2024 Albums that are making people Love Goth again

There is something special happening in darkscene music. This year I have been going to shows of new goth/post punk/darkwave bands and seeing them packed with young people who are embracing this subculture. Who are finding these themes and tones to make them their own. Twin Tribes, Actors, Vision Video, Then Comes Silence, Bootblacks, Male Tears, Leathers, Urban Heat, I Ya Toyah, touring the country telling folks it is good to be strange. This is the energy that is giving me hope. I have not been at my new goth pulpit as much as I like this year. As we pass the half way point of the year I will try and share what I have been listening to so far in 2024 that gives me hope for the future.

Dead AstronautsGhosts – The international synthwave group comprising Jared Kyle and Slade Templeton, has resurfaced with their highly anticipated 4th studio album, “Ghosts.” I love the experience and expertise on display for the art of songcraft. Each texture and shade are masterfully chosen. Honed with precision, displayed with technique. What truly makes them top tier is the narrative order, balance, and construction of every track.

Written and produced by Dead Astronauts
Mixed and Mastered at Influx Studios
Art and Design by JthreeConcepts

Mistakes: This track is deeply relatable. It has a beautiful Construction Time Again Depeche Mode bouncing beat with earnest reflection and buttery vocal delivery. A brief shimmering single that leaves you wanting more.

The Red Dress (feat. Florence Bullock): Beautiful city street flashing streetlamps streaking by at a furious pace. Wonderful vocal accents from A New York native, residing in Los Angeles, glitbiter, aka Florence Bullock. This track hugs the curves of a twisting road with a high performance engine. Perfect song to start an adventure to.

You try
To survive
Boy you’ve got clout
You’ve got your knives out
Trying to stay alive

Ghosts | Dead Astronauts (bandcamp.com)

Urban HeatSeven Safe Places – The Austin TX band that has become an obsession for me. There is a special feeling when a band comes to a place beloved and familiar, but took an entirely different road to arrive. A punk rock vitality with soulful smooth edges and flawless technique. This was an April release single for the upcoming August album “The Tower”. Johnathan is one of the true distinctive voices in the modern darkscene. An energy and talent that would make any band shine. Combined in this trio powerhouse Urban Heat has distinguished themselves with the other A level artists of the next wave. This single has a Peter Hook lead guitar bassline that hugs every curve. The vocals are frantic and emotive. It’s a song built to gleam in the modern landscape. Become a true believer now and see Urban Heat out on tour, I assure you, the tickets will be more expensive and harder to find the next time around. Look for an interview with the band soon on youtube 🙂

Seven Safe Places | Urban Heat (bandcamp.com)

Tears for ʇhe DyingIn the Shadow of the Midnight Sun – I first saw the amazing emotional tidal wave of Adria and Tears for The Dying at Southern Gothic in Athen’s Georgia and was enraptured by the emotional impact and reckless truth of dynamic songwriting. Deathrock is a genre that traces it’s roots back several decades, so finding visionary new ground is no easy task. With slithering sinister concepts and vocal ingenuity TFTD pays reverent homage to Christian Death and Specimen while inserting modern elements and broader concepts like “Dead Girl Dancing” a gorgeous synth laden apocalypse pop anthem that steps outside of the box. This is one of those amazing bands that every artist in the scene respects deeply even if you have never heard them. A true inner circle talent.

Favorite Track: Kaiju – Slow big and full of destruction as the name implies. I love this winding guitar and tempo shift that allows Adria’s cadence and Mick’s rolling percussion to make dynamic stories of trampling feat and terrifying beasts.

Special mention: Jolene (Dolly Parton Cover) – It takes a special performance to take one of the greatest ballads of all time and make it your own. Everyone needs to give this a spin.

In the Shadow of the Midnight Sun | Tears for ʇhe Dying (bandcamp.com)

THEN COMES SILENCETrickery – Recently I got the extreme privilege of opening for Swedish based band Then Comes Silence on tour with Vision Video. I had reviewed them before. This was one of those bands you truly can’t fully appreciate until you have seen them live. I have witnessed so many impressive performances in the last five years, I hope you take to heart when I say this is the tightest, most energetic band I have witnessed in recent memory.

I used to have a joke that Rush was the greatest group of compiled musicians who’s album I didn’t want to buy. Not being my style. In the modern darkscene I think Then Comes Silence is the greatest group of compiled musicians who’s album I very much want to buy. Part of the elegance of Trickery is how it doesn’t sound like they set out to make a great post punk album. The cohesion, passion, and construction present here would have fit any genre or style just as easily. It just happened to come in one of my favorite forms.

The album has a wide range of sounds, lots of thunderous rock bangers where Jonas tom punishing drum accents make TCS stand out in a field of bands leaning towards electronic drums. Slippery shadow disco club tracks like Feel The Cold create contrast and highlight Alex rich broad beam vocals. Songs like the collaboration with DustyStay Strange” bring a horror punk mod feel that ride Hugo’s wall of sound guitars. Whatever the tone, it always seems to land.

I would be hard pressed to choose any song on this album as a top track, Never Change was definitely one that crept up on me. Stellar underlying harmonies, a crackling backbeat that always hits on the outside of the synths. This whole record has an underlying tone of hope, rising out of the mire of tough times. This track captures that feeling the hardest for me.

Alex Svenson – vocals, bass and synthezisers
Jonas Fransson – drums
Hugo Zombie – guitars

Additional musicians:
Dusty Gannon (Vision Video)
Emma Nylén (Emmon)
Gözde Duzer (Aux Animaux)
Jörgen Wall (Whale, Thåström, among others)

This is a 10/10 album in contention for top 10 records of 2024.

Trickery | THEN COMES SILENCE (bandcamp.com)

Eva X Fiction – July 5th single from Electronic producer Gaby (Eva X). The single includes two remixes of the previous single Dopamine Blind by Sawtooth and Enter Face. Retro 80s pop with soul on the intro, fed into the grinder of metal tooth electro rock. Gaby’s voice keeps growing in confidence and glamour with every new release. This would pop at a mainstream club or goth/Industrial night.

Fiction | Eva X (bandcamp.com)

Cemetery SexLeviathan – This is a young band generating an enormous amount of buzz from Washington DC. Artist that truly embrace the goth ethos of inclusion and counter culture pouring into the batcave of gothic roots. Anastasia has an undeniable presence in her words and delivery. The music is serpentine and hungry. To have young people with such an intrinsic understanding of the culture with both their music and mindset truly fills me with hope for the future. When Cemetary Sex burst onto the scene, they understood the assignment. Be ready to hear A LOT more about this band in the coming year.

Leviathan | Cemetery Sex (bandcamp.com)

PIGRed Room – Raymond Watts has left an indelible stamp on the industrial scene for decades. One of the key reasons is his ability to find fresh untread ground with which to blend with industrial. Soul, funk, metal all are wound into spiritual inspiration to fortify the alloy of his art. Red Room took me to another place, late 70’s glam like Alice Cooper and TRex colliding pageantry, sensuality, and filthy grinding machines. A tight compact bullet that enters your brain before fragmenting into something larger and more explosive. Leaving you changed by the fragments left behind.

A rogues gallery of contributing artists, both old school and new class Alexis Mincolla (3Teeth), Chris Hall (Stabbing Westward), and the PIG Choir: Chris Connelly (Revco, Ministry etc), Emily Kavanaugh (Night Club), I Ya Toyah, Marc Heal (Cubanate) and Burton C Bell (Fear Factory), En Esch, Susannah Doyle, Anita Kyoda, Mark Alan Griffiths, Mike Watts, Jimmy Livingstone, and more!

This is an album best served live with sweat running down the walls. Catch them on tour with Curse Mackey, Unitcode:machine, Stoneburner, and more at a city near you. I’m going to both Coldwaves (Chicago) and Smalls (Detroit)

Favorite Tracks: Dirty Mercy – This opening is absolutely filthy.

Red Room | PIG (bandcamp.com)

ACTORS – Dead Inside – Vancouver based band Actors have been at the forefront of Nextwave Darkscene music since the start of the Rennaissance. This new single as a prelude to the tour of one of the top live music experiences of 2024 shows the group showing no signs of slowing down. The first time I heard it I was struck with Jason’s sultry whispering Jarvis Cocker vibes. of the cohesion and telepathy of one of the tightest acts of the modern era. The crisp brush crack drums Adam delivers use timing as art to build the tension. Shannon’s rippling cascade of dark water ripples. Kendall a forceful step on nimble feet. Every time I think, this is it, Actors have reached their peak, the journey continues up a mystical mountain.

Jason Corbett – Vocals + Guitar
Shannon Hemmett – Synth + Vocals
Kendall Wooding – Bass + Vocals
Adam Fink – Drums

Dead Inside | ACTORS (bandcamp.com)

MALE TEARSParad​í​sco – La Based neosynth band Male Tears has filled me with hope for the future. There is nothing more beautiful than a group of young people discovering a fresh path to classic sounds. James and company went through a major lineup transition before the release of this EP and came out the other side with a hopeful passion. Soulful new depth and determination to find the beauty in the darkest reflections of life. Fans of Petshop Boys, and Duran Duran will find an homage to bright crystal sounds on the sonic spectrum that hold the truth of dark introspection. Great guest appearance on track two by our friends Corlyx. A beautiful harmony of James mournful beauty and Caitlin’s alien ethereal whisper. As well as track 3 “Sex On Drugs” a gorgeous and heart retching single that could have been the missing track off (Actually 1987) with features Caitlin (Corlyx), Azy Bats (Obscura Undead), and Ryan King (Witchhands). This is a modern day classic that stirs my heart with that same feeling of unburdened delivery. Male Tears is something special and memorable this scene needs to embrace with both arms. They are currently on their first major tour and I encourage everyone to be a part of this revolution on the ground floor.

Catch them in Detroit 10/1/24 at Small’s in Detroit with Crune and yours truly 🙂

Paradísco | MALE TEARS (bandcamp.com)

<PIG> Red Room

In 2024 Raymond Watts continues to be one of the great innovators and provocateurs of the industrial music genre. Always finding some new musical thread (Gospel/Soul/Rock/HonkeyTonk) to feed through the electronic percussion meat grinder churning out new flavor. His career as an electronic artist has spanned decades working with KMFDM, Psychic TV, Chemlab, Revco, The Joy Thieves, and countless more. Working with illustrious company the PIG character remains distinctive in every project he crosses. This new album “Red Room” shifts the tone back to an oily glamorgrime full of hanging hooks and spicy rock licks. This is dance music at it’s core. Not high octane jump around the club music. This is sensual drunken master slithering through the masses music.

Red Room | PIG (bandcamp.com)

A true rogues gallery of guest talent for the ages graces this record Alexis Mincolla (3Teeth), Chris Hall (Stabbing Westward), and the PIG Choir: Chris Connelly (Revco, Ministry etc), Emily Kavanaugh (Night Club), I Ya Toyah, Marc Heal (Cubanate) and Burton C Bell (Fear Factory), En Esch, Susannah Doyle, Anita Kyoda, Mark Alan Griffiths, Mike Watts, Jimmy Livingstone, and more! It speaks to your capacity as a producer when you can pack this many top tier talents into one place and make everyone shine.

Previous interview from 2021

People pay more attention to a whisper than a shout. When I think of industrial music, I think angry, aggressive, pounding, revolutionary. PIG is industrial, but a whisper you lean in to hear a secret from. You aren’t assaulted with a barrage of words. It is a tantalizing siren song, drawing you down a dark alley. A forbidden promise you accept. Dark pacts of excess and submission are forged with dashing figures in fur coats.

Let’s dig into some of my favorite tracks:

Red Room: I always love when a title track comes near the top of an album and sets the tone for everything that follows. Wicked 90s glam guitar riff to set the scene. The chorus melody is an infectious chant “There’s a Red Room among the dead, to count those guilty words you said” something in this delivery put me in mind of 70s Alice Cooper. A beautiful dark pageantry wrapped in velvet curtains

Dum Dum Bullet: I recently did an interview I will publish soon where Raymond talked about firing an idea into someone’s head where it fragmented in every direction once inside the skull. The beat has a sultry strut and a bow whip guitar. The lilting xylophone lead is one of those perfectly placed accents. The chorus harmony lends reverence and charisma white breaking apart after impact. There is magic when the construction of a song becomes a metaphor for the core concept.

PIG is at The Window: Nothing sets my nether’s on fire like a slutty muted horn. This track really brings the character out of the smoke and solidifies it into a hungry entity you feel with all five senses. Sinister early 90s glam guitar. All the hairs on my arm are standing at attention for this filthy banger.

Red Room | PIG (bandcamp.com)

Overall: This is another great example that Raymond Watts is still growing. The story has more to tell. I am extremely excited to witness this show live, sweaty, and intimate on the tour with Curse Mackey and Unitcode:Machine. You should be too.

Sounds and Shadows Top Industrial/EBM/EDM of 2020

So many great Industrial/EDM/EBM albums this year. This is a genre that has been expanding and drawing fresh listeners all year. Again I can’t possibly include everything I loved, however these albums were the ones that fired a jolt of electricity into my spine and made my gears churn. These are all artists who had a full release in 2020.

20) Rabbit Junk – Xenospheres – Seattle based EBM/Metal dance explosion has been churning out explosive action movie soundtracks with razor sharp production. This album is swinging a sledge hammer around their heads on a leather cord. The cover of Iggy Pop’s “Kick It” with Peaches singing is worth the price of admission on it’s own.

https://rabbitjunk.com/album/xenospheres

19) eHpH – InfraredColorado band eHpH did this timely politically charged record that really captured the fear and division in the current climate. I think what I loved best were how wide the influences present were. Some melodic and post punk, some bright buzzing EBM. The whole record was full of intelligence and challenges the listener to face their own ideas about where the world is headed.

https://ehph.bandcamp.com/album/infrared

18) Seven FederationsHoly Orders – A wonderous sonic explosion from South Dakota. The vocals just crackle with electric ferocity from exploding transformers. Filthy basslines and wolf growl guitars. this album is the naughty demon on your shoulder whispering to you of sinful roads not taken. They might be the most underrated album on this list. People need to know about this record.

https://sevenfederations.bandcamp.com/album/holy-orders

17) Carrion – Testament Ov The Exiled – This is always such a hard review to write. Carrion is so powerful, so fresh, but just doesn’t fit into any box that makes sense within the mind. This textural terror noise has a level of intensity that demands recognition. How to quantify it I have no idea. Other than to say it is music that leaves you changed, afraid, praying for the dawn. Hide [Adrian] is creating on a level that artists and critics in the next decade may have artful words for. This whole record just leaves me moved and unsure how to describe. Best to bare witness for yourself.

PS: Carrion is already reissuing the album via Brutal Resonance Records, the `Revised Edition ` includes 5 bonus tracks!

https://brutalresonance.bandcamp.com/album/testament-ov-the-exiled-revised-edition

https://officialcarrion.bandcamp.com/album/testament-ov-the-exiled

16) Corlyx – Together Apart World traveling EDM darkpop couple Caitlin and Brandon with their sophomore offering have captured the glory of pageantry in dark music. Caitlin has a beautiful voice that captivates and builds dreams in your mind. I love the dark LA gutter glamor this band always commands. They have added a level of clarity and refinement for this album and continue to evolve. Get in on the ground floor of these future stars.

https://corlyxngp.bandcamp.com/

15) Rottersand – How Do You Feel Today – The way this German band turns and twists on different axis within the same tracks is reality defying. The echoing chorus’s that have an intelligence and feel of Roger Waters bursting with electronic futurecore explosion. This album is a special journey with peaks and valleys that run the breadth of human experience. It is a modern album that has something for every kind of listener to enjoy.

https://rotersand.bandcamp.com/album/how-do-you-feel-today

14) Trevor Something Deep Wave Data Dark Web Deamons – Florida dance demon Trevor Something might be the sexiest thing I heard all year. The way they capture raw, grinding, sexual energy in sonic form is something of glory. It shakes your bone marrow awake and says you are an animal that hungers for flesh. Buy this record, shake a martini, and have a private dance party with your favorite partner.

https://trevorsomething.bandcamp.com/album/deep-wave-data-dark-web-daemons

13) 11 Grams – Humancide – The super combo of Rob and Simeon put out this long awaited album of everything you ever loved about old school industrial/electronica. It always has a toe over the line while sounding so familiar. Perfect execution and narrative intensity. This record is a rocket jocks sci-fi soundtrack to explore the speed of the stars.

https://11grams.bandcamp.com/album/humanicide

12) SpankTheNun – The Bunker Tapes Volume I – Hard and metal to the floor industrial from Texas. How do you find that line between crystal clear beats and filthy growling vocals? It’s right here. We aren’t reinventing the wheel here, we are greasing the axle to make it spin harder and faster. A bunch of amazing remixes from Blue Ant, Assemblage 23 , Melodywhore, Sapphirra Vee, show the faith and influence that this band commands in the scene.

https://spankthenun.bandcamp.com/album/the-bunker-tapes-vol-i

11) Caustic – A Succession Of Repetitive Beats – Our only double album winner in this genre is Matt Fanale. The return of Caustic and their DIY punk rock mentality with witty and humorous electronic slither is a breath of fresh air in the modern genre. The song Stale Semen, Shame, and Video Games is a poignant slam of the Incel culture. Make me dance and make me think. This is what Joe Strummer trained us for.

https://caustic.bandcamp.com/album/a-succession-of-repetitive-beats

10) Sapphira Vee – The Mask – The smoky and subtitle voice of Sapphira Vee from Rochester NY has been tearing up the airwaves the last two months. A slow drink of whiskey in sonic form. It’s slow and grinding full of personal reflection and self realization. I had a small part guest vocal on this album and it’s a point of personal pride that I was involved with such a powerful release this year. I’ve bought multiple copies of this record to send to friends. This is a great example of why trip hop is the highest evolution of music.

https://sapphiravee.bandcamp.com/

9) Kanga – Eternal DaughterLA based artist wields this sonic saber like a charging cavalry officer charging by on a horse slashing on both sides. It’s that effortlessly cool beauty blended with icy dance beats. I’m not sure what category to put this in beyond excellent.

https://kanga.bandcamp.com/album/eternal-daughter

8) Grabyourface – Sea – Every once in a while some album comes along that is so fresh and honest you sit up in your chair and just feel something new. One of those artist that grabs hold of their own ribcage and rips themselves open to let you in on the guts and grime of everything inside them. This album forces you to feel things, to confront and absorb the empathetic tone within yourself.

https://grabyourfacengp.bandcamp.com/

7) Klack – Probably – The Wisconsin EDM sensation that brings together Matt Fanale (Caustic) and Eric Oehler (Null Device). I’ve watched this project grow and blossom and this album really hit the perfect stride and balance of their styles. It’s clever, it’s electric, and the single Faith In Me is a glorious jam that could have been on a Depeche Mode album in the late 80s. I love when you hear a collaboration and can hear how much the artists respect and care about each other. It can’t be faked and this album brims over with it.

https://klack.bandcamp.com/album/probably

6) The Joy Thieves – A Blue Girl – Chicago superband led by drummer extraordinaire Dan Milligan has been garnering much deserved respect in Industrial circles. The way he blends old school Industrial with organic hard rock is an energy which is contagious. The contributor list is impressive and so long I won’t add everyone but names like Chris Connelly, Jullian Beeston, and Ania Tarnoska are just a few highlights. The title track is a slamming cut for the ages. If you don’t know about the next Pigface you need to get on board this train.

https://thejoythieves.bandcamp.com/album/the-joy-thieves-a-blue-girl

5) Klute – Queer For SatanClaus Larson of Leatherstrip unleashed this gorgeous record of furious destruction and sensual magnetism. This year must have been one of the toughest things a person can go through for him and that unbridled emotion pours forth in a firehose of pain and fear. If you love Leatherstrip (and how could you not) this album is top of the game.

https://leaetherstrip.bandcamp.com/album/queer-for-satan

4) Stoneburner – Beauty Is Terror – Steven Archer has had multiple releases this year, all great. His ability as an artist and multimedia creator really is the top of the game for DIY synthesis of audio and visual. To me this record was the highest evolution of his style thus far. It’s hard, world view, narrative, intelligent music that conjures images like you are reading a novel. The single “Are you here the way I’m here” is a steampunk electrocore time travel head flip. This album truly pushes the boundary of what is possible in thought and feeling. You need it.

https://stoneburnerofficial.bandcamp.com/album/beauty-is-terror

3) ESA: Electronic Substance Abuse – “Burial 10 – EBM music is not my cup of tea. However, anything done at the top of the game is easy to know when you hear it. This album is hard, filthy, and so full of nuclear radiation it is impossible to not stomp your feet and dance to. The concept, power, and delivery are peerless in their execution. Add to that guest performances by Jo Hysteria, Cainlin Corlyx, and Lecture and you have one of the breakout album experiences of the year. This is one of those records I could listen to 100 times and hone in on a different detail each one.

https://esangp.bandcamp.com/album/burial-10

2) The Jean Marc Lederman Experience – Letters to Gods and Fallen Angels – For all those wondering where are the albums touching on a higher artistic ideal in the modern age. This is it. The Belgian artists who’s resume has touched some of the most prolific music to occur in the electronic era has compiled a group of guest singers both legendary and future stars and ask them to write a letter to God or a fallen angel. The responses follow the course of human mysticism and discovery. This album is a true journey of thought and expression that touches on a myriad of styles and ideas. It’s been a long time since a record made me think and feel so much. Do yourself a favor and take this adventure.

https://wool-e-discs.be/album/wed077-letters-to-gods-and-fallen-angels

  1. Pig – Pain Is God – Some people had a punk rock phase in their angry youth. I had an industrial one. A big part of that was Raymond Watts. KMFDM and <PIG> was a remind that Industrial music could mean something else. That it was a music of synthesis between electronic dance beats and any other style you could imagine. Here he is reborn the swine lord persona with a heady blend of of gospel, hard rock, and neon gutter grime. This record was the open gate between my 2020 self and my 1993 self. A DeLorean that connected me to my ego and my wisdom. A glorious return for the master of swine.
See our interview with Raymond Watts here

https://pigindustries.bandcamp.com/

I didn’t include singles in this list. However important mentions: Silverwalks, Melodywhore, and Der Prosector.

https://silverwalk.bandcamp.com/

https://melodywhore.bandcamp.com/

https://derprosector.bandcamp.com/

Review of “Pain Is God”

A name that needs no introduction a synonymous part of Industrial/Electronica music for as many decades as I have on this earth Raymond Watts has a new album. Rather as <PIG>, KMFDM, Schwein, or countless remix collaborations for everyone in the scene Pig has continued to leave a mark for the effective sound smiting and adventurous forays into every nook and cranny of the EDM spectrum. No filth or madness was too deep for his snout to seek out truffles in.

https://pigindustries.bandcamp.com/

The new album is a 14 track journey “Pain Is God” through the sleaze glam neon dustbowl. Through all of it you hear a cleaner more blended offering than “Pigmartyr”. Even through the carnival of chaos the narrative of each song rings through the crunching haze of guitar and effect.

Doing this interview was a dream come true for 18 year old Ken. I feel like we had a wonderful discussion that revealed a lot about the man and what went into this album.

Favorite Tracks:

Pain Is God – We drop in on a booming bass wave rolling towards you like the ocean. Glitchy star holes of electronic sound build towards a chorus of gospel choir. Using the beauty of faith music as a sacrilegious tool of excess.

Rock and Roll Refugee – Rockabilly disco and palm muted gutter drive builds to a hook that gives ode to the power of rock. Our gospel choir returns to build the power. I love a good poetry serpent with a hard cadence delivery and this verse lays on the sickness.

Deliverance – I love this strange offbeat crooning ballad. Once the string sound drop in the tone shifts. This is the heart of the revival tent and the fever eyed preacher is working the thrum. Raymond’s voice takes a 90’s Leonard Cohen flavor. This one drips with soul and sends everyone’s voice calling to the sky.

Kicking Ass – Love the sample into old school 90’s industrial slash and burn. That guitar riff is thick as a vault door. I love the whisper of secret sins vocals. A lovely sheading blues guitar solo drops out of nowhere and takes over the tone.

I hear in this album an excited and invigorated Raymond Watts who has found his heart and centered his focus. It has a pulse, it sings a story, it reminded me what someone off the chain playing music they are in love with felt like. I want more and I want to breath it live. Long live the <PIG>