort goes into each one. How much love I have for all the artists below is hard to put into words. I never could have imagined something so beautiful and powerful could arise from this dark event. I hope it’s power touches you and reminds you to pay a special homage to your tiny God today.

Much love,

Ken Magerman

https://theamaranth.bandcamp.com/album/tiny-gods-who-walk-beside-us

Order Here πŸ™‚

Also Here is the podcast Part 1 where we discuss the first 8 tracks

I wanted to do a quick breakdown of all the artists who contributed a song to save my baby. When I look at the list of the amount of talent here it is a bit staggering. We had submissions from all over the world and quite a few collaborations of people who never knew each other before this project.

  1. Lorelei Dreaming – (Edge of the World Dj Senseless mix) Chicago based dystopian electro dance. Comprised of Laura and AJ remixed by Madison WI’s Dj Senseless. This song is such a different sound for Lorelei Dreaming, it was the perfect opener with it’s emotional swell.

https://loreleidreaming.bandcamp.com/

2. Amaranth – (For Freyja) Goth/Industrial/Synth Rock from Kalamazoo MI. That’s us πŸ™‚ I had some really deep emotions that needed uncorking with this song. Collin wrote a great song way out of our normal wheelhouse including Derick on a mandolin and Kam with some very delicate brushwork. It’s the loudest I ever screamed in anguish on a song. Hope you enjoy it.

https://theamaranth.bandcamp.com/

3. A Covenant of Thorns the lovely sweeping romantic goth synth from near Chicago. What an amazing voice with this song remixed by Chicago Rock/Industrial super group The Joy Thieves. This is my favorite ACOT song and I don’t know how I could have liked it more. Enter Dan Milligan, this remix found another level of what I already loved in beauty and clarity.

https://acot.bandcamp.com/

https://armalyte.bandcamp.com/album/the-joy-thieves-a-blue-girl

4. Corlyx – England by way of LA and Berlin glitter grunge electronic duo remixed by EDM Industrial noise mechanics Electronic Substance Abuse (ESA). This song Deform is such a wonderful combination of both styles. Caitlin’s voice is ethereal and airy, floating through the void when the creeping digital build starts burrowing into your mind.

https://corlyx.bandcamp.com/

https://esangp.bandcamp.com/

5. Antipole – Norwegian post punk revivalist of Karl Morten Dahl. Ft Paris Alexander and Eirene are experts of taking what is glorious of the past and making it rise again into the present. They are the most reviewed band in Sounds and Shadows history and true masters of the music craft. This song is such a different flavor for them and one I immediately fell in love with. That same signature Karl guitar but with this crisp sizzling dance beat. Together with Eirene’s smokey sultry voice it’s a real burner.

https://antipole.bandcamp.com/

6. Ego Likeness – Maryland dark rock industrial duo of Steven and Donna have been such an important part of this scene for decades. This DrΓ€cos Deep remix by Sombre‘ of the song Darkness really places a cool highlight on Donna’s voice and a crisp dance beat.

https://egolikeness.bandcamp.com/

7. Machinery of Desire – Traditional goth rock of Adrian Auchrome. I trade music back and forth with Adrian often. I say as no light sentence I think this is the best song I ever heard from them. I was touched beyond belief that they shared it with me for the compilation. The vocals really cut loose and highlighted their unique and romantic darkness. Gentle crawling guitar lines of piercing intensity.

https://machineryofdesire.bandcamp.com/

8. Adoration Destroyed – The glamour gloom stars of Austin TX remixed by Philly’s Authentic Impulse. I really liked the way Erik’s voice sits on the bouncing glitchy effects and pounding drum beats. AD does such a great job on remixes themselves it was really cool to see what William was able to do with their song.

https://adorationdestroyed.bandcamp.com/

https://authenticimpulse.bandcamp.com/releases

9. Crying Vessel – Swiss dark glam star Slade Templeton gets a double credit here. Both for this amazing song remixed by Dead Agent, but also for helping me release the compilation. Ed Finkler (Dead Agent) did a sizzling breakneck dance song and let Slade’s voice ride on top like the crest of a wave. Such wonderful movement and balance. This was a beautiful team up that happened for the first time on this compilation.

https://cryingvessel.bandcamp.com/

https://deadagent.bandcamp.com/

10. I Ya Toyah – Chicago’s one woman sonic explosion Ania has been remixed here by Arcontas Blank for her single Code Blue. This sizzles with her intense soul and some intricate and beautiful synth pad work. I really love how varied and dynamic the different sounds used here are.

https://iyatoyah.bandcamp.com/

11. Twin Tribes – (Dark Crystal) The lovely princes of Texas darkwave. Twin Tribes was the first band we reviewed for Sounds and Shadows and they remain one of the bands that inspires me in the modern scene. This track is a beautiful, swirling ritual of emotion and pageant. The future is so bright for this band.

https://twintribes.bandcamp.com/

12. Radiograph – (Catnipped) This is the solo project of John Edwards Palais Ideal in the Netherlands. I love this sizzling disco prog synth with a early New Order guitar line. Palais Ideal is always finding ways to step outside the box of what post punk could be.

https://palaisideal.bandcamp.com/

13. Caustic – (Fuck that Fascist Beat) Silverwalks Remix – Madison WI old school Industrial/EDM brings an intense shoulder tackle political hailstorm. Remixed in a smoother synth slither dance style by Pennsylvania based Silver Walks. This track slams so hard both in your mind, and in dat ass.

https://caustic.bandcamp.com/

https://silverwalk.bandcamp.com/

14. Seven Federations – (Syzygy) – North Dakota based goth Industrial full of rolling bluesy soul and electronic glitch. I love how hard it is to classify what I am hearing. This song has a really cool sample/spoken word effect that reminds me of 90’s VAST.

https://sevenfederations.bandcamp.com/

15. Vlimmer – (Schnittstelle) – Alexander’s Berlin based ambiant darkwave project is a masterclass in structure and sound creation. The rate and quality of the music he puts out never ceases to amaze me. This song is a intense and terrifying well of emotion and abstract prism to twist the mind.

https://repartiseraren.bandcamp.com/album/angststand

16. Dogtablet – (Showtime Melodywhore Slave Remix) – The project of industrial titans Jared Louche (Chemlab) and Martin King (Test Dept) created this wondrous album based on the concept of totemism. Every track feels like a different creature embodied. This track is a sultry triphop prancing creature of grace and agility. It has a very feline quick quality.

https://dogtablet.bandcamp.com/album/feathers-skin

17. Kiss of the Whip – ( The Pain is Ours) – I have been a fan of the Baltimore based retro synth weavers on Cold Transmission for a while now. Beautiful familiar feels with modern edge and a layered beauty. This track is a roller coaster of peaks and valleys gliding though a rainbow landscape of color.

https://kissofthewhip.bandcamp.com/

18. Steven Archer – (The Showroom) – The amazing artist of (Ego Likeness and Stoneburner) appear once again showing his range in this synth prog builder. I really love how different his vocals come across in this song. Theatrical and with a Nick Cave flare. What is it he can’t do?

https://stoneburnerofficial.bandcamp.com/

19. Cliff and Ivy – (Will to the Power) – Alaska’s darkest couple have been creating batcave punk fueled witchcraft for over a decade. It is raw, fierce, and intelligent. I love the drive and bloody claws of this track. Ivy and Cliff really show the power of two people in perfect lockstep making eachothers art stronger.

https://cliffandivy.bandcamp.com/album/the-best-of-cliff-and-ivy

20. Orcus Nullify – (March of the Lost) – South Carolina’s Bruce Nullify creates a brand of unapologetic terrifying rumble of old school death rock. I love the over the top imagery and slashing guitars. I feel like this track perfectly captured that style but with a focused clarity which added extra weight and power.

https://orcusnullify.bandcamp.com/

21. Ritchual – (You Lied) – Austin TX based Ritch Napierkowski of Adoration Destroyed and Nimbus has done this synthwave solo project and it is absolutely lights out. This song could have been a missing track on Depeche Mode “Sounds of Faith and Devotion” Just a delicious dark ear candy jam.

https://ritchual.bandcamp.com/

22. Sister Sarin(Split) – Baltimore Percussion specialist Hemlock has done this solo project where she weaves intricate texture and pulsing drum beats to create lovely isolated sonic paintings. This song has a driving dance beat and saber slash keyboard melodies to create an instrumental full of movement and dynamics.

https://www.facebook.com/SisterSarin/

23. Swansect – (Clovermouth) – Norwegian noise artists Adrian Kjosnes of Missfit Toys and writer for Sounds and Shadows unleashes this terrifying and avant garde solo project. It has this brimming intense Goblins feel of sinister noise and stealthy builds. This track is a haunting horror movie soundtrack to grab your nightmares with it’s claws and leave you screaming for more.

https://swansect.bandcamp.com/

11 Grams – (DNA) Half Washington DC half Australia the industrial electronica dance floor lords have been a part of this scene for a long time and always bring the highest level of precision and technique. This track is a slow dark builder that crackles with life and a whisper that draws you in.

https://11grams.bandcamp.com/

Sombre’ – French post punk with a very cool organic world beat feel. They always remind me a bit of the Happy Mondays. Cedric has a resonant and soothing voice and the baselines always really drive. Here he does a wonderful remix of Ego Likeness. I really love how Donna’s vocals are highlighted here.

http://www.sombre-official.com/?fbclid=IwAR1a_8Enr6qCrdl7VbWjx5hnHqKXgNJVtY7ETw5-HtOqJUa0rWtZIaafzsk

This entire compilation was mastered artfully by Pete Burns of (Kill Shelter) with cover art by Cate Mcfarland. Released by Slade Templeton.

https://killshelter.bandcamp.com/

Review of Orcus Nullify: Death Hag

Band: Orcus Nulify

Album: Death Hag

Label: Self release

Members: Bruce Nullify – Vocals, Guitar, Bass/Leonia Teaneck – Lyrics on Death Hag and Rose Veneer/
Drum tracks, mixing, mastering and all around big help Ant Banister of Sounds Like Winter and Lunar Module.

https://orcusnullify.bandcamp.com/album/death-hag

https://orcusnullify.weebly.com

https://www.facebook.com/ORCUS-NULLIFY-136454503096836/

So Orcus Nulify is a wonderful project by Bruce Nullify out of South Carolina. Bruce is one of those wonderful people in this scene that is always going out of his way to help everyone else in the around him. So I was really excited to get this EP and really dig into it. The sound has a lot of heavy old school goth guitar riffs, I would almost call it doom metal. His voice is a deep mellow chant and his lyrics are extremely theatrical and over the top. I get how it might even ride that line too much for some, but not for this guy. I think Bruce glides the absolute razor wire of creating a dramatic picture of allegory while keeping just enough in reserve to not cross the line into cheesy. It’s a real art in this day and age to create something this involved without coming across as ironic. As a listener you have that question in your head but you also have to face that this is extremely well done rock music with depth and substance. The Sisters of Mercy did this, Rosetta Stone did this, and I feel like Orcus Nullify is walking the same path. I think another great strength of this EP is that Bruce is doing every voice, guitar, bass, drums, when it all comes together I think it really gives the songs a singularity which are essential to the effect he is creating.

This was a four song EP I found myself wanting more of. He covers a lot of ground artistically in just four songs. Bruce got some help from Ant Banister of Sounds Like Winter who is an incredible song writer in his own right. He really smoothed out some of the edges and added in some drums beats that give motion to the tracks and make it feel more modern. Leonia Teaneck did the lyrics for Death Hag and Rose Veneer which are two of the strongest tracks. I don’t know any of her work but the lyrics here are truly unique and wonderful. β€œDrags her fingers through the leaves, and in the night, the veil is lifted.” This EP is full of power and vulnerability at the same time. It’s a memorizing combination.

As I have continued to listen to this EP more an more I think it is important to add a note to the original review. The guitar work in these songs really stick with you. It’s a lot of of rhythm and lead blending and twisting and the more I heard these songs the more I felt they were the true stars of what is making these songs so powerful. Bruce is doing both and I think that is part of what makes them blend so seamlessly and become another voice in the pageant of this music.

Since it is a 4 song EP the best tracks could be any of them, but I will narrow it to two.

Rose Veneer – This is the quintessential bomb track and single. Powerful driving drum intro. Textured guitars that have a very old school Alien Sex Fiend British goth feel. When Bruce comes in with those winding thick vocals describing a crawling graveyard culmination of life and death. It really optimizes what Orcus Nullify does so well. It keeps you guessing as to how serious this is and leaves you as a listener questioning your own perceptions.

The Wind – Here things kick up a notch, a slashing static whip of guitar undercut by a driving Peter Hook bass line. Bruce’s vocals again are a chant in an off kilter rhythm that captures your attention. Then the chorus jumps up an octave in a traditional Cult like rock ballad. I love the dynamics here. The drums really add so much to this track with those crisp merciless snare snaps. I can picture the music video in my mind without seeing one.


Overall this EP is a brave and fresh challenge to the so much cooler than thou feel of modern post punk and goth and I found myself falling in love with it’s unabashed extreme darkness with a standard rock feel. This is an album that needs more appreciation and attention. Find the straight forward spooky romanticism of Orcus Nullify