Sounds and Shadows 2019 albums of the year.

2019 has been quite a year for my dream. It has found it’s tar dark wings and started flapping them to places I never imagined it would go. I have new writers like Collin, Katy, and Adrian. I have 4 times as many followers. Made new friends which I have come to love and value. Traveled to distant lands. Started a podcast. In general it gets me excited for the future that so many people all over the world have shared with me this love of what is happening in modern music.

Unlike last year when I did a top albums review all alone I know had a wine drenched democracy of shouting voices sitting in a room and debating what had moved them in this years music. It was an amazing feeling I had forgotten. I wanted to make this list hold weight. So we made hard cuts and decisions to get our list down to 4 genres and 10 albums per genre. Everyone had input and voice and no one 100% agreed. I love that. This was never suppose to be about me but about the celebration of art. I hope you find something new here. I know I did and it fills me with hope for places a song or album can still move me. We split it into 4 parts 1) Post Punk/Goth 2) Industrial/EDM 3) Synthwave/Darkwave/Coldwave 4) Wildcards

First up is Post Punk/Goth. This one is my primary wheelhouse so I took point here. There has been a true resurgence in this genre and this was a hard list to choose. The albums listed here are all amazing but we fought long and hard to try and pick some form of order. Here is what we found.

10) October Burns Black (Reflections) – London superband and Traditional goth act from London put out this amazing record this year. James Tramel (The Wake) has composed this album with Rod Hanna (Vox), Lars Kappeler (Guitars) and Tommy Olsson (Guitars) Simon Rippin. It is so full of flowing sinister goth sounds. It really holds true to the sounds of yesterday while forging new ground. Every song is an emotive blast.

https://octoberburnsblack.bandcamp.com/

9.5) Ritual Howls (Rendered Armor) – I know, i cheated. I just can’t leave this record off. We debated and argued so hard to get this list to 10. This album is just such a world beater. It’s Nick Cave putting on the armor of Echo and the Bunnyman. They are even Detroit fam. They are keeping a flame burning for a sound that cannot be forgotten.

https://ritualhowls.bandcamp.com/album/rendered-armor

9) Frozen Charlottes (Wax Venues) – Santa Ana post punk doom weavers Frozen Charlotte released this beautiful album in November of this year. I have been in love with Chandler Grace, Janell, and Sky’s savagely dark spit and vinegar punk goth style since their previous incarnation. With Wax Venus they really found a way to refine that edge to a razor point of intensity, Waxing and waning like the moon in a flowing dance around the fire witchcraft ritual.

https://frozencharlottes.bandcamp.com/album/wax-venus

8) La Me’canique (Dernier Voyage) – This is such a lovely record from Cold Transmission that really embraces the post punk ideals. It’s wide, flowing, and full of landscapes. It feels large and comes through the lens of a distant camera. I think of 80’s Duran Duran and the way they transported you to another place while listening to the songs. A vacation in musical form.

https://lamecanique.bandcamp.com/album/dernier-voyage-2

7) Mark E Moon (Refer) – Another exceptional album with a lot of traditional goth elements. Another Cold Transmission band on this list who has a wonderful vibe of old Peter Murphy but with a modern edge full of poetic lyrics and Mark’s deep resonant vocals. Lots of balance and pop hook in this record. I want to peel the layers of this onion and find the core of it’s art.

https://markemoon1.bandcamp.com/album/refer

6) Crying Vessel (Illusions) Slade Templeton is bringing the glam razzle dazzle back into dark music. His dark rich voice climbs and slide around an impressive range. I found it in my heart, and building a place in my head. I had the wonderful opportunity to see them live in Germany this year and it really gave this record another plateau of range. A perfect mixture of previous styles and modern technology this record is a must have.

https://cryingvessel.bandcamp.com/album/illusions-ep

5) Golden Apes (Kasbek) – Berlin based post punk Golden Apes have been making music for a long time. To find an album of this power and depth of idea deep in a storied career is a noteworthy achievement. Peer Lebrecht has a voice so full of soul and power that it wraps you in it’s world. The music is a masterclass in what post punk can achieve in movement and embrace. I will finally get to see this played live in Boston this year for their first US tour. If you don’t know about this record plunge head first into one of the genres most exciting artists.

https://goldenapes.bandcamp.com/album/kasbek

4) Antipole (Radial Glare) – Karl Morton Dahl of Norway holds the distinction of being the most reviewed artist on Sounds and Shadows. I feel moved by every album he has made. This one found a way to hit a special new level for me. Antipole is everything you love about post punk music like Joy Division and New Order. Karl is a true historian of the genre, but finds exciting new ideas about how to use modern technology to make the concept sharper and more intense. This record was such a wonderful tribute to his homeland. A record that transports you to that reflected, glittering place of dark ice. Paris Alexander and Eirene of Young and Cold records have added perfect vocal compliments to create one of this years stand out records.

https://antipole.bandcamp.com/album/radial-glare

3) The Dream Collision (The Certainty of Forever) – This album from Pedro Code of IAMTHESHADOW was a piece of art that left me changed and moved. Pedro has possibly the most beautiful and sensual voice in modern dark music. This record was so stripped down and exposed I found myself unforgettably moved. It is powerful and tender like Nick Cave but with the beauty and elegance of Ian McCullah. A truly moving offering.

https://thedreamcollision.bandcamp.com/album/the-certainty-of-forever

2) Twin Tribes (Ceremony) – With their recent transition to Negative Gain Joel and Luis of Twin Tribes hold a special place here at Sounds and Shadows. Their Debut album “Shadows” was the inspiration for this webpage. They are bringing the concepts of spiritual post punk into the modern era. This sophomore offering was not a lull but a leap forward in concept, depth, and power. Rich and full of energy each song is a ritual to summon forth an intimate experience in the listener. You probably need this one on vinyl. Also they do a must see live show, find them in your town and bare witness.

https://twintribes.bandcamp.com/

Sonsombre (Veil of the Ending) – So goth music has always been so obsessed with the past. If it wasn’t Sisters of Mercy it seems people just couldn’t find a way to embrace another wave. Sonsombre newly signed to Cleopatra has found a way to capture that original Traditional concept and rebuild it with fresh sounds and modern ideals. This record was a game changer that opened a new door to a darker dimension. Poetic lyrics, powerful delivery, slithering snakes of oil and shadow woven into guitar riffs of power and delicate dexterity. If this isn’t in your collection you are living in history. The Future is Black.

https://sonsombre.bandcamp.com/album/the-veils-of-ending

Part II is the best Industrial/EDM – I grew up on industrial. It was my punk rock. My scream at the world release. Somewhere along the way i just drifted to other avenues. This year was a huge one for me to rediscover Industrial. Adding in Adrian and Collin to the family who are both stronger on Industrial than me have really helped me find this world again. The albums that have come out this year and bringing it back front and center for a lot of people. These were our top picks.

10) Klack (Introducing the 1984 Renault Le Car) – Matt and Eric are workhorses. They had a Daddybear album, Null Device, and another Klack album all this year which could have easily made this list. This album rose to the top for me. It’s perfect blend of retro and fresh feel with dance beats and unique concepts has become a go to for my listening parties. New ideas for the new industrial.

https://klack.bandcamp.com/album/introducing-the-1984-renault-lecar

9) Lingua Ignota (Caligula) – I just found this through Adrian. Wow. It was like nothing I have heard. This is a sound so frightening and intense it gives The Goblins nightmares. It is the sound of a priestess ripping out her own eyes and bleeding from the sockets. Do not listen right before bed unless you want to be haunted by disturbing dreams. I speak from experience.

https://linguaignota.bandcamp.com/album/caligula

8) Kid Saint Nothing (Above_Below) – What a treat that I get to add a dear friend from Kalamazoo MI to this list. They belong here. This album is a raw heartfelt therapy session scream set to catchy dance beats. It’s wide and intense and needs to be played constantly on your listening device.

https://kidsaintnothing.bandcamp.com/releases

7) Dogtablet (Feathers and Skin) – Industrial music lords Jared Louche (Chemlab) and Martin King have worked with others to create this massively powerful record of animalistic spirit totem sounds. It feels like a creature speeding free under a moonlit sky. This album came late in the year but has been my constant companion ever sense.

https://dogtablet.bandcamp.com/album/feathers-skin

6) FIRES (All My Dreams Are of This Place) – Aedra is a force of nature. Her intensity and vocals have really pushed the edges of the Industrial genre. This album has a tight mixture of early 2000 emo and electroclash force. Whenever I need to find my inner tiger to face the day this album is where I reach first.

https://firesngp.bandcamp.com/album/all-of-my-dreams-are-of-this-place

5) Moris Blak (The Irregularity of Being ) – This album is a force of creative expression and cyber blending technology. Lots of amazing guest vocalists like Pete Crane, Amelia Arsenic, and Angel Metro. A true tapestry of electronic sound woven and blended with dance hall beats and shattering brash power. This needs to be in heavy rotation of every club you shake your ass at.

https://morisblakngp.bandcamp.com/album/the-irregularity-of-being

4) Curse Mackey (Instant Exorcism) – Curse has been a huge part of the industrial scene for a long time as Evil Mothers, Pig, Pigface, ect. This album represents his first solo offering and it is nothing short of breathtaking. This album has such a focus on lyrics with a true William Burroughs literary quality. Full of slashing beats and laser focused vocals. I own it on LP. You need it on LP.

https://cursemackeyngp.bandcamp.com/album/instant-exorcism

3) Bones UK (Bones UK) – More of a big label offering but a straight burner. This album is on the top of Collin’s list this year. I love the ladies getting representation in this genre and this album cooks from front to back. Lovely pop hooks to really add some mainstream club vibe, and we unapologetically love that.

2) Stoneburner (Technology Implies Belligerence) – This record changed the game for me. It made me fall back in love with Industrial music. It has that same old school flavor, but takes such incredible chances. A thinking persons industrial with a concept and follow through. Steven Archer of Ego Likeness has unleashed something transcendent and powerful and managed to save enough in the tank to follow the record with another this year “Massdriver”. Both are incredible pieces of art you need to explore but you never forget your first love. This record was that for me.

https://stoneburnerngp.bandcamp.com/album/technology-implies-belligerence

  1. Go Fight (Anthem) – Jim Marcus and Die Warsaw were a part of my first obsession with Industrial music. A titan in the genre and one of the great humans who holds this scene together. This record is all covers of the 80’s songs that helped build his musical life. It’s perfectly crafted. It’s full of soul. It finds a way to make something of the past connect with my present. I mean any time i can hear two of my favorite things in this life Go Fight and Shriekback happen simultaneously consider me hooked. Nothing on this record doesn’t immediately send my body into motion. This is the work of a master crafting a love letter to the things that built him.

https://gofight.bandcamp.com/

Next up is Synthwave/Darkwave/Coldwave: Another brutal list to try and widdle down to 10 albums with everything wonderful released this year. As genres have expanded and new ground was broken the resulting art which is dreamy and beautiful has grown with it. This is a list of our favorites.

10) Lilith My Mother (Her Fall) – Beautiful dance magic with clear pop beauty infused with midnight dark lyrics and fallen angel vocals. Every song fills me up and has me asking questions. Do not sleep on this amazing artist.

https://lilithmymother.bandcamp.com/album/her-fall

9) Corlyx (In 2 the Skin) – Sexy LA sludge grunge is my weakness and this album is the cure. It’s sensual, powerful, and forces your body into motion. Caitlin has a voice that wraps around you and stirs that hairs on the back of your neck. Doesn’t your party deserve to be this hot?

https://corlyx.bandcamp.com/album/in2-the-skin

8) Standalone (Standalone) – Steven Seibold of Hate Dept has unleashed this solo project so delicious and stripped down with beautiful synth sounds crafted with a wizards touch. It’s so personal and easy to relate to at once. The vocals are smooth and elegant and hold your heart with tender timing. So underrated.

https://standalonengp.bandcamp.com/album/standalone

7) Boy Harsher (Country Girl Uncut) – The feels of this record. It’s a smokey dimly let exclusive club that would turn me away at the door in music form. It’s efficient in the use of layers and sounds and has gorgeous imagery in the lyrics. I love everything about the crafting done on this record.

https://boyharsher.bandcamp.com/album/country-girl-uncut

6) Agent Side Grinder (A/X) – Oh the delicious post punk infused stabbing drum beats. The dynamic vocals have a dark tone and emotional delivery. It’s full of songs that always feel like they are moving faster than they are. It’s that energy and crackling synth pad sound that makes ASG have such a unique sound. This album builds on everything that makes them one of the biggest names in the genre.

https://agentsidegrinder.bandcamp.com/album/a-x

5) Sweat Boys (Nervous Prayers) – This record off of Give/Take strikes a special chord with me. Sitting in my room listening to Yaz “Upstairs at Erics” was such an impact on me. Waiting to hear a synth driven album that captured that same purity and exposed feeling has been something i have searched for a long time. With this record my search finally ended. It’s beautiful, electric, and makes me jump up and down like only a 260lbs man on a pogo stick can. If yuo care at all about synth pop you need this in your ears.

https://sweatboys.bandcamp.com/album/nervous-prayers

4) Drab Majesty (Modern Mirror) – Drab Majesty off Dais records isn’t just an album, it’s an experience. Knowing the exact amount of every sound to use to get a perfect blend is such a difficult art form. The harmonies, and flowing lush beauty. They are like aliens operating at another level from us common music plebs. This album is staggering and unique in it’s beauty and darkness.

https://drabmajesty.bandcamp.com/

3) Mr.Kitty (Ephemeral) – 31 tracks, all of them good. Take that in for a moment. This album was such a memorizing accomplishment. It’s an artist exposing themselves and making it sound lovely and pure. I played this record so many times this year I feel like I have a personal relationship with the artist and I have never spoken to them. If you don’t have this you need to make that a priority.

https://mrkittyngp.bandcamp.com/album/ephemeral

2) Hante (Fierce) – The soundtrack to a film of a better life lived than mine. Just listening to the gorgeous vocals and visual sounds on this record fill me with hope. The creative force unleashed here is an epic achievement. It makes you think, it makes you believe.

https://hante.bandcamp.com/album/fierce

  1. Wingtips (Exposure Therapy) – Look I can tell you what I love about this music. To me the real power of this album is that so many great musicians I know all talk about how much this record meant to them. It has been mentioned and picked on our podcast by almost everyone we have interviewed. It’s perfect, nostalgic, fresh, and full of texture and intensity. Every track is a banger. Every line is a poem. This was our combined number one pick out of one of the hardest categories to judge.

https://wingtips.bandcamp.com/album/exposure-therapy

Final Catagory Wildcards: This was all the things too far out of the box to fit anywhere else. In a way I feel like it made it really exciting and definitely some of my top overall picks.

10) Scary Black (Shadow Dwellers) – Kentucky sinister darkness Scary black released this shadow storm full of familiar elements and fantasy sparkles. It’s full of dangerous dreams and lovely rich vocal melodies. I really look forward to their future.

https://scaryblackssr.bandcamp.com/

9.5) Vlimmer (XIIIII) – German sound wizard Alexander continues to spew forth the most gloriously textured collections of sounds with pull heart strings like a horses reins. It baffles me how good every single release is.

https://blackjackilluministrecords.bandcamp.com/album/xiiiii

9) The Purge (Rain) – Strange winding electronic storms. This album feels like weather shifting and changing. It has a flavor of trauma and young love lost. Thomas does a beautiful job using his vocal range to tell stories and build tension. It’s my sad rainy day music.

https://thepurgeva.bandcamp.com/album/rain

8) Girl Band (The Talkies) – Strange twisting and powerful. I really liked the chant of this band and the abrupt changes. This one came courtesy of Katy. Really intense sound.

8.5) The Joy Thieves (This Will Kill That) – Again a little bit of cheating here but this EP needs to be on the list. Such a perfect blend of hard rock and industrial with some of the biggest vocal talent in modern industrial. It’s smash everything in this room music because you are happy. I first described it as Clutch beating the shit out of Stabbing Westward with a baseball bat and I stand by that.

https://armalyte.bandcamp.com/track/joy-thieves

7) SYZYGYX (Fading Bodies) – One of the fastest up and coming bands in the scene. On both Negative Gain and Cold Transmission Luna and Josh are a sonic experience full of sexy dark disco grooves you would find in David Lynch’s private club at 3am. It breaks every mold and is always in my rotation.

https://syzygy-x.bandcamp.com/album/fading-bodies

6) The Ghost of Bela Lugosi – Ok technically not an album, but my house my rules. Australian based Vin Price has released about 12 singles this year and everyone of them is straight fire. It’s so punk rock, so raw, but so melodic and beautiful. It touches every part of every genre and I am here for all of it. It won’t play by the rules and that is part of it’s power.

https://ghostoflugosi.bandcamp.com/

5) Sea of Worry (Have a Nice Life) – Topsy turvy and wondrous. This one is very dark but doesn’t fit in a box. That’s part of it’s power. Fierce drum beats and spectral vocal lines.

https://haveanicelife.bandcamp.com/album/sea-of-worry

4) Hide (Hell is Here) – Sheer unbridled power with a meaningful message. This is like nothing you have heard. Raw, intense, full of power tools. The vocals have more spit and acid than most metal. This album changed my world view

https://hide3.bandcamp.com/

3) ELZ and The Cult (Psychodrama) – Visually, sonically, sassily, there is nothing about this album that does not completely enthrall me. It’s filthy, beautiful, it’s a horrible dream of a broken world that i can’t escape or look away from. I find a new layer to it every time i listen. You must have this.

https://elzandthecult.bandcamp.com/album/psychodrama-cold-transmission-edition

2) Palais Ideal (Pressure Points) – I have been waiting to make this one of my top albums of the year all year long. This record broke all the boundaries of post punk. It’s thoughtful, precise, unique, and tells a story of some of the best science fiction I read in any novel. A thought provoking example of the power of music. Have this on LP and feel it’s warmth and glory as it was meant to be spun

https://palaisideal.bandcamp.com/album/pressure-points

  1. Mesa Luna (Feel Nothing) – This one came to our attention courtesy of Jason Corbett (Actors). We didn’t have enough shoegaze representation here and this album was a stunner. #1 pick from Katy. It’s haunting, diverse and full of life. Take a journey with this record.

https://mesaluna.bandcamp.com/

I had about 40 more albums this year that could have made this list. Maybe I will do an honorable mentions. I’m shredded though. There is currently a glorious revolution happening in music. Be a part of it. This list is a great place to start. Happy Holidays from us at Sounds and Shadows.

Advertisements

Review of S Y Z Y G Y X “Fading Bodies”

By Katy Knal May

https://syzygy-x.bandcamp.com/album/fading-bodies

Hometown: Washington DC

Label: Cold Transmission/Negative Gain

Members: Luna Blanc and Josh Clark

Fading Bodies is the latest release by the incredibly fun, yet dark electronic, synth-wave, alternative rock group, S Y Z Y G Y X. This album slaps? Did I use that right? I’m not super hip with what the kids say, but this album is fantastic. Basically, it sounds like what a strobe light looks like. The chaos of it all is overwhelming but in an exciting way. Waves of synth smash you in the face until there’s nothing left to do but submit and dance your ass off.

WARNING: THIS ALBUM WILL GIVE YOU GOOSEBUMPS AND IS NOT FOR THE FAINT OF HEART….

Fading Bodies is the most terrifyingly fun music I’ve heard all year. It’s electronic, industrial, alternative, and it is chilling. With the electronic genre on lock down, S Y Z Y G Y X adds darkness that is truly eerie and disorienting, but exciting.  Every song has an addicting beat, a ton of texture, and catchy riffs that listeners get hooked on.

Luna’s vocals are haunting and the synth lines are cosmic. Josh’s beats and synth lines bring it all together.  Their ability to work together is utterly cosmic, hints their band name. When I mentioned waves of synth smashing you in the face, I mean, like, the entire ocean swallowing you whole.  Don’t let the fluid feel fool you though, whether it be drums or synth, there will be saw waves there that cut like a knife reminding you that you’re alive! Even after listening to all fifteen tracks, I was left wanting more.

Some favorite tracks

Die Like A Rockstar – This song starts out like an 80’s rocker with a pulsating synth and addicting beat.  In this track, Luna’s breathy vocals are clear as she talks about a sexy “rockstar”.   At first, you think this is going to be some typical pop-rock, synth-wave song, but then a creepy synth line happens right before unpredictable changes in melody. These dynamics keep you engaged the entire time in its complexities.

Times Are Hard for Dreamers– This song starts out with a synth line that sends chills down my spine every time.  I love this track because as soon as everything kicks in, it’s like a vintage video game soundtrack.  It’s so exciting! Whenever there’s a rest on the drums, I get a swelling feeling in my chest waiting for the bass to drop. This track also uses roto toms and I kind of lose my shit every time I hear them.  

Pins and Needles– Immediately, this song cuts you to pieces with synthesizer and bass. This song is probably my favorite song to awkwardly dance to on the whole album. It’s fast with a lot of twists and turns that are unpredictable, tense, and otherwise emotionally evocative. It creates the perfect amount of tension to lead into the final track, Fury, which relieves all that built-up tension almost immediately. 

I’m a huge fan of synth-driven music, so this album was right down my alley. Beyond being a banger of an album with song after song of incredible music that’s easy to dance to, this album takes the capabilities of synthesizers to the next level. I really enjoyed this entire album from beginning to end.  If you like bands like NIN, Eurythmics, Synergy, Kraftwerk, or generally like anything which is amazing and features top-notch synth work, you have check this out.

Editorial: Goth Culture is it time to bury the past?

When i write reviews one of the common traps I try hard not to get lost in is comparing every new band I review to one of the sacred dark gods of the 80’s and 90’s that the group I am listening to sounds like. It’s a pretty common tactic and lets face it an effective one. It’s easy to associate with what is familiar when it often feels like the world of goth/industrial/darkwave/new wave/ect has pretty much been discovered and artists are searching for more subtle ways to test the boundaries of what is possible and find some new ground, I figured I would take a moment to acknowledge this is a reality for a lot of people.

Continue reading “Editorial: Goth Culture is it time to bury the past?”

Review of Palais Ideal: Pressure Points

Band: Palais Ideal

Album: Pressure Points

Label: Cold Transmission

Members:

John Edwards: 
Vocals, Guitars, Synths, Rhythm Programming 

Richard van Kruysdijk: 
Bass Guitar, Baritone Guitar, Guitar, Synths, 
Backing Vocals, Rhythm Programming

https://palaisideal.bandcamp.com/album/pressure-points

I’ve been searching for the right words for this May 25th 2019 release from Palais Ideal. This album had such an profound impact on me. It’s an early runner for my album of the year and we are just getting started. For me when I think of this record I think of the first time I heard The Church and thought, they are doing the same thing as most of the new wave bands. They are just doing it on a level of depth and complexity which touch on a higher step, while somehow maintaining everything in terms of pop sensibility that their contemporaries are achieving. I think the lack of sugar coating could make Palais Ideal easy to look past when in reality they are the ones creating something most profound.

John Edwards

John has such a wonderful and unique voice which i will expand on later but for a moment I want to focus on the message rather than the voice it is given in. You just don’t hear intelligent, challenging lyrical content like this in modern post punk music. A lot of it is expressive and clever but what Pressure Points has done is weave a cohesive tale of vibrant expression about the plight and achievement of modern culture. It’s Issac Asimov set to a tapestry of music. Enormous in scope and precise in vision. I have listened to these songs so many times already but I ordered the LP and put off writing the review partially out of intimidation partially because i needed to absorb the record played front to back as it was made to be heard. I’m not saying they don’t have great singles here. To me, this is a record of the best 12 deep cuts spaced over a bands 10 albums in one place.

Richard van Kruysdijk

Lets talk about what is unique here. Post Punk tends to lend itself to a technically adept style and Palais Ideal features two masters of craft at the height of their instruments. What they have done is take a step beyond the technical proficiency and into the progressive rock style almost more King Crimson than Joy Division. Dramatic shifts in key and tempo. Time syncopation that has the same heavy driving bass but such fluid movement of tone that it transcends the genre. The music is layered like mesh steel on a robots thigh. John has a voice that flickers and strikes with clarity and hovers on a range between Bernard Sumner, Joe Strummer and Mark Burgess yet always finds a way to cut through the complexity of the tempest. The use of guitars and Synths are economical and create a cleanness in spite of how much is going on.

How on earth to pick favorite tracks?

The Programme – What a complete cybernetic device digging into the depths of your skull and rattling around the pleasure zones in your brain. This bass line is everywhere at once. John’s delivery and that winding guitar rift which glances like light through a prism. “The Colony breaks down, we built it up again, we run the program now” A true statement on the loss of reality through technological euphoria. Facing the self shackled slavery of the modern world with glorious synth candy.

Context Collapse – This high energy snare snap building into a smooth cornered transition and that signature delicate guitar light show. “Forever avoiding a moment of disconnection. Improving, engineering a more transparent you.” So much to unpack here, layers upon layers.

Everything Will Be Ok – So much focus is on this dytopian world of the modern struggle this dance beat New Order soother with the strange echo robot effect vocals breaks up the weight and lets everything go green. “There is no such thing as destiny, life gives you everything you need. Everything will be ok?” So tongue and cheek I can almost beleive.

Overall this album is a force of everything that this new renaissance in post punk music is making possible. First you tear it down, then you rebuild it, then you synthesize it to a higher complexity and evolution. Pressure Points is a soundtrack for the modern spy novel of the post digital age. It’s full of adventure, depth, and a calculated empathy that makes me dream of electric sheep. This will be an album I am still peeling apart when I am putting together a list of the most important musical contributions of the year.

An interview with: Cold Transmission Records

So since we have started doing interviews with bands to add another layer of content to Sound and Shadows it got me thinking about all the other pieces that go into creating a vibrant and exciting music scene. Djs, promoters, and record labels. At the moment the world of music is changing to a focus on global reach and grass roots distribution. No one is doing more to build a base and put out great music for Post Punk/Dark wave/ Cold wave/ Shoegaze genre than Frankfurt Germany based label Cold Transmission Music. Run by Andreas and Suzy Herrmann with Yvonne Kiel as graphic designer, this label is on the forefront of the multimedia movement happening in dark music. They aren’t just a record company, they are music lovers that are looking to lift all ships and find exciting new ways to share the music they love with the world. They have made the idea of musical distribution into a family with a caring touch to foster the people on their label as much as putting out albums and compilations. The Cold Transmission playlists have come to set a standard for support of what is cutting edge. I had the opportunity of getting to know the people behind Cold Transmission a little better and want to share that experience with our readers. 
Bands currently on Cold Transmission Music: Elz and the Cult, White Mansion, Push Button Press, Carlo Onda, Rosi, Monographic, La Mécanique, Reconverb, S Y Z Y G Y X, Silent Runners, The Blue Beard’s Castle, Icy Men , Palais Ideal, Bedless Bones, Closed Mouth.
We have reviewed some of these bands and the more I hear from them the more I like, I can’t wait to continue working my way through their catalog.

https://www.facebook.com/coldtransmissionmusic/

https://coldtransmissionmusic.bandcamp.com

This was a Cold Transmission/Sound and Shadows joint effort which includes some of our favorite new music for your listening pleasure. I think we had a wonderful mixture of bands from all over the globe. This show was 1st in the global post-punk chart, 1st in the global punk chart, 1st in the global indie dance chart, 4th in the global alternative chart and 5th in the global new wave chart.

(Ken) When did you start the label and what was your goal starting out with Cold Transmission?

(CT) In 2017 Cold Transmission began as a Mixcloud show because we had the burning desire to make more people aware of the new music and bands that were coming up in our scene. The shows were very well received on Mixcloud and the number of followers grew steadily so we created the name „Cold Transmission“ and launched the Facebook page. The next idea was to create a digital compilation, so our ZEITGEIST series was born. Although Andreas always thought about starting a label from the beginning, it was a spontaneous idea that evolved over time, a next logical step. We are still growing into it, learning new things every day about what it takes to be a label and it makes us very happy to support up-and-coming bands and help them grow. So our greatest respect goes out to all other independent labels that are doing this for many years now with enthusiasm and passion. It’s a lot of work especially when doing this next to your normal jobs. The music is our true satisfaction.

(Ken) I feel like goth music has always been a genre focused on the past, in the last couple years this style of music is seeing a huge resurgence with fresh new talent in unprecedented levels since the 80s/90s. What do you think is leading this? What do you see as Cold Transmissions role?

(CT) Yes, we have the same feeling about the scene. You can hardly find a band that is not referencing one of the 80s bands like Joy Division etc. Even our name is inspired by a Joy Division song! Those are all icons we really love but time doesn’t stand still and music is developing further with fresh impulses, techniques and sounds combined with the classic Post-Punk influences. Jason Corbett of ACTORS once called it Post-Punk 2.0 which is an apt description. When you go to parties or festivals a lot such as we have since the 80s we had the feeling of hearing the same music all the time in the last 10 years. We talked to many people from all over the world who had the same experience. Maybe people had gotten a bit fed up with this. We created Cold Transmission to show people from the scene what great new music is out there and what great new bands are surfacing from all parts of the world – through our Mixcloud shows, social media accounts and our label. We’re going to concerts and festivals, sometimes hosting them ourselves. We did a Cold Transmission party, re-invested the money we earned with it to buy new music to support the bands. We also see Cold Transmission not just as a label but as a platform to connect bands and supporters from all over the world. There is a great community of artists, labels, blogs, radio stations, growing up around us and we’re proud to be part of it and support it with all our energy. There also have been great collaborations between the bands already doing remixes of each others songs which is great to see. We created our t-shirts and sent them to supporters, bands and friends around the globe – for us it’s a statement of being part of a wonderful and growing community in our scene.

(Ken)You had a lot of success in 2018, I have watched your support base grow. What are you excited for on the horizon in 2019? What new albums are you looking to release this year?

(CT) In 2019 we’re looking forward to growing our label further – we will release the new albums by La Mécanique, White Mansion, The Blue Beard’s Castle and many more in the future. (Since this interview they had a very exciting release from Palais Ideal currently available) Also we will release four new ZEITGEIST compilations this year. And of course there will be our first little Cold Transmission Festival in Cologne, Germany in July. Still there is no 5-years-plan or anything for Cold Transmission. We love to see things develop organically – we have amazing friends around who are supporting us in so many ways, bands that became friends, interesting people that we are discussing partnerships with to allow us all new opportunities. We have hundreds of ideas in our minds and the day only has 24 hours so let’s see what happens!

(Ken) Recently I interviewed Jim Walker of Push Button Press (amazing new album) and Ashe Ruppe of Delphine Coma. Both are American bands that spoke of how happy they are signing with European labels. What do you think is drawing American bands to think of European labels for the dark music scene?

(CT) Since we are very new to that business we don’t really know about the major differences between European and American labels yet to be honest. We as Cold Transmission try to be as professional and committed as we can when signing bands to our label – a typical German attitude maybe. We are still a small label and the personal contact is very important to us and also to our bands. We want them to feel like they are part of a little family that believes in them and motivates them. A way of working that is maybe difficult when you are a bigger label with many bands. The scene in Europe is very old, still vibrant and much more concentrated simply because of the size of the continent compared to America. Maybe that is also a reason why so many bands are looking to Europe and has nothing to do with the differences between European and American labels in particular.

(Ken) What inspired you to become a part of this music scene? Was there a band in particular that let you know this was your chosen path in life?

(CT) We have to distinguish here between us due to our age difference of nearly ten years. Andreas was more into electronic music since 1980 starting with bands like Kraftwerk, Ultravox, Gary Numan, Cabaret Voltaire etc. In 1986 he was really convinced to be part of the scene through bands like Click Click, The Klinik, Skinny Puppy and Front 242. Suzy was more into guitar music, and a real 90s Dark Wave girl – so was Yvonne. Starting with Depeche Mode, The Smiths and Sisters of Mercy in the late 80’s her first „dark love“ was Deine Lakaien in the early 90’s

(Ken) Talk to me about the Post Punk/Darkwave scene in Germany, what is it like today and how has it changed in the last 20 years?

Cold Transmission with Antipole

(CT) The scene was always great in Germany from our point of view. You have so many huge festivals, concerts and parties in nearly every part of Germany. In particular the Wave Gotik Treffen in Leipzig that has become the largest Gothic festivals in the world. As said before, from a music standpoint you had the feeling that nothing really changed in the last 20 years. Sure there were new bands surfacing all the time but not many people seemed to be really interested. Especially in the last few years there are new artists emerging and we get the feeling that more people are now open to finding new music. There are more small festivals coming up in Germany next to the big ones that give you a more traditional feeling. The Wave Gotik Treffen took notice of a lot of those bands and presented many of the newer acts in 2018. This is a trend we really hope to see continue.

Cold Transmission with Crying Vessel

(Ken) Along with putting out music you got your start in creating playlists and sharing music for bands in the genre. You even had Amaranth on a few, so thank you for that. What lead you to this idea and what role do you think it will play in the future of music?

(CT) The Mixcloud shows were the starting point of Cold Transmission. Andreas is a passionate music collector and spends a lot of time searching for interesting new music on the internet. The desire behind the playlists was to make people aware of that new music – Hey guys, listen, there is more to our scene than our beloved classics! A sort of modern mixtapes we did in the 80’s. Many people don’t have the time anymore to spend hours searching for music on the internet or in record stores – they have their music players and mobile phones, listening to playlists on Spotify or other platforms. This form of listening to music will continue to play an important role in the future.

Cold Transmission with Silent Runners

(Ken) You have a festival in Cologne this July featuring some amazing acts. I’m beyond excited that Rachel and I will be going to witness it. Tell me about it, who will be there, and what are you celebrating?

(CT) The festival will be our first Cold Transmission festival. We are celebrating Andreas’s 50th birthday bash. We chose the Blue Shell in Cologne since we have very strong connections to that club and also close friends in Cologne since Suzy lived there for 20 years. The club has a storied history going back to the 80’s so they are quite experienced and passionate. Some really great bands which we also call our friends are playing live that night: Crying Vessel, IAMTHESHADOW, featuring members of Antipole, Joy/Disaster and Silent Runners. The after show party is hosted by our close friends of Disorder Cologne (Holger and Chantal) who have been successfully running that party for nearly 10 years now. We are also very proud and overjoyed to have a special DJ set by Pete Burns and Christian Schaefer of Rule of Three. A music blog that inspired us from the beginning. Pete recently garnered critical acclaim with his project Kill Shelter! Pete has also became very important to us personally at Cold Transmission through his friendship and guidance from our beginning. We have the feeling that this is not only a festival but also a way of connecting people with a common love of darkwave/postpunk music. People from all over the world are planning to come to Cologne to meet with bands and friends. For example Jim Walker from Push Button Press traveling all the way from Florida. It will be a great event and we are really looking forward to that! Glad that Rachel and you will also be part of it. Let’s make this a night to remember!

Andy with IAMTHESHADOW

(Ken) What do you look for in a potential band to sign to Cold Transmission?

(CT) Since we like to call our label our “Cold Transmission family” We are currently signing bands whose music we really like and believe in. People that are as passionate with their music as we are. We have close contacts to all bands signed to our label and support them in any way we can in a variety of ways. Every success the bands have makes us very happy and proud. We want to grow up together with our bands so it’s symbiotic in a sense. We also aim for long-term partnerships to achieve that. Of course we also want to have a good mixture of different music styles from different countries on our label especially in the Post-Punk and Coldwave genre. In nearly every country of the world you can find bands and artists from our scene and we are happy to have some of them on our label to show the variety that is out there.

Cold Transmission with Jot Disaster

(Ken) If you could travel back in time and see any show ever in recorded history, what would it be and why?

(CT) That would be shows of today’s Post-Punks icons like Joy Division in the late 70’s and early 80’s. To see such a show in a small club with around 20 people, listening to the music and having the feeling that something great is happening. That would have been awesome.

Since this was our first interview with someone who wasn’t a band I thought it was important to share some perspective of some of the people who surround Cold Transmission. Musicians, artists, producers about what this label means to them. Here are some of those thoughts.

Andy and Monographic

Jim Walker (Push Button Press) “I will let a big secret about the label out of the bag, Suzy is the secret special sauce that makes everything fall into place.

(SYZYGYX) “Suzy’s and Andy’s passion for music shows in the way they treat their artists, we’ve been lucky to work with such amazing people and label, and look forward to continue working with them. They know the scene, they’re knowledgeable on how to target the audience and promote! Love Cold Transmission”

Pedro Code (IAMTHESHADOW) “They are great enthusiasts of the dark Scene, wonderfull people and my friends. I knew them long before they started Cold Transmission, in WGT, Leipzig, 2017 but now its another level. They are growing and its a great thing for the dark scene in Europe hey are very passionate about the music being made. Its great for all the bands what they are doing, They once told me they had the idea of Cold Transmission, after we meet in WGT, 2017. :)”

Silent Runners “Like many people in the scene we met Andy and Suzy online, enthusiastically spreading our music on forums and groups within the scene. From the start they were the greatest supporters a band can hope for! They really have a personal love for music and the scene and want to spread it so other people can enjoy it as well. Since we met personally on WGT2018 we’ve been in touch weekly. Seems only logical that we recently took the next step and joined their great label family as band. We hope to do great stuff together in the future.”

Monographic “Cold Transmission is not a “normal ” record label! For us, its more a collaboration between friends for the most important thing… music!!! They’re doing a lot for new bands and for the underground scene. You can feel, its not about the money compared to other labels, its more about spreading the love … Suzy and Andreas are doing everything, for the bands to keep moving forward and you can see they are doing it right. We hope to be part of it in the many years to come and we look forward to the bright future of their label”

Pete Burns (Kill Shelter) “Andy and Suzy have been great supporters of both Rule of Three (which I run with my partner in crime Christian Schaefer) and also my personal Kill Shelter project so I can’t thank them enough for that really. They are extremely passionate, kind and energetic people and are always incredibly positive – you need unbridled enthusiasm and optimism to work in this industry and they have that in spades. I’ve been lucky enough to help them with engineering and mastering of some of their releases and that’s just been an absolute joy. I’m hoping we’ll do more of that in 2019. I’ll be heading to Germany in July for the Cold Transmission Festival & Disorder Party where Christian and I will be doing a special audio/visual DJ set and we have some surprises lined up for that. It will be an honor to be part of that event and I really hope they have a magical time – they deserve it.”